Best 66 quotes in «a series of unfortunate events quotes» category

But that's another error in the note," Klaus said. "It doesn't say unbearable, with a U. It says inbearable, with an I." "You are being unbearable, with a U," Violet cried. "And you are being stupid, with an S," Klaus snapped.

Captain Sham doesn't have a left ankle and only has one eye. I can't believe you would dare to disagree with a man who has eye problems." "I have eye problems," Klaus said, pointing to his glasses, "and you're disagreeing with me." "I will thank you not to be impertinent," Aunt Josephine said, using a word which here means "pointing out that I'm wrong, which annoys me.

Count Olaf: You should have given up a long time ago, orphans. I triumphed the moment you lost your family. Violet: We didn't lose our family. Only our parents.

Drat!" Dr. Orwell said. "He's unhypnotized! How in the world would a child know a complicated word like 'inordinate'?" "These brats know lots of words," Shirley said, in her ridiculously fake high voice. "They're book addicts. But we can still create an accident and win the fortune!

Hee hee hee!" Nero said. "You children are like three clowns!" "Ho ho ho!" Count Olaf said. "Ha ha ha!" Violet said, who was beginning to feel queasy from faking all this laughter.

Duncan kept his hand on Violet's and talked to her about terrible concerts he had attended back when the Quagmire parents were alive, and she was happy to hear his stories. Isadora began working on a poem about libraries and showed Klaus what she had written in her notebook, and Klaus was happy to offer suggestions. And Sunny snuggled down in Violet's lap and chewed on the armrest of her seat, happy to bite something that was so sturdy.

If you have read this far in the chronicle of the Baudelaire orphans - and I certainly hope you have not - then you know we have reached the thirteenth chapter of the thirteenth volume in this sad history, and so you know the end is near, even though this chapter is so lengthy that you might never reach the end of it. But perhaps you do not yet know what the end really means. "The end" is a phrase which refers to the completion of a story, or the final moment of some accomplishment, such as a secret errand, or a great deal of research, and indeed this thirteenth volume marks the completion of my investigation into the Baudelaire case, which required much research, a great many secret errands, and the accomplishments of a number of my comrades, from a trolley driver to a botanical hybridization expert, with many, many typewriter repairpeople in between. But it cannot be said that The End contains the end of the Baudelaires' story, any more than The Bad Beginning contained its beginning. The children's story began long before that terrible day on Briny Beach, but there would have to be another volume to chronicle when the Baudelaires were born, and when their parents married, and who was playing the violin in the candlelit restaurant when the Baudelaire parents first laid eyes on one another, and what was hidden inside that violin, and the childhood of the man who orphaned the girl who put it there, and even then it could not be said that the Baudelaires' story had not begun, because you would still need to know about a certain tea party held in a penthouse suite, and the baker who made the scones served at the tea party, and the baker's assistant who smuggled the secret ingredient into the scone batter through a very narrow drainpipe, and how a crafty volunteer created the illusion of a fire in the kitchen simply by wearing a certain dress and jumping around, and even then the beginning of the story would be as far away as the shipwreck that leftthe Baudelaire parents as castaways on the coastal shelf is far away from the outrigger on which the islanders would depart. One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it. We might even say that the world is always in medias res - a Latin phrase which means "in the midst of things" or "in the middle of a narrative" - and that it is impossible to solve any mystery, or find the root of any trouble, and so The End is really the middle of the story, as many people in this history will live long past the close of Chapter Thirteen, or even the beginning of the story, as a new child arrives in the world at the chapter's close. But one cannot sit in the midst of things forever. Eventually one must face that the end is near, and the end of The End is quite near indeed, so if I were you I would not read the end of The End, as it contains the end of a notorious villain but also the end of a brave and noble sibling, and the end of the colonists' stay on the island, as they sail off the end of the coastal shelf. The end of The End contains all these ends, and that does not depend on how you look at it, so it might be best for you to stop looking at The End before the end of The End arrives, and to stop reading The End before you read the end, as the stories that end in The End that began in The Bad Beginning are beginning to end now.

