Best 12054 quotes in «eye quotes» category

I am sending back the key that let me into bluebeard's study; because he would make love to me I am sending back the key; in his eye's darkroom I can see my X-rayed heart, dissected body: I am sending back the key that let me into bluebeard s study.

I am so lonely without you, Aedan," Jane said simply. "You truly want me?" "More than anything. I'm only half without you." "Then you are my woman." His words were finality, a bond he would not permit broken. She had given herself to his keeping. He would never let her go. "And you'll never leave me?" she pressed. "I'll stay with you for all of ever, lass." Jane's eyes flared, and she looked at him strangely. "And then yet another day?" she asked breathlessly. "Oh, aye.

I am sure the next step will be the electronic image, and I hope I shall live to see it. I trust that the creative eye will continue to function, whatever technological innovations may develop.

I am terribly British. Especially in the eyes of Americans. I drink several gallons of tea a day, I'm often excessively polite and it's only through many years of expensive and painful dental work that I don't have bad teeth.

I am stronger when Tessa is here, you see. I told it to you," said Jem, still in the same soft voice. At that, Will did duck his head so that Tessa could not see his eyes. "I see it," he said.

I am the camera's eye. I am the machine that shows you the world as I alone see it. Starting from today I am forever free of human immobility. I am in perpetual movement. I approach and draw away from things-I crawl under them-I climb on them-I am on the head of a galloping horse.

I am tired of looking on what is, One might as well see beauty never more, As look upon it with an empty eye. I would this world were over. I am tired.

I am the first male member of my family for about three generations who can have reasonable confidence in expecting that I will leave this earth with more or less the same number of fingers, hands, legs, toes and eyes as I had when I was born.

I am the One, and I see all. But the blind man in Apartment 1-A is blind in many ways, as are all human beings, even those with functioning eyes. They are blind to their folly, to their ignorance, to their history, to the future that they will make for themselves. A future born of self-loathing.

I am very much a scientist, and so I naturally have thought about religion also through the eyes of a scientist. When I do that, I see religion not denominationally, but in a more, let us say, deistic sense. I have been influence in my thinking by the writing of Einstein who has made remarks to the effect that when he contemplated the world he sensed an underlying Force much greater than any human force. I feel very much the same. There is a sense of awe, a sense of reverence, and a sense of great mystery.

I am Todd Hewitt, I think to myself with my eyes closed. I am twelve years and twelve months old. I live in Prentisstown on New World. I will be a man in one month’s time exactly.

I am very bad at remembering the books I've read and so recently I had a wonderful experience. I decided I wanted to teach Toni Morrison's The Bluest Eye. I hadn't read it in twenty-five years. I was surprised to find how much I drew from that book. Stole from that book, learned from that book about writing. I had forgotten and there it was. Morrison has called that text faulted. I cannot see how.

I am very grateful to God everyday that my eyes flutter open and I can jump out of that bed!

I am too rich already, for my eyes Mint gold, while my heart cries.

I am troubled, immeasurably by your eyes. I am struck by the feather of your soft reply. The sound of glass speaks quick, disdain and conceals what your eyes fight to explain.

I am very scared of wasps; my cousin was stung in the eye once.

I am very superstitious about toasts. I never toast with water, and I'm very careful to make eye contact with everyone I toast with.

I am who I am in the eyes of God- nothing more and nothing less.

I appeal to your own eyes as my witness and judge.

I apologize to all of my colleagues who've been writing up storms, but as a culture we've essentially put ourselves into a position where Mark Zuckerberg can say, "Privacy as a social norm is no longer relevant," and a lot of people don't blink an eye.

I asked her to look at me and after a few moments - (pause) - after a few moments she did, but the eyes just slits, because of the glare I bent over her to get them in the shadow and they opened. (Pause. Low) Let me in.

...I asked Ochto what in the name of all that was sacred he thought he was doing. "Helping you," said Dirnes. "Why?" They put the soldier down, and Ochto straightened to look me in the eye. "Because I know nothing about kings and princes, but I know men.

I asked a thief to steal me a peach: He turned up his eyes. I asked a lithe lady to lie her down: Holy and meek, she cries. As soon as I went An angel came. He winked at the thief And smiled at the dame- And without one word spoke Had a peach from the tree, And 'twixt earnest and joke Enjoyed the lady.

I became an ifrit to save the lives of my fellow jinn. What kind of life saver would I be if I let you sit here and wither away in paradise? Just an obstacle. Just an obstacle. I meet the ifrit's eyes. What happened to all your talk about birds and fish having nowhere to live? The ifrit shrugs. I suggest you start holding your breath, my friend, he says, then pushes through the hearing room doors.

