Best 42 quotes of Jonny Greenwood on MyQuotes

Jonny Greenwood

  • By Anonym
    Jonny Greenwood

    Anything that has more of Graham's guitar playing, I'm bound to like.

  • By Anonym
    Jonny Greenwood

    As I kid, I was always jealous of the music that my favorite bands had written - but not really of how they played. So I'd daydream about having written songs, and this way above being able to perform them.

  • By Anonym
    Jonny Greenwood

    As soon as you impose Western chords on an Indian scale, something great collapses.

  • By Anonym
    Jonny Greenwood

    But I was in the Radiohead studio today and Phil was there drumming and Thom was there playing. We feel like we've only just stopped and already people are wanting us to carry on.

  • By Anonym
    Jonny Greenwood

    Composers are influenced by all the important music in their lives - and I suppose that since radio started playing popular music, that's as likely to be The Beatles or Aphex Twin as it is to be Verdi or Ravel.

  • By Anonym
    Jonny Greenwood

    Composers are influenced by all the important music in their lives - and I suppose that since radio started playing popular music, that's as likely to be The Beatles or Aphex Twin as it is to be Verdi or Ravel. They'd be strange teenagers if they didn't. But cross-pollinating happens too - Aphex Twin did more interesting things with electronic music than most trained composers, who seemed to approach samplers with undue caution and reverence in those early days.

  • By Anonym
    Jonny Greenwood

    Every American college student goes to college with a hard drive. They take their laptop. There's not a CD player in sight.

  • By Anonym
    Jonny Greenwood

    Everything I do feels like It's going to end up being in Radiohead.

  • By Anonym
    Jonny Greenwood

    I can remember soundtracks that you just can't separate from the film - It's just so intertwined, so important. Like the Hitchcock ones where they kind of inform each other and become this larger thing as a result.

  • By Anonym
    Jonny Greenwood

    I don't mind when people are telling me about their 1971 Firebird, but it's the same thing as people telling me about their car or something. It's fine if you have an interest. By talking with me, though, you could be interviewing a novelist about guitars. It's the same thing, except I don't write that well either.

  • By Anonym
    Jonny Greenwood

    I fell in love with electronics, which for me was the terra incognita, because I had never heard such sounds. If you'd asked me 50 years ago, I would have said the future of music is only electronic, but I would have been wrong. I learnt how to produce everything I needed with live instrumentalists, so I don't need electronics.

  • By Anonym
    Jonny Greenwood

    I like playing the stuff where I don´t know what I´m gonna play. Like the end of Fake Plastic Trees or the end of Paranoid Android - stuff where I can do anything and no one notices or cares.

  • By Anonym
    Jonny Greenwood

    I'm always happiest trying new instruments - and honestly enjoy playing, say, the glockenspiel with Radiohead as much as I do the guitar. I think regular touring has forced me to play the guitar more than anything else, which is why I'm probably most confident playing that. And whist I'd be lost if I couldn't play it too, I dislike the totemic worship of the thing... magazines, collectors, and so on. I enjoy struggling with instruments I can't really play.

  • By Anonym
    Jonny Greenwood

    I'm pampered like you wouldn't believe.

  • By Anonym
    Jonny Greenwood

    I'm quite into listening to music and not doing anything else.

  • By Anonym
    Jonny Greenwood

    I remember when I was in my late teens just getting rid of lots of records, realizing I only ever listened to them when I was reading, or watching TV, or doing something else.

  • By Anonym
    Jonny Greenwood

    I sometimes feel a bit embarrassed to play guitar. There's something - I don't want to sound ungrateful - but there's something very old-fashioned and traditional about it. You meet kids today whose grandparents were in punk bands, really. It's very old and traditional, But then, you know, so is an orchestra and so is the string section.

  • By Anonym
    Jonny Greenwood

    I sometimes wish taste wasn't ever an issue, and the sounds of instruments or synths could be judged solely on their colour and timbre. Judged by what it did to your ears, rather than what its historical use reminds you of.

  • By Anonym
    Jonny Greenwood

    I suppose all of us - we have the old Protestant work ethic of feeling guilty when you're not working, and getting a buzz from feeling like you're really busy. That's the reason to sort of carry on.

  • By Anonym
    Jonny Greenwood

    I suppose, counting back, if the Beatles had been influenced by music in the same length of time ago - you'd have to put that into better English for me, thank you - they would have been like a banjo orchestra. They would have been doing show tunes.

