Best 36 quotes of Sarah Jio on MyQuotes

All I hear is my own grating thoughts. Is there anything more horrid than being trapped inside yourself with nothing but your own insecurities.

Everyone tells you to write what you know. It’s the tried-and-true advice every writer hears at some point in her career. But to take my writing to a deeper level, I’ve found that a better practice is to simply write what frightens you, haunts you, even. I now keep a sign on the bulletin board in my office that reads: 'Write What Scares You.' I’ve learned that tapping into the hard stuff — whether it’s the fear of loss or a boogeyman lurking in childhood memories — is what ultimately gives a story the power to leap off the page and grab you by the collar.

Great love endures time, heartache, and distance. And even when all seems lost, true love lives on.

Marriage, my dear, is not suicide.

People are much like those stars up there. Some burn faintly for millions of years, barely visible to us on earth. They're there, but you'd hardly know it. They blend in, like a speck on a canvas. But others blaze with such intensity, they light up the sky. You can't help but notice them, marvel at them. Those are the ones that never last long. They can't. They use up all their energy quickly

The definition of a true friend is not someone who swoops in when you're going through a rough patch. True friendship is when someone can appreciate your happiness - celebrate your happiness, even when she's not necessarily happy herself.

What is childhood without stories? And how will children fall in love with stories without bookstores? You can't get that from a computer.

Whenever you’re down on your luck, and when things aren’t going the way you like, remember that you are the author of your own story. You can write it any way you like, with anyone you choose. And it can be a beautiful story or a sad and tragic one. You get to pick.

You know, things fall apart. You grieve. And then you sit around and wait for things to somehow get perfect again. But they don’t. They never can. There is no perfect. There’s just different. But different can be wonderful.

A familiar melody suddenly drifts through the little living room. It makes me freeze, and I don't know why. And then I hear the silky, sweet sound of Karen Carpenter's voice. "'Rainy Days and Mondays,'" Alex says. I can't find my voice. I just stare ahead, fighting back the tears. Alex sits down beside me. I know he senses that something's wrong. "I'm sorry," he says quickly. "If you don't like it, I'll turn it off." "No," I say. "No. Please don't." I wipe a tear from my eye, just as another spills onto my cheek. "My husband loved this song." I smile. "Which made him the only straight man on earth to love the Carpenters." Alex grins. "The only two straight men on earth." I smile again. For some reason, I feel someone has lifted a great weight from my shoulders, just for a moment. "James died on a Monday," I say. We sit there for a moment listening to the song together, each alone in our own thoughts, until Alex reaches over and takes my hand in his. I don't let go.

But it wasn't their separation that was consuming my mind just then; it was Evelyn's garden. Bee had taken us there when we were children, and it was all rushing back: a magical world of hydrangeas, roses, and dahlias, and lemon shortbread cookies on Evelyn's patio. It seemed like only yesterday that my sister and I sat on the little bench under the trellis while Bee hovered over her easel, capturing on her canvas whatever flower was in bloom in the lush beds. "Your garden," I said, "I remember your garden." "Yes," Evelyn said, smiling. I nodded, a little astonished that this memory, buried so deep in my mind, had risen to the surface just then like a lost file from my subconscious. It was as if the island had unlocked it somehow.

I am lonely here sometimes. I'm like the gate, swinging in the breeze when I long for someone to just secure the latch and stop me from flailing about

I could smell garlic, butter, and wine - the world's most delicious flavor combination. It made me feel warm, like the first few sips of wine always do.

I drape my arm around his shoulder. We sit together like that for a moment, until something bright floating in the lake catches my eye. I lean over the dock gently to pick it up. It's a little sprig of morning glory, the flowering vine Naomi bemoaned. "If you left, everyone would miss you," Jimmy says softly. "Everyone would be sad. But not me. No one even cares that I'm here." "That's not true," I say. "I'd miss you." He smiles. I hold up the little vine I've rescued from the lake. A drop of lake water falls from one of its white blossoms onto my dress. "Every person, every thing, has a purpose in this life. You, me, this little morning glory. We're all interconnected." Jimmy pauses to look at the flower in my hand. "It's our job to remember that and to realize how it all works together, even when it feels like the puzzle pieces don't fit.

