Best 8933 quotes in «song quotes» category

Surely there are enough Celtic songs without introducing religion or politics or anything else.

...Surely, we must renounce nationalism and all its symbols: its flags, its pledges of allegiance, its anthems, its insistence in song that God must single out America to be blessed.

Suzanne had a room on a waterfront street in the port of Montreal. Everything happened just as it was put down. She was the wife of a man I knew. Her hospitality was immaculate. Some months later I sang it for Judy Collins over the telephone. The publishing rights were lost in New York City, but it is probably appropriate that I don't own this song. Just the other day I heard some people singing it on a ship in the Caspian Sea.

Sweet, can I sing you the song of your kisses? How soft is this one, how subtle this is, How fluttering swift as a bird's kiss that is, As a bird that taps at a leafy lattice; How this one clings and how that uncloses From bud to flower in the way of roses.

Sweep the garden, any size, said the roshi. Sweeping, sweeping alone as the garden grows large or small. Any song sung working the garden brings up from sand gravel soil through straw bamboo wood and less tangible elements Power song for the hands Healing song for the senses what can and cannot be perceived of the soul.

Sweet as sweetest Grecian honey will my song be when I sing, O Beloved, in the season of the Spring!

Sweet songs of youth, the wise, the meeting of all wisdom To believe in the good in man.

Sweet are the pleasures that to verse belong, And doubly sweet a brotherhood in song.

Sweet as the tender fragrance that survives, When martyred flowers breathe out their little lives, Sweet as a song that once consoled our pain, But never will be sung to us again, Is they remembrance. Now the hour of rest Hath come to thee. Sleep, darling: it is best.

Sweet bird that shunn'st the nose of folly, Most musical, most melancholy! Thee, chauntress, oft, the woods among, I woo, to hear thy even-song.

Sweetheart, do not love too long: I loved long and long, And grew to be out of fashion Like an old song.

Sweeter than any sungMy songs that found no tongue;Nobler than any factMy wish that failed of act.Others shall sing the song,Others shall right the wrong,-Finish what I begin,And all I fail of win.

"Tabernacle" was probably the easiest song I'd ever wrote because all I really had to do was rhyme the words since the whole story, front to back, was already in my head. All I needed to do was verbalize it, and if it didn't have to rhyme I could've just freestyled it because I already knew what I wanted to say.

'Tailgate Blues' is kind of a lyrical masterpiece of a country song.

Take a deep breath, listen to your favorite song and realize everything is gonna be okay, nothing is permanent.

Take a bunch of little kids to the beach and they all make art. Adults are too stupid to call it art, but it is art. They'll use their imaginations, make drama, make up characters, make pictures in the sand, they'll make up songs that no one's ever heard before. All kids, I think, are creative, but they get it pounded out of them in school.

Take a step, breathe in the world, give it out again in story, poem, song, art.

Taken together, our songs are like a mural of our lives.

Take the Long Way Home is a song that I wrote that's on two levels - on one level I'm talking about not wanting to go home to the wife, 'take the long way home' because she treats you like part of the furniture. But there's a deeper level to the song, too. I really believe we all want to find our true home, find that place in us where we feel at home, and to me, home is in the heart. When we’re in touch with our heart and we're living our life from our heart, then we do feel like we found our home.

Takin' out my freak tonight

Taking a song and bringing it to life in a professional recording studio can be an intimidating process at first; I know it certainly was for me. So to be able to offer support and guidance to an emerging singer-songwriter is a huge honor. I look forward to playing a role in such an exciting time of someone's songwriting career.

Talking about covers, whether visually or sonically, if a particular combination of notes struck a chord in your heart in a way that you want to be a part of it by covering that song, then there's nothing wrong with it.

(Talks about Lucky You) "The song was about a girl who didn't fit in and she didn't care and she was different than everyone else. I think there's a long chorus of me singing "Do do do do do do do do do do". It's very young and I look back and it's kind of interesting to hear those kind of storylines and the lyrics that I used to write compared to the lyrics that I write now.

(Talks about a school production) 'There was one solo; but it was a guy. It was this character called 'Freddy Fast Talk' and it was the bad guy. I didn't care, I was like I will dress up like a guy, I want to sing that song. And so I remembered we drew on eyebrows, and I had like a moustache,and we put all my hair up in this hat. So I dressed like a guy and sang the solo.

(Talks about Miley Cyrus 'I always thought I'd be really fun to sing a song with Miley.