  • By Anonym
    Jonny Greenwood

    I suppose subconsciously I was thinking in terms of having the scale of it matching the scale of the images. Hence the sort of string quartet, jazz band and electronic stuff.

  • By Anonym
    Jonny Greenwood

    It feels like Radiohead are famous, but that no one knows who we are. Which is brilliant, really.

  • By Anonym
    Jonny Greenwood

    I think guitarists are really over-admired and over-revered.

  • By Anonym
    Jonny Greenwood

    I think I'll always feel a little in awe whenever I see someone in their 20s or 30s carrying a cello or violin case - because I know, if they're doing it professionally, how many years of practice have gone into being able to make music with them. And the sounds they can make just hit me very hard, and feel full of limitless complexity.

  • By Anonym
    Jonny Greenwood

    I think It's a bit of a disappointment that a lot of people's Golden Age of music is still the '60s.

  • By Anonym
    Jonny Greenwood

    I think it should be ambitious and good music does deal with life and art and all these wonderful things.

  • By Anonym
    Jonny Greenwood

    I trust microphones, speakers and recordings less and less, and no longer buy into the idea that I can recreate at home, or in my earphones, the experience of hearing live acoustic instruments. The orchestra is already a set of speakers that react differently to each player, each room and each concert - it's that high level of uncertainly and unrepeatability that I like. The music is just soaked into the walls of a room straight from the instruments - and it's a one-off deal. The alternative - left speaker, right speaker - is kind of a compromise.

  • By Anonym
    Jonny Greenwood

    It's like that scene from The Player when they talk about merging Star Wars and Kramer vs. Kramer, or whatever. You could do that with music and it would just be awful.

  • By Anonym
    Jonny Greenwood

    It's what the Pixies always said about music - they were writing songs and just trying not to be boring. That was their main motivation and it worked for them. I remember reading that and thinking that was the way to do it.

  • By Anonym
    Jonny Greenwood

    I was just very conscious that I could either bore people by having the music be similar for too long, or I could just wear them out and bore them in a different way by having it changing too much every minute or two minutes. So, there was that kind of balance to get right.

  • By Anonym
    Jonny Greenwood

    I worry about being a fogy and just writing for orchestras. Like, really, I should be doing more electronic stuff, I feel. Laptops as part of the orchestra, and installation sound, and speakers.

  • By Anonym
    Jonny Greenwood

    Jamaican reggae is the style of music I always reach for when ranting to friends about how you could listen to one style of music exclusively for the rest of your life - and it would all be great and varied and worth hearing.

  • By Anonym
    Jonny Greenwood

    Maybe I'm used to religious music being gentler in the classical world.

  • By Anonym
    Jonny Greenwood

    My style is so tightly tied in with our songs that I don't think you could even ask me to quit Radiohead and play guitar for another band. I don't think I could do it. It would probably reveal me to be the bluffer that I believe I am. That's how it feels. I wouldn't have the confidence to do anything but this.

  • By Anonym
    Jonny Greenwood

    No, I am not interested in women or sex or anything.

  • By Anonym
    Jonny Greenwood

    Nothing's more exciting than a day in a studio with a string section - or more ruinously expensive. So it's good to feed that habit away from the band, especially if it means more experience for the next Radiohead string day.

  • By Anonym
    Jonny Greenwood

    Obviously there will be a backlash. If you believe the hype you have to believe a backlash too. Any criticism we get, is always stuff we've already criticized ourselves.

  • By Anonym
    Jonny Greenwood

    People will have MP3s of every Miles Davis' record but never think of hearing any of them twice in a row - there's just too much to get through.

  • By Anonym
    Jonny Greenwood

    Right now my mind is on the people who stole our instruments, and, specifically, the person with my guitar, which will no doubt end its days having Green Day songs worked out on it. A better fate was deserved - and while the reverence given to guitars annoys me, I shall miss it.

  • By Anonym
    Jonny Greenwood

    Rock music is quite big in India - but it mostly just replaces all the intricacies of Indian rhythms and Indian melody with lumpen rock drumming and power chords.

  • By Anonym
    Jonny Greenwood

    The strangest part of Indian music is its lack of chords: There's no such thing as major or minor, and it's unusual to hear more than two different pitches at the same time.

  • By Anonym
    Jonny Greenwood

    When people say you're doing something radical in rock or dance music, I'm not sure how special that is. What we do is so old-fashioned. It's like trying to do something innovative in tap-dancing.