Best 8933 quotes in «song quotes» category

There's a little book I'm thinking of writing - "Swan Song" is what I shall call it. The song of the dying. And my book will be incense burnt at the deathbed of this society, damned with the damnation of its own impotence.

There's all kinds of those moments in your life where either through a weird set of circumstances, or a song you hear, or a smell you smell, or one person says something totally out of the context without the meaning that you assigned to it, but you snap back to the way you were when you were 14 or 15. We all deal with that.

There's a lot of craft that goes into achieving a hit song - at the beginning of your career, you're usually more inspiration than craft, and you get great when those intersect. A skilled songwriter can get you to that intersection.

There's a lot of people I'd love to work with at some point, but I think the song has to be the right thing. It has to be the right fit.

There's all these people involved, and it becomes this huge machine - it stops being just me making my own little songs for myself, or for the world. And it's hard to stop the machine. If you want to take time to write a record, they're like, "OK, tour through March, April, and June, then you can take a few weeks off to record in July before getting back on the road for the European festival circuit." After a while, I had to put my foot down.

There's a lot of personal stuff that can go into songwriting but there's also a lot of dramatization and fictionalization. You have to do that to make a good song.

There's a lot of rage you have to express it somehow. If I didn't express it in song, I'd become incredibly violent.

There's a lot of different ways that a song would be a challenge to parody. There are a lot of songs that would ostensibly be a good candidate for parody, yet I can't think of a clever enough idea. Some songs are too repetitive for me to be able to fashion a humorous set of lyrics around. Some songs flat-out just don't work creatively for me.

There's a lot of hurry up and wait. But it gives you time to write a song.

There's a lot of craft in songwriting. The divine inspiration is when the idea comes. It may be a riff. It may be a word. It may be a phrase. It may be a title. Sometimes, in the best of both worlds, that divine inspiration extends through the whole song. I've literally sat down and written a song from beginning to end, almost complete lyrics and everything without ever stopping...in two minutes. The chorus of 'She's Gone' was like that.

There's a lot of instant spotlight and pressure when it comes to a Bond song.

There’s always some level of optimism in every single song.

There's a lot of reflection that goes on whenever I write a song - it's been a wild whirlwind last couple of years and there's a lot to talk about, and hopefully that's evident in the music.

There's a lot of ridiculous hypocrisy about sex in films today. And that's one of the reasons why I made 9 Songs, to say, "Why can't you put sex in a film?

There's always stuff to write about. So it's very gratifying on a lot of levels. This is stuff I got asked over and over again, or heard about. People would ask me about it, but they kind of knew the answer. It would be this ongoing question: "Your fans are wondering, now that you're married, are you still going to be able to write songs?" I'm serious! I would get asked that!

There's always a tension between wanting to write a really concise, instant gratification type song that gets under your skin the first time you hear it, and wanting to really stretch out. I think it's a healthy tension.

There's always gonna be guys who are just wonderful singers and probably shouldn't be writing songs. Then there's always gonna be guys who move up the ranks writing. I don't know what's healthier or what's the best thing - probably whatever yields the best songs.

There's always going to be life experiences that find their way into my songs.

There's always that struggle between me wanting to keep [song] new and fresh and then be - I can never get with pop songs being so repetitive.

There's a million things that come through when you put songs together and it's kind of difficult to pinpoint exactly what triggers it on every occasion. It's just like somebody writing a screenplay or something like that.

There's an element to songwriting that I can't explain, that comes from somewhere else. I can't explain that dividing line between nothing and something that happens within a song, where you have absolutely nothing, and then suddenly you have something. It's like the origin of the universe.

There's an element of tongue-in-cheek in every one of our songs. Walking off into the sunset, holding hands, and being married forever was not exactly a brand new idea.

There's an opera out on the turnpike, there's a ballet being fought out in the alley.

There's a particular trend towards the empty pop song right now. Where people are like, "This. Is. Brilliant. She's singing about a crush on somebody. Wowww." You know what I mean? There's a weird, I don't know... It's called "poptimism.

There's a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It's like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way... Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it's working and the rhythm's there, it does feel like magic to me.

There's a pervasive feeling that when somebody sings a song and records a song on a record, that it's their true feeling.

There's a reason why the Foo Fighters don't blast out Nirvana songs every night: because we have a lot of respect for them. You know, that's hallowed ground. We have to be careful. We have to tread lightly. We have talked about it before, but the opportunity hasn't really come up, or it just hasn't felt right.

There's a story behind every old ballad or work song or nonsense song that I ever knew. Sometimes it's a fascinating story. A story of people struggling for freedom, struggling to get along in this old world.

