Best 88 quotes in «pyramids quotes» category

Engaging specialists in interpreting ancient artifacts in Egypt is absolutely necessary in establishing a credible hypothesis. Without their input, there cannot be a comprehensive understanding of the past. For instance, the pyramids on the Giza Plateau were built not by Egyptologists or archaeologists but by engineers and craftsmen. It is not surprising, therefore, that Egyptologists overlook engineering features and nuances that would be recognized immediately by those who are trained in those disciplines.

Far away from Oshoro in Nara Prefecture on the island of Honshu, there is a sacred mountain called Miwa-Yama. In a pattern with which I was now becoming familiar, this entire pyramid-shaped mountain is considered by Japan's indigenous Shinto religion to be a shrine, possessed by the spirit of a god who 'stayed his soul' within it in ancient times. His correct name is Omononushino-Kami (although he is also popularly known as Daikokusama) and according to the ancient texts he is 'the guardian deity of human life' who taught mankind how to cure disease, manufacture medicines and grow crops. His symbol, very strikingly, is a serpent -- and to this day serpents are still venerated at Mount Miwa, where pilgrims bring them boiled eggs and cups of sake.

Here is the product of an ancient civilization empowered with the knowledge that as long as the moon continued to orbit the Earth, the special relationship that existed between the two assured the Egyptians of vast amounts of energy. The source of the energy is the Earth itself, in the form of seismic energy. The ancient Egyptians saw tremendous value in this form of energy and expended a considerable amount of effort to tap into it. The benefits they received may have been twofold: energy to fuel their civilization, and the ability to stabilize the Earth's crust by drawing off seismic energy over a period of time rather than allowing it to build up to destructive levels.

if we were to build a Great Pyramid today, we would need a lot of patience. In preparation for his book "5/5/2000 Ice: The Ultimate Disaster", Richard Noone asked Merle Booker, technical director of the Indiana Limestone Institute of America, to prepare a time study of what it would take to quarry, fabricate, and ship enough limestone to duplicate the Great Pyramid. Using the most modern quarrying equipment available for cutting, lifting, and transporting the stone, Booker estimated that the present-day Indiana limestone industry would need to triple its output, and it would take the entire industry, which as I have said includes thirty-three quarries, twenty-seven years to fill the order for 131,467,940 cubic feet of stone. These estimates were based on the assumption that production would proceed without problems. Then we would be faced with the task of putting the limestone blocks in place. The level of accuracy in the base of the Great Pyramid is astounding, and is not demanded, or even expected, by building codes today. Civil engineer Roland Dove, of Roland P. Dove & Associates, explained that .02 inch per foot variance was acceptable in modern building foundations. When I informed him of the minute variation in the foundation of the Great Pyramid, he expressed disbelief and agreed with me that in this particular phase of construction, the builders of the pyramid exhibited a state of the art that would be considered advanced by modern standards.

In the one hundred thirty years since Petrie published his seminal studies of the pyramids and temples of Egypt, the hand tools and building and sculpting tools used by men and women have improved exponentially in capability and efficiency and hard drives are better known as integral devices in a computer. Yet we are taught that during the three thousand years that the ancient Egyptians flourished on this planet, the tools used by men and women did not change. How could this be? The finely crafted and precise boxes inside the pyramids at Giza were supposedly created in the fourth dinasty, 2500 BCE, or forty-five hundred years ago. The finely crafted and precise boxes inside the rock tunnels of the Serapeum were supposedly created in the eighteenth dynasty, 1550-1200 BCE, or thirty-five hundred years ago. We are asked to believe that in a one-thousand-year span, the ancient Egyptians did not make any significant improvement in their tools and methods for cutting hard igneous rock. We, however, have examined the results of their labor, and it is clear that the Egyptians were not stupid people. In fact, they were geniuses in their accomplishments, yet we are to accept that while they tapped into the awesome power of the human spirit and creativity, they did not ask, over the course of a full millennium, how they could do their job better--how they could demand less pain and strain from their workforce, how they could do more with less effort, how they could reduce injuries and provide workers with more time off. If there is any mystery to ancient Egypt, it is why a paradigm that was established one hundred thirty years ago still holds force among many Egyptologists and archaeologists.

