Best 70 quotes of Julianne Moore on MyQuotes

Air pollution is terrible for our children. Every single scientist, every single doctor will tell you the same thing: Air pollution damages our children’s brains, their hearts, and their lungs.

A mid life crisis is nothing but getting to the point where you go, have I done what I wanted to do? Am I living the life that I want to live? Am I appreciating what I have? If you don't get to that point developmentally, you're not doing it correctly. The people who get to that age and haven't reassessed usually haven't faced the fact that that's where they are.

Apart from anything else, I got to work with Jennifer Lawrence. She’s a lovely girl. I know people often say things like that in interviews, but she really is. While she may be young, she doesn’t feel at all precocious. Instead, she’s smart and funny and terrific at connecting with people. She just blew me away.

Art is an expression of who we are, what we believe, and what we dream about.

At one point, 'feminist' became a pejorative term. How did that happen? If you're a feminist, you're basically saying you're a humanist.

But everything that I did starting out, every job that I had, I haven't regretted any of them. They've all been informative, interesting in one way or another. With a career, I think there's this idea that you're just trying to get somewhere. It's like, "Oh, okay, let's keep going, because if I do this, I can get this, I get this, this." It wasn't that way. I did what I wanted to do when it was in front of me, and I'm trying to continue to do that.

Either you like a person or you don't like a person. I don't have to love somebody to work with them. I'm a professional person. But when you get the bonus of really liking someone and really connecting with them and really enjoying them, it's a fantastic thing.

Everybody has the right to marry the person they love and be represented as a couple and family... It's something that people will look back on in years to come and say, 'I can't believe it took so long for us to recognize this.' It'll be like segregation and giving women the right to vote.

For me, the most important thing is that I feel comfortable with the actor that I'm working with and I'm able to talk to them.

I always say about acting: the audience doesn't come to see you, they come to see themselves. So if you're able to give them an experience where they feel, 'Oh, my gosh, that's me, that's my story, they know!' then you've done your job.

I am very excited to work with people who have a strong vision of what they want. They're trying to tell a story, and they want to use me. I'm there to facilitate that. I really like that. I'm like, "Tell me where your frame is. Tell me what you want, what kind of story you want, and I will facilitate it." That's sort of my job, and it makes my work better when I'm working in that kind of a frame, and hopefully it's their work. It's incredibly collaborative, in the sense that you're working toward a common goal.

I do Ashtanga yoga three times a week, and I run a couple of times a week, too. I really like yoga; I enjoy the actual doing of it, so it doesn't feel like the agony of the gym felt like to me.

I don't consider myself very brave in any sense. I'm interested in this kind of behavior. My job is to try to make it realistic and emotionally resonant. That's the most challenging thing, to bring emotional resonance to what you do as an actor.

I don't really care if people like a character ornot; I think in life we don't always like everybody. But you haveto be able to understand them.

If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy.

If you ask anybody about their life, usually the first thing they talk about is how their wife is doing, how their kids are, they don't usually say "My job, my job, my job". It's really true. It's usually about your family.

If you're 50, you're never going to be 50 ever again, so enjoy being 50. If you sit through the year wishing you were younger, before you know it, it's going to be over, and you're going to be 51.

I like that sense of family in my workplace, having the same pair of eyes to look into.

I like the excitement you get at touching another human being when you're acting with them and then having a little spark and not knowing what is going to happen in between you.

I love it, to have the same crew. I'm not married. I don't have children. My 17-year-old dog died. I'm kind of on my own. So I really like having the same camera guy for four years. I love looking around and seeing the hair and makeup people who have been there from the beginning.

I love my kids with all my heart and the last thing I want to worry about is the air they breathe.

I'm at the mercy of others because I'm not a director. I'm not a producer. I'm not a writer.

In cinema people are always walking into something and saying this is who I am, what I want, and how I'm going to get it and we don't in life - particularly not in public situations. People might know your first name, not your last name, they don't know what you do, and you're not going to offer it up. So if you start there and you realize this is a much more normal presentation in a film then you would ordinarily have; you know that there is a big life behind what everyone presents and that I think is super interesting.

In grade school I was a complete geek. You know, there's always the kid who's too short, the one who wears glasses, the kid who's not athletic. Well, I was all three.

I read a lot, I always read. I like to be inside a story. When I started acting, even in high school, it sort of felt like that's as close as you can get to being inside a book, and I feel that way even with movies more so, because you've kind of created this imaginary world, and everybody is colluding to create it.