Hello?" Violet said finally. The telephone said nothing. "Hello?" Violet said again. "Hello? Hello?" The telephone did not answer.

Bambini!" Uncle Monty cried out from the front door. "Come along, bambini!" The Baudelaire orphans raced back through the hedges to where their new guardian was waiting for them. "Violet, Uncle Monty," Violet said. "My name is Violet, my brother's is Klaus, and Sunny is our baby sister. None of us is named Bambini." "'Bambini' is the Italian word for 'children,'" Uncle Monty explained. "I had a sudden urge to speak a little Italian. I'm so excited to have you three here with me, you're lucky I'm not speaking gibberish.

If the Baudelaire orphans had been stalks of celery, they would not have been small children in great distress, and if they had been lucky, Carmelita Spats would have not approached their table at this particular moment and delivered another unfortunate message. "Hello, you cakesniffers," she said, "although judging from the baby brat you're more like saladsniffers. I have another message for you from Coach Genghis. I get to be his Special Messenger because I'm the cutest, prettiest, nicest little girl in the whole school." "If you were really the nicest person in the whole school," Isadora said, "you wouldn't make fun of a sleeping infant. But never mind, what is the message?" "It's actually the same as last time," Carmelita said, "but I'll repeat it in case you're too stupid to remember. The three Baudelaire orphans are to report to the front lawn tonight, immediately after dinner." "What?" Klaus asked. "Are you deaf as well as cakesniffy?" Carmelita asked.

If you are like most people, you have an assortment of friends and family you can call upon in times of trouble. For instance, if you woke up in the middle of the night and saw a masked woman trying to crawl through your bedroom window, you might call your mother or father to help you push her back out. If you found yourself hopelessly lost in the middle of a strange city, you might ask the police to give you a ride home. And if you were an author locked in an Italian restaurant that was slowly filling up with water, you might call upon your acquaintances in the locksmith, pasta, and sponge business to come and rescue you.

I just don't understand it," said Klaus, which was not something he said very often. Violet nodded in agreement, and then said something she didn't say very frequently either. "It's a puzzle I'm not sure we can solve." "Pietrisycamollaviadelrechiotemexity," Sunny said, which was something she had said only once before. It meant something along the lines of "I must admit I don't have the faintest idea of what is going on," and the first time the youngest Baudelaire had said it, she had just been brought home from the hospital where she was born, and was looking at her siblings as they leaned over her crib to greet her.

If you were smart," Genghis said, "you would have borrowed the silverware of one of your friends." "We never thought of that," Klaus said. When one is forced to tell atrocious lies, one often feels a guilty flutter in one's stomach, and Klaus felt such a flutter now. "You certainly are an intelligent man." "Not only am I intelligent," Genghis agreed, "but I'm also very smart.

I'll tell you why I'm Shirley," Count Olaf said. "I'm Shirley because I would like to be called Shirley, and it is impolite not to do so.

I'm afraid it's not nonsense," Genghis said, shaking his turbaned head and continuing his story. "As I was saying before the little girl interrupted me, the baby didn't dash off with the other orphans. She just sat there like a sack of flour. So I walked over to her and gave her a kick to get her moving." "Excellent idea!" Nero said. "What a wonderful story this is! And then what happened?" "Well, at first it seemed like I'd kicked a big hole in the baby," Genghis said, his eyes shining, "which seemed lucky, because Sunny was a terrible athlete and it would have been a blessing to put her out of her misery." Nero clapped his hands. "I know just what you mean, Genghis," he said. "She's a terrible secretary as well." "But she did all that stapling," Mr. Remora protested. "Shut up and let the coach finish his story," Nero said. "But when I looked down," Genghis continued, "I saw that I hadn't kicked a hole in a baby. I'd kicked a hole in a bag of flour! I'd been tricked!" "That's terrible!" Nero cried.

