Best 84 quotes in «emma quotes» category

Were she your equal in situation—but, Emma, consider how far this is from being the case. She is poor; she has sunk from the comforts she was born to; and, if she live to old age, must probably sink more. Her situation should secure your compassion. It was badly done, indeed!—You, whom she had known from an infant, whom she had seen grow up from a period when her notice was an honour, to have you now, in thoughtless spirits, and the pride of the moment, laugh at her, humble her—and before her niece, too—and before others, many of whom (certainly some,) would be entirely guided by your treatment of her.

What about me?" I whisper. "Where do I belong?" "With me," my mother and Galen say in unison. They exchange hard glares. Galen locks his jaw. "I'm her mother," she tells Galen, her voice sharp. "Her place is with me." "I want her for my mate," Galen says. The admission warms up the space between us with an impossible heat and I want to melt into him. His words, his declaration, cannot be unspoken. And now he's declared it to everyone who matters. It's out there in the open, hanging in the air. He wants me for his mate. Me. Him. Forever.

With a new found confidence, Briston comes alive. "Then we have to do something. We need to call the police, or the swat team, maybe the military." "Yeah, and why we're at it, why don't we send a prayer up to Heaven and tell the other angels to go ahead and take our names off the eternal guest list.

What totally different feelings did Emma take back into the house from what she had brought out!- she had then been only daring to hope for a little respite of suffering;- she was now in an exquisite site fluttering of happiness moreover as she believed must still be greater when the flutter should have passed away

Why did you pull the arrow out?” she demanded, pulling her sweater over her head. She had a tank top on under it. She patted his chest and side with the sweater, absorbing as much of the blood as she could. Jules’s breath was coming in harsh pants. “Because when someone—shoots you with an arrow—” he gasped, “your immediate response is not—‘Thanks for the arrow, I think I’ll keep it for a while.’” “Good to know your sense of humor is intact.

Whenever you are transplanted, like me, you will understand how very delightful it is to meet with anything at all like what one has left behind.

You focus on a single star,” I explained, as I searched for my spot. “Then you spin around, staring at that one star, until you can’t stand anymore.” I started spinning to demonstrate. “Then you lie down to watch the stars spinning above you while your star remains still.

Yeah.” I took another deep breath. “I’m gonna die, Emma.” “You mean eventually, right?” She blinked, and I could tell it hadn’t sunk in. “Please tell me you’re making some kind of big-picture philosophical statement about the inevitability of death and the transient nature of human existence.” “Not eventually, Em. Sometime on Thursday.

You focus on a singer star,” I explained, as I searched for my spot. “Then you spin around, staring at that one star, until you can’t stand anymore.” I started spinning to demonstrate. “Then you lie down to watch the stars spinning above you while your star remains still.

You're Nash's brother. And a grim reaper?" She blinked again, and I readied myself for hysterics, or fear, or laughter. But knowing emma, I should have known better. "So you, what? Kill people? Did you kill me that day in the gym?" She clenched the headrest, her expression an odd mix of anger, awe, and confusion. But there was no disbelief. She'd seen and heard enough of the bizarre following her own temporary death that Tod's admission obviously didn't come as that much of a surprise. Or maybe Nash's Influence was still affecting her a little. "No," Tod shook his head firmly, but the corners of his mouth turned up in amusement. "I had nothing to do with that. I do kill people, then I reap their souls and take them to be recycled. But only people who are on my list." "So, you're not...dangerous?" His pouty grin deepened into something almost predatory, like the Tod I'd first met two months earlier. "Oh, I'm dangerous...." "Tod..." I warned, as Nash punched his brother in the arm, hard enough to actually hurt. "Just not to you," the reaper finished, shrugging at Emma. "I see you all the time, but you've never seen me, because Kaylee said if I got too close to you, I'd suffer eternity without my balls." "Jeez, Tod!" I shouted, my anger threatening to boil over and scald us all. The reaper leaned closer to Emma and spoke in a stage whisper. "She's not as scary as she thinks she is, but I respect her intent.

You have your world to rebuild, and I have mine.

You must be the best judge of your own happiness. If you prefer Mr. Martin to every other person; if you think him the most agreeable man you have ever been in company with, why should you hesitate?

…and Emma felt another small portion of her soul fall away.

