Best 8933 quotes in «song quotes» category

  • By Anonym

    Forgive me, that I manage badly, Manage badly but live gloriously, That I leave traces of myself in my songs, That I appeared to you in waking dreams.

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    For hate is strong, And mocks the song Of peace on earth, good-will to men!

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    For hundreds of years people have talked about artists having inspiration, but often, some persons would say, write us a symphony or write us a song, on commission. The artists would come up with a masterpiece without waiting to have their muse inspire them.

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    For Joe Budden fans, and for Joe Budden, I like to focus on the creative side, and havin' a thought and bein' able to execute it in the booth. I think that song best displays me being able to do that.

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    For me, and this may not be everybody, but because I do love country music so much, there's such a feeling of home in Nashville, especially because it's such a small town. You bring up one song, everybody knows who wrote it, everybody knows their mother and what their cell number is, and all of the stories.

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    For many years, I shut down that place inside myself that needed to rage, cry, ask questions and basically just express herself. I made a conscious choice when I put (the song) 'Me and a Gun' on the record not to stay a victim anymore.

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    For me, a song doesn't really take flight until it has a lyric on it. ...Without a lyric that I'm happy with, it could be the greatest song ever melodically or arrangement-wise, but it doesn't have any resonance.

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    For many of us the march from Selma to Montgomery was about protest and prayer. Legs are not lips and walking is not kneeling. And yet our legs uttered songs. Even without words, our march was worship. I felt my legs were praying.

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    For me, as a music fan, visuals kind of steal away the purity of the song. My instinct is not to provide a visual to go with a piece of music. But here's MTV. It's really powerful.

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    For me it always comes down to what is a good song and I'm very old fashioned in the way that I like to make songs that have something classic about them whether you can play them with an orchestra or an electro synthesizer or an acoustic guitar.

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    For me, country music symbolized freedom and the joys of life... roaming the country, experiencing the joys as well as the heartbreaks. It was a transporting kind of song, and I'd just kind of sing along with them.

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    ... For me it is essential, essential for the poet to have a new toast, new songs.

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    For me, I want to create a environment for the songs to live in. So one song by itself only tells a piece of the story, but in the context of the album, more of the colors are revealed.

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    For me, music is sort of my passion, more so than being an actor. I just never tried to make a career as a musician. It was just something that I did on my own time, just for me. I had written a lot of songs, but I don't really record a lot of music because, for me, it's the same way as a poet: I write to get things out. It's sort of cathartic.

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    For me, once I count the band in, and I delve deep into my song, I feel a certain sort of integrity and integration that I rarely find in my daily life.

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    For me, the guitar was just a tool to make songs. I started when I was 10 - I learned what I had to learn to get my ideas across. I always felt I was a weak guitar player, but now I realize with the finger-picking stuff, I actually know how to do what I do with my songs, but I couldn't step in and be an overall guitar player. But my guitar playing has always been driven by the need to write songs.

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    For me, singing sad songs often has a way of healing a situation. It gets the hurt out in the open into the light, out of the darkness.

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    For me, the intent in a song is to sing it. I compose songs, meaning I'm writing words to be set to music; I'm intending it to not be recited. I'm a singer-songwriter, and I'm a poet, and there really isn't a contradiction, at least for me.

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    For me, singing was always about the lyrics. I'm hopeless at singing songs that don't have a core.

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    For me, the good songs are the ones that come really naturally. There are certain songs that you rework and rewrite and the craft becomes very evident, but a lot of times those aren't my favorite songs. The favorite songs are the ones that I can't even hear my own voice in.

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    For me, the more I live, the more I need to write. The more I push myself to really live and really experience things and step outside of my comfort zone, the more the songs are allowed to flow.

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    For me, the most gratifying part in touring is singing the songs that I know tmy fans love, it's those moments when they put their hands up and their heads down that you know that you have hit a nerve. It's those moments when the people in the audience say "sang". It's those moments that I'd listen to growing up, even on Donny Hathaway live, where the people were speaking to my Dad at the Troubadour and I used to wonder, 'wow, what are they talking about?' There's an electricity that cannot be rivaled when you are creating for people live and in real time.

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    Formerly I believed books were made like this: a poet came, lightly opened his lips, and the inspired fool burst into song – if you please! But it seems, before they can launch a song, poets must tramp for days with callused feet, and the sluggish fish of the imagination flounders softly in the slush of the heart. And while, with twittering rhymes, they boil a broth of loves and nightingales, the tongueless street merely writhes for lack of something to shout or say

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    For me songs are born out of the gray space, the things I don't fully understand, the things that I can't put in my pocket.

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    For me, the focus are songs, which really get the audience moving.

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    For me songwriting is very...it's almost like an accident. 'Oh I accidentally wrote about that.' I sit down with the urge to write a song and then afterward it turns out being really personal. I get really overwhelmed by how I feel a lot and sometimes - I feel like my body and my brain can't deal with all the different emotions and I feel like I'm just going to explode.