I was hoping to be able to get into the Queen's Chamber while I was in Egypt in 1986 to get a sample of the salt for analysis. I had speculated that the salt on the walls of the chamber was an unwanted, though significant, residual substance caused by a chemical reaction where hot hydrogen reacted with the limestone. Unfortunately, I was unable to get into the chamber because a French team was already inside the Horizontal Passage, boring holes into what they hoped were additional chambers. (It was discovered, after I left Egypt, that the spaces contained only sand.) As it turned out, my research would have been redundant. Noone reported in his book that another individual had already had the same idea and done the work. In 1978, Dr. Patrick Flanagan asked the Arizona Bureau of Geology and Mineral Technology to analyze a sample of this salt. They found it to be a mixture of calcium carbonate (limestone), sodium chloride (halite or salt), and calcium sulfate (gypsum, also known as plaster of paris). These are precisely the minerals that would be produced by the reaction of hot, hydrogen-bearing gas with the limestone walls and ceiling of the Queen's Chamber. [...] The interior chambers of the Great Pyramid have the appearance of being subjected to extreme temperatures; and [...] the broken corner on the granite box shows signs of being melted, rather than simply being chipped away.

I looked more closely at what I considered to be the most significant information regarding the Great Pyramid, which was the accuracy with which it was built. It soon became obvious to me that the researchers on both sides of the issue were sympathetic to the craftspeople involved in building the pyramids. But the researchers were not craftspeople themselves, and they did not have the perspective gained through years of experience working with their hands and with machinery. Having that experience myself, I have some very strong opinions regarding the level of manufacturing expertise practiced by the ancient Egyptians. They were not primitive by any means, and their craftsmanship and precision would be an extreme challenge to duplicate today.

In 1983 Donald Rahn of Rahn Granite Surface Plate Co. told me that diamond drills, rotating at nine hundred revolutions per minute, penetrate granite at the rate of one inch in five minutes. In 1996, Eric Leither of Tru-Stone Corp. told me that these parameters have not changed since then. The feedrate of modern drills, therefore, calculates to be .0002 inch per revolution, indicating that the ancient Egyptians drilled into granite with a feedrate that was five hundred times greater or deeper per revolution of the drill than modern drills! The other characteristics of the artifacts also pose a problem for modern drills. Somehow the Egyptians made a tapered hole with a spiral groove that was cut deeper through the harder constituent of the granite. If conventional machining methods cannot answer just one of these questions, how do we answer all three?

In order to draw mechanical vibrations and relieve the stresses that build up within the Earth, we would need an object that would respond sympathetically with the Earth's fundamental frequency. This object would need to be designed in such a way that its own resonant frequency was the same as, or a harmonic of, the Earth's. In this manner, energy transfer from the source would be at maximum load. In harmony with the Earth's vibrations, this object would have the potential to become a coupled oscillator. (A coupled oscillator is an object that is in harmonic resonance with another, usually larger, vibrating object. When set into motion, the coupled oscillator will draw energy from the source and vibrate in sympathy as long as the source continues to vibrate.) Because the Earth constantly generates a broad spectrum of vibration, we could utilize vibration as a source of energy if we developed suitable technology. Naturally, any device that attracted greater amounts of this energy than is normally being radiated from the Earth would greatly improve the efficiency of the equipment. Because energy will inherently follow the path of least resistance, it follows that any device offering less resistance to this energy than the surrounding medium through which it passes would have a greater amount of energy channeled through it. Keeping all of this in mind and knowing that the Great Pyramid is a mathematical integer of the Earth, it may not be so outlandish to propose that the pyramid is capable of vibrating at a harmonic frequency of the Earth's fundamental frequency.

My Word is bind, stone set, no Rosetta. The stones progress a finished pyramid of hidden codes, messages, encryption, and ancient wisdom.

Little pyramids of truth he erected and after erecting knocked them down again that he might have the truths to erect other pyramids.

Nobody ever talks about the pyramids that weren't built, the books that weren't written, the songs that weren't sung. Stop letting your fear condemn you to mediocrity. Get out of your own way. Your dreams are a poetic reflection of your soul's wishes. Be courageous enough to follow them. There is no greater time than now to experience the full power of your potential. Make this the day you take the first step in the beautiful journey of bringing your dreams to life.

