Best 51 quotes of Matt Bomer on MyQuotes

Anybody who is rude to anyone in the service industry is automatically out.

As actors you're always going to take certain roles that are in your comfort zone and take ones that aren't.

Billy [Ray] is a preternatural enthusiast. He would say things to me like, "Now, let me tell you about Episode 3." I'm a big superstitious, having done television for quite some time, and I would say, "Billy, I can't wait to hear about it, but let's just stay here for right now, see what happens, and enjoy this moment.

Certainly when you're dealing with more deep emotional work and sensory work, for me it helps me to just stay in it.

Everybody thinks that equality comes from identifying people, and that's not where equality comes from.

For every role, I brought certain elements of the character. Even on White Collar over six years, I tried to keep the set fun and breezy and Howard Hawks-y and very of the tone of the show.

Forget horror icon, Kety Bates is an icon. She's an acting icon. I was raised on so many of her films, everything from Misery to Fried Green Tomatoes to Delores Claiborne, all films that I've watched multiple times and been inspired by.

For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.

Having done television for almost 20 years now, a pilot is kind of like a rough draft. It's like bringing people into your ultrasound and hooking up to the monitor and going, "Isn't my baby beautiful?" "Yeah. I can only see the outline of it, but it looks like it might be.

Human beings are good, they have shadow, every single one of us has redeeming qualities and every single one of us has qualities that people can hold against us. That’s what makes us human.

I at least felt the obligation to speak clearly [in 'The Last Tycoon']. This is pre-Brando and pre-James Dean. Nobody mumbled back then.

I can safely say that I had an incredibly difficult and trying past growing up and trying to be an artist and standing up as who I am in this world.

If youre wearing suits and you want to create your own sense of style, get to the tailor.

I had just finished reading The Day of the Locust when this piece was brought to my attention, and I was like, "How do you create art in the system, the way it is?" Looking around the studio film landscape, there are all of these great superhero movies, which is fantastic, especially for my kids, but it's hard to find real art house films in the studio system, these days.

I like characters with flaws, who have shadow.

I like not to know, unless it's something that I need to know, specifically, for how I color a performance.

I like strong opinions - I'll take that any day over someone who agrees with everything.

I lived in several hotels, yeah. You have to try to make it home.

I look at a pilot and go, "I see the landscape. I see the characters. I see the direction and the potential of the story." And I also go, "That didn't work. I could change that. Maybe that works. I don't know. We'll see." For me, I look at it, as an actor, as what can I improve upon? So, to have it out there and judged solely on its own merit is really a unique experience for me.

I love that Amazon has this incredibly unique, diplomatic process where people's voices are heard, and we're using this great interconnectedness we have, via the internet, to weigh in and to have a say in what we want to see and what we don't.

I'm a long time [Scott] Fitzgerald fan, as probably everyone in America is. And I've always been fascinated by that theme of, what is the price of the American dream and what parts of your soul do you walk away with? The conflict of art versus commerce was also very interesting to me.

I’m a pretty chill person. I’m kind of a homebody and I like to just hang out with friends and have dinner. I’m not, you know - I’m definitely not Neal Caffrey in the sense that I’m not, you know, drinking a $500 bottle of wine at a nightclub. I’m just - I’m pretty chill.

I’m so thankful to have been born in the times that we live in. I felt a responsibility to Simon [Halls] and to our kids to be able to live with integrity and not have some strange split psychology of This is who my dad is at home, and this is who he is to the public. That trumped any type of professional repercussions that it could have had. And – not by my own volition or choice – I’ve been playing exclusively straight characters for the first 10 years of my career. Whatever happens from this point on says a lot more about the business and society than it does about me.

I never feel more confident and comfortable than when I'm wearing a Tom Ford suit.

In that Freak Show environment, I got to spend time with so many of the actors who were part of that world. I just had the best time ever.

I pretty much got busted for everything, but I definitely stretched out my boundaries as a kid, as well.