You speak as if you envied him." "And I do envy him, Emma. In one respect he is the object of my envy." Emma could say no more. They seemed to be within half a sentence of Harriet, and her immediate feeling was to avert the subject, if possible. She made her plan; she would speak of something totally different—the children in Brunswick Square; and she only waited for breath to begin, when Mr. Knightley startled her, by saying, "You will not ask me what is the point of envy.—You are determined, I see, to have no curiosity.—You are wise—but I cannot be wise. Emma, I must tell you what you will not ask, though I may wish it unsaid the next moment." "Oh! then, don't speak it, don't speak it," she eagerly cried. "Take a little time, consider, do not commit yourself." "Thank you," said he, in an accent of deep mortification, and not another syllable followed. Emma could not bear to give him pain. He was wishing to confide in her—perhaps to consult her;—cost her what it would, she would listen. She might assist his resolution, or reconcile him to it; she might give just praise to Harriet, or, by representing to him his own independence, relieve him from that state of indecision, which must be more intolerable than any alternative to such a mind as his.—They had reached the house. "You are going in, I suppose?" said he. "No,"—replied Emma—quite confirmed by the depressed manner in which he still spoke—"I should like to take another turn. Mr. Perry is not gone." And, after proceeding a few steps, she added—"I stopped you ungraciously, just now, Mr. Knightley, and, I am afraid, gave you pain.—But if you have any wish to speak openly to me as a friend, or to ask my opinion of any thing that you may have in contemplation—as a friend, indeed, you may command me.—I will hear whatever you like. I will tell you exactly what I think." "As a friend!"—repeated Mr. Knightley.—"Emma, that I fear is a word—No, I have no wish—Stay, yes, why should I hesitate?—I have gone too far already for concealment.—Emma, I accept your offer—Extraordinary as it may seem, I accept it, and refer myself to you as a friend.—Tell me, then, have I no chance of ever succeeding?" He stopped in his earnestness to look the question, and the expression of his eyes overpowered her. "My dearest Emma," said he, "for dearest you will always be, whatever the event of this hour's conversation, my dearest, most beloved Emma—tell me at once. Say 'No,' if it is to be said."—She could really say nothing.—"You are silent," he cried, with great animation; "absolutely silent! at present I ask no more." Emma was almost ready to sink under the agitation of this moment. The dread of being awakened from the happiest dream, was perhaps the most prominent feeling. "I cannot make speeches, Emma:" he soon resumed; and in a tone of such sincere, decided, intelligible tenderness as was tolerably convincing.—"If I loved you less, I might be able to talk about it more. But you know what I am.—You hear nothing but truth from me.—I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it.—Bear with the truths I would tell you now, dearest Emma, as well as you have borne with them. The manner, perhaps, may have as little to recommend them. God knows, I have been a very indifferent lover.—But you understand me.—Yes, you see, you understand my feelings—and will return them if you can. At present, I ask only to hear, once to hear your voice.

Emma was no asleep, she was pretending to be asleep; and, while he was dozing off at her side, she lay awake, dreaming other dreams.

Emma Watson is my kids' favorite actor on the planet. They never took me more seriously than when I was working with her.

Do you miss her?' 'Who? Emma? Of course. Every day. She was my best friend.

Emma Watson is adorable in the extreme. She is such a lovely person.

Emma Watson was saying the other day that when Helena Bonham Carter was becoming Hermione, or trying to become her for the polyjuice-potion sequence, she was trying to take on Emma's mannerisms, and she was asking Emma questions like, "What's Hermione's favorite color?" Because she wanted to absorb all this information and to know, in here touches temple what she was like. And as I've tried to develop as an actor, I see that these things, however much they seem insignificant... By knowing what's Neville's Longbottom favorite Beatles song, you can know so much!

I'd always wanted to believe that my ancestors were better people than they probably were. - Princess Emma

I'm in a big dilemma about my Big-Leg Emma.

I'm not in the gossips that much, but something I read recently was that me and Emma Watson are having a feud. And I've never even met her.

I would die if Woody Allen ever called and said, 'Emma, I have a role for you.'

My Emma, does not every thing serve to prove more and more the beauty of truth and sincerity in all our dealings with each other?

As soon as she releases me, Galen grabs my hand and I don't even have time to gasp before he snatches me to the surface and pulls me toward shore, only pausing to dislodge his pair of swimming trunks from under his favorite rock, where he had just moments before taken the time to hide them. I know the routine and turn away so he can change, but it seems like no time before he hauls me onto the beach and drags me to the sand dunes in front of my house. "What are you doing?" I ask. His legs are longer than mine so for every two of his strides I have to take three, which feels a lot like running. He stops us in between the dunes. "I'm doing something that is none of anyone else's business." Then he jerks me up against him and crushes his mouth on mine. And I see why he didn't want an audience for this kiss. I wouldn't want an audience for this kiss, either, especially if the audience included my mother. This is our first kiss after he announced that he wanted me for his mate. This kiss holds promises of things to come. When he pulls away I feel drunk and excited and nervous and filled with a craving that I'm not sure can ever be satisfied. And Galen looks startled. "Maybe I shouldn't have done that," he says. "That makes it about fifty times harder to leave, I think.

After all, she understood people so well, as well as Fredrick understood his library.

A little playful banter never hurt — or did it? - Emma

There is safety in reserve, but no attraction. One cannot love a reserved person.

At the edge of everything, love and faith have always brought me back, and back to you.

Beckett gives me his legendary calculated stare. He really seems to think that makes him look superior. What am I going to do, squeal like a baby because of his narrowed eyes? Um, think not.

A vaidade trabalhando em uma mente fraca produz muitos tipos de danos.

A very little quiet reflection was enough to satisfy Emma

Briston shakes his head in answer, and slowly walks over to the sword. He cautiously stretches out his hand, which I can see is shaking. "What are you doing." I ask, frightened. "I'm going to see what happens if I touch it." Briston continues to stretch his hand out slowly. "Briston don't. What if it, I don't know, sucks you inside?" Briston stops to give me a dubious look. "What? It could happen. Don't you remember Poltergeist? The little girl got sucked into the television.

