Best 12054 quotes in «eye quotes» category

When young lips have drunk deep of the bitter waters of hate, suspicion and despair, all the love in the world will not wholly take away that knowledge. Though it may turn darkened eyes for a while to the light, and teach faith where no faith was.

When you meet a man in the doorway of a Mexican restaurant who later kisses you while explaining that this kiss doesn’t “mean anything” because, much as he likes you, he is not interested in having a relationship with you or anyone right now, just laugh and kiss him back. Your daughter will have his sense of humor. Your son will have his eyes.

When you meet the man [Brassai] you see at once that he is equipped with no ordinary eyes. And the sharpness of vision and depth of insight are revealed in Brassai's lifelong photographic exploration of Paris - its people, places, and things.

When you practice positive inner dialogue, people will want to bond with you, help you, be near you. They want to share in the bliss that shines through your eyes and is reflected in your every action.

When your desires drop, the world is there, but it is a totally new world. It is so fresh, it is so colorful, it is so beautiful! But a mind attached to things cannot see it because eyes are closed with attachment.

When you read, I'm sure you don't realize that your eyes are going backwards and forwards and to this place and that place. Mine don't do that.

When you're acting in front of a camera, you can really give all of your emotions with your eyes so the camera can see it. When you're in voiceover, you can't do that at all. It's a lot tougher because you have to convey this emotion, and you have to have a lot of trust in the animators.

When you're 25 or 30, you know, you can't wear lime-green eye shadow anymore.

When you put an image on the newsstand, you have literally two seconds to get somebody's attention. Often, with many of the subscriber covers, they're far away and the thing that catches your attention more than anything on the newsstand is eye contact.Because you've got a smaller image, and sometimes a darker image, often it doesn't stand out, as much as a traditional newsstand cover, which is why we continue to do right for newsstand.

When you're a first time director, you're often considered what's called a "deadly attachment" in the eyes of financiers, because they're trusting you with a lot of money to bring something home, to get great performances, to not have a nervous breakdown in the process.

When you're climbing Mount Everest, nothing is easy. You just take one step at a time, never look back and always keep your eyes glued to the top.

When you're casting a movie and when you're shooting a film, the eyes are the most important feature of any performer, really. Any great actor literally knows exactly how to use their eyes, and even as a filmmaker I love shooting huge close-ups because it's those eyes that mean so much to me.

When you're cooking with food as alive as this -- these gorgeous and semigorgeous fruits and leaves and flesh -- you're in no danger of mistaking it for a commodity, or a fuel, or a collection of chemical nutrients. No, in the eye of the cook or the gardener ... this food reveals itself for what it is: no mere thing but a web of relationships among a great many living beings, some of them human, some not, but each of them dependent on each other, and all of them ultimately rooted in soil and nourished by sunlight.

When you're in the public eye, it's wrong to cheat on someone, unless you're very careful. If you're normal and no one's going to know, then do it.

When you're dying and your life is flashing before your eyes, you're gonna be thinking about the great things that you did, the horrible things that you did and the emotional impact that someone had on you and that you had on somebody else. Those are the things that are relevant. To have some sort of emotional impact that transcends your time, that's great. As long as you don't mess it up by being undignified when you're old.

When you're in film and you're in close, charisma in the eyes and confidence can take over. But when someone's sitting twenty rows back, you need the whole body. You need to be encompassed by an actor.

When you're in Los Angeles, nobody bats an eye, they're so used to seeing actors, they just act really cool.

When you're in the public eye - whether it be entertainment, sports, medicine, politics, whatever way - you have an opportunity, and I think also an obligation and a responsibility, to disseminate good information.

When you reflect, you are able to put an experience into perspective... reflective thinking enables you to distance yourself from the intense emotions of particularly good or bad experiences and see them with fresh eyes.

When you're in morgue you're seeing life that no longer exists. It gives you an appreciation when you look someone in the eye, you shake their hand, and you hug your friends, your girlfriend, your family. It just gives you an appreciation for the life that surrounds you. At the same time you understand how fragile it is. That you don't need to be an idiot or get so angry at times.

When you're in that state of grief, any little breeze, any hello, any confrontation, any grazing of someone meeting your eyes, might cause you suddenly to burst into grief. You could be looking at a jar of peanut butter in the supermarket, and then start crying.

When you're in the eye of the hurricane, you're making the show - you just want the show to be good, you want it to be appreciated and those types of things.

When you're in a room with a guy who has a vision like that, it's just one of those things where you close your eyes and just see that vision - then you just go with it. The guys that I write with are so incredible, just like my producer Trent Willmon, those guys know how to bring things out of me - especially things that I maybe didn't even know that I had.

