Best 10650 quotes in «hands quotes» category

If you wish to be brothers, let the arms fall from your hands. One cannot love while holding offensive arms.

If you wish to begin life at forty, you must settle two large personal questions first of all. You must find work and play that call for no more energy than you can afford to spend on them. Then you must train your mind, eye and hand to the point of working and playing with ease, grace and precision.

If you would have your son to walk honourably through the world, you must not attempt to clear the stones from his path, but teach him to walk firmly over them - not insist upon leading him by the hand, but let him learn to go alone.

I get a lot that people have a hard time believing that I’m a nerd... but I grew up with a Nintendo controller in my hand.

If you write satire, the guilty pleasure these days is that there's just so much material about. On the other hand, if you have a family it can be depressing.

I gazed upon the glorious sky And the green mountains round, And thought that when I came to lie At rest within the ground, 'Twere pleasant, that in flowery June When brooks send up a cheerful tune, And groves a joyous sound, The sexton's hand, my grave to make, The rich, green mountain-turf should break.

I gathered all of the Jewish mukhtars, who have contact with Arabs in different villages and asked them to whisper in the ears of some Arabs that a great Jewish reinforcement has arrived in Galile and that it is going to burn all of the villages of the Huleh. They should suggest to these Arabs, as their friends, to escape while there is still time... The tactic reached its goal completely. The building of the police station at Halsa fell into our hands without a shot. The wide areas were cleaned.

I gaze lovingly at "Hilal" a love that is reflected through time or what we imagine to be time, as in a mirror. She was never mine and never will be; that is how it is. We are both creators and creatures, but we are also puppets in God's hands, and there is a line we cannot cross, a line that was drawn for reasons we cannot know. We can approach and even dabble our toes in the river but we are forbidden to plunge in and let ourselves be carried along by the current.

I get highs, to be totally honest, in second-hand shops. My hunting instinct, I expect, really kicks in.

I get it. You have the right to have guns. But look, let's forget that right. Let's forget the pleasure you get safely on your range, because it's in the wrong hands in other places.

I get the greatest feeling when I'm singing. It's other-worldly. Your feet are anchored into the Earth and into this energy force that comes up through your feet and goes up the top of your head and maybe you're holding hands with the angels or the stars, I have no idea.

I give two hoots about being typecast. It's not in my hands.

I get up in front of a bunch of kids and say 'Hey, I'm gonna tell you a new story. Who wants to be in a new story?' Well some kid always sticks up their hand and that gives me a name, but it doesn't give me a story. I just say whatever comes to my mind and usually it's not that good. Every once in a while, however, I say something that turns into a really good story.

I give off rather mixed messages about the law. On the one hand, I can honestly say I don't miss working in a law office. On the other hand I do enjoy watching the law and while the profession may have its problems, I have sold zillions of books out of magnifying them.

I give you my hand, I give you my love more precious than money, I give you myself before preaching or law; Will you give me yourself?

I glanced up at Zay, then walked over to stand next to him. "You look good with a baby in your arms," he murmured. I took his hand, careful with his fingers that were still wrapped in tape. "Don't get your hopes up, Jones. I'm not the settling-down type." "Want to bet on that?" he asked. "Sure." I made a fist; so did he. We pumped three times. I threw paper. Zayvion threw scissors. I'd lost. Startled, I looked up at him. "Two out of three?" Zay grinned. So did I.

I got a burlap sack, put a brick in the middle, and filled it with rags, corncobs, some Spanish moss, and sand. I hung that sack off the branch of an oak tree. I'd wrap my hands with a necktie of my daddy's and punch at it. My mom gave me an hour a day. My brothers and sisters said, "Nah." I said, "You'll see.

Ignorant men do not know what good they hold in their hands until they've flung it away.

I got a chance to get an actual label. I performed this slow song, this ballad I have. I just remember going to the first woman I saw in the room and just getting on my knees holding her hand just singing. And I was like, you know what, I got to just sell it. I remember that day they were like, yo we want to sign you. [After] I went into the bathroom, I started crying, [and] I called my mom. I was like momma – I did it.

I got jumped into a gang, but I never shot anybody or anything. I might have been in the car when something happened, but I was involved in the gangs just for the drugs. After a while, I just became an outcast of the gang because I just liked the drugs. I just wanted to do more drugs, anything you put in my hand.

I got attention by being funny at school, pretending to be retarded, and jumping around with a deformed hand.

I got a rhythm going. The guys just did a good job of putting the ball in my hands.

I got offstage and was just looking at my hands, and they were shaking. I was like, 'I wanna kill someone! What's happening?'

I got that first record out, it came out in '47... Then my name began to ring around. I began to take over. From that point, I tell you, Chicago was in my hand, all the more time that those guys had to listen to me.

