Best 80 quotes of James Salter on MyQuotes

A film writer is very much like a party girl. While you're good-looking and still unlined, the possibilities seem endless. But your appeal doesn't last long and you're quickly discarded.

Age doesn't arrive slowly, it comes in a rush. One day nothing has changed, a week later, everything has. A week may be too long a time, it can happen overnight. You are the same and still the same and suddenly one morning two distinct lines, ineradicable, have appeared at the corners of your mouth.

A light snow, a snow so faint and small-bodied that it seems nothing more than a manifestation of the cold.

Amplitude is a powerful quality in fiction. It results in involvement, in sympathy with the characters. After a while, a reader can't avoid being involved with a book, caring about it, even if it's not a particularly good book. You're in it, and you're committed to it.

As I look back, I see that life is like a game of solitaire and every once in a while there is a move.

A writer writes a book. People read it. You don't know what they're reading, really. You read a review and think, "That is so inaccurate. You can't have been reading my book with any kind of attention, because that is all wrong, that's even the wrong name you're including there." But these reviewers have been diminished in importance, the work is so little respected. If you're reviewed by a real critic, by James Wood or Louis Menand, then you get something that is informed, interesting, and highly articulate. But the average review doesn't have that kind of depth anymore.

Being somebody: it's one of the ideas in life, no? That's what my father made clear to me. The importance of being somebody. He wanted to be somebody. And he underlined to me the fate of trying to be somebody and not quite managing to do it.

But knowledge does not protect one. Life is contemptuous of knowledge; it forces it to sit in the anterooms, to wait outside. Passion, energy, lies: these are what life admires. Still, anything can be endured if all humanity is watching. The martyrs prove it. We live in the attention of others. We turn to it as flowers to the sun.

But that isn't my life. I have said many times I don't want to be considered one who once flew fighters. That's not who I am. I devoted the subsequent 50 years - more - to writing.

Certain things I remember exactly as they were. They are merely discolored a bit by time, like coins in the pocket of a forgotten suit. Most of the details, though, have long since been transformed or rearranged to bring others of them forward. Some, in fact, are obviously counterfeit; they are no less important. One alters the past to form the future.

Children are our crop, our fields, our earth. They are birds let loose into darkness. They are errors renewed. Still, they are the only source from which may be drawn a life more successful, more knowing than our own. Somehow they will do one thing, take one step further, they will see the summit. We believe in it, the radiance that streams from the future, from days we will not see. Children must live, must triumph. Children must die; that is an idea we cannot accept.

God is the God of the people who are at their wits end, who are right up against it with their backs to the wall, and He delights to come to our help when we need Him most.

Happiness is often at its most intense when it is based on inequality.

He liked to read with the silence and the golden color of the whiskey as his companions. He liked food, people, talk, but reading was an inexhaustible pleasure. What the joys of music were to others, words on a page were to him.

I always knew writing a novel was a great thing.

I don't fear death. I'm not obsessed with it the way everybody else seems to be. It's wrong to say "everybody," but in literature I see it all the time - preoccupation with it, philosophical preoccupation, in fact. That's a principle element of literature and philosophy, often cited as the main element, the only real element. I say give it up.

I don't fear death. I'm not obsessed with it the way everybody else seems to be.

I don't hold myself dictated to by what everyone is saying, by the tabloids or popular opinion. I don't like bourgeois values. I say you find your own way to live.

I'd say the biggest relationship is the repetition of certain themes. I don't want to say "topics," but certain points of interest.

If you write enough, you begin to learn to do things. But in a way, you do start from zero each time.

I like aristocracy. I like the beauty of aristocracy. I like the hierarchical feeling.

I like aristocracy. I like the beauty of aristocracy. I like the hierarchical feeling.You could claim that it's due to my military experience. But it came before that. I love their freedom of behavior. They're not constrained by penal attitudes, puritanical attitudes about behavior, both socially and morally. They have a freedom that I admire. An unquestioned freedom.

I like men who have known the best and the worst, whose life has been anything but a smooth trip. Storms have battered them, they have lain, sometimes for months on end, becalmed. There is a residue even if they fail. It has not been all tinkling; there have been grand chords.