By looking Emma Watson smile pictures you just see different smiles which you even don't realise. One picture with fake smile, trying something but unfortunately it fails. Another, looks like she is saying "Off, off okay... let's make it. But this will be the last you promise??... will ya?" Other moment look really like me, other she look like something she has planned and waiting you to get there and to get trapped... How much far to go, I just see something as horrible picture a celebrity with available pictures - naked. That's horrible!... Call it this or this, I don't really give a shit for this peace... - (The stages in Philosophy and Psychology)

But Mr. Elton had only drunk wine enough to elevate his spirits, not at all to confuse his intellects.

Charlotte Palmer is no sillier than Harriet Smith; and yet, how intolerable we should find it to see and hear as much of Charlotte as we do of Harriet! And would Miss Bates have been endurable if she had been presented in the mood and manners of Sense and Sensibility?

Donvel je bio poznat po jagodama, koje su bile izgovor za poziv; ali nikakav izgovor nije bio potreban; ovu damu bi i kupus namamio jer je samo želela da nekuda ide.

Emma’s gaze went from Alec to Jace, curious. “Do you worry about him?” she asked Alec, surprising a laugh out of him. “All the time,” he said. “Jace could get himself killed putting his pants on in the morning. Being his parabatai is a full-time job.

Einer der Altmeister des englischen Romans, William Makepeace Thackeray, nannte das Wort Finis am Ende eines Erzählwerkes einmal ein "trübsinniges Wort". Das mag zutreffen, wenn man lediglich meint, von einer liebgewordenen, vertrauten Umgebung Abschied nehmen zu müssen. Meist ist jedoch das weiterwirkende Erlebnis - die Auseinandersetzung mit der vermittelten Weltsicht -, das uns ein Kunstwerk lieb und wert macht, gewissermaßen das subjektive "Weiterschreiben", wenn sich der Vorhang über das fiktive Geschehen gesenkt hat.

Emma is not a person; Emma is a place that you get stuck in; Emma is a pain that you cannot erase.

Emma this is not a joke. Look at your hands! They're... they're... wrinkled!" "Yes that's because-" "No way. I'm not going down for this. This isn't my fault." "Toraf-" "Galen will find some way to blame me though. He always does. 'You wouldn't have gotten caught if you didn't swim so close to that boat, tadpole.' No it couldn't be the humans fault for fishing in the first place-" "Toraf." "Or how about. 'Maybe if you'd stop trying to kiss my sister, she'd stop bashing your head with a rock.' How does my kissing her have anything to do with her bashing my head with a rock? If you ask me, it's just a result of poor parenting-" "Toraf." "Oh and my favorite: 'If you play with a lionfish, you're going to get pricked.' I wasn't playing with it! I was just helping it swim faster by grabbing its fins-" "TOR-AF." He stops pacing along the water, even seems to remember that I exist. "Yes, Emma? What were you saying?

Especially for upwardly mobile young females, declaring one's enthusiasm for Austen (whose heroines almost always move up in social and economic status as a result of the sterling marital alliances they form) has been a classic means of indicating one's purported good taste, good breeding, and good sense: I am an especially adorable member of the ruling class.

Good news is, we're annoying him. Bad news is, we're all going to die painfully.

I’m trying to decide whether to tell you two to get a room or go barf in the trash can,” Emma said. “I’m leaning toward the second choice. You are both getting way too weird. And gross.” Cal barked out a laugh and slid his fingers down my arm to entwine with mine. His touch, and Emma’s comments, only made me blush more. Looks like Emma saw Cal lick my face after all. Now that wasn’t awkward or anything.

He wasn't aware of it but when he smiled he looked like an amiable bear. When he didn't smile he didn't look amiable

Hey, beautiful. - Joe Covelli

I am Emma Woodhouse. I feel for her, of her and in her. I have a different sort of snobbism, but I understand her snobbism. Her priggishness. I admire it. I know she does wrong things, she tries to organize other people's lives, she can't see Mr Knightley is a man in a million. She's temporarily silly, yet all the time one knows she's basically intelligent. Creative, determined to set the highest standards. A real human being.

I couldn't believe I let him see me like this, unable to fend for myself. I fumed in disgust at my vulnerability. I didn't want Evan to think I needed protecting. I pulled back my torment and let the numb blanket envelop me, pushing away the stirred memories, the noise of the crowd, and the trembling that still lay beneath the surface. I stared at the flames licking at the darkness and everything was lost as I sank deeper into nothingness.

I didn’t know if you’d want me to come in,” he said. Relief made Emma sag against the doorway. “I do want you to come in.” "I didn’t know if you’d want me to touch you,” he murmured against her skin. “I want you to touch me,” she said. “There’s nothing you could do to me that I wouldn’t want, because it’s you.” “I want to go slowly,” she whispered. “I want to feel everything.” He gripped her hips and flipped their position, rolling over so that he was above her. He grinned down at her wickedly. "Slowly it is,” he said.

I don't approve of surprises. The pleasure is never enhanced and the inconvenience is considerable.