Best 8933 quotes in «song quotes» category

A little child in Ethiopia will die before this song is through.

All ages serve and worship the same God, gather under the same gospel and add to the collective song that praises the faithfulness of God as each generation shares in his promises to us.

A live concert to me is exciting because of all the electricity that is generated in the crowd and on stage. It's my favorite part of the business - live concerts.

all bags are pack ready to go i am standing here outside your door i hate to wake you up to say goodbye dawn is braking its early morn the taxi waiting he blowing his horn already i am so lonesome i could die so kiss me and smile for me tell me that you'll wait for me and hold me like you never let me go cause leaving on a jet plane don't know when ill be back again oh babe i hate to go there so many let you down so many time i played around i tell you know that don't mean a thing every plase i go i'll think of you every song i sing i'll sing for you.

All birds during the pairing season become more or less sentimental, and murmur soft nothings in a tone very unlike the grinding-organ repetition and loudness of their habitual song. The crow is very comical as a lover; and to hear him trying to soften his croak to the proper Saint-Preux standard has something the effect of a Mississippi boatman quoting Tennyson.

All deep things are song. It seems somehow the very central essence of us, song; as if all the rest were but wrappages and hulls!

All comics want to be musicians. There's a part of me that wants to be a serious musician. I love songs about heartache and heartbreak.

"Alleluia" song is a street hymn in the sense that it's all about culture.It's almost a juxtaposition of the prayers of the world and the prayers of the culture and how we sometimes put an "amen" after crazy things. So it's really just that tension between madness and simplicity.

All films created by Walt Disney at the time of his major outpouring of work were carefully crafted to fit scenes, characters, moods and situations. If these elements changed in any way, songs - no matter how good they were - were discarded. Others were written for the new scenes. Many times, character songs were dropped because characters were dropped...sequences were dropped etc.

All great song, from the first day when human lips contrived syllables, has been sincere song.

All I cared about was the music, like hearing Townes [ Van Zandt] talking about "For the sake of the song"; it's all that mattered. In spite of me a couple of things happened, mainly the Eagles and Seven Bridges Road. That certainly helped me survive. Joan Baez, Rita Coolidge, and Ian Matthews did it.

All I ever wanted to do was write songs and get on a bus and go play them for people.

All I really need is a song in my heart, food in my belly, and love in my family.

All in all it was my intention to hold both the black and the white clientele by voicing the different kinds of songs in their customary tongues.

All it has experienced, tasted, suffered: The course of years, generations of animals, Oppression, recovery, friendship of sun and - Wind Will pour forth each day in the song Of its rustling foliage, in the friendly Gesture of its gently swaying crown, In the delicate sweet scent of resinous Sap moistening the sleep-glued buds, And the eternal game of lights and Shadows it plays with itself, content.

All I've got on my iPod is every single Queen song and every single Judas Priest song. Queen were an incredible heavy metal band. I saw them on their first ever tour, at Birmingham Town Hall. They just blew me away.

All I want to do is write songs about funny characters I made up.

All men that date me have to know that their name may end up in a pop song.

All music now, I think, is fair game for jazz musicians to interpret, and they have been. I would consider those songs standards now. "Norwegian Wood" is a standard; "Call Me" is a standard.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

All of Europe is tremendously integrated now; perhaps from all those years of colonization. Everybody that they've colonized has come to the mainland, so you'll have a racially diverse audience as well. You'll have many Middle Easterners, Asians, Africans, from seven to ninety sitting in the audience, and the really incredible thing is that they all know the music. I don't mean they just know a song here and there. They know the music. They are a very educated audience.

All my songs are based on melody, which is retrieved from my Jewish heritage. Melody will always exist no matter what the rhythmic changes there are.

All my songs instinctively erupted from my guitar and lyrical visions followed the spirit of the music, bot image wise and rhythmical cadence wise. It remains one of life's greatest joys to this day.

All of my songs are about me and my experiences. They're very literal.

All of creation is a song of praise to God.

All of my records have been very personal, just writing more and more songs, you get better at being able to say what you feel.

All of our saddest songs have somewhere in them at least a glimmer of resolve - Street Spirit has no resolve. It is the dark tunnel without the light at the end.

All of a sudden there's a song - there in your hotel room playing your guitar - and you write it, and two or three years later it will come true. It keeps you on your toes.

All official institutions of language are repeating machines: school, sports, advertising, popular songs, news, all continually repeat the same structure, the same meaning, often the same words: the stereotype is a political fact, the major figure of ideology.