No machines have been found in the archaeological record to support these assertions, but there is an abundance of circumstantial evidence that leads to such conclusions. Are the machines still intact and lying under the desert sand? Or were they removed completely from the areas? Or could it be that all this evidence points to an earlier civilization that suffered a cataclysm of such magnitude that much of what existed was destroyed, and what remained was susceptible to erosion, decay, and corrosion, and slowly disappeared over a long period of time? This brings us back to Robert Schoch's evaluation of the erosion pattern on the Sphinx and the Sphinx enclosure. He claimed that the period of time when sufficient rain fell in Egypt to cause this erosion was seven to nine thousand years ago. Is this sufficient time for ancient machines to turn to dust and blow away? It seems incredible to imagine, but there is reason to suspect that this could have happened. [...] If we follow the idea of an older civilization, therefore, the pyramids would have already been there before the first dynasty of the ancient Egyptians. The Great Pyramid was, most likely, the zenith of construction on the plateau, and the other pyramids were likely built before it was. Yet something happened to the culture that built the pyramids, and when Khufu came on the scene, he naturally chose the most impressive structure--the Great Pyramid--as his own, and his heirs took turns in claiming the rest. What event could have brought death and destruction to this ancient civilization that is referred to in Egyptian lore as being inhabited by gods of the First Time?

Smyth is credited for noting another anomaly in the Queen's Chamber—there were flakes of white mortar exuding from stone joints inside the shaft. Analysis of the mortar found it to be plaster of paris—gypsum (calcium sulfate). Smyth also described this chamber as having a foul odor, which caused early visitors to the chamber to beat a hasty retreat, and it was assumed that tourists were relieving themselves, though the way Smyth described this chamber, few people stayed long enough to do so. However, as I will make clear, this odor may not have been the result of unhygienic conditions but of the chemical process that once occurred in the Queen's Chamber. One of the greatest mysteries of this chamber has been the salt encrustation on the walls. It was up to one-half-inch thick in places, and Petrie took it into account when he made measurements of the chamber. The salt also was found along the Horizontal Passage and in the lower portion of the Grand Gallery. How did salt come to build up on the walls?

It now remains for those who are absolutely convinced that the ancient Egyptians constructed the pyramids using primitive techniques to build a pyramid themselves, using those same techniques that they propose the Egyptians used. As part of such an attempt, it would help if they cut out just one seventy-ton block of granite from the Aswan quarry, which is located five hundred miles away, using their hardened copper chisels or dolerite balls and then transported the block to the Giza Plateau with their barges, ropes, and manpower. If the proponents of traditional theories of constructing the pyramids are able to accomplish this feat, then we should give serious consideration to their proposals about pyramid construction.

Rudolph Gantenbrink's important discovery [of a door with metallic handles found with a robot inside a shaft in the Great Pyramid] has forced many Egyptologists to finally accept that their theories are flawed. This is an interesting development. Academic mores normally dictate that when a theory contains flaws, or unsubstantiated data that supports critical elements on which the theory is built, the entire theory must either be thrown out or revised. Instead of the tomb theory being dismissed, however, Gantenbrink himself was dismissed from the project. He discovered the "door" on March 22, 1993. A week later, he was told to pack up his robot and leave Egypt. Gantenbrink has the technology to go beyond the so-called door but, presumably because of political reasons, has been refused permission to resume his research in Egypt. Gantenbrink, with an engineer's typical pragmatism, stated, 'I take an absolute neutral position. It is a scientific process, and there is no need whatsoever to answer questions with speculation when these questions could be answered much more easily by continuing the research. Yet because of a stupid feud between what I call believers and non-believers, I am condemned as someone who is speculating. But I am not. I am just stating the facts. We have a device [ultrasonic] that would discover if there is a cavity behind the slab. It is nonsensical to make theories when we have the tools to discover the facts.

