Best 8933 quotes in «song quotes» category

I am just a dreamer, but you are just a dream

I Am... I Said is a very complicated song and its complicated probably because my feelings were very complicated when I wrote it.

I am interested in politics but have stayed away from writing overtly political songs, or message songs, because I find it difficult to discuss politics intelligently in a 4-minute song. But I am finding there are ways to get bits and pieces of political thought across without preaching that the people have the power or we shall not be moved. Of course these sentiments have their place too - I'm not knocking Phil Ochs - but that's a different kind of music, songs to play at rallies, not to achieve a state of bliss.

I am moved more by melodies, song structure, and evocative textures.

I am nervous that the craft of songwriting is taking a nose dive...And since I'm a songwriter and I connect with an interpretative, you know, interpretation of a song, I miss it. I just miss it.

I am not a historian. I happen to think that the content of my mother's life - her myths, her superstitions, her prayers, the contents of her pantry, the smell of her kitchen, the song that escaped from her sometimes parched lips, her thoughtful repose and pregnant laughter - are all worthy of art.

I am not an evangelist. I am not a preacher. I am a musician. That is what I know how to do. I know how to write songs. I know how to write things that relate to my heart. I feel that I talk about God in every song, in everything I do - all of it! I really do not know how to respond. I do not relate to that.

I am not greedy, so I would gladly give a song to someone else to sing if it makes more sense.

I am not one of those who left the land to the mercy of its enemies. Their flattery leaves me cold, my songs are not for them to praise.

I am not insecure enough to count the bouquets I receive on my birthday, I don't assess my popularity by the number of magazine covers I am on, I don't get worried if my song is on the seventh position on countdown charts.

I am not much of a hand at love songs, you see I mingle metaphysics with even this, but perhaps in this age of Philosophy that may be excused.

I am not one of those writers that just does songwriting one way. Personally, I think the best song will pop out all at once, because it's this feeling that the words fit the music so cleanly. When you really have a complete thought, and you always yearn for that as a songwriter. You always work for that.

I am not the person who is singing I am the silent one inside. . . . I am not my house, my car, my songs They are only stops along my way. . . .

I am pregnant with song. My body aches but do not betray me. I will sing songs and hide them away. I will tear them into bits and throw them in the street. The streets of my city are full of dark holes. I will hide my songs in the holes of the streets.

I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work. And the songs that I sing are made up for the most part by all sorts of folks just about like you.

I am outraged that the Gorillaz have infringed the copyright of my song 'Time Warp,' claiming their song 'Stylo' to be an original composition.

I am responsible for what happened to me but if I was to stay there it is kind of a constant reminder and it is very easy.... You know the new song is called Mental.... I am not trying to hide from people that I have OCD, and I don't think that I am a completely normal person.

I am so crazy with my music taste and I'm so .... I mean, I'll listen to a song. I'll become obsessed with it and then I'm on to the next one. It's just very inconsistent.

I am really obsessed with finding melodies that just hypnotize you and sink you into a song.

I am saying what comes out, because I'm really not a methodical writer. I'm not a good building writer, where you are like "well, I going to make a song today, and I think it will be a pop song." Some people are great at it and it's beautiful. If I am feeling musical and I pick up the guitar, usually something will eventually come out and I'll see where it goes.

I am so all over the place with my music taste, it's ridiculous. It is! I mean, I find myself listening to weird things like hardcore techno music and then I'll be listening to mainstream hip-hop music. But it's like I am so crazy with my music taste. I'll listen to a song, I'll become obsessed with it, and then I'm on to the next one. So it's just very inconsistent.

I am the Alexander Graham Bell of the phone company, the Christopher Columbus of America because after 'The Twist' everything changed, .. Watch the films from 1958 up to 1959, and watch American Bandstand during that time. After the song came out, everything was different.

I am the entertainer, I've come to do my show You've heard my latest record, it's been on the radio It took me years to write it, they were the best years of my life It was a beautiful song but it ran too long If you're gonna have a hit you gotta make it fit So they cut it down to 3:05.

I am the stereo-typical classic lapsed Catholic. Religious themes crop up in my songs sometimes as metaphors and other kinds of touchstones for getting at issues and "deeper issues," and all that. Right now, honestly, I think all religion is proving itself to be a NET negative on the human race. I recognize its valuable place in individual lives and many larger communities - I know the good that is done in its various names all over the world, but I don't believe in it anymore, and I see the negative aspects dragging us down at a much faster rate than the positive ones are bouying us up.

I am very busy and don't have a lot of down time, but I write my best songs in those situations. I enjoy my life the most when I have a bunch of things going on at the same time.

I am very impressed by The Carrivick Sisters, one of the best young duos I’ve heard. The girls sing and play as one and their work is characterised by great musicality. They are not only very talented instrumentalists and singers but they write really good songs as well.

