Best 689 quotes in «entertainment quotes» category

Content” ranges anywhere from the logo on a can of soup, dogs dancing on youtube, to the coding of an app: it’s confusing!

Copyright Promotes Creativity by Proscribing the Right to Copy

Create a Piracy Free World fora Creative Tomorrow

Deanna Durbin's movies are about innocence and sweetness. They're from a different time and a different place. Outside the movie house, there was Depression, poverty, war, death, and loss. Audiences then were willing to pretend, to enter into a game of escape. No one really thought that the world was like a Deanna Durbin movie, they just wanted to pretend it was for about an hour and a half.

Demetrius the grammarian finding in the temple of Delphos a knot of philosophers set chatting together, said to them, “Either I am much deceived, or by your cheerful and pleasant countenances, you are engaged in no very deep discourse.” To which one of them, Heracleon the Megarean, replied: “ ’Tis for such as are puzzled about inquiring whether the future tense of the verb Ballo be spelt with a double L, or that hunt after the derivation of the comparatives Cheirou and Beltiou, and the superlatives Cheiriotou and Beliotou, to knit their brows whilst discoursing of their science; but as to philosophical discourses, they always divert and cheer up those that entertain them, and never deject them or make them sad.

Di kalangan fans, kami bahkan bisa membedakan member hanya dari ujung jarinya, bentuk kupingnya, jumlah tindikannya, bentuk mata dan hidungnya, sampai merek pakaian mereka.

Dreams entertain us while we sleep. When we wake, we're on our own.

Don't entertain fear; it does not entertain you either; it only scares you!

Don't be cool. Like everything.

Don't you own a dodo?

Entertainment is about the way things should be. Art is about the way they are.

...[E]ntertainment differs from art in that it manufactures experiences that cause us to forget, whereas art is preoccupied with creating experiences that allow us to remember.

Entertainment is business: the business of fucking art in the face.

Entertainment is temporary happiness, but the real happiness is permanent entertainment.

Entertainment in its broadest sense- popular ballads, vaudeville, films, sculptures, plays, paintings, pornography, pulp novels-- has not only been a primary mode of expression of LGBT identity, but one of the most effective means of social change. Ironically, the enormous political power of these forms was often understood by the people who wanted to ban them, not by the people who were simply enjoying them.

Every category has its snobs: music, books, movies. There are so many things a man is only pressured into liking or disliking.

Even in crisis, people need entertainment.

Fifteen years ago, a business manager from the United States came to Plum Village to visit me. His conscience was troubled because he was the head of a firm that designed atomic bombs. I listened as he expressed his concerns. I knew if I advised him to quit his job, another person would only replace him. If he were to quit, he might help himself, but he would not help his company, society, or country. I urged him to remain the director of his firm, to bring mindfulness into his daily work, and to use his position to communicate his concerns and doubts about the production of atomic bombs. In the Sutra on Happiness, the Buddha says it is great fortune to have an occupation that allows us to be happy, to help others, and to generate compassion and understanding in this world. Those in the helping professions have occupations that give them this wonderful opportunity. Yet many social workers, physicians, and therapists work in a way that does not cultivate their compassion, instead doing their job only to earn money. If the bomb designer practises and does his work with mindfulness, his job can still nourish his compassion and in some way allow him to help others. He can still influence his government and fellow citizens by bringing greater awareness to the situation. He can give the whole nation an opportunity to question the necessity of bomb production. Many people who are wealthy, powerful, and important in business, politics, and entertainment are not happy. They are seeking empty things - wealth, fame, power, sex - and in the process they are destroying themselves and those around them. In Plum Village, we have organised retreats for businesspeople. We see that they have many problems and suffer just as others do, sometimes even more. We see that their wealth allows them to live in comfortable conditions, yet they still suffer a great deal. Some businesspeople, even those who have persuaded themselves that their work is very important, feel empty in their occupation. They provide employment to many people in their factories, newspapers, insurance firms, and supermarket chains, yet their financial success is an empty happiness because it is not motivated by understanding or compassion. Caught up in their small world of profit and loss, they are unaware of the suffering and poverty in the world. When we are not int ouch with this larger reality, we will lack the compassion we need to nourish and guide us to happiness. Once you begin to realise your interconnectedness with others, your interbeing, you begin to see how your actions affect you and all other life. You begin to question your way of living, to look with new eyes at the quality of your relationships and the way you work. You begin to see, 'I have to earn a living, yes, but I want to earn a living mindfully. I want to try to select a vocation not harmful to others and to the natural world, one that does not misuse resources.' Entire companies can also adopt this way of thinking. Companies have the right to pursue economic growth, but not at the expense of other life. They should respect the life and integrity of people, animals, plants and minerals. Do not invest your time or money in companies that deprive others of their lives, that operate in a way that exploits people or animals, and destroys nature. Businesspeople who visit Plum Village often find that getting in touch with the suffering of others and cultivating understanding brings them happiness. They practise like Anathapindika, a successful businessman who lived at the time of the Buddha, who with the practise of mindfulness throughout his life did everything he could to help the poor and sick people in his homeland.

