Best 119 quotes of Ayelet Waldman on MyQuotes

What I do with my kids is - and I think they probably do ignore us - is No Alcohol. If they're drunk they will be grounded for time immemorial.

When I was 15, what I wanted in a boyfriend was just that confidence and swagger. I wanted someone who knew what he was doing, because I was just faking it. What I want for my daughter is the exact opposite.

When my first daughter was born, my husband held her in his hands and said, 'My God, she's so beautiful.' I unwrapped the baby from her blankets. She was average size, with long thin fingers and a random assortment of toes. Her eyes were close set, and she had her father's hooked nose. It looked better on him.

When the babies were very young, I found it difficult to write. I told myself each time that it would be different, I was used to it now, but with every child, for the first four months, I would accomplish nothing.

When we choose to have an abortion, we must do so understanding the full ramifications of what we are doing. Anything less feels to me to be hypocritical, a selfish abnegation of reality and responsibility.

When you consider America, there are hundreds of millions of people who have smoked marijuana illegally.

Where would the memoir be without bipolar writers? I mean, that's what - that whole oversharing thing is really a very clear symptom of bipolar disorder. And I'm not saying that every, you know, I'm not accusing every memoirist of being bipolar. But I think in a way it's kind of a gift.

Why are the architects of the family-values agenda so eager to punish into the next generation? What is being served by seeking, quite literally, a tooth for a tooth?

Why is it that loving something provides such little protection from betrayal?

With prodigious bravery and eviscerating humor, Roxane Gay takes on culture and politics in Bad Feminist-and gets it right, time and time again. We should all be lucky enough to be such a bad feminist.

Yes, I have four children. Four children with whom I spend a good part of every day: bathing them, combing their hair, sitting with them while they do their homework, holding them while they weep their tragic tears. But I'm not in love with any of them. I am in love with my husband.

You can take the babushka off the Jewish mother and dress her up in a pair of Seven jeans and Marc Jacobs sling-backs, but she's still going to expect a passel of grandkids.

You know, I feel like my job is to write a book. Then filmmakers come and they make a movie. And they're two really different art forms.

Amitai shook his head, almost smiling, because here he was, feeling for the first time that the tragedy of European Jewry did belong to him. Before today, his lack of personal connection to the Holocaust had made it a distant history, no more relevant to him than any other. But Natalie, the locket, the painting, the Hall of Names, taking responsibility for Komlos in the Pages of Testimony, these had brought him to he realization that, merely by virtue of being a Jew, even a Jew from another place and time, it was his history, too. Not personally, but collectively. It belonged to him, as he belonged to all those Jews rising up into the infinite ceiling in the Hall of Names. He and Natalie were in the same place, but they had come from different directions.

As if one's capacity for pain had anything to do with life's apportionment of agonies, Mr. Kimmelbrod thought. Such idiocy.

Even if i'm setting myself up for failure, I think it's worth trying to be a mother who delights in who her children are, in their knock-knock jokes and earnest questions. A mother who spends less time obseessing about what will happen, or what has happened, and more time reveling in what is. A mother who doesn't fret over failings and slights, who realizes her worries and anxieties are just thoughts, the continuous chattering and judgement of a too busy mind. A mother who doesn't worry so much about being bad or good but just recognizes that she's both, and neither. A mother who does her best, and for whom that is good enough, even if, in the end, her best turns out to be, simply, not bad.

In 1934, Bill W., cofounder of AA [Alcoholics Anonymous], was treated for his alcoholism with a hallucinogenic belladonna alkaloid. The resulting mystical experience led him to become sober and inspired him to write the book and cofound the organization that have changed the lives of so many millions around the world. In the 1950's Bill W underwent LSD therapy, and found his experience so inspiring that the sought to have the drug made part of the AA program.

In the end the real wealth of the Hungarian Jewish community had not been packed in crates and boxes and loaded onto that train. What is the value to a daughter of a single pair of Sabbath candlesticks passed down from her mother and grandmother before her, generation behind generation, for a hundred, even a thousand, years? Beyond price, beyond measure. And what of ten thousand pairs of similar candlesticks, when all the grandmothers, mothers, and daughters are dead? No more than the smelted weight of the silver. The wealth of the Jews of Hungary, of all of Europe, was to be found not in the laden boxcars of the Gold Train but in the grandmothers and mothers and daughters themselves, in the doctors and lawyers, the grain dealers and psychiatrists, the writers and artists who had created a culture of sophistication, of intellectual and artistic achievement. And that wealth, everything of real value, was all but extinguished.

That was true, Iris would sometimes think, about marriage: it was only a boat, too. A wooden boat, difficult to build, even more difficult to maintain, whose beauty derived at least in part from its unlikelihood. Long ago the pragmatic justifications for both marriage and wooden-boat building had been lost or superseded. Why invest countless hours, years, and dollars in planing and carving, gluing and fastening, caulking and fairing, when a fiberglass boat can be had at a fraction of the cost? Why struggle to maintain love and commitment over decades when there were far easier ways to live, ones that required no effort or attention to prevent corrosion and rot? Why continue to pour your heart into these obsolete arts? Because their beauty, the way they connect you to your history and to the living world, justifies your efforts. A long marriage, like a classic wooden boat, could be a thing of grace, but only if great effort was devoted to its maintenance. At first your notions of your life with another were no more substantial than a pattern laid down in plywood. Then year by year you constructed the frame around the form, and began layering memories, griefs, and small triumphs like strips of veneer planking bent around the hull of everyday routine. You sanded down the rough edges, patched the misunderstandings, faired the petty betrayals. Sometimes you sprung a leak. You fell apart in rough weather or were smashed on devouring rocks. But then, as now, in the teeth of a storm, when it seemed like all was lost, the timber swelled, the leak sealed up, and you found that your craft was, after all, sea-kindly.