Best 8933 quotes in «song quotes» category

The punches came fast and hard, lying on my back in the school yard.

The public has heard the stereotypical love songs a million times, and they've heard the stereotypical life-or-death songs millions of times. It's good to mix it up a little bit.

The Queen and Electric Light Orchestra harmonies are so distinct and fit in our songs so well sometimes, but we don't know how to do them properly.

The question has been asked, 'What is a woman?' A woman is a person who makes choices. A woman is a dreamer. A woman is a planner. A woman is a maker, and a molder. A woman is a person who makes choices. A woman builds bridges. A woman makes children and makes cars. A woman writes poetry and songs. A woman is a person who makes choices.

The question of art songs always came up with Gastr del Sol. I think Jim O'Rourke had it right in being clear that there's a tradition of art song - Ives being the touchstone for the two of us - and what we do doesn't belong to it. It wasn't important to advance those kinds of distinctions, but clearly he thought it was fanciful for anyone to speak of what we were doing as being in that tradition.

The rain plays a little sleep song on our roof at night And I love the rain.

The quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well.

The radio was on and that was the first time I heard that song, the one I hate. Whenever I hear it all I can think of is that very day riding in the front seat with Lucy leaning against me and the smell of Juicy Fruit making me want to throw up. How can a song do that? Be like a net that catches a whole entire day, even a day whose guts you hate? You hear it and all of a sudden everything comes hanging back in front of you, all tangled up in that music.

The reading of the song is vital. The written word is first always . . . first. Not belittling the music, but it really is a backdrop. To convey the meaning of a song you need to look at the lyric and understand it.

The reader reads aloud, with a sing-song up … then down … then down again cadence. My mood shifts from merely reluctant to derisive. It’s a tired reading style. I’m sick of it. It attaches more importance to the words than the words themselves—as they’ve been arranged—could possibly sustain, and it gives poets and poetry a bad name.

The real issues I don't think most people touch. The Clinton jokes are all about Monica Lewinsky and all that stuff and not about the important things, like the fact that he wouldn't ban landmines...I'm not tempted to write a song about George W. Bush. I couldn't figure out what sort of song I would write. That's the problem: I don't want to satirize George Bush and his puppeteers, I want to vaporize them. And that's not funny....OK, well, if I say that, I might get a shock laugh, but it's not really satire.

The real question is, do you root for the fox in that song? Or are you horrified that the goose and the duck are being dragged off to their death, which is described in detail?

There are about five or six songs that were written in full or in part while I was in Iraq, and that was definitely a life-changing experience. There was no shortage of inspiration.

There are a lot of bad worship songs, in my opinion, but there are a lot of good ones, too

There are a few investment managers, of course, who are very good - though in the short run, it's difficult to determine whether a great record is due to luck or talent. Most advisors, however, are far better at generating high fees than they are at generating high returns. In truth, their core competence is salesmanship. Rather than listen to their siren songs, investors - large and small - should instead read Jack Bogle's The Little Book of Common Sense Investing.

There are a lot of composers who were fantastic, but I challenge them to write a record that you could play five times a day for two months on the radio, songs that people will want to dance to on a Saturday night.

There are a lot of songs that would ostensibly be a good candidate for parody, yet I can't think of a clever enough idea.

There are always meaningful songs for somebody. People are doing their courting, people are finding their wives, people are making babies, people are washing their dishes, people are getting through the day, with songs that we may find insignificant. But their significance is affirmed by others. There’s always someone affirming the significance of a song by taking a woman into his arms or by getting through the night. That’s what dignifies the song. Songs don’t dignify human activity. Human activity dignifies the song.

There are a lot of producers and people in the music industry who take credit for the work of others when it's not actually their work. Especially big producers - they have a song that's written by one guy with a produced mix by someone else and then it's sung by someone else.

There are a lot of people who talk about a formula for being able to start a fan base. But for me, it's been about songs and just being hard on myself as a writer, feeling like there is a purpose to it all.

There are beautiful sounds in rock. Very lazy, dreamlike noises. You can forget about the lyrics in most songs. Just dig the noise, and you've got your sound...We're musical primitives.

There are certainly a lot of people - and I won't name names - who are getting by simply on expression. And I guess that's valuable in some sense. But songs are not better just because they're emotionally honest. To write a song well, you have to put some work into it and grind it out.

There are a million things out there every single day that trigger me - songs, smells, even the season that we're in, fall. Something about the air.

There are a shitload of songs about being in love with someone who doesn't love you back and I talk about weed and my cat and being lazy a lot.

