Best 689 quotes in «entertainment quotes» category

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    My shoulder will never be the same. I expect you to nurse me back to health.

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    Never entertain anger. Great people do not become angry over unnecessary issues.

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    Never has there been a time when men tried so desperately to have fun as they do today.

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    No matter how high-class you aspire to be, in the entertainment business you’re always trying to create a space where people can unload their irritations and frustrations

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    Nothing calms an anxious mind like a little mindless entertainment.

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    Nusquam est Verus Sulum Res Est Licitus

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    Of course, in television's presentation of the "news of the day," we may see the Now...this" mode of discourse in it's boldest and most embarrassing form. For there, we are presented not only with fragmented news but news without context, without consequences, without value, and therefore without essential seriousness; that is to say, news as pure entertainment.

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    On the rare occasions on which a movie was shown, there was as much suspense in the audience over whether the electricity would hold out to the end of the film as there was in the film itself.

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    One of your friends may bored , one may tiered , one may feared , what you have to do is to make them entertained , if you can't do it , make them active , if you fail again make a small smile in front of them.

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    On no account should you entertain being a victim of your own circumstances. When unexpected failure occurs, you can turn it into success.

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    On solemn festivals, Julian, who felt and professed an unfashionable dislike to these frivolous amusements, condescended to appear in the Circus; and, after bestowing a careless glance on five or six of the races, he hastily withdrew with the impatience of a philosopher, who considered every moment as lost that was not devoted to the advantage of the public or the improvement of his own mind.

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    Oooh, dinner and a show! How come you never take us to dinner and a show?" He smiled at Roxy. "I would spend the entire evening fending off the hordes of your admirers." She fanned herself and grinned back at him. "You gotta love all that suave debonairness!

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    Panem et circenses.

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    Other countries pass laws requiring that their movie theaters, television networks, and radio stations have to play a certain percentage of homegrown entertainment. Because if they didn't, Hollywood would wipe it all out. We're not a world leader because we have nuclear missiles and submarines. We are because we have Bugs Bunny and Friends. Our planet is what Hollywood has made it.

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    Our imaginations are so stilted. The very thought of being like Jesus is breathtaking.

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    Our modern cities have become in large part agglomerations of bedroom apartments in which men and women spiritually wither away and their personalities become trivialized by the petty concerns of amusement, consumption, and small talk.

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    Our schedules are so hectic we can’t get everything done, or else we are bored and restless, constantly looking for something to amuse us. We are the most frantic generation in history—and also the most entertained. The Bible tells us that both extremes are wrong.

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    Pages entertain me more than pictures do.

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    People these days can’t seem to tolerate one moment without entertainment!

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    People say that a time machine can’t be invented, but they’ve already invented a device that can stop time, cameras are the world’s first time machines.

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    People don't care about perfection when they want to be entertained.

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    Popcorn and I have a long love affair, never candy. Once in awhile, a soda, but always and forever, no matter the venue, or film, I grab popcorn. Usually minus the butter.

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    Peran orang tua sangat diperlukan dalam mengarahkan impian, tapi tidak baik jika terus memaksakan hal yang tidak diinginkan anak.

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    Prestidigitation? You've got to be joking. No one says that.

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    Routine ruins the life, variety vitalise the life.

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    Risking your own life in order to entertain others is the height of stupidity.

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    Robert Kennedy was inspired to take on organized crime by watching the landmark movie On the Waterfront.

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    Real love involves a foundation of respect, honesty, and trust, concepts wholly missing from the pale imitations hawked to us by the folks who script 'unscripted' entertainment.

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    Sekalipun sakit hati, seseorang tidak bisa membohongi bahwa dia tetap membutuhkan orang yang dicintai berada di sisinya.

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    Sejatinya, seseorang yang ingin diselamatkan dan berharap seseorang mengulurkan tangan untuk meraihnya, memiliki waktu yang terbatas. Ya, waktu terbatas sebelum keputusasaan dan depresi merenggut nyawanya.

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    So, I found my refuge in art. I could find no truth in art, but I was obsessed with the beauty of its lies. The world was full of shit in all the wrong ways, but in art I could find whatever line of bullshit most satisfied me. And unlike religion, it didn’t require the gullibility to actually fall for it, only the ability to entertain it, and to be entertained by it.

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    Some printed pages are medical plasters to extract pain, others are tourists' tickets out of boredom or loneliness to exhilarating adventures, still others are diplomas for promotion and drilling ideas into a quick-step.