I'm afraid the engine is quite dead," Mr. Poe called out. "And before long," Stephano muttered to the children, "you will be too." "I'm sorry," Mr. Poe said. "I couldn't hear you.

In between bites of banana, Mr. Remora would tell stories, and the children would write the stories down in notebooks, and every so often there would be a test. The stories were very short, and there were a whole lot of them on every conceivable subject. "One day I went to the store to purchase a carton of milk," Mr. Remora would say, chewing on a banana. "When I got home, I poured the milk into a glass and drank it. Then I watched television. The end." Or: "One afternoon a man named Edward got into a green truck and drove to a farm. The farm had geese and cows. The end." Mr. Ramora would tell story after story, and eat banana after banana, and it would get more and more difficult for Violet to pay attention.

Inside these letters, the eye will see Nearby are your friends, and VFD.

Is the elevator out of order?" Violet asked. "I'm very good with mechanical devices, and I'd be happy to take a look at it." "That's a very kind and unusual offer," the doorman said.

It is awful to contemplate this sort of life, in which one would always be forced into motion by a variety of mysterious and powerful forces, never staying anywhere for long, never finding a safe place one could call home, never able to turn the tables for very long, just as the Baudelaire orphans found it awful to contemplate their own lives [...] just when it seemed they might break out of the tedious cycle of unfortunate events in which they found themselves trapped.

It is unfortunate, of course, that this quiet happy moment was the last one the children would have for quite some time, but there is nothing anyone can do about it now. Just when the Baudelaires were beginning to think about lunch, they heard a car pull up in front of the house and toot its horn. To the children it signaled the arrival of Stephano. To us it should signal the beginning of more misery.

It may surprise you to learn that at this moment, Sunny resembled the famous Greek conqueror Alexander the Great. Alexander the Great lived more than two thousand years ago, and his last name was not actually "The Great." "The Great" was something that he forced people to call him, by bringing a bunch of soldiers into their land and proclaiming himself king. Besides invading other people's countries and forcing them to do whatever he said, Alexander the Great was famous for something called the Gordian Knot. The Gordian Knot was a fancy knot tied in a piece of rope by a king named Gordius. Gordius said that if Alexander could untie it, he could rule the whole kingdom. But Alexander who was too busy conquering places to learn how to untie knots, simply drew his sword and cut the Gordian Knot in two. This was cheating, of course, but Alexander had too many soldiers for Gordius to argue, and soon everybody in Gordium had to bow down to You-Know-Who the Great. Ever since then, a difficult problem can be called a Gordian Knot, and if you solve the problem in a simple way - even if the way is rude - you are cutting the Gordian Knot.

Tra la la, Fiddle dee dee, Hope you get well soon. Ho ho ho, hee hee hee, Have a heart-shaped balloon.

It's Esmé Squalor!" an Elder cried. "She used to be the city's sixth most successful financial advisor, but now she works with Count Olaf!" "I heard the two of them are dating!" Mrs. Morrow said in horror. "We are dating!" Esmé cried in triumph. She climbed aboard Olaf's motorcycle and tossed her helmet to the ground, showing that she cared no more about motorcycle safety than she did about the welfare of crows.

It was an eerie feeling, which is why Violet and Sunny were surprised when Klaus broke the silence by laughing suddenly. "What are you snickering at?" Violet asked. "I just realized something," Klaus said. "We're going to the administrative building without an appointment. We'll have to eat our meals without silverware." "There's nothing funny about that!" Violet said. "What if they serve oatmeal for breakfast? We'll have to scoop it up with our hands." "Oot," Sunny said, which meant "Trust me, it's not that difficult," and at that the Baudelaire sisters joined their brother in laughter. It was not funny, of course, that Nero enforced such terrible punishments, but the idea of eating oatmeal with their hands gave all three siblings the giggles. "Or fried eggs!" Violet said. "What if they serve runny fried eggs?" "Or pancakes, covered in syrup!" Klaus said. "Soup!" Sunny shrieked, and they all broke out in laughter again.