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    For me, the most difficult thing is that I am learning melodies on guitar from some songs whose melodies were not meant to be played on guitar. Ever. They were intended mostly for keyboards or melodic percussion.

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    For me, writing a song, I sit down and the process doesn't really involve me thinking about the demo-graphic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.

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    For me there's insecurity when you're releasing an album because you spend all of this time working on that one thing and then once it's done, it's done. After you put it out there to the public you never know which songs are going to work or even if the album is going to work as a whole so there is a little bit of nervousness around predicting what the numbers will be and if it's going to be well-received.

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    For more and more of us, home has really less to do with a piece of soil than, you could say, with a piece of soul. If somebody suddenly asks me, "Where's your home?" I think about my sweetheart or my closest friends or the songs that travel with me wherever I happen to be.

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    For music, unlike a $500 software program, people are paying a buck or two a song, and it's those dollars and pennies that have to add up to pay for not just the cost of that song, but the investment in the next song.

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    For my money, insecurity, depression, etc, can be healed by way of El Morocco, sad songs at 4am, and the pop of a champagne cork

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    For music, I always just played music myself - and, I had rock bands and wrote songs and put bands together that were loud, but not especially good. That was sort of the place music had in my career.

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    For myself music definitely informs my emotions. And I can literally play a song that will get me where I need to be emotionally. I don't have to think about the tragic things that happened in my life or the greatest things that happened in my life.

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    For no one, in our long decline,So dusty, spiteful and divided,Had quite such pleasant friends as mine,Or loved them half as much as I did. [stanza 3]The library was most inviting:The books upon the crowded shelvesWere mainly of our private writing:We kept a school and taught ourselves. [stanza 15]From quiet homes and first beginning,Out to the undiscovered ends,Theres nothing worth the wear of winning,But laughter and the love of friends. [stanza 22]You do retain the song we set,And how it rises, trips and scans?You keep the sacred memory yet,Republicans? Republicans?[stanza 36]

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    For Ripley I learned to play some songs on the piano, and I never really played them again.

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    For some reason I can articulate my feelings better in song. I wish it would come out better in regular life too though. The issue is that I struggle with is that I'm worried about what people think, or how they'll react to whatever it is I have to say, and obviously that's not a good thing.

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    For some reason, I'm really comfortable talking about my personal life in songs.

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    For that which is boundless in you abides in the mansion of the sky, whose door is the morning mist, and whose windows are the songs and the silences of night.

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    For the 99 percent of the time we've been on Earth, we were hunter and gatherers, our lives dependent on knowing the fine, small details of our world. Deep inside, we still have a longing to be reconnected with the nature that shaped our imagination, our language, our song and dance, our sense of the divine.

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    For the first records I really never thought about anything other than the song itself. I thought that this was what the job of a songwriter was. I was really approaching music from a very different standpoint. To me when I was younger the song was just the melody. I think as I've gotten older and have been recording myself I've become aware of just how many layers can exist within a song besides just the main vocal.

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    ...for the first time in my life, a voice went off in my head:'You have no power over what happens in your life. Drugs dictate exactly what you're going to do. You've taken your hands off the steering wheel, and you're going wherever the drug world takes you.' That had never changed. The feeling would well up inside of me, and no matter how much I loved my girl or my band or my friends or my family, when that siren song 'Go get high now' started playing in my head, I was off.

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    For the introvert, conversation can be a very limited forum for self expression. When a song moves you, a writer gets you or a theory enlightens you, you and its creator are connecting in a realm beyond sight or speech.

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    For the May Day is the great day, Sung along the old straight track. And those who ancient lines did ley Will heed this song that calls them back... Pass the cup, and pass the Lady, And pass the plate to all who hunger, Pass the wit of ancient wisdom, Pass the cup of crimson wonder.

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    For the longest time after that, neither of us said anything. I was unaccustomed to his silence, but I didn't mind it. I knew near everything about him, and he knew near everything about me, and all that made our quiet a kind of song. The kind you hum without even knowing what it is or why you're humming it. The kind that you've always known.

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    For they both were solitary, She on earth and he is heaven. And he wooed her with caressed, Wooed her with his smile of sunshine -Song of Hiawatha, Henry Wadsworth Longfellow

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    For they told you life is hard Misery from the start, It's dull, it's slow, it's painful But I tell you life is sweet In spite of the misery There's so much more, be grateful So, who will you believe Who will you listen to Who will it be 'Cause it's high time that you decide It's time to make up your own Your own state of mind Oh they told you life is long Be thankful when it's done Don't ask for more, be grateful But I tell you life is short Be thankful because Before you know it It will be over 'Cause life is sweet, life is also very short

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    For 't is always fair weather When good fellows get together With a stein on the table and a good song ringing clear.

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    For the rest of my life, the one song that people will remember -- regardless -- is "Conga" . . . I never get tired of singing it. It never gets old for me.

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    For three things I thank God every day of my life: thanks that he has vouchsafed me knowledge of his works; deep thanks that he has set in my darkness the lamp of faith; deep, deepest thanks that I have another life to look forward to--a life joyous with light and flowers and heavenly song.