Best 43 quotes of Anne Ursu on MyQuotes

A boy got a splinter in his eye, and his heart turned cold. Only two people noticed. One was a witch, and she took him for her own. The other was his best friend. And she went after him in ill-considered shoes, brave and completely unprepared.

But if you were Charlotte, and you had been feeling that life was some cosmic joke that had no punchline, and in the space of a moment you had gone from being Charlotte-without-a-kitten to being Charlotte-with-a-kitten, you too would have found it nothing short of remarkable.

Fiercely original and uncommonly lovely, The Witch's Boy is equal parts enchanting and haunting. Kelly Barnhill is master of truly potent and unruly magic; luckily for readers, she chooses to use her powers for good.

Hazel had read enough books to know that a line like this one is the line down which your life breaks in two. And you have to think very carefully about whether you want to cross it, because once you do it’s very hard to get back to the world you left behind. And sometimes you break a barrier that no one knew existed, and then everything you knew before crossing the line is gone. But sometimes you have a friend to rescue. And so you take a deep breath and then step over the line and into the darkness ahead.

Her father said she was a princess. He did not see that she was a brave knight.

He squeezed Steve's shoulder possessively. "Oh, Zero. He is not you, I must admit. He does not have your bravery, your nobility, your je ne sais quoi, and all he talks about is this magical place called 'Canada'.

I believe that the world isn't always what we can see...I believe there are secrets in the woods. And I believe that goodness wins out...So, if someone's changed overnight - by witch curse or poison apple or were-turtle - you have to show them what's good. You show them love. That works a surprising amount of the time.

If shadows were caused by the interplay between light and Life, a child's was still forming. An adult's was inextricably bound to his body, but a child had a tenuous relationship to his own permanence, and thus, his own shadow.

In woods where the woodsmen told lies, maybe it was the wolves who told the truth.

It snowed right before Jack stopped talking to Hazel, fluffy white flakes big enough to show their crystal architecture, like perfect geometric poems.

Jack believed in something—he believed in white witches and sleighs pulled by wolves, and in the world the trees obscured. He believed that there were better things in the woods. He believed in palaces of ice and hearts to match. Hazel had, too. Hazel had believed in woodsmen and magic shoes and swanskins and the easy magic of a compass. She had believed that because someone needing saving they were savable. She had believed in these things, but not anymore. And this is why she had to rescue Jack, even though he might not hear what she had to tell him.

Now, the world is more than it seems to be. You know this, of course, because you read stories. You understand that there is the surface and then there are all the things that glimmer and shift underneath it. And you know that not everyone believes in those things, that there are people—a great many people—who believe the world cannot be any more than what they can see with their eyes. But we know better.

People feared snowstorms once. Hazel read about this all the time. Pioneers opened their front doors and saw they'd been entombed in snow overnight. They walked across malevolent swirling whiteness and did not know if they would survive. Nature can destroy us in a blink. We live on only at its pleasure. That was what looking at the witch was like.

She'd read once that if you ran into a bear in the woods you should avoid eye contact and you shouldn't run away, but all she knew about wolves is that you should never tell them how to find your grandmother's house.

She understood. They were plastic flowers of words—but they looked nice on the surface.

Sometimes superheroes are born, sometimes they are made. Sometimes they make themselves. Sometimes all it takes is will.

The halls were empty. Charlotte had missed the first bell and would be late, again. Her homeroom teacher would ask her for an excuse and she would say, 'Overwhelming feeling of dread.' That was going to go over nicely.

This is what it is to live in the world. You have to give yourself over to the cold, at least a little bit.

This morning, as Charlotte approached the brick facade of Hartnett, she found herself overcome with a great sense of dread. It hit her with a strange and sudden force, and she had an overwhelming urge to turn back, get into bed and not go out for about three weeks. She stopped in her tracks. The feeling itself was alarming to Charlotte - was she sensing something? Something dangerous? And was it something supernatural or just middle school? Sometimes it was hard to tell the difference.

At each step there is a small moment of transformation that cannot be overlooked or rushed. And these moments should not be, because they are beautiful.

Charlotte sighed inwardly. She knew her mother was serious when she started referring to shellfish. What did that mean, anyway? What's so great about the world being your oyster? Does that mean it's really hard to open, and when you do, you have something slimy and gross on the inside?