Fiction writers, magicians, politicians and priests are the only people rewarded for entertaining us with their lies

God is looking for gifted people to send to the world of entertainment, to reveal himself there.

God created us in his own image. Of course, that doesn't mean we can be God as he is; it means we can become a little duplicates of him. We won't achieve the glorious potential God has in store for us if we keep our eyes lower to the mirror of merely what is; we must lift them to the window of what can be. That's why the anti-heroes of today's entertainment can hurt us they keep us glued to the mirror instead of the window. If we want to do more than just drift along in the cultural stream, it helps to search up models of goodness, purity, honor, character, and courage, both in our entertainment and in real life... The great advantage to having such heroes is that they don't badger us into changing; they inspire us to want to change.

God gives us a glimpse of what heaven will be like for the believer. It will have the characteristics of a happy home, a holy city, a glorious garden, and a beautiful bride. This staggers the imagination!

God is concerned with our imaginations, for they in a large measure determine what kind of persons we are to be.

I came, I saw, I copied, and I left

Heavy physical work, the care of home and children, petty quarrels with neighbors, films, football, beer, and above all, gambling filled up the horizon of their minds. To keep them in control was not difficult…. All that was required of them was a primitive patriotism which could be appealed to whenever it was necessary to make them accept longer working hours or shorter rations. And when they became discontented, as they sometimes did, their discontentment led nowhere, because being without general ideas, they could only focus it on petty specific grievances.

I am a Pirate, A Pirate of Bollywood

He left not knowing where he was going, he got there not knowing where he was, and he came back not knowing where he had been. But history books will point out Columbus as the person who made the Americas available for exploitation. I guess I can make the same kind of ridiculous claim.

He quickly observed, that good sentences and excellent representations of the follies of mankind met with little regard or applause, whilst sounds, without sense, threw every body into raptures:——but 'twas the fashion of the day to be musically mad, and those who were absurd enough to prefer a rational entertainment to a flimsy opera, were poor insipid beings, without taste or enthusiasm.

His chief form of entertainment was reading. The last moments he was in a cabin were usually spent scanning bookshelves and nightstands. The life inside a book always felt welcoming to Knight. It pressed no demands on him, while the world of actual human interactions was so complex. Conversations between people can move like tennis games, swift and unpredictable. There are constant subtle visual and verbal cues, there's innuendo, sarcasm, body language, tone. Everyone occasionally fumbles an encounter, a victim of social clumsiness. It's part of being human. To Knight, it all felt impossible. His engagement with the written word might have been the closest he could come to genuine human encounters. The stretch of days between thieving raids allowed him to tumble into the pages, and if he felt transported he could float in bookworld, undisturbed, for as long as he pleased.

I am Not a Pirate, I merely watch movies and delete them. Never store them on my computer.

I could play many types of characters on camera, but all were, in some way, going to be variations of me, and I was conscious of who I was. I wasn’t a prude or a goody two-shoes, but I was, in many ways, still the boy my mother praised for being good, and though older and more complex, I was content with remaining that good boy. I wanted to be able to talk about my work at the dinner table and hold my head up on Sundays when my wife and I led our children into the Brentwood Presbyterian Church, where I was an elder.

I could have become a mass murderer after I hacked my governor module, but then I realized I could access the combined feed of entertainment channels carried on the company satellites. It had been well over 35,000 hours or so since then, with still not much murdering, but probably, I don't know, a little under 35,00 hours of movies, serials, books, plays, and music consumed. As a heartless killing machine, I was a terrible failure.

