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By AnonymLudwig Mies Van Der Rohe
A chair is a very difficult object. A skyscraper is almost easier. That is why Chippendale is famous.
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By AnonymLudwig Mies Van Der Rohe
And just as we acquaint ourselves with materials, just as we must understand functions, so we must become familiar with the psychological and spiritual factors of our day. No cultural activity is possible otherwise; for we are dependent on the spirit of our time.
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By AnonymLudwig Mies Van Der Rohe
Architecture begins when you place two bricks carefully together.
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By AnonymLudwig Mies Van Der Rohe
Architecture has the power to create order out of unholy confusion.
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By AnonymLudwig Mies Van Der Rohe
Architecture is a language. When you are very good, you can be a poet
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By AnonymLudwig Mies Van Der Rohe
Architecture is the real battleground of the spirit.
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By AnonymLudwig Mies Van Der Rohe
Architecture is the will of an epoch translated into space.
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By AnonymLudwig Mies Van Der Rohe
Architecture is the will of the age conceived in spatial terms.
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By AnonymLudwig Mies Van Der Rohe
Architecture starts when you carefully put two bricks together. There it begins.
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By AnonymLudwig Mies Van Der Rohe
But what if we are dealing with fools?
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By AnonymLudwig Mies Van Der Rohe
First you have to learn to do something, then you can go out and do it.
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By AnonymLudwig Mies Van Der Rohe
God dwells in the details.
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By AnonymLudwig Mies Van Der Rohe
God is in the details.
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By AnonymLudwig Mies Van Der Rohe
I don't want to be interesting. I want to be good.
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By AnonymLudwig Mies Van Der Rohe
If teaching has any purpose, it is to implant true insight and responsibility. Education must lead us from irresponsible opinion to true responsible judgement. It must lead us from chance and arbitrariness to rational clarity and intellectual order.
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By AnonymLudwig Mies Van Der Rohe
[In art], less is more.
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By AnonymLudwig Mies Van Der Rohe
Less is more.
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By AnonymLudwig Mies Van Der Rohe
Let us guide our students over the road of discipline from materials, through function, to creative work. Let us lead them into the healthy world of primitive building methods, where there was meaning in every stroke of an axe, expression in every bite of chisel.
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By AnonymLudwig Mies Van Der Rohe
Let us guide our students over the road of discipline from materials, through function, to creative work.
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By AnonymLudwig Mies Van Der Rohe
Means must be subsidiary to ends and to our desire for dignity and value.
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By AnonymLudwig Mies Van Der Rohe
Never talk to a client about architecture. Talk to him about his children.
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By AnonymLudwig Mies Van Der Rohe
Never talk to a client about architecture. Talk to him about his children. That is simply good politics. He will not understand what you have to say about architecture most of the time. An architect of ability should be able to tell a client what he wants. Most of the time a client never knows what he wants.
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By AnonymLudwig Mies Van Der Rohe
Simply by not owning three medium-sized castles in Tuscany I have saved enough money in the last forty years on insurance premiums alone to buy a medium-sized castle in Tuscany.
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By AnonymLudwig Mies Van Der Rohe
The individual is losing significance; his destiny is no longer what interests us.
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By AnonymLudwig Mies Van Der Rohe
The long path from material through function to creative work has only one goal: to create order out of the desperate confusion of our time.
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By AnonymLudwig Mies Van Der Rohe
True education is concerned not only with practical goals but also with values. Our aims assure us of our material life, our values make possible our spiritual life.
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By AnonymLudwig Mies Van Der Rohe
We must be as familiar with the functions of our building as with our materials. We must learn what a building can be, what it should be, and also what it must not be.
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By AnonymLudwig Mies Van Der Rohe
We must remember that everything depends on how we use a material, not on the material itself... New materials are not necessarily superior. Each material is only what we make it.
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By AnonymLudwig Mies Van Der Rohe
Where can we find greater structural clarity than in the wooden buildings of the old. Where else can we find such unity of material, construction and form? Here the wisdom of whole generations is stored. What feelings for material and what power of expression there is in these buildings! What warmth and beauty they have! They seem to be echoes of old songs.
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