Best 8933 quotes in «song quotes» category

If you love a person, you say to that person, "Look, I love you, whatever that may be. I've seen quite a bit of it and I know there's lots that I haven't seen, but still it's you and I want you to be what you want to be. And I won't be happy if I've got you in a cage. You'd be a bird without song.

If you only ever heard "Valley Girl," or "Don't Eat The Yellow Snow," or a song that has a comedic narrative, you would get some impression that that was novelty music, but that's the only stuff that ever got on the radio. You can make the argument that that's what has confused generations as to what his music's about.

If you only do little clusters - three or four songs by one, and another, and then yet another - you lose the opportunity to think your way into the composer's mind, since, after all, most of these pieces are quite brief.

If you play "I Don't Want To Know" by Fleetwood Mac loud enough -- you can hear Lindsey Buckingham's fingers sliding down the strings of his acoustic guitar. ...And we were convinced that this was the definitive illustration of what we both loved about music; we loved hearing the INSIDE of a song.

If your Birthday is on Christmas day and you're not Jesus, you should start telling people your birthday is on June 9 or something. Just read up on the traits of a Gemini. Suddenly you're a multitasker who loves the color yellow. Because not only do you get stuck with them combo gift, you get the combo song. "We wish you a merry Christmas - and happy birthday, Terry - we wish you a merry Christmas - happy birthday, Terry - we wish you a merry Christmas and a happy New Ye - Birthday, Terry!

If you play a Nickleback song backwards you'll hear messages from the devil. Even worse, if you play it forwards you'll hear Nickleback.

If you perform on a stage or you sing a song, it's like you sing your song, and then the words go into the air, and then they go into somebody's body through their ears, so it's kind of like penetrating somebody. It's kind of like having sex with somebody - but, obviously, from a great distance.

If you put all the songs together that I've written on band records, and put it up next to my solo record, there's definitely a different kind of feel than Billy's songs.

If you read about a tree, and there is a description, you have to grow that tree in your mind. So that's an active way of looking at media, whereas a movie or a TV will be passive, because they are showing you the tree. In the same way, when somebody sings a song for you, those words get so much in the foreground, that even if you take a minor key of music and then put like happy lyrics to it and people think it's a happy song. So, in a song, you are told what to feel, whereas, in an instrumental music, you get as much out of it as you are willing to put into it.

If you're a musician, you can practice your guitar every day and write songs, but when you're an actor, you can't just like burst into a monologue. Your only exercise is when you're in prep or you're working.

If you really want me to be safe, maybe it's time." "I'd just feel safer if you'd start sleeping in a coffin." Just then my door creaked open. Billy's expression turned to surprise. "Get out!" I said, hopping off the bed. "Uh...we are making up lyrics to a song." But that didn't keep Billy out. Instead he was totally interested. "You're writing a song? That's so cool. I want to hear it." "It goes, 'Safer in a coffin, and if your brother doesn't leave, he'll be in one too.

If you're callin' about my heart, it's still yours.

If you're a songwriter, it's to perform your songs. For singers, it's just to get to sing somewhere. So while there may be a reluctance with all the things that go along with it, you got to choose, and this is one of my big opportunities to get back doing it.

If you're bored of the songs, you're bored of the songs. There's not much you can do.

If you're a pop singer, you don't need to evolve. You just get a set together, have some hit songs and play them over and over.

If you're a songwriter, you want to write a song like "Oh Yeah" that radically shifts everything. You can definitely retire on that song. You want to have something you can put in your songbook that everybody can recognize, whether it's a good or bad thing.

If you're asking if I would be foolish enough, or insulting enough, to write about people in my life that I respect and sell it to the masses as a "break-up song," I can't imagine doing that to people I love.

If you're a song writer, it's a bit different because you are expressing your own words, feelings, perspective. As an actor, you are doing your best to interpret and express the root of the character's perspective which have been established by the writer. There are parallels of performing. Tapping into your own emotional piggy bank. The biggest commonality is if you are successful in either industry, you get free snacks all the time.

If you're going to write a song, try to get together with a collaborator because it's better to write with collaborators.

If you're in a bar and a certain song comes on and the vibe is just different, it evokes the kinds of things that you want to feel, and if music can do that it's a very special thing.

If you're gonna sing meaningful songs, you have to be committed to living a life that backs that up.

If you're not an actor, or if you're any other kind of artist, there's this sense that, "I must express this thing." Why make a painting if you don't feel like you have to for something inside of yourself? Why make a song if you don't feel like you have to because there's something that you need to get out? And when you're an actor and you're not performing text that you've written, I think there's this bizarre disconnect with the must-ness of it.