Subsequent experiments conducted by Tom Danley in the King's Chamber of the Great Pyramid and in Chambers above the King's Chamber suggest that the pyramid was constructed with a sonic purpose. Danley identifies four resident frequencies, or notes, that are enhanced by the structure of the pyramid, and by the materials used in its construction. The notes form an F Sharp chord, which according to ancient Egyptian texts were the harmonic of our planet. Moreover, Danley's tests show that these frequencies are present in the King's Chamber even when no sounds are being produced. They are there in frequencies that range from 16 Hertz down to 1/2 Hertz, well below the range of human hearing. According to Danley, these vibrations are caused by the wind blowing across the ends of the so-called shafts—in the same way as sounds are created when one blows across the top of a bottle.

The granite complex inside the Great Pyramid, therefore, is poised ready to convert vibrations from the Earth into electricity. What is lacking is a sufficient amount of energy to drive the beams and activate the piezoelectric properties within them. The ancients, though, had anticipated the need for more energy than what would be collected only within the King's Chamber. They had determined that they needed to tap into the vibrations of the Earth over a larger area inside the pyramid and deliver that energy to the power center—the King's Chamber —thereby substantially increasing the amplitude of the oscillations of the granite. Modern concert halls are designed and built to interact with the instruments performing within. They are huge musical instruments in themselves. The Great Pyramid can be seen as a huge musical instrument with each element designed to enhance the performance of the other. While modern research into architectural acoustics might focus predominantly upon minimizing the reverberation effects of sound in enclosed spaces, there is reason to believe that the ancient pyramid builders were attempting to achieve the opposite. The Grand Gallery, which is considered to be an architectural masterpiece, is an enclosed space in which resonators were installed in the slots along the ledge that runs the length of the gallery. As the Earth's vibration flowed through the Great Pyramid, the resonators converted the vibrational energy to airborne sound. By design, the angles and surfaces of the Grand Gallery walls and ceiling caused reflection of the sound, and its focus into the King's Chamber. Although the King's Chamber also was responding to the energy flowing through the pyramid, much of the energy would flow past it. The specific design and utility of the Grand Gallery was to transfer the energy flowing through a large area of the pyramid into the resonant King's Chamber. This sound was then focused into the granite resonating cavity at sufficient amplitude to drive the granite ceiling beams to oscillation. These beams, in turn, compelled the beams above them to resonate in harmonic sympathy. Thus, with the input of sound and the maximization of resonance, the entire granite complex, in effect, became a vibrating mass of energy.

The evidence presented in this book, for the most part, was recorded many years ago by men of integrity who worked in the fields of archaeology and Egyptology. That much of this evidence was misunderstood only reveals the pressing need for an interdisciplinary approach to fields that have until recently been closed to nonacademics and others outside the fold of formal archaeology and Egyptology. Much of our ignorance of ancient cultures can be placed at the feet of closed-minded theorists who ignore evidence that does not fit their theories or fall within the province of their expertise. Sometimes it takes a machinist to recognize machined parts or machines! As a result, much of the evidence that supports a purpose for the Great Pyramid as anything other than a tomb has been ignored, discounted without serious consideration, or simply explained away as purely coincidental. Is it coincidence that the Great Pyramid is so huge and so precise? That the King's Chamber contains so many indications that tremendous forces disturbed it or were created within it at one time? Are the exuviae, the chocolate-colored granite, the resonating chambers with their giant granite monoliths placed above, and the unique properties of the quartz crystal present in vast quantities in the granite complex all coincidental? Can the design and physical tests of the movement of sound inside the Grand Gallery be just a happy accident?

The fact is that camels are far more intelligent than dolphins. They are so much brighter that they soon realised that the most prudent thing any intelligent animal can do, if it would prefer its descendants not to spend a lot of time on a slab with electrodes clamped to their brains or sticking mines on the bottom of ships or being patronized rigid by zoologists, is to make bloody certain humans don't find out about it. So they long ago plumped for a lifestyle that, in return for a certain amount of porterage and being prodded with sticks, allowed them adequate food and grooming and the chance to spit in a human's eye and get away with it.

The pyramids were built to last ten thousand years. They touch the sun,

The power you feel when you see the Pyramids is the great will and mind power of the ancient people who built them!