It was Stephano, or, if you prefer, it was Count Olaf. It was the bad guy.

Listen to this, Sunny," she said, when her sister opened her eyes. "'Once a subject has been hypnotized, a simple hmmm word will make him or her perform whatever hmmm acts any hmmm wants hmmmed.'" "Hmmm?" Sunny asked. "Those are the words I don't know" Violet explained.

She turned her attention back to the book, and reread the sentence one more time, but this time she simply skipped the words she did not know. As often happens when one reads in this way, Violet's brain made a little humming noise as she encountered each word - or each part of a word - she did not know. So inside her head, the opening sentence of chapter twelve read as follows: "'Hypnosis is an hmmm yet hmmm method hmmm and should not be hmmmed by hmmms,'" and although she could not tell exactly what it meant, she could guess. "It could mean," she guessed to herself, "that hypnosis is a difficult method and should not be learned by amateurs," and the interesting thing is that she was not too far off.

Occasionally, events in one's life become clearer through the prism of experience, a phrase which simply means that things tend to be clearer as time goes on. For instance, when a person is just born, they usually have no idea what curtains are and spend a great deal of their first months wondering why on earth Mommy and Daddy have hung large pieces of cloth over each window in the nursery. But as the person grows older, the idea of curtains becomes clearer through the prism of experience. The person will learn the word "curtains" and notice that they are actually quite handy for keeping a room dark when it is time to sleep, and for decorating an otherwise boring window area. Eventually, they will entirely accept the idea of curtains of their own, or venetian blinds, and it is all due to the prism of experience.

Pietrisycamollaviadelrechiotemexity," Sunny said, which you will probably recall means something along the lines of "I must admit I don’t have the faintest idea of what is going on." Sunny had now said this particular thing three times over the course of her life, and she was beginning to wonder if this was something she was only going to say more and more as she grew older.

Look!" Mr. Poe said, who was still too far to help but close enough to see. "Genghis has an eye tattoo, like Count Olaf! In fact, I think he IS Count Olaf!" "Of course he is!" Violet cried, holding up the unraveled turban. "Merd!" Sunny shrieked, holding up a tiny piece of shoelace. She meant something like "That's what we've been trying to tell you.

No! The E aisle!" "B?" Violet asked, finding it difficult to hear over the sounds of the cabinets. "E!" Klaus cried. "E as in Exit!" The Baudelaires ran down E as in Exit, but when they reached the last cabinet, the row was becoming F as in Falling File Cabinets, G as in Go the Other Way! and H as in How in the World Are We Going to Escape?

Popinsh!" Sunny shrieked. "Sunny means," Violet said, "that Dr. Orwell hypnotized Klaus and caused that terrible accident, didn't she?" "Conceivably," Shirley said. "And he's being hypnotized again, right now, isn't he?" Violet asked. "It's within the bounds of the imagination," Shirley said.

The Baudelaire orphans hung on to one another, and wept and wept while the adults argued endlessly behind them. Finally-as, I'm sorry to say, Count Olaf forced the Quagmires into puppy costumes so he could sneak them onto the airplane without anyone noticing-the Baudelaires cried themselves out and just sat on the lawn together in weary silence.

The accident," she said finally, "happened because Klaus was hypnotized." "What your brother does for a hobby is none of my concern," Sir said.

Tapi di dunia ini baik hati saja tidak cukup, apalagi kalau orang harus menjaga anak-anak agar terhindar dari bahaya.

The Baudelaire orphans stared at the scrap of paper, and then at Hector, and then at the scrap of paper again. Then they stared at Hector again, and then at the scrap of paper once more and then at Hector once more and then at the scrap of paper once again, and then at Hector once again and then at the scrap of paper one more time.

-the phrase "lion's share" here means "the biggest part" and has nothing to do with lions or sharing-

The expression "following suit" is a curious one, because it has nothing to do with walking behind a matching set of clothing.

