Best 31 quotes in «lord of the rings quotes» category

All you get to decide is what to do with the time that it is given to you.

After ripping through The Hobbit, I read The Lord of the Rings, and the darkness of that story enveloped me in a way that is impossible to explain. I was THERE, in a very real sense. The fear was palpable in the presence of the black-cloaked Ringwraiths, and I could taste the sulfurous fumes of Mt. Doom. I could smell the sweat of horses and hot leather and hear the clash of battle as I rode with the Rohan on the fields of the Pelennor. I bled and died with the sun-king, Theoden. I rose again with Eowyn’s defiance of the Witch King. I soared with the Eagles as they swept the broken and bloody body of Frodo and his companion Samwise the Brave from the smoking crags of the fiery mountain. There has never been such a story, and I don’t think there ever shall be again.

A good swordsman is more important than a good sword.

And there's no sex, hardly any love stuff at all, in Middle Earth, which always made me think, yes, the world would be better off without it.

Alright, we put it away. We keep it hidden. We never speak of it again. No one knows it's here, do they? Do they, Gandalf?

But of all the women, Éowyn is the strongest, quite frankly, because of her weakness: she's only human. She has no special powers, no immortality, only her innate grit and drive to be something more than just a shield-maiden. And nothing whatsoever will stay her on her course. In the end, she, and her faithful companion Merry, take down the Witch King HIMSELF! She kills the one servant of Sauron that no man can kill; she kills Fear itself in what is arguably the most dramatic moment in the books. I think it is significant that the embodiment of Fear in The Lord of the Rings is slain by a woman. In fact, only a woman is capable of doing so.

Ceux qui errent ne sont pas toujours perdus.

Hasta la persona más pequeña puede cambiar el curso del futuro.

Did you know, ji,’ Zulu offered, ‘that the map of Tolkien’s Middle earth fits quite well over central England and Wales? Maybe all fairylands are right here, in our midst.

Den som ikke kan skille seg av med sine skatter når han må, han er i lenker.

Elrond,” Bruce said. “The Council of Elrond. From Lord of the Rings. It’s the meeting where they decide to destroy the One Ring.” “Jesus,” Annie said. “None of you got laid in high school, did you?

Gollum merece la muerte. La merece, sin duda. Muchos de los que viven merecen morir y algunos de los que mueren merecen la vida ¿Puedes devolver la vida? Entonces no te apresures a dispensar la muerte, pues ni el más sabio conoce el fin de todos los caminos.

I am the foremost collector of velvet Elvii in the city of Chicago," I said at once. "Elvii?" Marcone inquired. "The plural would be Elvises, I guess," I said. "But if I say that too often, I start muttering to myself and calling things 'my precious,' so I usually go with the Latin plural.

How are we supposed to get in?” Stella kicked the metal shutter. “Fool of a Took!” Jamie hissed through his teeth. “If someone’s in there, they probably heard that.

His ordeal has stripped away every bit of himself and leaves him feeling completely exposed to his Enemy. He has no way to know when the next full-scale attack will come, only that it will and that he cannot hide or protect himself from it. Yet even in Frodo’s darkness, with the fiery Ring as the only illumination he senses, there is still deep union between him and God. Evil continually forces its way into the hobbit’s soul, but God is already there to strengthen him in his struggle to keep the demonic power from overwhelming him completely. As Frodo burns upon the kindled wheel, he becomes a candle set alight by both Light and Dark, a figure 'clothed in flame' (LOTR, 890), as Sam saw by the red light in the Tower chamber. The combination of this torment, God’s love for him, and his own love for his world consume him in 'a holy sacrifice, truly pleasing to God' (Rom. 12:1).

Strength is not created by adversity; it is merely awakened by it.

I did not buy a book called Lord Foul's Bane by Stephen Donaldson, which has the temerity to compare itself, on the front cover, to 'Tolkien at his best.' The back cover attributes the quote to the Washington Post, a newspaper whose quotations will always damn a book for me from now on. How dare they? And how dare the publishers? It isn't a comparison anyone could make, except to say 'Compared to Tolkien at his best, this is dross.' I mean you could say that even about really brilliant books like A Wizard of Earthsea. I expect Lord Foul's Bane (horrible title, sounds like a Conan book) is more like Tolkien at his worst, which would be the beginning of The Simarillion. The thing about Tolkien, about The Lord of the Rings, is that it's perfect.

I think if Jeremy Corbyn got a cloak, he'd make a very good Gandalf.