I really saw Pat Brady, Kelsey Grammer's character's point of view that it's a business. It's show business. So, it was an incredible opportunity to work with really wonderful creatives and the script was fantastic. What was so interesting to me about the studio system was that a lot of the politics that were in play then are so really relevant to today.

I think Billy Ray has a lot of great stories up his sleeve. I've heard a lot of his plans for the show, should it go forward, and I think there's a lot in store for people, if it's given a chance.

I think when you play a role, you always have to be a defense attorney for that character.

I think your text [script] is everything; it's what informs you; it's what gives you the given circumstances. Then you take that and you add your own creativity and your own spin on things and you make it personal. That's what makes that character and that text unique to you, when you personalize it. I think that's where your job as an actor comes in.

I took movement classes that I wore my double-breasted suits to. I worked on my elocution because people spoke differently then. I was really trying to toe the line. I think that if I had spoken exactly the way that people spoke back then, it probably would have alienated people.

I’ve been a con artist since I was 16 and trying to get my dad to buy me a car. I never succeeded, but I learnt a lot of tactics.

I've never cared about how successful or how big I was going to be. I just wanted to be part of a story that affected people, made them laugh or cry. To me, that was more important than having my face on some billboard.

I very comprehensively studied Irving Thalberg and his biographies. He's who [Scott] Fitzgerald roughly modeled the character after. He worked for him, as a writer, when he was at MGM. And, of course, I revisited the novel and the politics of MGM and the studio system at the time and familiarized myself with the world. There was a great deal of physical and literary work that went into it.

Kids aren't born to be bullies, they're taught to be bullies.

Look, none of the artists who I admire or respect have ever shied away from a role because it might make them unpopular with somebody.

My parents raised me right, so I always open doors for people and try to have good manners.

My personal life is a source of incredible happiness for me, but it's personal and it's not for me to hock, or shop around to the highest bidder. Plus, it could never live up to the amazing mythology that everyone online has created for me, so I'll keep mum about it.

My standard uniform is a T-shirt and jeans.

Never forget your manners. They go a long way in both your business and personal life. If you look and act like you are making an effort, it will be appreciated.

One of the many things I love about working with Ryan Murphy is that you're always thin-sliced in this business. You walk into a room and people want you to be how you look or how you're perceived or whatever it is in that 10 minutes that hey meet you. I think Ryan [Murphy] has an intuition that looks a little bit deeper and sees things that other people might not see in you - sometimes you might not even see in yourself - but that he knows are there and that he might want to get to grow and stretch with as an actor.

The best experience for me at CMU was being on stage so much, getting that comfort ability and learning that technique you can use with any type of work because you’re comfortable with it and know your skill as an actor.

The last thing I want to do is having someone get behind a Montgomery Clift biopic, and then just do the first script that came out. Sometimes it takes a long time for these things to gestate. And I'm only going to do it if it's the right story that's told for the right reason, and that's relevant to this day and age, as much as it pays homage to who this man was. Should that happen during the time when I'm still young enough to play him, perfect. And if not, hopefully someone else will get to play him because I do think it's an incredible story.

Theres always a need for new superheroes. As society changes, the types of superheroes will probably change as well.

To me, when you're at a hotel and your home environment is ultimately dictated by somebody else, I always find that a little bit oppressive and scary in a way.

Unfortunately, in some parts of the country, some kids are taught at an early age that being different is somehow bad or wrong or worthy of ridicule.

What we really have to do is stop the adjective before the job title — whether it's 'black actor,' a 'gay actor' or 'anything actor,' Everybody thinks that equality comes from identifying people, and that's not where equality comes from. Equality comes from treating everybody the same regardless of who they are. I hope the media and the press catches on to that because it's time to move out of 1992.

When you are the avatar for the writer/director, a lot of times, I just trusted him. If he had a choice, even if it wasn't necessarily what was my first impulse, I was like, "Billy Ray has been living with this for two years before I even came on board, so I'm going with him.

When you really put your heart and soul into something, the temptation is to try to be in control of circumstances, however you can, and looking and seeing how people are responding.

Without a safe haven, one of the most authentic parts of who you are, who you love, felt invisible to the world.