Best 15 quotes of John Landgraf on MyQuotes

For me, personally, I'm more comfortable with what I would call third-person entertainment, meaning watching a character that's explicitly not me and experiencing something through a character's eyes, than what I would call first-person entertainment, which is a video game in which I am the character.

I believe really deeply in the pilot process because you learn things about tone and casting.

I don't think I ever had any relationship with any showrunner, over time, with whom I didn't have conflict.

If you think about how broadcast mini-series approach historical events, there is a hagiography. There has been a soft, very glossy idea about history. And one of the things I like about Game of Thrones, for example, is just the grit and the authenticity.

I think a shotgun or a handgun that has a six-round clip is a very good, perfectly adequate weapon for self-defense, in the home. You simply can't create that kind of mayhem, if you have to reload.

I think maybe the most important thing that I or anybody at my company and any of my colleagues can do is establish a trusting, productive, collaborative relationship with creative people.

I think the possibility of continuing on a comedy is greater than a drama.

It is the pure arrogance of the newly rich and the newly powerful to think content is easy.

Reality television was in some ways being unimaginative at that time. We were excited about the possibilities of the form, to use real people as your stars, to not be about winning, to be about going on complicated, challenging, funny, dramatic journeys.

That's the definition of a mini-series. A mini-series is a show that has no continuing story or narrative elements between one group of episodes and another, so no, I wasn't surprised.

The amount of competition is just literally insane.

There are no characters in the limited series Fargo that are derived from the characters in the film Fargo. It's hard to describe how remarkably true to the film the show is.

There is a privilege in American society to being male and being white, and I think it's hard for white males to understand that privilege, because we've never experienced the opposite. When I sought out mentors to try to move forward, there were white males in virtually every position from which I was seeking mentorship. There was a natural simpatico or natural comfort. And so if you believe that's true, and I believe it's true, then we have to change that. We have to try to equalize opportunity and privilege.

Well, equity matters. I hope that most of us believe that we actually would all benefit from living in a more equitable society. If that's not happening, we're squandering human potential. We want to make the best television possible. We should be drawing on the entire available pool of storytellers and directors, and we should be expanding that pool and trying to hire the very, very, very best people. That's our job.

We've actually bought quite a number of historical pieces. We are doing a piece on the abolitionists, Harper's Ferry and the abolitionist John Brown with Paul Giamatti.