Best 357 quotes in «narrative quotes» category

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    We have, each of us, a life-story, an inner narrative — whose continuity, whose sense, is our lives. It might be said that each of us constructs and lives, a “narrative,” and that this narrative is us, our identities. If we wish to know about a man, we ask “what is his story — his real, inmost story?” — for each of us is a biography, a story. Each of us is a singular narrative, which is constructed, continually, unconsciously, by, through, and in us — through our perceptions, our feelings, our thoughts, our actions; and, not least, our discourse, our spoken narrations. Biologically, physiologically, we are not so different from each other; historically, as narratives — we are each of us unique.

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    We live in a world where the criminal has become the victim, the victim the accused, the accused the guilty, the guilty the innocent and the innocent the criminal.

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    We need to know not only what is done but what is purposed and said by those who shape the destines of states and realms." Horace Greeley

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    We should strive to focus our lens on what connects us as humans as opposed to our differences. In doing so, not only can we challenge the Orientalist and colonial aspects of traditional photographic narratives, but we can also create a new visual legacy marked by equitable discourse.

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    We tell ourselves our own stories, selectively, in order to keep our sense of self intact.

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    We think that history is created in the big things, in the big events, but history is also created in the small things that we do every day, in the personal choices we make— to think or not to think, to hold our tongues or to speak up, to act or not to act. Our actions have a ripple effect on those around us. Every time we conform or don't, we're shaping the world into our vision or someone else's vision. The universe isn't made up of atoms it's made up of stories, and these stories are shaped in college campuses and coffee houses around the country, not just in boardrooms and government buildings.

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    We want our children to know and believe the one good story. Every other story is a copy or shadow of this one. Some copies of it are quite good and shout the Truth. Others see only the faintest whisper of it, or, in its absence remind us of the Truth. We want our kids to know the one good story so well that when they see Luke Skywalker, Harry Potter, Frodo, Anne of Green Gables, Arielle, or Sleeping Beauty, they can recognize the strands of Truth and deception in them. Saturating our children in the one good story will enable them to discern Truth and error as it comes to them from the world.

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    We want the author to give us answers when all he can do is give us desires.

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    What frightened me most was, I could no longer believe in my own life as a story. Everyone needs a story, a part to play in order to avoid the realization that life is without significance. How else do any of us survive? It’s what makes life bearable, even interesting. When it becomes neither, people say you’ve lost the plot. Or just lost it.

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    What follows is ambiguous and sometimes tortuously told. Man's searchings and his strugglings are ambiguous and vowed to hidden ways. Those who live by that dark light will understand.

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    What monster sleeps in the deep of your story? You need a monster. Without a monster there is no story.

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    What just cause can be found for the encounter of so many nations, or what hatred inspired them all to take arms against each other? It is proof that the human race lives for its kings, for it is at the mad impulse of one mind a slaughter of nations takes place, and at the whim of a haughty ruler that which nature has taken ages to produce perishes in a moment.

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    What it has to do is move--end up in a different place from where it started. That's what narrative does. It goes. It moves. Story is change.

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    When she smiles, the lines in her face become epic narratives that trace the stories of generations that no book can replace.

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    What was their original sin? Eve allowed her bias to sway the information by frustrating an unbiased truth in favor of a narrative she wanted to believe.

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    When I say "narrative", I do not mean simply the plot, I mean considerably more. Plots and their shapes--the bare outlines of stories--were something I know J.R.R. Tolkien himself was interested in. When I was an undergraduate, I went to a course of lectures he gave on the subject--at least, I think that was the subject, because Tolkien was all but inaudible. He evidently hated lecturing, and I suspect he also hated giving his thoughts away.

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    When life ends it's like a book losing pages or a song skipping. It's abrupt and it doesn't make sense.

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    You’ve already seen the shift of the media to blindly follow the dictates of the government.

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    Without stories we end up with stereotypes -- a flat earth with flat cardboard figures that have no texture or depth, no INTERIOR.

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    Writers use narratives to select from everything there is, and make contexts by putting the pieces into relation; that’s what writers do, they make contexts.

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    Yeah, episodic doesn't work. Your coolest character needs something big and meaningful to do. Otherwise, well, it's just narrative shit.

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    You can't love someone without imaginative sympathy, without beginning to see the world from another point of view. You can't be a good lover, a good artist or a good politician without this capacity (you can get away with it, but that's not what I mean). Show me the tyrants who have been great lovers.