He could still escape—the fear was in front of him, and all he had to do was wrench free and run in the other direction. But he kept walking forward, straight into its embrace.

He lifted his hand to knock, but then he stopped. He could go neither forward nor back, so he simply stayed that way—hand frozen in the air.

He's gone now. He did something terrible, but...he did good things, too. And he kept us well. And it's all right if you are sad.

Hugging himself, Oscar leaned against the pantry wall. For two days all he had wanted was for Caleb to come back, and now he was back and Oscar had made a mess of things: he had angered half the customers and confused the other half, and the coin boxes did not look as they should, and [rich, noble] people were complaining about him, and he couldn't look at anybody, and [redacted] was dead, and Oscar was odd. 'What if he doesn't keep me?

It was a beautiful lie that they had all been telling themselves—that you could have magic without monsters.

No one else needed to do this. No one else needed lessons on how to be a person.

Oscar did not know what he was supposed to be feeling right now, what all the adults behind him would be expecting him to feel. He did not even know what he was, in fact, feeling. Except, whatever it was, it was a lot. Too much. More than bodies could hold.

Oscar leaned in, eyes wide. 'He's keeping me,' he whispered to the kitten. Pebble chirped. Oscar's eyes flicked to the books underneath his bed. They called out to him: Misfit. Orphan. Idiot. Oscar coughed and shifted his eyes back to Pebble. 'He thinks I can work the shop. ... He said he knew I could do it.' Wolf: He didn't see you work the shop. He doesn't know. Just wait until he hears. 'He wants me to do the best I can.' Wolf: If only he knew how bad that was. He'll know soon. Oscar clenched his hands into fists and squeezed his eyes shut. ... 'I'm not going to disappoint him,' Oscar said. He repeated himself once more, in case the words themselves had any power. 'I'm not.

She'd been to Narnia, Wonderland, Hogwarts, Dictionopolis. She had tessered, fallen through the rabbit hole, crossed the ice bridge into the unknown world beyond.

She did not like seeing her loved ones like this, bent over with sorrow; everything in her wanted to cry out, to thrash and scream at the sight of it. But she knew that great grief came from great love, and that their grief was an honor to her. And she did love them so very much.

She just eyed them coolly, as if they were nothing to her, as if their nothingness surprised and slightly repelled her.

...she wore weird baggy clothes and seemed like the sort of person who might tesser in some dark and stormy night.

Someone who thinks of possessing a fountain made of a winged baby with water shooting out of its mouth must not have too many troubles.

Something rose in Oscar's chest, like a flower blossoming all at once. It grew until it filled him and threatened to spill over everywhere. The words [he] spoke touched a longing so deep Oscar hadn't even known it was there.

Something was wrong with him - and down deep he'd known his whole life. Maybe the wards had even said something. (You are not right, boy.) Maybe the other children had. (What's wrong with you?) Maybe it had happened while he watched one child after another walk off with a family from the Eastern Villages, with a merchant or a farmer. (You know no one will ever take you, right?) Maybe he'd even said it to himself.

Teachers loved to say people had potential; that's what teachers did to keep themselves from getting canned. What were they supposed to say-I'm sorry, your kid has no promise whatsoever? She's utterly mediocre in every way?

There are ways to do things, ways to act with people, and I do not understand them. I cannot understand what people mean when they talk. I do not do things right. I do not feel things right. I do not see things right. I am not...I'm not made of the same thing as everyone else.' The baker took in a deep breath. 'I think if you'll look around, my boy,' he said gently, 'you'll find that no one is quite right. But we all do the best we can.

There were so many Jacks she had known, and he had known so many Hazels. And maybe she wasn't going to be able to know all the Jacks that there would be. But all the Hazels that ever would be would have Jack in them, somewhere.

The words kept coming and he could not stop them, not while Callie was standing there so indecipherably, and so he was going to keep talking until he used up all the words there were and then no one would be able to talk to anyone else anymore and then all anyone would have left were one another's unintelligible faces, and maybe some weird gesturing, too, and it would be all Oscar's fault.

They said words they did not mean, and their conversations seemed to follow all kinds of rules—rules that no one has ever explained to Oscar.

This was not [him]. It was a thing, with all the [him]-ness gone from it. Death takes the person and leaves his shell behind, like a hollowed-out tree.

What are you supposed to do when something like that happens? Do you hold on or let go?