Best 5193 quotes in «beauty quotes» category

The Chinese did not admire a bent back; goddesses and warriors stood straight. Still there must have been a marvelous freeing of beauty when a worker laid down her burden and stretched and arched.

The closer the relationship, the greater the opportunities for intimacy. However the greater the opportunity the closer to offence. (A bit deep). Nobody can really make you mad more than someone that you really love. Nobody can hurt you like the somebody you have given your heart to.

The closest I’d ever got to seeing a naked woman before was black and white cleavage, and then Rosie tossed her clothes in a corner just like they were getting in the way and spun around in the dim light of Number 16, palms up, luminous, laughing, almost close enough to touch. The thought still knocks the wind out of me. I was too young even to know what I wanted to do about her, I just knew nothing in the World, not the Mona Lisa walking through the Grand Canyon with the Holy Grail in one hand and a winning lotto ticket in the other, was ever going to be that beautiful.

The clue to everything a man should love and fear in her was there right from the start in the ironic smile that primed and swelled the archery of her full lips. There was pride in that smile and confidence in the set of her fine nose. Without understanding why I knew beyond question that a lot of people would mistake her pride for arrogance and confuse her confidence with impassivity. I didn't make that mistake. My eyes were lost swimming floating free in the shimmering lagoon of her steady even stare. Her eyes were large and spectacularly green. It was the green that trees are in vivid dreams. It was the green that the sea would be if the sea were perfect.

The color and shape of flowers are a precise record of what bees find attractive

The color of her face and the movements of her hands ,those wonderful moments, I love to paint ..

The clothes of time are wet because he foolishly stopped to witness your beauty in the rain.

The color-patches of vision part, shift, and reform as I move through space in time. The present is the object of vision, and what I see before me at any given second is a full field of color patches scattered just so. The configuration will never be repeated. Living is moving; time is a live creek bearing changing lights. As I move, or as the world moves around me, the fullness of what I see shatters. “Last forever!” Who hasn’t prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying; it is a canvas, nevertheless. But there is more to the present than a series of snapshots. We are not merely sensitized film; we have feelings, a memory for information and an eidetic memory for the imagery of our pasts. Our layered consciousness is a tiered track for an unmatched assortment of concentrically wound reels. Each one plays out for all of life its dazzle and blur of translucent shadow-pictures; each one hums at every moment its own secret melody in its own unique key. We tune in and out. But moments are not lost. Time out of mind is time nevertheless, cumulative, informing the present. From even the deepest slumber you wake with a jolt- older, closer to death, and wiser, grateful for breath. But time is the one thing we have been given, and we have been given to time. Time gives us a whirl. We keep waking from a dream we can’t recall, looking around in surprise, and lapsing back, for years on end. All I want to do is stay awake, keep my head up, prop my eyes open, with toothpicks, with trees.

The conflict hasn't gotten worst but the contest has really changed.............

The contempt shown him by Mardona still inflamed his passion, and that passion was nourished by the widespread respect that the Mother of God commanded and the blind obedience she inspired. And it seemed to Sabadil that from her emanated a light that surrounded her. To him, she appeared so beautiful, more beautiful than ever.

The core of beauty is simplicity.

The culture's reverence for nature accentuates Kyoto's innate beauty. Designs on fabric, pottery, lacquer, and folding screens depict swirling water, budding branches, and birds in flight. Delicate woodcuts and scrolls celebrate the moonlight, rain, and snow. Elegant restaurant dishes arrive with edible garnishes of seasonal flora.

The darkest hour of my day is the one in which I don't get to see you.

The day is like a diamond, all beautiful warmth on the outside but without any heat to accompany it.

The day you leave, this will be your only contentment: if you have made the existence a little more beautiful.

The desert at night was black and a strange madder-tinted silver; the sky was black, and the great contorted cliffs, and the vast expanses of sand that stretched out in all directions. But the red moon cast a pale crimson-tinged luminescence over everything, and far above the stars were glittering points of silver.

The difference between a good golf shot and a bad one is the same as the difference between a beautiful and a plain woman --a matter of millimetres.

The disappearance of the presence of beauty is the most despairing of events on this time-wheel of ours that rolls onward towards death.

The earth is a mosaic, and most fail to notice the gossamer tesserae floating down from the realm of the mind that form its images of beauty and horror.

The empowered woman is powerful beyond measure and beautiful beyond description.