When you're shooting a low-budget movie you're never just the director: you're also in the catering department, and hair and make-up and a part-time grip. I can't even imagine the luxury of not having to keep an eye on every aspect of production while directing.

When you're so out there in the public eye, people are constantly criticizing every aspect about you.

When your eyes are functioning well you don't see your eyes. If your eyes are imperfect you see spots in front of them. That means there are some lesions in the retina or wherever, and because your eyes aren't working properly, you feel them. In the same way, you don't hear your ears. If you have a ringing in your ears it means there's something wrong with your ears. Therefore, if you do feel yourself, there must be something wrong with you. Whatever you have, the sensation of I is like spots in front of your eyes - it means something's wrong with your functioning.

When you're used to being in the public eye, if you've got a disease, you've got to own up to it. It's about being about it, not running from it.

When your eyes are fixed in the stare of unconsciousness, and your throat coughs the last gasping breath - as one dragged in the dark to a great precipice - what assistance are a wife and child?

When you’re unsure, jump with your eyes closed and legs wide open

When your eyes are tired the world is tired also. When your vision has gone no part of the world can find you. Time to go into the dark where the night has eyes to recognize its own. There you can be sure you are not beyond love.

When your mind is functioning correctly, there is an out streaming of light from within in the form of inspiration, hunches, leadings, and intuitive flashes - trust this process of inspiration. “In the twinkling of an eye” ideas and plans may flow into your mind.

When your eyes are softly focused on the horizon for sustained periods, your brain releases endorphins. It's the same as a runner's high. These days, we spend our lives staring at screens twelve inches in front of us.

When your eyes go, and your legs go, and your fans go; then it's time for you to go too.

When your mind is clear and your third eye is open, you can see and know things that are taking place thousands of miles away from you.

When you see a person, do you just concentrate on their looks? It's just a first impression. Then there's someone who doesn't catch your eye immediately, but you talk to them and they become the most beautiful thing in the world. The greatest actors aren't what you would call beautiful sex symbols.

When you see a close person you know pass in front of your eyes, it's hard core. After all that, I just wanted to enjoy every day. That was my goal. And to give thanks and to live fully.

When you shoot a scene, you remember every moment. You remember when your head went down, your head went up. You don't see little quirks, little eye movements, little lip movements. Once again, you become completely vain when you're watching it in a way that you weren't when you were shooting it. And the vanity, what it makes you focus on are everything that has nothing to do with the scene and everything to do with your own ego.

When you see someone, you automatically start putting those people together - the eyes and the lips. And what that does is that it creates an identity with that person, so when they actually start working, the audience sees exactly what you're seeing, and they become recognizable. So instant recognition is when certain women and men have features that look like other people. So baby Gisele is, like, Linda V - that's what she was called for a long time.

When your teammate looks you in the eye and holds you accountable, that's the greatest kind of leadership there is

When you see a fish you don't think of its scales, do you? You think of its speed, its floating, flashing body seen through the water... If I made fins and eyes and scales, I would arrest its movement, give a pattern or shape of reality. I want just the flash of its spirit.

When you see tears in my eyes, you see it's not about the wins or the losses, It's about the opportunity.

When you see young players coming into the squad and pushing you, no matter what age you are, you have to react. You have to worry about yourself and perform as well as you can. If you end up looking around at others, wondering whos performing better, you take your eye off the ball.

When you sign on to be an activist in northwest Montana, people in the grocery store will avoid eye contact, particularly if they're hanging out with outspoken opponents to your views.

When you speak to a man, look on his eyes; when he speaks to you, look on his mouth.

When you see these people that are in the public eye all the time, it must get tiring.

When you see the way things deteriorate before your very eyes. Everything running down hill. It's kind of silly to even think about youth.

When you speak of heaven, let your face light up; let it be irradiated by a heavenly gleam; let your eyes shine with reflected glory. But when you speak of hell, your ordinary expression will do.

When you speak to any, especially of quality, look them full in the face; other gestures betraying want of breeding, confidence, or honesty; dejected eyes confessing, to most judgments, guilt or folly.

When you stand out there," John continues in a hoarse voice, "keep your chin up, all right? Don't let them get to you." "I won't." "Make them work for it. Punch someone if you have to." John gives me a sad, crooked smile. "You're a scary kid. So scare them. Okay? All the way until the end." For the first time in a long time, I feel like a little brother. I have to swallow hard to keep my eyes dry. "Okay," I whisper.

When you start using senses you've neglected, your reward is to see the world with completely fresh eyes.