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    Son, in life you do not fight battles because you expect to win... ...you fight them merely because they need to be fought. -Snagglepuss

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    Superman, spider man, batman, all lost their parents in their childhood, they all had to live their lives against the conspiracy of villains, and even after these miseries they don’t hesitate to save people or to forgive the villains, that’s why they are superheroes.

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    Stories exist to entertain and inspire us. They’re merely veils of hope for when we see the ugliness of the world.

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    The desire to “do more in less time” is not a neutral force in our culture; it is the handmaiden of miserable experts, specialists, and leaders. Not everyone has rushed to become efficient. Something else exists on the periphery: an inefficient utopia, a culture of consensus, collectives, and do-it-yourself ethics. A place where time is not bought, sold, or leased and no clock is the final arbiter of our worth. For many people in North America, the problem is not just poverty but lack of time to do the things that are actually meaningful. This is not a symptom of personal failures but the consequence of a time-obsessed society. Today, desire for efficiency springs from the scarcity model, which is the foundation of capitalism. Time is seen as a limited resource when we get caught up in meaningless jobs, mass-produced entertainment, and – the common complaint of activists – tedious meanings.

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    The conversation had been so lacking in quality that it actually made Toddlers and Tiaras look like good entertainment by comparison.

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    Television is at its most trivial and, therefore, most dangerous when its aspirations are high, when it presents itself as a carrier of important cultural conversations.

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    The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.' 'Oh my God... said Jonathan, his mouth stalling the open position. 'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")

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    The last generations's worst fears become the next one's B-grade entertainment.

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    The notion, popularized by classicist and romanticist critics alike, of the Attic theatre as the perfect example of a national theatre, and of its audiences as realizing the ideal of a whole people united in support of art, is a falsification of historical truth.33 The festival theatre of Athenian democracy was certainly no ‘people’s theatre’ —the German classical and romantic theorists could only represent it as such, because they conceived the theatre to be an educational institution. The true ‘people’s theatre’ of ancient times was the mime, which received no subvention from the state, in consequence did not have to take instructions from above, and so worked out its artistic principles simply and solely from its own immediate experience with the audiences. It offered its public not artistically constructed dramas of tragi-heroic manners and noble or even sublime personages, but short, sketchy, naturalistic scenes with subjects and persons drawn from the most trivial, everyday life. Here at last we have to do with an art which has been created not merely for the people but also in a sense by the people. Mimers may have been professional actors, but they remained popular and had nothing to do with the educated élite, at least until the mime came into fashion. They came from the people, shared their taste and drew upon their common sense. They wanted neither to educate nor to instruct, but to entertain their audience. This unpretentious, naturalistic, popular theatre was the product of a much longer and more continuous development, and had to its credit a much richer and more varied output than the official classical theatre; unfortunately, this output has been almost completely lost to us. Had these plays been preserved, we should certainly take quite a different view of Greek literature and probably of the whole of Greek culture from that taken now. The mime is not merely much older than tragedy; it is probably prehistoric in origin and directly connected with the symbolic-magical dances, vegetation rites, hunting magic, and the cult of the dead. Tragedy originates in the dithyramb, an undramatic art form, and to all appearances it got its dramatic form—involving the transformation of the performers into fictitious personages and the transposition of the epic past into present —from the mime. In tragedy, the dramatic element certainly always remained subordinate to the lyrical and didactic element; the fact that the chorus was able to survive shows that tragedy was not exclusively concerned to get dramatic effect and so was intended to serve other ends than mere entertainment.

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    The modern man is usually in a hurry to get to a destination from which he will sooner or later suffer from and at times complain about boredom.

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    The phrase "consumer society" complements the description of the present social order as an "industrial society." Needs are tailored by the mass media to create a public demand for utterly useless commodities, each carefully engineered to deteriorate after a predetermined period of time. The plundering of the human spirit by the marketplace is paralleled by the plundering of the earth by capital.

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    The old Televisions had an off switch.

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    The only really useful thing about zoos is that most of them pay most of their workers most of the time.

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    There is a jarring disconnect between what I want my real-life intelligence officers to be doing versus what I want my fake TV intelligence officers to be doing.

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    The problem is politics is made a sport, almost as much a sport as football or baseball. When it comes to politics, adults and politicians do more finger-pointing and play more games than children ever do. Too often are we rooting for the pride of a team rather than the good of the nation.

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    ...the real junk food is what Frank Lloyd Wright called light entertainment - bubblegum for the eye ...

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    There are no distinctions at all any more, as far as entertainments are concerned, it's big and beautiful everywhere where we are. It would be a great help to us, if we could be everywhere at the same time. And here it is already, your entertainment!

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    There is a Pirate in each of us"!