I assume my stance, and take back the club, low, slowly; at the top, my eyes fog over, and my joints dip and swirl like barn swallows, I swing. There is a fruitless commotion of dust and rubber at my feet. "Smothered it," I say promptly. After enough lessons the terminology becomes second nature.

I assume the senses crave sources of maximum information, that the eye benefits by exercise, stretch, and expansion towards materials of complexity and substance, . . . conditions which alert the total sensibility - cast it almost in stress - extend insight and response, the basic responsive range of empathetic-kinesthetic vitality.

I assure you that there's a lot involved in compositions with figures. ... It's like weaving... you must control and keep an eye on several things at once.

I barely heard him, I was too busy watching Pritkin, who had slumped over with his head on the sofa arm, shoulders shaking helplessly, and what looked suspiciously like tears leaking out from under his closed eyes. "Not that bad," he muttered, and then he was off again.

I began to realize that the camera sees the world differently than the human eye and that sometimes those differences can make a photograph more powerful than what you actually observed.

I became simply a pair of eyes, staring through my mask at Char. I needed no ears because I was too far off to hear his voice, no words because I was too distant for speech, and no thoughts - those I saved for later. He bent his head. I loved the hairs on the nape of his neck. He moved his lips. I admired their changing shape. He clasped his hand. I blessed his fingers. Once, the power of my gaze drew his eyes.

I began to like New York, the racy, adventurous feel of it at night, and the satisfaction that the constant flicker of men and women and machines gives to the restless eye.

I believe a lot in the relationship between performers. When you're supported by someone's eyes, you're not alone.

I believe a writer is an eye, a pervasive eye that sees the reality that surrounds us, as well as the impression it makes on our souls. It reacts — or does not react — by putting it on paper.

I believed that by a process of what I can only describe as inward dilation of the eyes I could increase my actual vision.

I believe God has instilled in us a craving, a deep desire to run with Him on a fantastic adventure, yet many of us crawl along in life without even a glimpse of our hidden passion. There has to be a reason for living. There must be a Camelot, a hidden Utopia where we can rest from our personal campaigns. Fantasy opens our eyes to a better place, a shining city we do not yet know. And these stories provide a mental bridge to that city as we pursue horizons we could never distinguish with our physical eyes.

I believe in empathy. I believe in the kind of empathy that is created through imagination and through intimate, personal relationships. I am a writer and a teacher, so much of my time is spent interpreting stories and connecting to other individuals. It is the urge to know more about ourselves and others that creates empathy. Through imagination and our desire for rapport, we transcend our limitations, freshen our eyes, and are able to look at ourselves and the world through a new and alternative lens.

I believe in looking reality straight in the eye and denying it.

I believe in that line from An Imperial Affliction. 'The risen sun too bright in her losing eyes.' That's God, I think, the rising sun, and the light is too bright and her eyes are losing but they aren't lost.

I believe in walking out of a museum before the paintings you've seen begin to run together. How else can you carry anything away with you in your mind's eye?

I believe it is dangerous to think that the more extreme forms of censorship are more worthy of our attention. If we put all our effort into looking for the splinter in Turkey or China's eye, we may fail to recognise the plank in our own.

I believe that business shouldn't be done in the public's eye anyway. And I believe that business shouldn't be handled in the magazines anyway. Business should be handled in the room amongst the people you're doing business with.

I believe that true beauty comes from inside you and that always shows through. I have no problem with whatever the next look is, whether it's big blonde hair and blue eyes or green hair and dark eyes. That's fine so long as there isn't just one ideal image.

I believe that when death closes our eyes we shall awaken to a light, of which our sunlight is but the shadow.

I believe this with all my heart: The greatest coach of all time in my eyes is my mom. She's instilled in me a toughness and a perseverance and just a never-quit mentality, and I thank her every day for providing me, for what she sacrificed her life for.

I believe you can only draw from your own life as an actor. All the characters I've played, I only have my infinite eye and the presence of my life to take from.

I belong to that generation who, as students, had before their eyes, and were limited by, a horizon consisting of Marxism, phenomenology and existentialism. For me the break was first Beckett's Waiting for Godot, a breathtaking performance.

I blinked the sleep out of my eyes and realized my head was in Khufu’s lap. The baboon was foraging my scalp for munchies. “Dude.” I sat up groggily. “Not cool.” “But he gave you a lovely hairdo,” Sadie said. “Agh-agh!” Khufu agreed.

I called the world of phenomena an illusion, I called my eyes and my tongue an accident, valueless phenomena. No, that is all over; I have awakened, I have really awakened and I have just been born today.

I breathe slowly and deeply. I make my eyes still under eyelids, I make my mind still, and soon, Sleep, seeing a perfect reproduction of himself, comes to be united with his facsimile.

I blush easily. I have difficulty meeting people's eye, difficulty with public speaking, the normal afflictions of the shy, but not to a paralysing degree.