There are certain songs that are sacred. People want to hear them just as they are in their head; they don't want you messing around with them. And then there are some other songs, if they've been around a long time in our set list, that I think we can take some creative liberties with.

There are definitely some songs you sing and you just know there's something about it - there's kind of a touch on it that's different. But there are no rules to that. Every time, it's a surprise and it's humbling to hear that people are singing the songs in different places and different parts of the world. We're always amazed by that.

There are certain songs that I like to listen to at certain times of the day. For example, first thing in the morning I love listening to "Flamenco Sketches" off of Miles Davis' Kind of Blue.

There are certain times in a concert when I'll call an audible because I feel like God is calling me to play a different song. But truthfully, I feel called to play for the church whether it's song being played on Christian radio or it's concerts I'm doing primarily in churches.

There are choirs singing in your head. If you listen, you will hear the music. It is the song of angels. Pay no attention to the sounds of the world. They are just noises, and even when added up all together they have no value, make no sense. Strain to hear the song of angels. Listen to the melody within your soul.

There are certain songs I cannot hear because they are so personal that it hurts me to listen.

There are certain songs that if people come up to me and tell me how much that song meant to them, I think, You should have better taste, then, because I don't really like that song.

There are German songs which can make a stranger to the language cry.

There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.

There are five things to write songs about: I'm leaving you. You're leaving me. I want you. You don't want me. I believe in something. Five subjects, and 12 notes. For all that, we musicians do pretty well.

There are many Broadway songs that apply to moments on 'Mad Men,' and I sing them on set all the time.

There are many people writing songs. That is absolutely wonderful. Who knows, there may be some kid in diapers and he or she might succeed in capturing in a few dozen words what great writers have spent years trying to say. Just the right word in the right place with the right melody behind it and the right rhythm. It might get around the world inch by inch, and people realize that this world is in danger, that we're in danger. That's the way "This Land Is Your Land" got to be so well known.

There are more similarities than differences when it comes to preparation of a performance. You're using some lyrics, you have a relationship with them, they apply to different parts of your life and different circumstances, different memories, different stories you have in your head. You form personal relationships with the song. I think that's very similar, in a way, to prepping a character. You pour your own personality, in a sense, into the character, you sympathize with a character in a way that's similar to the way you might sympathize with a song.

There are more love songs than anything else. If songs could make you do something we'd all love one another.

There are moments on songs like "Violet" where it's still shrouded in metaphor, but it's quite, I don't know, explicit. And then there are songs like "Boyfriend," where obviously it's straight up, very, very simple. It's fun to play around with words; I really enjoy doing that, so I don't think I'll ever stop, but it's also been nice to have messages on there that I can say flat out and that people appreciate.

There are no accidents in Nature. Every motion of the constantly shifting bodies in the world is timed to the occasion for some definite, fore-ordered end. The flowers blossom in obedience to the same law that marks the course of constellations, and the song of a bird is the echo of a universal symphony. Nature is one, and to me the greatest delight of observation and study is to discover new unities in this all-embracing and eternal harmony.

There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.

There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art.

There are no bridges in folk songs because the peasants died building them.

There are no songs comparable to the songs of Zion, no orations equal to those of the prophets, and no politics like those which the Scriptures teach.

There are now grandmothers and grandfathers coming to see us because they are of that age, they grew up in the '50s and '60s and they bring their sons and their daughters to hear the songs they heard when they were young.

There aren't any songs that I would call impossible to play live, but some are difficult. A lot of Queensryche songs are difficult to play live. It's quite a difficult question to answer because everybody (In the band) has their own opinion of what's difficult to play.

There aren't reasons why you like this song or this piece of music, or don't like it. It's just, it's either right or wrong, you know?

There are, of course, inherent tendencies to repetition in music itself. Our poetry, our ballads, our songs are full of repetition; nursery rhymes and the little chants and songs we use to teach young children have choruses and refrains. We are attracted to repetition, even as adults; we want the stimulus and the reward again and again, and in music we get it. Perhaps, therefore, we should not be surprised, should not complain if the balance sometimes shifts too far and our musical sensitivity becomes a vulnerability.

There arent any rules, as far as anything-and that applies especially to writing songs, whatever gets the point across. So youre just kind of brought up to feel-in any field, if you say you can do it, do it. There it is.

There aren't that many songs that pay homage to the DJ. They are the ones getting artists' music out there. They are the ones getting the club popping. But no one's giving them any love.