I still battle with my deeply boring diet of, essentially, yogurt and breakfast cereal and granola bars. I hate dieting. I hate having to do it to be the 'right' size. I'm hungry all the time. I think I'm a slender person, but the industry apparently doesn't. All actresses are hungry all the time, I think.

I think all of us struggle with how to keep relationship alive. And yet it can't be static either. It's never going to be how it was when you first met because you're not in that place anymore; you're not necessarily the same people. So, that's the struggle - you're trying to make the relationship move forward with the rest of your life and make it special and meaningful. And I think it's incredibly challenging.

I think imperfections are important, just as mistakes are important. You only get to be good by making mistakes, and you only get to be real by being imperfect.

I think that one of the things that you do learn is that falling in love and being in love with someone is a rarity. That you don't fall in love as many times as you think you're going to. And then when you do, it's really special; it's really important.

I think that when you're constructing entertainment; thrillers, horror movies, or anything that's gonna scare, they're all based on what our natural worries are.

I think the thing about relationships is that you're always thinking "Oh, it's going to go bad." [...] But then, it's the same thing that all the silly magazines say, "Take time for yourselves. Go away.

It's pretty boring, working by yourself. The scene happens in between the two of you, and then you don't know what it's going to be because it's a kind of combustion. So, you do take something from every actor you work with.

It was a great circumstance when I received the script of [Chloe] and Atom [Egoyan] said he wanted me to do it. I was inclined to say 'yes' immediately.

I've always wanted to go where the work was or where I was wanted. The idea that it can be planned is one I let go of a long time ago.

I've heard it said that winning an Oscar means you live five years longer. If that's true I want to thank the academy because my husband is younger than me.

I was a bookworm, and very skinny with big, thick glasses. I never went on dates and guys were afraid of me because I was smart. So I got contact lenses, started to dress a little better and tried not to talk about Plato with boys. It worked!

I was lucky enough to come in at the beginning of the independent film movement, and it's really shaped my life and my career.

I was the kid who read a lot and who was academic, and who was more of an indoor person than an outdoor person. I would win the summer reading contest at the library.

I would be lying, if I said that sometimes it is just a job that you show up for because you're getting paid, and that's important, too. But, if you can be in a state of mind where you enjoy your job, whether it's just a job, or it's actually cathartic for you, or it's something personal. I think it would be much easier to be content with doing a good job.

I wouldn't be an actor if it weren't for the English teacher I had my junior year in high school. She's the one who told me I could be an actor. I had never met an actor, I had never seen a real play, only high school plays. I didn't know actors were real, that it was a real job.

Life is full of compromises, and whether or not you're willing to negotiate.

Loving someone is giving them the power to break your heart, but trusting them not to.

Men aren't asked about age. Men aren't asked about their children. Not that these things aren't important, but I do feel like it becomes reductive when a woman's life becomes, 'Talk to me about your kids and how you feel about plastic surgery.'

Movie studios aren't making too many dramas anymore; they're in the superhero business. Material for television is much, much stronger for actors now.

My job as an actor is to try to do what the director wants me to do. I'm going to do everything I can to incorporate that note and make it work. If it doesn't work, I'll try this kind of thing, and "How do you feel about that?" If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy. Even when I was younger, there were times when you have to find a way to make it work for both of you.

My life may be a pretty crazy life at times, but its a very privileged one - being able to earn a good living doing what you love. Not many people have such an opportunity.

My schedule, it always looks like it's really steady, but believe it or not, I tend to work a bunch and then take a year off.

Nobody does a lot of plotting. They can't. Everybody wants to do that in life, but I think it's almost impossible. Opportunities present themselves, and you say, "Hey, is this interesting to me?" Is this something you might want to pursue? Maybe you'll get it, maybe you won't. It really does have to do with a "one foot in front of the other" kind of thing, I think.

One of the things I admire so much about Atom Egoyan is that again and again he makes movies about the human condition, who we are, what we want, how we communicate to one another and this is also an exploration of a long-term relationship and what happens in it. There's human sexuality and all those kinds of things, so that helps - it all helps. You realise that I'm not a Playboy bunny.

One of the things that I love about L'Oréal is that it's accessible and aspirational. Beauty doesn't have to be a mystery, and it can be available to everybody. But it's also about accessing what is most innately human, what we think is attractive.