I looked up at the moon and stars through the glass roof above and gasped at the stunning sight, like a mural painted by a great artist. No wonder Lady Anna had loved this place. I walked to the orchids and plucked a weed from a small terra-cotta pot that held a speckled pink and white flower. "There you are, beautiful," I whispered, releasing a patch of clover roots from the bark near the orchid's stem. "Is that better?" In the quiet of the night, I could almost hear the flower sigh. I walked to the water spigot and filled a green watering can to the brim, then sprinkled the flower and her comrades. I marveled at how the droplets sparkled in the moonlight.

I'm not an atheist," he says suddenly. "Oh?" He nods. "Because on the night of my fifth birthday, I prayed for an angel to watch over me." He slurps his milk, then looks up at me with a milk mustache. "And God brought you to the dock." My eyes well up with tears as I watch him turn back to his mug.

I placed the tubes of paint on the palette and selected a small canvas. I prepared the palette with an assortment of colors, then closed my eyes, remembering the way the moors had looked when I rode into town with Lord Livingston. He'd been so different on that drive into the village before he left for London. Had that been the side of him that Lady Anna had fallen in love with? I dipped my brush into the black paint and then mixed in some white until I'd created the right shade of gray, then touched the brush to the canvas. I loved the feeling of the paintbrush in my hand. He'd been kind to buy me the art supplies, but I remembered how he'd behaved in the dining room and at other times before that. 'How could he be so cruel, so unfeeling?' Once I'd painted the clouds, I moved on to the hills, mixing a sage green color for the grass and then dotting the foreground with a bit of lavender to simulate the heather. I stepped back from the canvas and frowned. It needed something else. But what? I looked out the window to the orchard. The Middlebury Pink. 'Who took the page from Lady Anna's book? Lord Livingston?' I dabbed my brush into the brown paint and created the structure of the tree. Next I dotted the branches with its heart-shaped leaves and large, white, saucer-size blossoms with pink tips.

I think back to that night, and I write exactly what happened. How James made me laugh until my sides hurt. How we stayed out until two talking at a greasy spoon diner. How I came to realize that some of life's most beautiful things grow out of the darkest moments.

I think of the way James proposed, at our favorite New York City restaurant. He'd tucked the ring in his pocket and gotten down on one knee. Simple, perfect. I feel the familiar pain creeping back, and then I remember what Alex said. I know I may always ache for the past, for the two greatest loves of my life, but I want to be a bird now. I want to flap my wings through the rainstorms. I want to start my day with the earnestness of the morning glory, the way its blossoms open with the sunrise, ready to shine no matter what.

I took a cautious step inside, marveling at the sight before me. A vast conservatory awaited, or what 'once' was a conservatory. Sunlight beamed through the enormous glass roof. I realized that its position at the center of the house precluded its visibility from below. In awe, my heart beating wildly, I lingered in an arbor covered with bright pink bougainvillea, with a trunk so thick, it was larger than my waist. Most of it had died off, but a single healthy vine remained, and it burst with magenta blossoms. I could smell citrus warming in the sunlight, and I immediately noticed the source: an old potted lemon tree in the far corner. 'This must have been Lady Anna's.' I walked along the leaf-strewn pathway to a table that had clearly once showcased dozens of orchids. Now it was an orchid graveyard. Only their brown, shriveled stems remained, but I could imagine how they'd looked in their prime. I smiled when I picked up a tag from one of the pots. 'Lady Fiona Bixby. She must have given them her own names.' Perhaps there hadn't been anything sinister going on in the orchard, after all. Lady Anna was clearly a creative spirit, and maybe that played out in her gardens and the names she gave to her flowers and trees.