The quantity of stone that had to be quarried, hauled, and hoisted into place in the Great Pyramid becomes even more impressive when it is compared with other civil engineering feats, whether real or imagined. It has been stated that it contains more stone than that used in all the churches, cathedrals, and chapels built in England since the time of Christ. Thirty Empire State Buildings could be built with the estimated 2,300,000 stones. A wall three-feet high and one-foot thick could be built across the United States and back using the amount of masonry contained in the Great Pyramid.

The river, it's banks as yet untamed wandered languidly through thickets of rush and papyrus. Ibises waded in the shallows; in the deeps hippos rose and sank slowly like pickled eggs.

The precision in these artifacts is irrefutable. Even if we ignore the question of how they were produced, we are still faced with the question of why such precision was needed. Revelation of new data invariably raises new questions. In this case it is understandable for skeptics to ask, "Where are the machines?" But machines are tools, and the question should be applied universally and can be asked of anyone who believes other methods may have been used. The truth is that no tools have been found to explain any theory on how the pyramids were built or the granite boxes were cut. More than eighty pyramids have been discovered in Egypt, and the tools that built them have never been found. Even if we accepted the notion that copper tools are capable of producing these incredible artifacts, the few copper implements that have been uncovered do not represent the number of such tools that would have been used if every stonemason who is supposed to have worked on the pyramids at just the Giza site owned one or two. In the Great Pyramid alone there are an estimated 2,300,000 blocks of stone, both limestone and granite, weighing between two-and-one-half tons and seventy tons each. That is a mountain of evidence, and there are no tools surviving to explain even this one pyramid's creation.

There are, however, explicit engineering qualities associated with the pyramids that do not support the theory that it was a temple, a tomb, or a mausoleum. The redundancy of masonry in these structures is only one good argument against the tomb theory. More persuasive is the fact that Egyptologists woefully lack the material evidence to support it—there are no bodies! It is a widely held popular belief that Egyptian pyramids contained mummies, and that these mummies were actually discovered inside the pyramids. This is simply not true. These beliefs are only inferences that are reinforced by inaccurate documentaries that link the pyramids closely with the Valley of the Kings, where there are no pyramids, but where the mummies actually were found. In reality, the Giza Plateau and the Valley of the Kings are two vastly different sites, separated by hundreds of miles of desert. It is now becoming widely recognized by people who research the pyramid issue that of all the pyramids excavated in Egypt, there was not one that contained an original burial. Considering that more than eighty pyramids have been discovered in Egypt, this fact alone practically negates the tomb theory.

Through the various branches of your tree, you are connected to the entirety of human history. When we talk about the ancient Egyptians building the pyramids, we're not talking about a bunch of exotic strangers, we're talking about our great-great-many-times-great grandparents!

They do not like evidence like that, anything too definite because our first instinct is to find flaws and debunk. They want to be discussed and portrayed, but never proven. They want to be credited as the true makers of the pyramids and lifters of Stonehenge when it had much more to do with the gods who were then extant.

This chamber held a mystery for the early explorers who entered its confines, a mystery that has baffled people for decades. The chamber was coated with a layer of black dust, which, upon analysis, turned out to be exuviae, or the cast-off shells and skins of insects. There were no living insects found in the Great Pyramid, which made this discovery even more mysterious. What prompted hordes of insects to single out this one sealed chamber and shed their skins? It is a mystery that has never been satisfactorily explained. In fact, there has not been any attempt to explain it, and because there is no logical answer that fits in with any previously proposed theory, no one has given it much attention.

With such a convincing collection of artifacts that prove the existence of precision machinery in ancient Egypt, the idea that the Great Pyramid was built by an advanced civilization that inhabited the Earth thousands of years ago becomes more admissible. I am not proposing that this civilization was more advanced technologically than ours on all levels, but it does appear that as far as masonry work and construction are concerned they were exceeding current capabilities and specifications.

We're really good at it, Teppic thought. Mere animals couldn't possibly manage to act like this. You need to be a human being to be really stupid.

An object is great in proportion to its power of resistance to time and the elements. That is why we think the pyramids are great. But see, the desert is greater than the pyramids, and the sea is greater than the desert, and the heavens are greater than the sea.

