Best 3492 quotes in «adventure quotes» category

in the press, my sex life was something else again. I was Lady Bountiful of the Sheets. Some of the best fiction of the Sixties was written about my amorous adventures with an assortment of lovers who could have only been chosen by a berserk random sampler.

In the seventeenth chapter of St. Luke, it is written that the kingdom of God is within man, not one man nor a group of men, but in all men! In you! You, the people, have the power, the power to create machines, the power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure... Let us fight to free the world! To do away with national barriers! To do away with greed, with hate and intolerance! Let us fight for a world of reason, a world where science and progress will lead to all mens happiness.

In the years since The Life and Extraordinary Adventures of Private Ivan Chonkin, Voinovich has sharpened his satire, and Monumental Propaganda is a novel that slashes and rips -- but not on every page. He expands his narrative to accommodate shrewd philosophy and inventive portraiture, a very amusing disquisition on Soviet latrines and a number of outlandish plot developments. In his translation, Andrew Bromfield deftly shifts his tone and tools as required, remaining true to Voinovich's Vonnegut-like playfulness and appreciation of the absurd.

Introverts are offered keys to private gardens full of riches. To possess such a key is to tumble like Alice down her rabbit hole. She didn't choose to go to Wonderland - but she made of it an adventure that was fresh and fantastic and very much her own.

In writing Snowboarding to Nirvana I have intentionally written an inspirational spiritual adventure story, which will hopefully provide people with metaphysical techniques, spiritual knowledge, hope and a brighter view of life.

I once played the chief part in a rather exciting business without ever once budging from London . And the joke of it was that the man who went out to look for adventure only saw a bit of the game, and I who sat in my chambers saw it all and pulled the strings. 'They also serve who only stand and wait,' you know.

I painted the words "GREAT ADVENTURE" in Beijing, Dallas, San Francisco, Copenhagen, and Japan. What it means to me is completely different to everybody else. And that's what I love about random words and phrases taken out of context: everyone applies their own context. If you want to apply something political or meaningful to a word I wrote on the side of the wall, then it's up to you.

I prefer the gradual path My feeling is that mythic forms reveal themselves gradually in the course of your life if you know what they are and how to pay attention to their emergence. My own initiation into the mythic depths of the unconscious has been through the mind, through the books that surround me in this library. I have recognized in my quest all the stages of the hero's journey. I had my calls to adventure, my guides, demons, and illuminations.

I prefer to have a great time and to keep my wits about me.

I read all of Rider Haggard's books. For me he had the romance of Africa with a little bit of mysticism. I'm delighted to be looked on as his heir and be categorised as an adventure novelist because that's exactly what I am.

I realised that since I was a child I wanted to be an actress just to dress up in big fabrics and corsets and have adventures riding horses with lots of blood and action!

I really wanted to write an adventure story, a murder-mystery that was set during the gold-rush years in New Zealand.

I reckon that there won't be an intervention in the near future, because Georgia's military adventure revealed the weakness of the Russian army.

I remember, May 1944: I was 15-and-a-half, and I was thrown into a haunted universe where the story of the human adventure seemed to swing irrevocably between horror and malediction.

I remember watching Romeo + Juliet when I was 14 and listening to the soundtrack. When I hear that soundtrack now, all those emotions come back. It's really beautiful when you're at a certain point in your life where most of the adventure lies ahead of you. And it's a sad thing when you feel like you've lost that. But you can get it back.

I sold my first script when I was 21 - this kids' adventure movie that never got made. I just bought that one back, actually. I'm pretty psyched about it.

I saw a picture of Elvis in blue lame, and thought that if I could recreate that suit and walk down the King's Road in it, someone might pick me up and take me off on a crazy adventure.

I see my path, but I don't know where it leads.

I sort of gave up on this whole human adventure a long time ago, divorced myself from it emotionally. It gives me an artistic detachment that I find valuable. I think the human race has squandered its gift, and I think this country has squandered its promise, for the sake of cell phones and Jet Skis.

I spent most of my teen years trying to figure out the rules of life, theories for why things happened, why people behaved as they did, and mostly I came to the conclusion that either there were no rules, or the rules sucked. Reading science fiction wasn't about imagining myself into some more exciting life filled with adventure, it was about finding a world where things worked the way I wanted them to.

I see my path, but I don't know where it leads. Not knowing where I'm going is what inspires me to travel it.

I shall have poetry in my life. And adventure. And love, love, love, above all. Love as there has never been in a play. Unbiddable, ungovernable, like a riot in the heart and nothing to be done, come ruin or rapture.

I spent many years in grad school in English, so I've read a lot in a variety of genres. But adventure fantasy is my bread and butter as a reader, and probably always will be. So it's only natural that I came to that genre as a writer.