I do feel that literature should be demystified. What I object to is what is happening in our era: literature is only something you get at school as an assignment. No one reads for fun, or to be subversive or to get turned on to something. It's just like doing math at school. I mean, how often do we sit down and do trigonometry for fun, to relax. I've thought about this, the domination of the literary arts by theory over the past 25 years -- which I detest -- and it's as if you have to be a critic to mediate between the author and the reader and that's utter crap. Literature can be great in all ways, but it's just entertainment like rock'n'roll or a film. It is entertainment. If it doesn't capture you on that level, as entertainment, movement of plot, then it doesn't work. Nothing else will come out of it. The beauty of the language, the characterisation, the structure, all that's irrelevant if you're not getting the reader on that level -- moving a story. If that's friendly to readers, I cop to it.

If there’s one good thing to be said about opera, it’s that it makes a man appreciate all other forms of entertainment so much more.

[I]f a book is well written, I always find it too short.

I fear that we are being led to become morally lazy. Our affluence has given many of us almost immediate access to virtually anything we want. We have grown comfortable with indulgence, and we don't want to feel guilty about it. Guilt prods us toward the hard work of changing. That's why we want our heroes to be flawed like we are. They assure us that our weaknesses, addictions, moral lapses, and compromises are not unusual. Such heroes become mirrors reflecting a comfortable image that says, Hey, don't get so uptight about your failures and lapses. We're all like this.

If you can't bring yourself to applaud because the performance was lousy, then applaud because it's over. They tried.

If you drink the good wine of the noble countess, you have to entertain her less desirable friends.

If you make people think they're thinking, they'll love you; but if you really make them think, they'll hate you." In short, entertainment fulfills our expectations. Art, on the other hand, makes no compromise for public taste as it inspires us to consider life's complexities and ambiguities. Art is the opposition testing the strength of societal and cultural values-values that are thoughtlessly adopted by the mass of individuals living unexamined lives and all who cannot imagine a different way of seeing life.

I had no songs in my repertoire for commercial radio anyway. Songs about debauched bootleggers, mothers that drowned their own children, Cadillacs that only got five miles to the gallon, floods, union hall fires, darkness and cadavers at the bottom of rivers weren't for radiophiles. There was nothing easygoing about the folk songs I sang. They weren't friendly or ripe with mellowness. They didn't come gently to the shore. I guess you could say they weren't commercial. Not only that, my style was too erratic and hard to pigeonhole for the radio, and songs, to me, were more important that just light entertainment. They were my preceptor and guide into some altered consciousness of reality, some different republic, some liberated republic. Greil Marcus, the music historian, would some thirty years later call it "the invisible republic." Whatever the case, it wasn't that I was anti-popular culture or anything and I had no ambitions to stir things up. i just thought of popular culture as lame as hell and a big trick. It was like the unbroken sea of frost that lay outside the window and you had to have awkward footgear to walk on it. I didn't know what age of history we were in nor what the truth of it was. Nobody bothered with that. If you told the truth, that was all well and good and if you told the un-truth, well, that's still well and good. Folk songs taught me that.

If your dream is all about winning an ‪#oscar‬, a ‪‎grammy‬, an ‪#emmy‬, or another award, give up and quit now! Why dream for accolades, awards, recognition or celebrity status? Dream to learn, achieve, grow, sustain and succeed. You will be a happier person in life over trying to define your success or your dream by what others think of you.

I guess sometimes the truth just isn't worth believing... Personally, I've always felt that life's too short for truth. I'm just here to be entertained.

I liked the imaginary people on the entertainment feed way more than I liked real ones, but you can’t have one without the other.

I love it when you go to see something, and you enter as an individual, and you leave as a group. Because you've all been bound together by the same experience.

I Love LA, It has Beautiful Weather, Beautiful Women and Beautiful Weed; the three W's you need.

I'm just a musical prostitute, my dear.

I met my agent, Sol Leon, for lunch at the commissary, and talked through my concerns. He asked the obvious questions: What kind of films did I want to make? Where did I see myself going in terms of movies? What sort of scripts should he look for? “I’ve thought about this,” I said, “and I’m pretty clear on it. I only want to make movies that my children can see.” “Only kids’ movies?” he asked. “Not kids’ movies,” I clarified. “I want to make movies that I can see with my kids and not feel uncomfortable.

I'm not saying that we're Disney, but if you think about it, it's not that dissimilar, Berrada said. We have characters - which are players - that our fans relate to; we put on a show every three or four days. And then we take that show around the world in the summer. In that sense, we are part of the entertainment industry.

I’m not who you think I am. I’m an actor. Just like all of you. I’m improvising, shooting from the hip. It’s all a lie. I’m a lie. You’re a lie. The lights—they don’t lie. But when they shine, they only tell half the story.

In 1994, the average person spent $79 on books as compared to $56 on recorded music.