Best 45 quotes of Christopher Lee on MyQuotes

Acting as a profession came to me by chance: in 1946, after the war, I was having lunch with my cousin, who was the Italian ambassador, and he asked, 'What are you going to do now you're out of uniform?' I said, 'I'm pretty inventive, and I can imitate people,' and he said, 'Have you thought about being an actor?'

Acting is like a snowstorm or perhaps a large empty vacuum. I`m not deluded by the fact that I'm getting all these offers for work, I'm very happy about it, but I know also that there is the other side and who knows, next year, they may not offer me anything. You never know.

As far as I am concerned, Don Quixote is the most metal fictional character that I know. Single handed, he is trying to change the world, regardless of any personal consequences.

Every actor has to make terrible films from time to time, but the trick is never to be terrible in them.

Films are now made by accountants. They pick a pretty young female or male face out of the air and give them a part - not because they think that person is right for it or is ready for it, but because they think that person will make them money.

I associate heavy metal with fantasy because of the tremendous power that the music delivers.

I didn't want to be known as a man who only made horror films. I made some - very few.

I did radio, I did television, I did opera, I did films in which I had very, very little to say. But I had a lot of experience in front of the camera, and that's what really counts.

I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.

I dont want to sound gloomy, but, at some point of your lives, every one of you will notice that you have in your life one person, one friend whom you love and care for very much. That person is so close to you that you are able to share some things only with him. For example, you can call that friend, and from the very first maniacal laugh or some other joke you will know who is at the other end of that line. We used to do that with him so often. And then when that person is gone, there will be nothing like that in your life ever again.

I have been metal all my life, only I did not know about it. The people in this album (Charlemagne) and I, share the same values.

I haven't spent my entire career playing the guy in the bad hat, although I have to say that the bad guy is frequently much more interesting than the good guy.

I lived for 10 years in Los Angeles, and the one element that surpasses everything else - that you are very conscious of - is fear. You can smell it.

I'm much softer than people think. I don't present to the world an emotional face. I'm pretty good at self-control, but I am easily moved.

In Britain, any degree of success is met with envy and resentment.

I stopped appearing as Dracula in 1972 because in my opinion the presentation of the character had deteriorated to such an extent, particularly bringing him into the contemporary day and age, that it really no longer had any meaning.

I think acting is a mixture of instinct, imagination and inventiveness. All you can learn as an actor is basic technique.

I think that - apart from the fields of science and medicine - we live in an age of decline. Look at the world. There is decline in morals, ideals, manners, respect, truthfulness: just about everything, in fact.

I thought that people should know about the dangers of Satanism, and diabolism does exist - there's no question about it.

It's a band singing on how metal should be played, the effect it has on the band and its listeners.

I've always acknowledged my debt to Hammer. I've always said I'm very grateful to them. They gave me this great opportunity, made me a well-known face all over the world for which I am profoundly grateful.

I've been for 10 years trying to make something out of my life as an actor. I've learned a lot but I haven't done much that's worthwhile. So maybe if I make people wonder what I really do look like and make myself unrecognizable, they will be interested and intrigued, which eventually, of course, happened.

I've done a lot of films that have become iconic, not necessarily because of me.

I've seen many men die right in front of me - so many in fact that I've become almost hardened to it. Having seen the worst that human beings can do to each other, the results of torture, mutilation and seeing someone blown to pieces by a bomb, you develop a kind of shell. But you had to. You had to. Otherwise, we would never have won.

I was always fascinated by fairy stories, fantasy, you know, demons, necromancers, gods and goddesses, everything that is out of our kin and out of our everyday world. I was always interested in enchantment and magicians and still am.

I wasn't a spy. I'd have been spotted in five seconds. Yes, I was in intelligence, but that covered a multitude of things.

Johnny Depp, as far as I'm concerned, is number one. Of his generation, there's no one who can touch him. Some performers, today, it's like looking at holes in the air.

Lon Chaney and Boris Karloff didn't like the word 'horror'. They, like I, went for the French description: 'the theatre of the fantastique'.

Making films has never just been a job to me, it is my life. I have some interests outside of acting - I sing and I've written books, for instance - but acting is what keeps me going, it's what I do, it gives life purpose.

My favourite country is Finland because once you get to a certain point, you can drive for hours without seeing a single person. I love peace and quiet - something I don't get very often.

Once asked if he felt wearied by the constant onslaught of autograph seekers, actor Gregory Peck replied that he would be more worried when they stopped asking.

Peter Jackson's instincts are extraordinary, as is his stamina.

Someone asked me yesterday if Dracula met Saruman and there was a fight, who would win. I just looked at this man. What an idiotic thing to say. I mean, really, it was half-witted.

The Dracula movies are probably some of the most famous and enduring ones there are and I am very grateful to them, for sure.

There are many vampires in the world today - you only have to think of the film business.

There was a gap of seven years between the first and second Dracula movies. In the second one as everybody knows, I didn't speak, because I said I couldn't say the lines.

The saddest country I went to was Romania, years ago, during Ceausescu's rule.

The secret to a long marriage in the film industry? Marry someone wonderful, as I did. And always have her come along on location.

The song "My Way" is a very remarkable song. It is also difficult to sing because you've got to convince people that what you're singing about is the truth. It's a man who is very proud of having achieved everything that he's achieved his way.

To be a legend, you've either got to be dead or excessively old.

What's really important for me is, as an old man, I'm known by my own generation and the next generation know me, too.

When I first read Lord of the Rings I wanted to see a film of it. But at that time the technology wasn't there, there was no such thing as CGI.

When the Second World War finished, I was 23 and already I had seen enough horror to last me a lifetime. I'd seen dreadful, dreadful things, without saying a word. Seeing horror depicted on film doesn't affect me much.

You can learn Elvish, if you want. It's a language like Italian and English. You can learn to read it, you can learn to write it, and you can learn to speak it.

Outside the cinema I had not yet learned to live, but within it I had most certainly learned to die. I could die for you in every way known to man, and in a few ways known only to scriptwriters. I could see now that provided that I remained fit, the future held many more deaths yet. I could only hope that they would serve some purpose, and that perhaps a reputation may come in the same way as a coral formation, which is made up of a deposit of countless tiny corpses.