Long story short: Alderman took the cursed ring. He put it on and turned even crazier and eviler, which I hadn’t thought possible. Personally, I liked my cursed rings to at least do something cool, like turn you invisible and let you see the Eye of Sauron. Andvari’s ring had no upside. It brought out the worst in you—greed, hate, jealousy. According to Hearth, it would eventually change you into a bona fide monster so your outside could be as repulsive as your inside.

No parent should have to bury their child.

So much death, what can men do against such reckless hate?

I first read The Lord of the Rings and The Hobbit when I was eighteen. It felt as though the author had taken every element I'd ever want in a story and woven them into one huge, seamless narrative; but more important, for me, Tolkien had created a place, a vast, beautiful, awesome landscape, which remained a resource long after the protagonists had finished their battles and gone their separate ways. In illustrating The Lord of the Rings I allowed the landscapes to predominate. In some of the scenes the characters are so small they are barely discernible. This suited my own inclinations and my wish to avoid, as much as possible, interfering with the pictures being built up in the reader's mind, which tends to be more closely focussed on characters and their inter-relationships. I felt my task lay in shadowing the heroes on their epic quest, often at a distance, closing in on them at times of heightened emotion but avoiding trying to re-create the dramatic highpoints of the text. With The Hobbit, however, it didn't seem appropriate to keep such a distance, particularly from the hero himself. I don't think I've ever seen a drawing of a Hobbit which quite convinced me, and I don't know whether I've gotten any closer myself with my depictions of Bilbo. I'm fairly happy with the picture of him standing outside Bag End, before Gandalf arrives and turns his world upside-down, but I've come to the conclusion that one of the reasons Hobbits are so quiet and elusive is to avoid the prying eyes of illustrators.

I think a servant of the enemy would look fairer and feel fouler.

(One does not simply walk into Mordor--except that was exactly what everyone in the story did anyway.)

The Lord of the Rings is a million times more interesting than mere literature, which is why mere literary critics cannot get to grips with it.

...underneath their human guises, they looked like the typical faery - that is, no wings, scantily clad and kind of man-pretty like Orlando Bloom's Legolas...

Warwick Castle, Oxford University, the Cotswold, and the countryside of England are my favorite places to visit when I’m in England. Whenever I visit, I feel as if I’ve come home. These places inspired my settings for my fantasy series, Bitter Frost Series, Wordwick Games, and The Alchemists Academy. I didn’t know the great author of the Lord of the Rings Trilogy was also inspired by Warwick, Oxford, and Cotswold. Imaginative minds must dream alike.

...With a religious book it is less what we see in it than what we see through it that matters. J. R. R. Tolkien's fairy-tale epic the Lord of the Rings helps draw the distinction perhaps. Some of its admirers have tried to make it into a religion book by claiming, among other things, that the Ring of Power which must be destroyed is the hydrogen bomb. Tolkien, on the other hand, denied this unequivocally. But intended or otherwise, there can be little doubt that for many it has become a religious book. The "Frodo Lives" buttons are not entirely a joke, because something at least comes to life through those fifteen hundred pages, although inevitably it is hard to say just what. It seems to have something to do with the way Tolkien has of making us see the quididity of things like wood, bread, stone, milk, iron, as though we have never seen them before or not for a long time, which is probably the truth of the matter; his landscapes set deeper echoes going in us than any message could. He gives us back a sense that we have mostly lost of the things of the earth, and because we are ourselves of the earth, whatever else, we are given back too some sense of our own secret. Very possibly again he did not intend it. I may well be axiomatic that, religiously, a writer achieves most when he is least conscious of doing so. Certainly the attempt to be religious is as doomed as the attempt to be poetic is.

There are two novels that can change a bookish fourteen-year old’s life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs." [Kung Fu Monkey -- Ephemera, blog post, March 19, 2009]

There’s no two ways about it, Tolkien fans are a funny bunch. I should know, for I was one of them. Been there, done that, read the book, gone mad. I first took on The Lord of the Rings at the age of eleven or twelve; to be precise, I began it at the age of eleven and finished at the age of twelve. It was, and remains, not a book that you happen to read, like any other, but a book that happens to you: a chunk bitten out of your life.

We stopped and listened. Just on the cusp of hearing I detected a rhythmic pounding, more a vibration in the concrete than a sound. 'Drums,' I said and then because I couldn't resist it. 'Drums in the deep.' 'Drum and Bass in the deep,' said Kumar.