The Empress surrounds you at all times. She feeds the soul with her brilliance and beauty of the night sky. Mountain landscapes, rolling hills, and ocean waves rise like the curve of her hips. Her breath is the warm air of summer, her cool palms are the willow tree's shade. She is the peace of mind of a walking meditation. The Empress fills you with the entirety of the world's beauty if you let her in. She shows you in no uncertain terms, that you are never, ever alone. You are part and parcel of the glistening, pulsating world of energetic and beautific connection. You are her and she is you. She is everything and everything is you.

The enemies agenda is destruction, his strategy is division and his tactics is on little differences. Mind you he is not going to be happy until he sees you divided.

The enemy of my soul didn't want me painting that day. To create meant that I would look a little bit like my Creator. To overcome the terrifying angst of the blank canvas meant I would forever have more compassion for other artists. You better believe as I placed the first blue and gray strokes onto the white emptiness before me, the "not good enough" statement was pulsing through my head in almost deafening tones... This parlaying lie is one of his favorite tactics to keep you disillusioned by disappointments. Walls go up, emotions run high, we get guarded, defensive, demotivated, and paralyzed by the endless ways we feel doomed to fail. This is when we quit. This is when we settle for the ease of facebook.... This is when we get a job to simply make money instead of pursuing our calling to make a difference. This is when we put the paintbrush down and don't even try. So there I was. Standing before my painted blue boat, making a choice of which voice to listen to. I'm convinced God was smiling. Pleased. Asking me to find delight in what is right. Wanting me to have compassion for myself by focusing on that part of my painting that expressed something beautiful. To just be eager to give that beauty to whoever dared to look at my boat. To create to love others. Not to beg them for validation. But the enemy was perverting all that. Perfection mocked my boat. The bow was too high, the details too elementary, the reflection on the water too abrupt, and the back of the boat too off-center. Disappointment demanded I hyper-focused on what didn't look quite right. It was my choice which narrative to hold on to: "Not good enough" or "Find delight in what is right." Each perspective swirled, begging me to declare it as truth. I was struggling to make peace with my painting creation, because I was struggling to make make peace with myself as God's creation. Anytime we feel not good enough we deny the powerful truth that we are a glorious work of God in progress. We are imperfect because we are unfinished. So, as unfinished creations, of course everything we attempt will have imperfections. Everything we accomplish will have imperfections. And that's when it hit me: I expect a perfection in me and in others that not even God Himself expects. If God is patient with the process, why can't I be? How many times have I let imperfections cause me to be too hard on myself and too harsh with others? I force myself to send a picture of my boat to at least 20 friends. I was determined to not not be held back by the enemy's accusations that my artwork wasn't good enough to be considered "real art". This wasn't for validation but rather confirmation that I could see the imperfections in my painting but not deem it worthless. I could see the imperfections in me and not deem myself worthless. It was an act of self-compassion. I now knew to stand before each painting with nothing but love, amazement, and delight. I refused to demand anything more from the artist. I just wanted to show up for every single piece she was so brave to put on display.. Might I just be courageous enough to stand before her work and require myself to find everything about it I love? Release my clenched fist and pouty disappointments, and trade my "live up" mentality for a "show up" one? It is so much more freeing to simply show up and be a finder of the good. Break from the secret disappointments. Let my brain venture down the tiny little opening of love.. And I realized what makes paintings so delightful. It's there imperfections. That's what makes it art. It's been touched by a human. It's been created by someone whose hands sweat and who can't possibly transfer divine perfection from what her eyes see to what her fingertips can create. It will be flawed.

The essence is HIS presence.

The English language is simply not logical. It is strong, free, and beautiful.

The exact proportion and combination of the qualities within you, as they are, even while you search and struggle for them to be different or better, is a unique beauty.

The Everglades have a sinister, beguiling beauty, shadows dark and mysterious, a holocaust of secrets upon secrets upon secrets; and you can’t help but wonder how many layers there are, how many are yet to come.

The fact that neither of us made sense was the beauty of it.

The fact that we can't see the beauty in something doesn't suggest that it's not there. Rather, it suggests that we are not looking carefully enough or with a broad enough perspective to see it.

The eyes of a nation (living godly) like this shall see the King of kings and the Lord of lords in all his beauty. Meaning salvation and redemption shall be readily available in abundance for the people of that land.

The familiar is by far the most beautiful.