The first sentence was "This tome will endeavor to scrutinize, in quasi-inclusive breadth, the epistemology of ophthalmologically contrived appraisals of ocular systems and the subsequent and requisite exertions imperative for expugnation of injurious states," and as Violet read it out loud to her sister, both children felt the dread that comes when you begin a very boring and difficult book.

Their adventure would be exciting and memorable like being chased by a werewolf through a field of thorny bushes at midnight with nobody around to help you.

The next name on the list is Ed Valiantbrue, which doesn't have an O in it anyway." "O!" Sunny shrieked. "O!" Klaus agreed. "O!" Sunny insisted. "Oh!" Klaus cried. "I see what you mean! If it doesn't have am O in it, it can't be an anagram of Violet Baudelaire.

They did not hop, even though the man had asked them to "hop in," because hopping is something done in the cheerful moments of one's life. A plumber might hop, for instance, if she finally fixed a particularly difficult leak in someone's shower. A sculptor would hop if his sculpture of four basset hounds playing cards was finally finished. And I would hop like nobody has ever hopped before, if I could somehow go back to that terrible Thursday, and stop Beatrice from attending that afternoon tea where she met Esmé Squalor for the first time. But Violet, Klaus and Sunny did not hop, because they were not plumbers fixing leaks, or sculptors finishing works of art, or authors magically erasing a series of unfortunate events.

There are many, many things that are difficult in this life, but one thing that isn't difficult at all is figuring out whether someone is excited or not when they open a present. If someone is excited, they will often put exclamation points at the end of their sentences to indicate their excited tone of voice. If they say "Oh!" for instance, the exclamation point would indicate that the person is saying "Oh!" in an excited way, rather than simply saying "Oh," with a comma after it, which would indicate that the present is somewhat disappointing. "Oh," Violet said, as she opened her present. "Oh," Klaus said, as he opened his. "Oh," Sunny said, as she tore open her shopping bag with her teeth.

There was a noise above us like an airplane zoom, but it was getting too dark to see. People started laying on the horn, braying like bad geese in a panic. "I am here," Lila said with a trembly smile. Our driver's ed teacher had told us that's what the horn should mean. Not Move along, buddy or I am displeased but I am here. I am here, I am here, I am here!

They are stupid, aren't they?" Dr. Orwell agreed, as though they were talking about the weather instead of insulting young children.

There are many, many things that are difficult in this life, but one thing that isn't difficult at all is figuring out whether someone is excited or not when they open a present. If someone is excited, they will often put exclamation points at the end of their sentences to indicate their excited tone of voice. If they say "Oh!" for instance, the exclamation point would indicate that the person is saying "Oh!" in sn rxcited way, rather than simply saying "Oh," with a comma after it, which would indicate that the present is somewhat disappointing. "Oh," Violet said, as she opened her present. "Oh," Klaus said, as he opened his. "Oh," Sunny said, as she tore open her shopping bag with her teeth.

This isn’t fair,” Klaus said finally, but he said it so quietly that the departing islanders probably did not hear. Only his sisters heard him, and the snake the Baudelaires thought they would never see again, and of course Count Olaf, who was huddled in the large, ornate bird cage like an imprisoned beast, and who was the only person to answer him. “Life isn’t fair,” he said, in his undisguised voice, and for once the Baudelaire orphans agreed with every word the man said.

Those two Quagmires will whisk and whisk until they are simply whisked away.

Well, Nero," Genghis said, "I just wanted to give you this rose-a small gift of congratulations for the wonderful concert you gave us last night!" "Oh, thank you," Nero said, taking the rose out of Genghis's hand and giving it a good smell. "I was wonderful, wasn't I?" "You were perfection!" Genghis said. "The first time you played your sonata, I was deeply moved. The second time, I had tears in my eyes. The third time, I was sobbing. The fourth time, I had an uncontrollable emotional attack. The fifth time-" The Baudelaires did not hear about the fifth time because Nero's door swung shut behind them.