If you're talking to an architect, he can look at a blank piece of paper, and once the initial design is there, the formula kicks in. Each room should have something unique and different about it - much the same way that in a song, every eight bars or so, a new piece of information should be introduced.

If you're up there performing a song for the first time, it's as if you're hearing it through their ears. You become acutely self-conscious of the song in performance, so that's a good thing before recording. But I like to have some surprises for the audience; I don't want the audience to know everything that's going to be on the record, because these days, with the Internet, people become avid collectors of pre-knowledge.

If you're single, then I'm single?" What's that supposed to be? Lyrics to a pop song?

If you're recording the song on your four-track in your kitchen, when you finished writing the song, you're recording, and it's cool, and honor that. And maybe that's the version that should be released. And if you're recording the song again, it shouldn't be because there's a version you love that you're chasing. It should be because "You know what? I made a recording, but I don't love it emotionally." So, okay, then record again. And be in it and take advantage of the buzz and energy of "I'm getting to record right now!" It's such a beautiful and cool privilege.

If your label won't let you have the cover you want or sing the songs you want, then leave!

If your songs connect with the fans and they pump their fists in the air and go "Yeah!!" that's when a song really works. That's the electric church of it. The glory hallelujah of it.

If you're working with a producer like Rick Rubin or whatever, you sing each line probably 30 different ways. Each time they're like, "Can you try it this way, can you try it that way?" That's each line in the song, for each song.

If you're writing songs by yourself, who's going to tell you if it's good or not? But if you're writing songs with somebody else, you get that immediate feedback.

If you're writing anything decent, it's in you, it's your spirit coming out. If it's not an expression of how a person genuinely feels, then it's not a good song done with any conviction.

If you say, 'I'm going to cut this song because I know the teenagers are going to love it,' well, then you're going to alienate everybody else. When I cut my record, I'm just going to cut the things that I like, and whoever likes it, likes it. That's too much work to try to figure out the demographic. That's too much like a business.

If you surveyed a hundred typical middle-aged Americans, I bet you'd find that only two of them could tell you their blood types, but every last one of them would know the theme song from the Beverly Hillbillies.

If you take text and image and you put them together, the multiple readings that are possible in either poetry or in something visual are reduced to one specific reading. By putting the two together, you limit the possibilities. Text and image don't always work together in the way music and song lyrics become part of each other.

If you take a little time, let's say three weeks off, after recording a song, and you listen to it every other day, you're just going to know eventually.

If you take all that I've learned from Joe and all that Joe has learned from me, and you throw all that into a song, not only are you using the gifts that God gave you, but also all the experiences you've had.

If you think you're hearing something and you can't think what it is. If you feel a quiet longing lift your heart into the wind. There you'll find my kindred spirit. There you'll meet me as a friend. It is just a kindred spirit and a song to let you in.

If you think of the way Howlin' Wolf made records, you get the feeling there wasn't a production manager onsite, or a publicist having his say on how he should sing the songs. When you listen to his records, you feel like you're tapping into his voice.

If you took every pop song to heart, you'd be a bleeding romantic with a crushed heart every five minutes.

If you told me to write a love song tonight, I'd have a lot of trouble. But if you tell me to write a love song about a girl with a red dress who goes into a bar and is on her fifth martini and is falling off her chair, that's a lot easier, and it makes me free to say anything I want.

If you thought Stairway to Heaven was a long song, dear god you should listen to it played on a lute.

If you told the truth, that was all well and good and if you told the un-truth, well, that's still well and good. Folk songs had taught me that.

If you want me to sing this Christmas song with the feeling and the meaning, you better see if you can locate that check.

If you want meaning, you read poetry or a novel or something, you don't read song lyrics. You're supposed to listen to them with music.

If you wanna write a song, ask a guitar

If you want some big revelation, since 2010 I have dated exactly two people. The fact that there are slide shows of a dozen guys that I either hugged on a red carpet or met for lunch or wrote a song with ... it's just kind of ridiculous.

If you wait four or five years between records, it better be a masterpiece, you know? And if you keep putting them out, you're saying, 'Hey, here's 10 more songs'.

If you want my body and you think I'm sexy come on sugar let me know.

If you want to open a supermarket chain and put your face all around the globe, selling your baby and your dog, if it makes you happy, who am I to disagree, as the song goes. But it's not for me. I've always tried to keep my integrity and keep my autonomy.

If you want to put out a song that you wrote yesterday tomorrow, go on Twitter, type in a new URL, and give it to the people!