The "fashion-beauty complex'," representing the corporate interests involved in the fashion and beauty industries, has, Bartky argues, taken over from the family and church as "central producers and regulators of 'femininity'" (1990, p. 39). The fashion-beauty complex promotes itself to women as seeking to, "glorify the female body and to provide opportunities for narcissistic indulgence'' but in fact its aim is to "depreciate woman's body and deal a blow to her narcissism'' so that she will buy more products. The result is that a woman feels constantly deficient and that her body requires "either alteration or else heroic measures merely to conserve it'' (p. 39).

The fairy tale is not the conclusion, but the doorway to a more brilliant reality. Pushed onto a pedestal as the final answer their worth is misshapen and distorted. The world’s story may end with a couple living happily ever after but our life in Christ enables the intimacy of the human relationship to illuminate an eternal perfection. In a balanced perspective, neither denigrated nor exalted from their intended place, fairy tales are a lovely and exhilarating part of life.

The false face had been handsome, yes, but consciously so. As though he was too aware of his own attractivensss, something she found distinctly unappealing.

The fear of God reigning in the heart is the beauty of the soul.

The female brain itself is a highly intuitive emotion-processing machine, which when put to practice in the progress of the society, would do much more than any man can with all his analytical perspectives.

The feet of them that preach the gospel of peace possess beauty

The first thing fading is your beauty the least trustworthy is your mind down here on this earth nothing's of any worth—in the end

The first thing fading is your beauty the least trustworthy is your mind down here on this earth nothing's of any worth in the end in the end

The first time I saw you, my heart fell. The second time I saw you, my heart fell. The third time fourth time fifth time and every time since, my heart has fallen. I stared at her. You are the most beautiful woman I have ever seen. Your hair, your eyes, your lips, your body that you haven't grown into, the way you walk, smile, laugh, the way your cheeks drop when you're mad or upset, the way you drag your feet when you're tired. Every single thing about you is beautiful. I stared at her. When I see you the World stops. It stops and all that exists for me is you and my eyes staring at you. There's nothing else. No noise, no other people, no thoughts or worries, no yesterday, no tomorrow. The World just stops and it is a beautiful place and there is only you. Just you, and my eyes staring at you. I stared. When you're gone, the World starts again, and I don't like it as much. I can live in it, but I don't like it. I just walk around in it and wait to see you again and wait for it to stop again. I love it when it stops. It's the best fucking thing I've ever known or ever felt, the best thing, and that, beautiful Girl, is why I stare at you.

The flower of the ginger is superb and regal, but if we focus on nurturing the ginger plant to bloom we are unable to harvest its root. Enjoying the exquisite beauty of the plant will prevent us from unlocking its true potential—the nutrients secretly stored beyond the reach of the sun. Why care about trivial matters such as external beauty? What matters lies beneath the surface. What a waste! She is much more beautiful on the inside where she has so much more to give to the world.

The flowers' beauty drew her closer to them like a magnetic force. She felt compelled to walk a little faster.

The flawlessly beautiful were flawlessy happy, weren't they? To Kristy this had always seemed self-evident. Tonight, however, the alcohol made her wonder if envy hadn't blinded her. Perhaps to be flawless was another kind of sadness.

The forgiveness of God flows through me and because I am forgiven, I can forgive.

The forces of blind life that work across this hilltop are as irresistible as she said they were, they work by a principle more potent than fission. But I can’t look upon them as just life, impartial and eternal and in flux, an unceasing interchange of protein. And I can’t find proofs of the crawl toward perfection that she believed in. Maybe what we call evil is only as she told me that first day we met, what conflicts with our interests; but maybe there are such realities as ignorance, selfishness, jealousy, malice, criminal carelessness, and maybe these things are evil no mater whose interests they serve or conflict with.

The flush on her pale cheeks was like the blush of sunset on snow.

The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.

The funny thing about beauty, James writes, is that in no way does its presence negate the truth of suffering, of injustice, of pain, but it does stand stalwart in its own right, as its own truth.

The gaps are the thing. The gaps are the spirit's one home, the altitudes and latitudes so dazzlingly spare and clean that the spirit can discover itself like a once-blind man unbound. The gaps are the clefts in the rock where you cower to see the back parts of God; they are fissures between mountains and cells the wind lances through, the icy narrowing fiords splitting the cliffs of mystery. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock—more than a maple—universe.

the girl with a moustache" they called me every now and then "It's about time you wax your arms" those who "cared" said I faced the fears of the dreaded thread on my face To succumb every other week to the world's ways