I've come to realize that you can fight a lot of things in life, but you can't help who you love. You can't change who your heart chooses. I'm afraid that very fact will be the greatest tragedy of my life.

I walked to the bookcase and examined the storybooks inside. As a girl, I had dreamed of having stacks of books at my disposal--stories to get lost in, other worlds to live in when mine was so bleak.

I wanted to take a photo of his face just then. That boyish grin. That look of love, of contentedness. Couldn't he see? We didn't need children to complete us. We were already complete. I had my flowers and plants, and he had his writing. Wasn't that enough? Didn't he love the ebb and flow of our life together just as it was? The way I'd race home for dinner with a basket brimming with vegetables from the market or a handful of herbs from a garden project, eager to read the pages he'd written that day. Didn't he love, as I did, the quiet mornings we spent in our garden, sipping espresso and discussing our latest venture to a flea market in Queens or an antiques shop in Connecticut? Once we carted an enormous painted dresser to a taping of 'Antiques Roadshow' only to find that the piece was made in China. I grinned at the memory.

I was too awestruck to speak. Vines of bright pink flowers danced over a wrought-iron arbor. I recognized them immediately as the very same variety, bougainvillea, that grew in Greenhouse No. 4 at the New York Botanical Garden. Just beyond, two potted trees stood at attention- a lemon, its shiny yellow globes glistening in the sunlight, and what looked like an orange, studded with the tiniest fruit I'd ever seen. "What is this?" I asked, fascinated. "A kumquat," she said. "Lady Anna used to pick them for the children." She reached out to pluck one of the tiny oranges from the tree. "Here, try for yourself." I held it in my hand, admiring its smooth, shiny skin. I sank my teeth into the flesh of the fruit. Its thin skin disintegrated in my mouth, releasing a burst of sweet and sour that made my eyes shoot open and a smile spread across my face. "Oh, my," I said. "I've never had anything like it." Mrs. Dilloway nodded. "You should try the clementines, then. They're Persian." I walked a few paces further, admiring the potted orchids- at least a hundred specimens, so exquisite they looked like Southern belles in hoop skirts. On the far wall were variegated ferns, bleeding hearts, and a lilac tree I could smell from the other end of the room.

I wonder if there is a dark side to every great love story. With great love comes great hurt. I wonder if it is inevitable.

Janie ran to my side, where she tugged at the book eagerly as though she'd seen it before. "Flower book," she said, pointing to the cover. "Where did you find Mummy's book?" Katherine asked, hovering near me. Cautiously, I revealed the book as I sat on the sofa. "Would you like to look at it with me?" I said, avoiding the question. Katherine nodded and the boys gathered round as I cracked the spine and thumbed through page after page of beautiful camellias, pressed and glued onto each page, with handwritten notes next to each. On the page that featured the 'Camellia reticulata,' a large, salmon-colored flower, she had written: 'Edward had this one brought in from China. It's fragile. I've given it the garden's best shade.' On the next page, near the 'Camellia sasanqua,' she wrote: 'A christmas gift from Edward and the children. This one will need extra love. It hardly survived the passage from Japan. I will spend the spring nursing it back to health.' On each page, there were meticulous notes about the care and feeding of the camellias- when she planted them, how often they were watered, fertilized, and pruned. In the right-hand corner of some pages, I noticed an unusual series of numbers. "What does that mean?" I asked the children. Nicholas shrugged. "This one was Mummy's favorite," he said, flipping to the last page in the book. I marveled at the pink-tipped white blossoms as my heart began to beat faster. The Middlebury Pink.