I got out my jar of ointment. I knew animators who had special containers for the ointment. Crockery, hand-blown glass, mystical symbols carved into the sides. I used an old Mason jar that had once held Grandma Blake's green beans. Larry fished out a peanut butter jar with the label still on it. Extra-crunchy. Yum-Yum.

I gotta tell, that's one of the things in Hollywood that has not been a barrier. I've gotten lots of offers, and I did try my hand at it, I directed two commercials. I won best commercial of ad week [laughs] on my first try.

I got to thinking—when it was too late—you have to reach out to people. To your family, too. You can't just let them sit there, you should put your hand out. If they slap it back, well you reach out again if you care enough. If you don't care enough, you forget about them, if you can.

I grew up a Baptist and went to seminary at Methodist school, Duke University, but I also don't worry too much about denominations. I love what John Wesley said - "If our hearts are together, let's not worry about whether our heads are together. If our hearts are together, then let's joins hands." So, I try to do that regardless of denominations.

I grew up in a business-inspired environment, and over the years have started and run several businesses and philanthropic organizations. Understanding how large corporations work, by having hands-on and board experience, I apply that knowledge to the benefit of all that I do.

I grew up in a craftsman's home, where things were done with our own hands. I did cabinetmaking for four years and I hated it.

I grab Sarah’s hand. “You are more than that. I need you here with me. You’re pretty much the only thing keeping me from completely melting down.” “I get it,” she says. “You’re going to save the freaking world and I’m going to help you. That whole saying about behind every great man there is a great woman? I can be that for you. I just want to be a great woman with excellent aim.

I grew up as a fairly poor kid in, you know, Toronto, Canada. I don't think I owned any new clothes until I was, like, 15 or something. They were all second-hand and forged from paper.

I grew up in an era when strange adults would grab me on the street and say: 'Don't do that.' You never see that these days. 'Hi, we took the liberty of spanking your son.' Oh thanks, my hand was getting worn.

I grew up in Louisiana, and I grew up with a dysfunctional family with some very serious abuse from my stepfather, who could be a very beautiful person on one hand and be terrible on the other, so it leaves your soul troubled as a child.

I grew up on second hand bookshops and libraries.

I grew up, obviously, watching tons of animation; Saturday morning cartoons or anything that we could get our hands on. And then when 'The Simpsons' premiered, that just kind of changed the landscape of everything. We hadn't had prime time animations since 'The Flintstones.'

I grew up with an impatience with the anti-scientific. So I'm a bit miffed with our current love affair with all things Eastern. If I sneeze on the set, 40 people hand me echinacea. But I'd no sooner take that than eat a pencil. Maybe that's why I took up boxing. It's my response to men in white pajamas feeling each other's chi.

I grew up with very hands-on jobs. I was raised on a farm and taught to work hard. In this high-tech, high-speed society, somewhere along the line, we got the message that if we're not a brain surgeon or an astronaut, we really shouldn't be proud of ourselves.

I ground matter to find the continuous line. And when I realized I could not find it, I stopped, as if an unseen someone had slapped my hands.

I grew up working for the minimum wage at Hardee's and knows first hand how important the minimum wage is. I support a state based minimum wage so every state can set their own minimum wage based on their cost of living.

I guess experience is just learning at first hand the things you knew all along anyway.

I guess I'd like to have my cake and eat it, too. I want to be known for having a recognizable style. I believe having your own personal identity is what makes you competitive. On the other hand, I would like to be versatile and be challenged to go in new directions.

I guess I prefer to play live, but I don't want to have only live CDs. I like playing live because there are alot of things that can happen. I can interact with the audience and say some things to get me in trouble. On the other hand, the studio is nice because you can really take your time and make something that you know is the best thing that you can ever do. But nothing beats being up on stage in front of all that energy.

I guess it's just my job to somehow balance knowing that every song is going to come differently and be different, but also know that, on the other hand, I am a songwriter and I am a craftsman, and I do have a craft and a technique and a method. So I need to balance the technique and the method.

I guess Surrealism has a draw for me because it's an unknown world. It's a world of subconscious. Some things you can't really get your hands on very easily. Things that are kind of nebulous and they feel like they're not completely formed. You have to feel your way through that.

I guess that's why they call it the blues, time on my hands could be time spent with you.

I guess the big thing is that I don't buy anything first-hand. It's a personal policy I have for all sorts of reasons. If you research to the textile industry yourself, you'll know why. I came to it personally.

I had a dove and the sweet dove died; And I have thought it died of grieving: O, what could it grieve for? Its feet were tied, With a silken thread of my own hands' weaving.

I guess, when you get down to it, a loving touch compensates for an unskilled hand about everywhere except in an airplane cockpit.

I had always found comfort in the leaves, in their silence. They were like a parchment that holds words of wisdom. Simply holding them in my hand gave me some of the peace a tree possesses. To be like that-to just be-that's the most noble thing of all.