Best 314 quotes in «photograph quotes» category

Our photographs are our best proof to others that we lived the things we lived in the past!

She lost me when she tried to send a screenshot by taking a photograph of her phone screen with another phone.

People remain same in photographs only

Photoghraphic projects can be as short as an afternoon or as long as a lifetime.

Seeing old photographs, we get enamored by the memories we made which will keep tugging at our heart-strings forever and ever...

There is something particularly fascinating about seeing places you know in a piece of art - be that in a film, or a photograph, or a painting.

The photograph, then, becomes a representation of a representation of a disease that represents. In other words, in order to produce the most perfect images of hysteria, the hysteric – a woman whose illness simulates the symptoms of other diseases – was transformed, through hypnosis, into an artificial hysteric who perfectly simulated the simulations of hysteria. The medical photograph becomes a copy of a copy of a copy, a representation so far removed from the original that all duplicitous traits, were easily erased, leaving the deranged and chaotic nature of the original far behind. The photograph succeeded in turning the hysteric into a wholly artificial being, literally a flat, framed, unmoving image.

There are photographs of people you don't recognize and photographs of you in ways you don't wish to be remembered, but they each contain elements of places or times you do not wish to forget.

They say a picture tells a thousand words, but photographs reveal only a small part of the real story about a person.

The sight of this woman infringing on the privacy of others so aggressively and casually sent revulsion through my entire being. What was she doing? Hunting big game? Were the people in this small village home just a quarry to be stalked, a trophy later to be mounted on the wall? It was one of those moments when I felt ashamed to be linked with this thing we call photography. We photographers “shoot” and “capture”. We may insist that we “make” a photograph, but everyone knows we really take them.

The task of a philosophy of photography is to reflect upon this possibility of freedom - and thus its significance - in a world dominated by apparatuses; to reflect upon the way in which, despite everything, it is possible for human beings to give significance to their lives in the face of the chance necessity of death. Such a philosophy is necessary because it is the only form of revolution left open to us.

There, there, best to bring it all up,' she said. My memory was in shreds. Imagine a photograph cut into narrow strips then jumbled up. Everything is there, but you can't see the whole picture and even the strips have no bearing on reality. I did know I had consumed a large amount of alcohol. But I must have done something crazier than just being found drunk to have a nurse sitting by my bed. I thought it would be a good idea to say something and planned it for several seconds. 'She's all right,' I said. 'Who is?' asked the nurse. 'Alice. I'm all right now.' As I spoke I wondered if I had said something wrong. didn't sound like me. There were so many voices muttering in the background it was hard to tell.

Unlike Ronan, Adam's Aglionby jumper was second-hand, but he'd taken great care to be certain it was impeccable. He was slim and tall, with dusty hair unevenly cropped above a fine-boned, tanned face. He was a sepia photograph.

What do we feel when we look at a good photograph? We just want to be there, right at the exact moment that photo taken!

Up past the old lime kiln built into the side of a hill we take a hard right at a clearing lined by brittle apple trees still willing to bear fruit. I snap sticks beneath my feet and steal pictures of the view while you reach for something sweet, as much as it bows to you.

Were they waltzing, at that fleeting moment which the camera seized and tossed on into the future? Her feet seem scarcely to touch the dance floor.

We photographers are a despicable bunch. We take photographs. The best of us do not show people as they wish to be seen, instead, we show people as we imagine they really are.

We weren’t happy together but we lived in a state of easy, mild contentment. We shared everything except the stupid fucking secret hanging round your neck. I imagined tiny photographs: portraits in sepia of your parents, their faces partially obscured by goitres. Meanwhile, maybe not tomorrow, maybe not next year, maybe not even in a decade from now but one day: the planet would fall apart.

Why hoard away so many back-issues of People Magazine? Fashion magazines are just empty promises. You can go bankrupt blowing all your cash on expensive beauty products, but the only way you’ll ever look just like the people on those glossy front covers is if you know how to use computer editing software for photographs. Besides, people who think they are ugly, are never really all that ugly anyway. People who think they are pretty, are rarely ever all that pretty.

Whenever we look at a photograph, the memories in the photograph become our memories as well!

Who made the concept of smiling for camera a social norm? It's not required for one to smile unless you really are smiling while photo us being clicked.

Yeah, you’re right about having entire rooms full of film and photos… in that Sydney Mines house I have a darkroom, I have boxes of film and home movie footage… I have a few projectors, I have piles of Kodachrome slides… I like photographs. The world is always running away from society and the only way to keep the stuff that’s happened in the past is by taking photographs, I can keep memories of things alive with photographs,” Alecto responded. “People say that a time machine can’t be invented, but they’ve already invented a device that can stop time, cameras are the world’s first time machines… The steel mill, the coal mines, the train tracks, the smog in the sky, I’ve been able to rescue it on super-8 and Kodachrome, and no one can remediate those photographs, I can keep them as long as I want to.

A good photograph will prove to the viewer how little our eyes permit us to see

About shadows: do we see shadows? Loads of people don't. A camera will notice a shadow, but how many people have got a shadow in front of them when they take a picture and don't notice it, and then they see it in the photograph because the photograph will catch the shadow.

A great photograph needs no explanation; it functions by suggestion. There is no need to be explicit.

A Company should be viewed as an unfolding movie, not as a still photograph

A good nude photograph can be erotic, but certainly not sentimental or pornographic.

All alone - shorn of context, without captions - a photograph is neither true nor false.... For truth, properly considered, is about the relationship between language and the world, not about photographs and the world.

All my photographs seep through EMOTION , through the relationship I establish with the place I am portraying. Whenever I see something that captivates me, I start turning around it to find MY OWN frame. I work on myself and on the city at the same time.

All colors made me happy: even gray. My eyes were such that literally they Took photographs.

All photographs are far more important than any painting.

All photographs are self-portraits.

All photography is propaganda.

A lot of the images I use are already out there in the public or in the news. I just steal them or photograph them or repaint them, so they've already been talked about, already been consumed.

A lot of my hair and makeup, and everything I pull for inspiration, is [drawn] from old photographs.

A photograph gives us the naked truth,which has to be clothed by the imagination.

A photograph has edges the world does not.

A photograph is a moment when you press the button. It will never come back.

A photograph is an invitation to look - and to look at looking.

A photograph is a souvenir of life!

A photograph is not necessarily a lie, but it isn't the truth either. It's more like a fleeting, subjective impression.

A photograph is a biography of a moment.

A photograph is usually looked at - seldom looked into.

A photograph it a souvenir of a memory. It is not a moment. It is the looking at the photograph that becomes the moment. Your own moment.

A photograph to me is always a reminder of how the person was on a certain day in that certain light fixed. When I look at a watercolor of that same person, it seems to me alive, more open than a photograph.

An eyewitness account is evidence that an artist has proposed a work of art. But documentary evidence (i.e. a photograph) is more conclusive.

A photograph is always invisible, it is not it that we see.

A photograph is a photograph. When I am making a picture I am just interested in making a very interesting photograph. I don't care where it's going to go.

A photograph passes for incontrovertible proof that a given thing happened. The picture may distort; but there is always a presumption that something exists, or did exist, which is like what’s in the picture

A photograph must come from imagination and not be a reflection of what is.