According to Maslow, I was stuck on the second level of the pyramid, unable to feel secure in my health and therefore unable to reach for love and respect and art and whatever else, which is, utter horseshit: The urge to make art or contemplate philosophy does not go away when you are sick. Those urges just become transfigured by illness. Maslow's pyramid seemed to imply I was less human than other people, and most people seemed to agree with him.

While infrasonic vibrations at around 6 hertz may influence the brain and produce various effects in humans, it seems that there must be other types of energy, or other frequencies, to explain phenomena that were noted to have occurred at the Great Pyramid more than one hundred years ago. Sir William Siemens, an Anglo-German engineer, metallurgist, and inventor, experienced a strange energy phenomenon at the Great Pyramid when an Arab guide called his attention to the fact that, while standing on the summit of the pyramid with hands outstretched, he could hear a sharp ringing noise. Raising his index finger, Siemens felt a prickling sensation. Later on, while drinking out of a wine bottle he had brought along, he experienced a slight electric shock. Feeling that some further observations were in order, Siemens then wrapped a moistened newspaper around the bottle, converting it into a Leyden jar. After he held it above his head for a while, this improvised Leyden jar became charged with electricity to such an extent that sparks began to fly. Reportedly, Siemens' Arab guides were not too happy with their tourist's experiment and accused him of practicing witchcraft. Peter Tompkins wrote, "One of the guides tried to seize Siemens' companion, but Siemens lowered the bottle towards him and gave the Arab such a jolt that he was knocked senseless to the ground. Recovering, the guide scrambled to his feet and took off down the Pyramid, crying loudly.

All inquiry into antiquity, all curiosity respecting the Pyramids, the excavated cities, Stonehenge, the Ohio Circles, Mexico, Memphis,--is the desire to do away this wild, savage, and preposterous There and Then, and introduce in its place the Here and Now.

Families must spend more time together in work and recreation.

As a system of philosophy it is not like the Tower of Babel, so daring its high aim as to seek a shelter against God's anger; but it is like a pyramid poised on its apex.

As I grew up, I knew that as a building it was on the level of Mount Olympus, the Pyramid of Giza, the nation's capital, the czar's winter palace, and the Louvre - except, of course, that it was better than all of those inconsequential places.

Build your own pyramids, write your own hieroglyphs.

If we made an income pyramid out of a child's blocks, with each layer portraying $1,000 of income, the peak would be far higher than the Eiffel Tower, but almost all of us would be within a yard of the ground.

Changing the world's oceans to increase their uptake of CO2, as other geoengineering solutions propose, is equally dangerous, as the increased resulting acidity of the oceans kills tiny crustaceans, such as krill, that are the basis of the pyramid of life on the planet as we know it.

I be off the slave ships, building pyramids, writing my own hieroglyphs

I have to listen to music while I'm working. Music is essential. It's at the top of the pyramid for me. I've always felt disappointed in what I've made when I held it up to the music I love. I try not to compare them now.

I found that things weren't going well upstairs. Carter was a crumpled heap of chicken warrior on the slope of the pyramid.

I have discovered the secrets of the pyramids, and have found out how the Egyptians and the ancient builders in Peru, Yucatan and Asia, with only primitive tools, raised and set in place blocks of stone weighing many tons!

I never saw a pyramid, but I've seen photographs; I know what a pyramid or a sphinx looks like. There are pictures that do that, but they satisfy a different kind of interest.

I like generals. I think generals are terrific. You know, they go through schools and sort of end up at the top of the pyramid. And it's like a test.

In the end, the tortures tearing the Lisbon girls pointed to a simple reasoned refusal to accept the world as it was handed down to them, so full of flaws.

If the bones of all those who have fallen as a prey to intemperance could be piled up it would make a vast pyramid. Who will gird himself for the journey and try with me to scale this mountain of the dead--going up miles high on human carcasses to find still other peaks far above, mountain above mountain, white with the bones of drunkards.

I'm just worried that the technology I invented in that story ["The Pyramid and the Ass" ] will become real, and George W. Bush will be able to clone into a new body and be "re-elected" due to a clone-bill passed by him and his cronies. God forbid!