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By AnonymSophie Ristelhueber
I have these obsessions that I do not completely understand, with the deep mark, with the ruptured surface, with scars and traces, traces that human beings are leaving on the earth. It is not a comment on the environment... it is metaphysical.
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By AnonymSophie Ristelhueber
My real interest is traveling the world's tormented places and revealing the scars and the traces on the ground. I am dedicated to the earth.
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By AnonymSophie Ristelhueber
We have at our disposal modern techniques for seeing everything, apprehending everything, yet we see nothing.
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By AnonymSophie Ristelhueber
What prompted me to make these pictures [of bomb-cratered roads] was the impression that the ground was ripped by the shock, that it was swallowing itself.
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By AnonymSophie Ristelhueber
By shifting from the air to the ground, I sought to destroy any notion of scale as in Man Ray and Marcel Duchamp's Elevage de Poussiere. It's a picture which fascinates me and which I kept in my mind throughout the time I was working out there [in Kuwait]. The constant shift between the infinitely big and the infinitely small may disorientate the spectator. But it is a good illustration of our relationship to the world: we have at our disposal modern techniques for seeing everything, apprehending everything, yet we see nothing.
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