All of my favorite songs can bring me to tears. Some are rock, some are blues, some are love ballads. That's why I play music - to touch other people as I have been touched.

All of the artists did such a beautiful job I can’t thank them enough. I’m just honored that 'God Only Knows' was chosen. 'God Only Knows' is a very special song. An extremely spiritual song and one of the best I’ve ever written.

All of us somehow felt that the next battleground was going to be culture. We all felt somehow that our culture had been stolen from us-by commercial forces, by advertising agencies, by TV broadcasters. It felt like we were no longer singing our songs and telling stories, and generating our culture from the bottom up, but now we were somehow being spoon-fed this commercial culture top down.

All of the guys love to take serious topics and go for it; we're not writing a whole lot of love songs. With 'Sacrificed Sons,' we had some sensitivity there about how we'd present it. I remember there was a lot of discussion about the kind of words that would be used and how direct we wanted to be.

All our songs are about real people, true events. We do write about DC Comics and things like The Replacements. It's pretty much good conversations that happen at Art Brut shows. It's like making friends - like a Wanted ad: "Man that likes the Replacements and DC Comics wants friends to drink with at venue tonight. Who's coming?" It's like that.

'All Over Me' is a song that I really got fired up the first time I heard it: it just really moved and it really had a lot of energy.

All power is God`s power; we are only vehicles. He pulsates in our hearts. He breathes through us. He sings a thousand and one songs through us. Sannyas means to let this understanding become the foundation of your life: We are not, God is. Let the ego disappear, evaporate, and you will find infinite contentment. With the ego there is only misery; without the ego there is only God; and God is bliss, and God is benediction, and God is ecstasy. Die to the ego so that God can live in you.

All poets pretend to write for immortality, but the whole tribe have no objection to present pay, and present praise. Lord Burleigh is not the only statesman who has thought one hundred pounds too much for a song, though sung by Spenser; although Oliver Goldsmith is the only poet who ever considered himself to have been overpaid.

All songs have those X factors. I couldn't even explain or describe what will grab me about them but it's all music that I'm usually listening to. I'm always looking there to hear new music and see what's going on so that's usually when I'll hear something and be like "Wow, that melody is really crazy.

All songs are about shagging, you can't deny it

All songs are living ghosts. And long for a living voice

All songs are already perfectly written. It is the writer's job to find it and get it on paper.

All songs have a message whether it's I love you, do you love me or this government sucks in a basic format and then you expand upon your beliefs and your thinking process about what's going on around you in the world.

All the best songs are, I think, the easiest write because they just come out.

All the carbon copies, the stuff that the industry puts together, it's not selling if you pay attention and look at the charts. The stuff that they put together, these hits that just go out, it doesn't sell. It doesn't have a core fan base of fans that dedicatedly watch their life. It's just a song, another song, another hit song, a one-hit wonder. It doesn't sell. It doesn't last.

All the earth is at rest and is quiet: they are bursting into song. Even the trees of the wood are glad over you, the trees of Lebanon, saying, From the time of your fall no wood-cutter has come up against us with an axe.

All the good music has already been written by people with wigs and stuff...Basically what people want to hear is: I love you, you love me, the leaves turn brown, they fell off the trees, the wind is blowing, it got cold, you went away, my heart broke, you came back, and my heart was okay...Modern music is people who can't think signing artists who can't write songs to make records for people who can't hear. Most people wouldn't know good music if it came up and bit them on the ass...If lyrics make people do things, how come we don't love each other?

All the forms of popular music from jazz to hip-hop, to bebop, to soul [come from black innovation]. You talk about different dances from the catwalk, to the jitterbug, to the Charleston, to break dancing -- all these are forms of black dancing...What would [life] be without a song, without a dance, and joy and laughter, and music.

All the songs are written from the perspective of a person, being me, who had trouble with some of the big questions in life, like, are we meant to be together with the same person for the rest of our lives? Or, is it frowned upon if a man goes through many women at all times? What is the meaning of love versus sex? It's just a lot of big questions, I guess, that are really difficult to answer. People see it very differently, but people sometimes suppress their lust. And it's not only sex. It could be lusting for anything that's supposedly very bad for you but can be good for you, too.

All the high-tone, big-time folks would say, 'Isn't it wonderful how these untrained, primitive musicians can pick up all the latest songs instantly without being able to read music?

All these songs honestly explore the ups and downs of my reality.