I'm a frotteur, someone who likes to rub words in his hand, to turn them around and feel them, to wonder if that really is the best word possible.

I'm tired of my life, my clothes, the things I say. I'm hacking away at the surface, as at some kind of gray ice, trying to break through to what is underneath or I am dead. I can feel the surface trembling—it seems ready to give but it never does. I am uninterested in current events. How can I justify this? How can I explain it? I don't want to have the same vocabulary I've always had. I want something richer, broader, more penetrating and powerful.

In a certain sense, a writer is an exile, an outsider, always reporting on things, and it is part of his life to keep on the move. Travel is natural.

In climbing, being first-rate is part of the whole enterprise. The important climbers want to be the first man up the mountain, the one who put up the first route. You're usually only remembered if you put up the first route on a very important climb. The route might even be named after you. That's a kind of glory.

In general, American life is more easy-going. And civic pride, national pride in a cultural sense, is great in America. I think what they esteem in America is character and energy, and being different and superior to other peoples. Of course, every nation feels itself to be superior, but in America it's a jaunty feeling, and in some cases a rather ominous one among the super-patriots.

In the war time many of the publishing houses were privately owned, a single publisher or a publisher and a few associates who were responsible for everything. They could take whatever risks they wanted, could essentially publish what they liked according to their taste. Publishers today are working for big corporations. They have different pressures. I don't think they can make decisions quite as independently as they used to be able to. They have more corporate and financial responsibilities weighing on them. They're not free to go broke or go to jail.

It seems to me that literature is giving way a little bit to the immediacy of other diversions, other forms of entertainment. What will it be in fifty years? I don't know. Will there be printed books? Probably, but I'm not sure. There's always going to be literature, though. I believe that. I think literature has a way of getting deep into people and being essential. Literature has its own powers.

It's just that it's hard to believe in greatness.

It's tremendous: this world, this life. Take it while you have it.

I write down portions, maybe fragments, and perhaps an imperfect view of what Im hoping to write. Out of that, I keep trying to find exactly what I want.

Life is weather.  Life is meals.

Lots of scripts are written and not made, even scripts that people want to make.

My idea of writing is of unflinching and continual effort, somehow trying to find the right words until you reach a point where you can make no further progress and you either have something or you don’t.

Normally, what you’re envious of is a book, not a writer: standards, ideas, levels … almost nonexistent things.

Not necessarily narrow so much as impatient, intense.

Now they are lovers. The first, wild courses are ended. They have founded their domain. A satanic happiness follows.

Of them all, it was the true love. Of them all, it was the best. That other sumptuous love which made one drunk, which one longed for, envied, believed in, that was not life. It was what life was seeking; it was a suspension of life. But to be close to a child, for whom one spent everything, whose life was protected and nourished by one's own, to have that child beside one, at peace, was the real, the deepest, the only joy.

One alters the past to form the future but there is a real significance to the pattern which finally appears, which resists all further change.

On the Internet, everyone is writing. There is a great flowering of writing.

Solitude. One knows instinctively it has benefits that must be more deeply satisfying than those of other conditions, but still it is difficult.

Sometimes I write with a particular person in mind. I think it's fair to say that I write for a perceptive reader. You have to get it. If you don't get it the first time you may not understand. If you like repetition, analysis, explanation, you probably won't like my books.

Sometimes you are aware when your great moments are happening, and sometimes they rise from the past. Perhaps it's the same with people.

The book was in her lap; she had read no further. The power to change one’s life comes from a paragraph, a lone remark. The lines that penetrate us are slender, like the flukes that live in river water and enter the bodies of swimmers. She was excited, filled with strength. The polished sentences had arrived, it seemed, like so many other things, at just the right time. How can we imagine what our lives should be without the illumination of the lives of others?

The dreams are the skeleton of all reality.

The myriad past, it enters us and disappears. Except that within it, somewhere, like diamonds, exist the fragments that refuse to be consumed. Sifting through, if one dares, and collecting them, one discovers the true design.

Then it was intoxicating. The smooth takeoff, and the free feeling of having the world drop away. Soon after leaving the ground, they were crossing patches of stratus that lay in the valleys as heavy and white as glaciers. North for the first time. It was still an adventure, as exciting as love, as frightening.

The normal economic system works itself.