My eyes blinked like a camera shutter clicking through the frames of my life, except the images were mismatched and haphazard: a ragged-looking doll with a rose-colored dress; crocheted white baby mittens, slightly unraveled; a row of tulips, vibrant red; Rex's smile; a rusty weather vane whirling in the wind. My eyelids fluttered, fighting to remain open, but when they closed, the welcoming image that waited beckoned me to stay, promising to give me the comfort, the peace I longed for. The camellias. I could see them, seemingly endless rows of big, bushy green trees with waxy leaves and showy flowers the size of saucers. Pinks, reds- bursting into bloom, as if they'd been painted by the Queen of Hearts.

Naomi makes a face and points to the potted flowers near the front door of her houseboat. "Just look at that," she says, as if something upsetting has happened. She reaches into one of the pots and pulls out a green vine, a few feet long, with several bell-shaped flowers. "There," she says with a vindicated look in her eye, as if this vine has wronged her in some way. "What is it?" I ask. She flashes a patronizing smile. "An invasive weed," she says, tossing the vine into the lake. I watch the little white flowers flutter in the water. I want to kneel down and rescue them from drowning. "Morning glory," Naomi continues, shaking her head. "It'll take over if you let it." I watch as the vine drifts away on the lake. The little flowers bob up and down as if gasping for air. I consider that the vine might find its way to shore and wash up on a patch of soil, where it will start a new existence, maybe sink its roots and thrive. Maybe Naomi has set it free. I think of the bluebells that grew in my mother's garden when I was a child. Weeds, really. But I'd pick them by the handful, and when bunched together they looked stunning.

Past their normal blooming season, the trees had shed many of their blossoms, but the ones that remained were vibrant and showy, like the finale of a fireworks show. Up close, the trees did not disappoint. I stared up in awe at a yellow blossom, touching its petals lightly and breathing in the balmy, lemony scent.

She plucked the blossoms from the bag and arranged them, one by one, in the water glass on her dressing table. "They'll never keep," I said. "They're [hibiscus] a terrible cutting flower. They'll wilt by morning." "I know," she said." But don't they look so pretty right now, just as they are?" I nodded. I wished I could see the beauty in the moment the way Kitty did. It was a gift.

There is something oddly therapeutic about trudging through marshy sand, the feeling of squishiness below the feet signaling to the brain that it's OK to just let go for a while.

The stars have their own language, you know. If you're careful, you can learn it.

They're wood violets," she said. "I haven't seen them on the island since...." "They're very rare," Henry said, filling the void that Bee had left when her voice trailed off. "You can't plant them, for they won't grow. They have to choose you." Bee's eyes met Henry's, and she smiled, a gentle, forgiving smile. It warmed me to see it. "Evelyn has a theory about these flowers," she said, pausing as if to pull a dusty memory off a shelf in her mind, handling it with great care. "Yes," she said, the memory in plain view. "She used to say they grow where they are needed, that they signal healing, and hope.

We want the kind of love that sells movie tickets.

Yes, I had dreamed of becoming a botanist, my entire life, really. I'd thought a great deal about the various species of maple and rhododendron while braiding challah, and I'd successfully planted a wisteria vine in a large pot and trained it over the awning of the bakery. And at night, after we closed shop, I volunteered at the New York Botanical Garden. Sweeping up cuttings and fallen leaves hardly seemed like work when it provided the opportunity to gaze into the eye of a Phoenix White peony or a Lady Hillingdon rose, with petals the color of apricot preserves. Yes, horticulture, not pastries, was my passion.

You're rare, you know," he says. I worry he's just trying to flatter me, so I shake my head. "Go on." "No, really," he says. "Not many women would dream a life on the seas the way you just described." "I don't see why not." He shakes his head. "No, so many women want the safe, comfortable life." I think of my life with Dexter. Safe. Comfortable. I suppose that describes me to a T. Before I can say anything else, Collin speaks again. "I've lived and died by a quote I read when I was a boy. It goes something like this: 'Twenty years from now, you will be more disappointed by the things you didn't do than by the ones you did do. So, throw off the bowlines, sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover." "That's... beautiful," I say, a little breathless. "It makes me want to set sail.