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    A lot of the drive to make narratives came from having to play by myself as a 5- or 6-year-old in the woods.

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    All narratives, even the confusing, are implicitly hopeful; they speak of a world that can be ordered, and thus understood.

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    All the gossip and craziness becomes a kind of sustained narrative which, in turn, can become history. It's scary.

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    A lot of Broadway has that immigrant narrative of America as a place where you can become something else against all odds.

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    A clearer and more conventional narrative would have helped the film without, in my opinion, lessening its beauty and its impact. Frankly, I'm still trying to figure out what I'm doing there and what I was supposed to add in that context! What's more, Terry Malick himself never managed to explain it to me clearly.

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    An ideology can provide a satisfying narrative that explains chaotic events and collective misfortunes in a way that flatters the virtue and competence of believers, while being vague or conspiratorial enough to withstand skeptical scrutiny.

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    American exceptionalism is the recurring character in the nation's narrative.

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    A short story is "a short prose narrative, requiring from a half hour, to one or two hours in its perusal...having conceived, with deliberate care, a certain unique or single effect to be wrought out.

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    Any time you write history, you insert your opinion. You pick and choose what you are going to write about. I feel really happy not inserting myself. I spend too much of my life inserting myself. It's just great to let other people carry the narrative.

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    Art brings a message into a room. It should make us perceive in a new way - either through color, form or narrative content - something we had not perceived before... and perhaps reveal something to you about yourself.

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    Believing in fate has probably always arisen in part because of the delights and terrors of storytelling. We have to realize--to learn--that in life we are not the readers but the authors of our own narratives.

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    At the heart of every faith system is a bargain: on one side there is the comfort that comes from a narrative that suggests human life has cosmic significance, and on the other a duty to yield to moral commands that can, in the moment, seem rather inconvenient.

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    As we begin to become aware of the narrative patterns around which we structure our lives, we learn how to take charge, revise, refine, and even completely rewrite them.

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    A trial is two narratives competing for your attention.

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    A turning point in the public's perception of the building art came with the publication of Frank Lloyd Wright's 'An Autobiography' of 1932, a picaresque narrative that captivated many who hadn't the slightest inkling of what architects actually did.

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    Between the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to that life, the empty space, the gap, is enormous.

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    By the way, today with digital cameras and editing on your laptop, and things like that, you can make a feature film, a narrative feature film easily for $10,000.

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    Big media are all about the angle, the spin. Look to the overarching theme that runs through each and every news story. Be hip to the meta-narrative peddled.

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    But to read all Scripture narratives as if they were eye-witness reports in a modern newspaper, and to ignore the poetic and imaginative form in which they are sometimes couched, would be no less a violation of the canons of evangelical literalism than the allegorizing of the Scholastics was.

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    Chance the Rapper: if you listen to his narrative and the subject matter he covers in his music, you can see that he's strong, courageous and shows vulnerability. He asks some very poignant questions in his music and is still very melodic. The harmony and the melody of the music allows you to also come in closer.

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    Certainly, my friends and the common narrative is people are trying to shore up their own lives with regards to family planning and reproduction.

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    Christian nation mythologists pump themselves up with narratives of American exceptionalism and Christian domination. But sooner or later even their most devoted followers should begin to see that also depicting it as vulnerable to non-existent threats undermines the myth itself.

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    Classical music fulfills for me the function of narrative. I spend 90 minutes a day listening to symphonic music - Beethoven to Bartók - some chamber pieces, and that's my enrichment.

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    Documentaries have always inspired me in narrative filmmaking.

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    David Foster Wallace was a brilliant experimentalist who I deeply admire. His ability to do formalism helped me understand how to tackle stories like "Dictionary" and "Failed Revolution." "Dictionary," in particular, functions against narrative in many ways - each of the definitions are their own mini-story or prose poem, and the collection of them adds up to create a different effect than the traditional Freytagian Pyramid story.

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    Each new thing he encountered in life impelled him in a direction that fully convinced him of its rightness, but then the next new thing loomed up and impelled him in the opposite direction, which also felt right. There was no controlling narrative: he seemed to himself a purely reactive pinball in a game whose only object was to stay alive for staying alive's sake.

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    Even if I made pornography, the trauma would show, though. It will always be there because it's my verité. It's my kind of narrative, it's my kind of storytelling. It's not style; it's just there.

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    Genre might certainly increase some of your narrative freedoms, but it also diminishes others. That's the nature of genre.

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