There's a saying I always say, "A hit dog will holler." That means a hit record will take you wherever you want to go. I don't care if you're overweight, underweight, ugly, pretty - if you can sing an amazing song I'll sign you.

There's a song that wants to sing itself through us. We just got to be available. Maybe the song that is to be sung through us is the most beautiful requiem for an irreplaceable planet or maybe it's a song of joyous rebirth as we create a new culture that doesn't destroy its world. But in any case, there's absolutely no excuse for our making our passionate love for our world dependent on what we think of its degree of health, whether we think it's going to go on forever. Those are just thoughts anyway. But this moment you're alive, so you can just dial up the magic of that at any time.

There's a song called 'The Lights of My Hometown' that goes back to me growing up a regular kid. I mean, I lived in a town that I loved, but was too small for the dreams I was dreaming. You leave thinking the world has a lot more to offer than your hometown, only to realize years down the road that no matter where you grow up, you will never be able to recreate the innocence and feeling of 'home' anywhere else in the world. No matter who you are, or where that little town is, that's something we all have in common.

There's a story... a legend, about a bird that sings just once in its life. From the moment it leaves its nest, it searches for a thorn tree... and never rests until it's found one. And then it sings... more sweetly than any other creature on the face of the earth. And singing, it impales itself on the longest, sharpest thorn. But, as it dies, it rises above its own agony, to outsing the lark and the nightingale. The thorn bird pays its life for just one song, but the whole world stills to listen, and God in his heaven smiles.

There's a universe inside your head - a place of pictures and passions, of songs and sorrows. It's everything you are - and it's an utter mystery.

There's a variety and depth to the song topics I get to write about in children's music and books: being able to write about things I wouldn't normally write about, like a disappointing pancake, or monsters or opposite day is really different than writing about heartbreak and relationships.

There's a vast ecosystem for music outside of Myspace and Facebook and you need to make sure that your music is in as many hands as possible. I wanted people to share my music and tell friends about me, and if you want to rely on word of mouth, you have to make it easy for people. I got lucky because I had a few songs that hit big and got a lot of links on blog posts.

There's a whole range of sources of inspiration for the drawings and stories. They come from dreams, hallucinations, pop songs, or other things I see in the world around me.

There's hope left in these dusty chords. There's a song left in our rusty hearts. We are torn and frayed but love remains.

There's definitely some pieces in there that reflect on my personal life, but really, they aren't as personal as everybody thinks they are. I would like them to be more personal. The emotions, the songs themselves are personal. I can't do it - I've tried to write personally and it just doesn't seem to work. It would be too obvious. Some things that you could read in could fit into anyone's life that had any amount of pain at all. It's pretty cliche'.

There's enough songs for people to listen to, if they want to listen to songs. For every man, woman and child on earth, they could be sent, probaby, each of them, a hundred records, and never be repeated. There's enough songs. Unless someone's gonna come along with a pure heart and has something to say. That's a different story.

There's hundreds of different ways of writing songs.

There should be a children's song: 'If you're happy and you know it, keep it to yourself and let your dad sleep'.

There's just enough drinking and cheating songs around without me adding to them. Unless you've got something better than "Misery and Gin" by Merle Haggard, you're beating a dead horse.

There's kind of this unequaled thrill of playing a half-finished song, it's kind of sense of slight embarrassment; like you're blushing. I like doing that. I did that with "Eyeoneye" and it was almost a curse on the song for a while; I debuted it when it was half-finished in a very public way

There’s little kids on trains coming up to me, singing my theme song, and they can barely walk.

There's lots of sides. The CD doesn't really create a mood. It creates more of a journey. It starts out with a simple bluegrass tune, sort of melancholy and sad, like "Lovin' and Lyin'," then it's sexy and there's some funny songs in there where I'm talking, like "Designated Drunk." There's a humor side, a sexy side, but there's also a pretty sad side, the country side. It's the backwards side of me!

There's just a lot of people that hold on to what country means to them. I love fiddle, I love steel, but I don't think it should be a rule that it has to be used in every song. I think that's not what defines or makes country music.

There's lots of bands where somebody will write lyrics and somebody else will sing them. It works for a lot of people, but that feels weird to me. I don't mean this in a bad way at all but it just feels fake.. I guess in my heart of hearts, whether the person has a good voice or not I want [the songs] to come from them. I don't know why.

There's many, many ways to write a song. But generally, sitting down at a table and writing is not one of them.

There's no huge, deep message in any of the songs. We recorded a few months of being human.

There's no hierarchy in suffering. I think songs that are transcendent are the ones where everyone can feel something from it, you know?