It could truly be the case that Vladimir Putin has miscalculated in the long term with his adventure in Syria.

I started out wanting to be a straight adventure cartoonist, but in 1979 realized what my real bag was.

I still have a Gypsy sense of adventure. I don't think I have slept in the same bed for more than three or four months my whole life. I am always planting vegetables that I never get to eat and flowers that I never see flower. I have always moved around the world.

I take very seriously the sense of our living these days in a global neighborhood. And the first sensible thing to do in such circumstances, as well as one of the most rewarding things, is to go and meet the neighbors, find out who they are, and what they think and feel. So travel for me is an act of discovery and of responsibility as well a grand adventure and a constant liberation.

It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dreams, for the adventure of being alive.

I stay subjective because that's what I do. That's one of my abilities. I don't need to watch it because I've had the adventure. I don't do low-budget acting. I do the same acting, whether I'm in a Jim Cameron or not. I always try to do good work. There's no snobbery in there

I suppose all fictional characters, especially in adventure or heroic fiction, at the end of the day are our dreams about ourselves. And sometimes they can be really revealing.

It doesn't matter how adventurous you want to be, you've still got to contain your identity.

I tell you this: There is no coincidence, and nothing happens "by accident." Each event and adventure is called to your Self by your Self in order that you might create and experience Who You Really Are.

It had been an enormous, extraordinary, outrageous adventure. And it was deadly.

I tend to think of the act of photographing, generally speaking, as an adventure. My favorite thing is to go where I’ve never been.

It had never gotten old for him, flying. Never gone boring. Every engine start was a new adventure, guiding the spirit of a lovely machine back into life; every takeoff blending his spirit with its own to do what's never been done in history, to lift away from the ground and fly.

I think for me when you look at the idea of being able to create a limitless world and use it almost as a playground for action and adventure and so forth, I naturally gravitate towards cinematic worlds, whether it's the Bond films and things like that.

I think back when I was kind of a crappy writer, I really did know my time was better spent working and having adventures and seeing the world.

I think at a certain point we a little bit forgot that it was a pot show. I think I said something to Harry [Elfont], around Episode 7 [of mary and Jane], I was like, "We have a pot show. Nobody is smoking any weed." There is literally a shot in the season finale where everybody lights up at the same time. I was like, "I feel like we are not honoring our concept." It just became a show. It became a show about these two girls doing this crazy thing and getting into all these adventures and it was really not about the weed.

I think death is a tremendous adventure- a gateway into a new life, in which you have further powers, deeper joys, and wonderful horizons.

I think I feel more like you're an actor for hire and you take the jobs you want to take, obviously, and some pay well and some don't pay well at all but you go on a gut feeling and it's all a big adventure.

I think, if allowed, 3D is a new film language. I can have more adventure exploring a new media, that's very exciting. 2D we know most of it, things haven't changed for decades; it's the same principles, so 3D's more exciting.

I think I just have an idea in my head about how big an adventure game should be, so it's hard for me to design one that's much smaller than Grim Fandango or Full Throttle. There's just a certain amount of scope needed to create a complex puzzle space and to develop a real story. At least with my brain, there is.

I think I'm open to adventures and surprises. As a performer, I'm really just naturally talented. And those roles may not look as good on paper, but I know how to create them on screen. I like to have fun and interpret my roles in my own way.

I think I still have a great sense of adventure and trust, and am surprisingly idealistic given all the horrible things I've seen since I was 25. I think how I have changed is that I have a much deeper understanding of the dark forces in the world, of power.

I think it is better for all people to live on, to look forward to the next stage (after death), as if he had to spend centuries, then he lives properly... looking forward to the great adventure ahead, then he lives!

I think some of the big characters, you know, they do these adventures, but they've got something about them, they've got this charisma, and they've got to have a sense of humor. Because whether it be very dry, or very silly, they've got to be likable.

I think I would co-direct because I love actors and I've got a very good eye. I'm not a second-guesser. I don't think that I would be very happy, getting inundated by financial issues. I would love to co-direct with somebody because that would be a real freedom and an adventure, and then I could leave all the pain and misery to them. I'm not glib about it. I would take the responsibility to make a really good movie.

I think mostly it's the adventure that I will have in making the movie. That's what I look for.

I think my style changes somewhat. The themes I am interested in exploring are mostly the same, but I tackle them differently. My Younguncle books are at the surface comic adventures of the eccentric title character but they are also serious beneath the fun and frolic. And I use Big Words, like "ambrosial," which bothers some children's book reviewers. The children's short stories you mention are mostly quite serious.

I think of these imperial adventures like welfare programs; you start them with all good intentions, they never end, they go on forever and get more expensive as they go on.