I am writing better Stephen Sondheim songs than even Stephen Sondheim is writing.

Ian and Sylvia, who, when you got right down to it, were essentially country and western singers. I just recorded his Four Strong Winds. It's a wonderful song.

I appreciate when people listen to the sad songs, because it's almost like telling someone your problems and having them listen with a compassionate ear.

I approach song writing three different ways. One way is where I write the initial melody and lyrics first and then take it in to the producer to collaborate. Another way is where the producer sends me his initial musical track ideas and then I write the lyrics and melody over his track. The third way is where we just jam out in the studio and see what we come up with.

I appreciate art in any form. So it applies to clothes as well. On stage, I think people prefer me in Indian outfits... in fact, it goes with the kind of songs I sing as well. Indianness in the form of a sari, or a chaniya choli or jeans with something interesting, matches my style of singing.

I appreciate the additional additives and preservatives that help sell a project, but I'm sticking to what works best for me. I gotta sell the album live on stage and make people believe in the songs.

I asked her, "Are you an optimist or a pessimist?" She looked at her watch and said, "I'm optimistic." "Then I have some bad news for you, because humans are going to destroy each others as soon as it becomes easy enough to, which will be very soon." "Why do beautiful songs make you sad?" "Because they aren't true." "Never?" "Nothing is beautiful and true." She smiled, but in a way that wasn't just happy, and said, "You sound just like Dad.

I ask but one thing of you, only one, That always you will be my dream of you; That never shall I wake to find untrue All this I have believed and rested on, Forever vanished, like a vision gone Out into the night. Alas, how few There are who strike in us a chord we knew Existed, but so seldom heard its tone We tremble at the half-forgotten sound. The world is full of rude awakenings And heaven-born castles shattered to the ground, Yet still our human longing vainly clings To a belief in beauty through all wrongs. O stay your hand, and leave my heart its songs!

I base my track-listing and what songs I pick by what my fans expect from me and what they want and what I think they want.

I basically try not to waste any lines in any of my songs, and I think the witty phrases and funny lyrics I have bring a smarter sound to college hip-hop.

I auditioned for a solo in church and got it. I was about seven and I sang a song called, 'Jesus, I Heard You Had a Big House' and I remember people standing up at the end and me thinking, 'Oh, I think I'm going to like this.' That's how it all began. Sounds funny to say you got your start in church, but I did.

I basically had the idea when I was 18 that I wanted to write my own songs. I knew it was going to be a long, tough road, and I was like, if I just begin now, by the time I'm 40, I'll be good at it.

I bear my testimony that there is no joy to be found in all this world like that of sweet communion with Christ. I would barter all else there is of heaven for that. Indeed, that is heaven. As for the harps of gold and the streets like clear glass and the songs of seraphs and the shouts of the redeemed, one could very well give all these up, counting them as a drop in a bucket, if we might forever live in fellowship and communion with Jesus.

I bad a piano long before I bad a guitar, and the practice I got just playing those three chords in a basic 12-bar blues song was very important.

I basically taught myself how to sing and play by copying records, and that's just how it was for me. I know that's true for a lot of budding musicians out there - that's the thing that gets them inspired, is trying to learn their favorite songs. I think it's a great way to teach yourself.

I began dabbling in writing when I was 12, and there was never an official start to singing... I just sang my songs because there was no one else to sing them and no one told me to shut up!

I begin with songs. They provide a sort of skeleton grammar for me to flesh out. Songs of longing for future tense, songs of regret for past tense, and songs of love for present tense.

I become the stars and the moon. I become the lover and the beloved. I become the victor and the vanquished. I become the master and the slave. I become the singer and the song. I become the knower and the known. I keep on dancing then, it is the eternal dance or creation. The creator and creation merge into one wholeness of joy. I keep on dancing and dancing...and dancing. Until there is only...the dance.

I begged her to write a song and she said yes. I am a huge Regina Spektor fan. I think she's a genius and just a lovely soul, and I wanted her voice on it. And she agreed, which is just the coolest thing, ever. She knocked it out of the park.

I believe in the power of song. Under the spell of the right song, passion is within reach, love is close by, and you are not alone!

I began thinking about the idea of a 24 hour concert. What if you tied songs to certain hours of the day - creating a 24 hour world of lyric and melody. So that was the inspiration for this project.

I began writing The Cold Song in the months following my fathers death, when I felt this sense of loss, disappearance, of being right in the middle of life and wondering: What now? How to proceed?

I believe that all novels, ... deal with character, and that it is to express character – not to preach doctrines, sing songs, or celebrate the glories of the British Empire, that the form of the novel, so clumsy, verbose, and undramatic, so rich, elastic, and alive, has been evolved ... The great novelists have brought us to see whatever they wish us to see through some character. Otherwise they would not be novelists, but poet, historians, or pamphleteers.

I believe a No. 1 song starts happening when it's believable and validating.