"Tangled Up in Blue," shifts perspective several times during the song to tell a "tangled" version of [Bob] Dylan's marriage and dissolution.

Taxi drivers used to ask me what kind of music I did and I'd say, well, it's kind of jazz, soul, classical - but that makes no sense to anyone. Now I say I just write my own songs. I thought I had to help people get me, but I don't think they need to be spoon-fed. If you connect with me that is cool. I don't need the whole world to feel like I am a soul angel.

Taylor Swift dates guys so she can write a breakup song about them. I don't think she's dating for love - I think she's dating for creativity. So let's get her off the market and put her in dating detox. If she really wants love, she has to stop writing music about them.

Tears and fears and feeling proud To say I love you, right out loud Dreams and schemes and circus crowds I've looked at life that way. But now old friends are acting strange They shake their heads, they say I've changed Something's lost, but something's gained In living every day I've looked at life from both sides now From win and lose, and still somehow It's life's illusions I recall I really don't know life at all

Technically, I've been retired for some time now. All I ever do is occasionally write songs for friends, such as one, for a friend who had just turned 80. I wrote a song for him called, The First 80 Years are The Hardest.

Technology is mechanical and contrary to the emotions that inform a person's life. The country music field has especially been hit hard by this. All my songs have been written by people who went out of fashion years ago. Just like da Vinci and Renoir and van Gogh. Nobody paints like that anymore. But it can't be wrong to try.

Television's contribution to family life has been an equivocal one. For while it has, indeed, kept the members of the family from dispersing, it has not served to bring them together. By its domination of the time families spend together, it destroys the special quality that distinguishes one family from another, a quality that depends to a great extent on what a family does, what special rituals, games, recurrent jokes, familiar songs, and shared activities it accumulates.

Tell me how many songs that I must sing before I can see you in your glory, hear your whole entire story, bathe inside your golden, golden sea?

Ten minutes before you go onstage and you begin singing that torchy blues song, you may just be drinking a glass of water and brushing your teeth and doing some deep breathing.

Thank God, 50 years ago I learned that our entire business is all based on two things; a great song and a great story. Film, television, if you don't have that story, nothing else matters. You don't call anybody else or direct anybody. The same with a song. A great song can make the worst singer in the world a star.

Thank God I'm not too cool for a seatbelt.

Thanks to the greatest invention of recent years, the MP3-playing alarm clock, I can now choose the song that wakes me up in the morning.

Thanks for the joy that you're givin' me I want you to know I believe in your song Rhythm and rhyme and harmony You help me along, makin' me strong, Give me the beat boys and free my soul I wanna get lost in your rock n' roll And drift away . . .

Thankfulness is not something God gives us. It is not a spiritual gift and it is not a spiritual fruit. We can receive God's peace, joy and love, but thankfulness is something that we give to Godand to others. It is a choice that we make. Let us thank Him today with songs of celebration, hearts of strong devotion and acts of admiration.

Thank God for beautiful songs about feeling despair when you yourself are in despair. They really get us through.

That folk music led to learning to play, and making things up led to what turns out to be the most lucrative part of the music business - writing, because you get paid every time that song gets played.

That cyclone in Burma? That was just me doing the dance to that annoying ass song.

That I am your heart's secret fills me with song. I wish I could sing of you here in my cage. You are my heart's hidden poem. I reread you, memorize you every moment we're apart.

That culture, of looking at catchy music as a negative thing, is weird. It has nothing to do with me, or the music I was into growing up. The Stones and the Beatles only tried to write hits. Every Motown song, every Credence Clearwater song - they were trying to write hits.

That is the gods' work, spinning threads of death through the lives of mortal men, an all to make a song for those to come.

That is what intrigues me; songwriting and song structure and expression.

That jam was so much fun that by the end of the tour, we just jammed on all of the songs.

That mighty orb of song, The divine Milton.

That is what diminishes the artist and his song. The artist is now hermetically sealed. The publishing company got him his deal and they expect to profit from his songs. So what if he is a better singer than a songwriter; let's put him in a room with a real songwriter. Something great is bound to come...except very often nothing great comes out of such contrived match-ups. Nobody knows where a great song comes from, and that's why so many writers credit the Lord as a co-writer (though I notice they never offer Him half the writer's royalties) when they come up with a real gem.

That music in itself, whose sounds are song, The poetry of speech.