Best 8933 quotes in «song quotes» category

Esperando (Cuando Cuba Sea Libre) is probably one of the most personal songs from the new [September, 2007] CD, "90 Millas" . . . as it really speaks about the celebration, nostalgia and emotion that will happen the day Cuba is free. If we're to move forward in Cuba, we really have to have a lot of forgiveness for each other and look towards the future.

Even before I started writing songs, that was one of my goals to be a writer, and I still have that goal. I've just gotten sidetracked.

Even before I wrote any songs, I had this idea of a triangle where the voice was at the top, some sort of guitar element on one side, and then some sort of really basic rhythm on the other side. That's where I started from in the recording process.

Even Crazy Horses is a good song, by the Osmonds. I've known many bands who have covered that. It's just a great song. I bought it in a brown, paper bag because I didn't want anyone to know I had it.

Even a song on the radio that completely lacks substance is there for a reason. Sometimes, people need a break from cold reality; the song that you really don't have to put that much thought power into can be just as entertaining as something that might take you on a three- or four-minute cruise through the depth of reality.

Even a man's exact imitation of the song of the nightingale displeases us when we discover that it is a mimicry, and not the nightingale.

Even if my songs are a bit low-spirited, they make me happy. I become happy when I hear sad songs. When you sing about sad things in a beautiful way, the atmosphere turns upside down

Even if I make a gospel album, my gospel songs are going to get you dancing and crunk.

Even if nobody's singing, just when you talk, you're singing. I'll meet somebody and say, "Oh, I'm tone-deaf." I say, "You're not tone-deaf, because if you were tone-deaf you would speak like that. But you're 'Oh, I'm tone-deaf.' You already sang a song to me.

Even if I don't release it myself, somebody else might hear it and want to record it. When you write a song, it gives it that potential.

Even if it was a difficult operation to copy a song, it only takes one person to do it. After that the spread of the song via the Internet or other means of propagation is only limited by the honesty of the users.

Even from the darkest night songs of beauty can be born.

Even if it's just a little thing, something like a song, there's still that sort of common language, that common denominator that we can all relate to.

Even if you can sing or even if you can write a song, it takes a lot of determination, it takes some kind of thick skin, because you got to persevere despite the fact that people tell you you shouldn't do this or you shouldn't do that or you're not good enough or your style's too different. I've heard all of that stuff.

Even if you're specific about the character of the song, it's more exciting to place them, juxtapose them in such a way as to make an adventure out of the sequence of the songs.

Even now, when you get love, you see Radha. Become Radha and be saved. There is no other way, Christians do not understand Solomon's song. They call it prophecy symbolising Christ's love for the Church. They think it nonsense and father some story upon it.

Even the sad roots songs have a lot of good stories to them, and the murder ballads are good too. I mean, who doesn't like to watch a nice gory murder film on TV?

Even the song of birds, which we can bring under no musical rule, seems to have more freedom, and therefore more for taste, than a song of a human being which is produced in accordance with all the rules of music; for we very much sooner weary of the latter, if it is repeated often and at length. Here, however, we probably confuse our participation in the mirth of a little creature that we love, with the beauty of its song; for if this were exactly imitated by man (as sometimes the notes of the nightingale are) it would seem to our ear quite devoid of taste.

Even though I hate acting, I love doing videos for my songs.

Even though we didn't actually record it as the Move I had already written a song called 'Dear Elaine,' which I subsequently put on the Boulders album. I thought at the time that was probably the best song I'd written.

Even though I loved the song [My Yiddish Momme] and it was a sensational hit every time I sang it, I was always careful to use it only when I knew the majority of the house would understand Yiddish. However, you didn't have to be a Jew to be moved by 'My Yiddish Momme.' 'Mother' in any language means the same thing.

Even though my songs may sound very personal, to me most of them are fiction. It is a great way for me to be able to live a fantasy life as a writer because I get to be someone else, someplace else for three and a half minutes, just like the listener.

Even though there's reasons to try things that may or may not work, it's still a real intimate way to finish the song with everybody right there in the band just locked in.

Even though other people wrote my songs I put my stamp on them. I have a connection, but there is no truer connection than an artists and their own song.

Even though there's these songs and whoever the hell put it in the internet, if there's any good riffs in them, we raped the songs and put in the new ones.

Eventually I had so many little melodies and ideas that, you know, that they were all songs to me and I threw in a few cover songs like Enya's "Watermark," Bach, and my dad's song, "Song for the Whales.

Even when I have someone playing the song I give them the idea. I'm learning. I'm getting better over the years.

Even when I was with Arista records, which was the freest part of my career, you still have to run a lot of stuff by committee whether it's a budget, or the album artwork, or how may songs you get to record. This was total freedom. We had nobody to answer to. We didn't have to get anything approved.

Even when I don't think I'm writing, I'm writing. There's some part of my brain geared toward making songs up, and I know it's collecting things and I know when I get a moment to be by myself, that's when they come out.

Even when I write a song, lots of times I think - I wonder what my dad would think of this song.

Even when there's not a joke or a hook, the first line has to be good and snapem to attention. Songs ain't novels. You don't have 30 pages to slowly wrap somebody in. They're more like short stories or poems. If the first line hasn't grabbed them, you won't get to the second line. Once you've developed an audience, you may have some luxury and trust, so you don't have to knock 'em over the head with line one.

Even when I interviewed bands, it was about asking them about writing songs, so it was more for me than anybody else.

Ever since I've been young I've been fascinated by the human body. I've written songs about it, but you can become quite morbid if you think about it too much - paranoid and a hypochondriac.

Ever since I was really really little, I was just singing all the time. Like one of my favorite games when I was little would be to just have one of my sisters pick a title, and I would impromptu create that song.

Ever since I was younger I wanted to be on stage, singing my songs in a glittering costume. And that happened and is still happening. I have to remember that this is what I wished for and be grateful because there are 500 other girls right behind me that are ready to snatch it up.

Ever since I can remember, I've always wanted to tell stories, but I never had the patience to sit down at a typewriter and write short stories or anything like that. I started writing songs as a way of communicating ideas the best way I could.

Ever since I can remember I’ve had positive and negative fan reviews. And whether it was positive or negative it wasn’t always based in reality or what my perception of the music was. But judging from playing these new songs live and my feelings on the record [Scream] – and it’s a great record – there is definitely an audience for it. Also, I don’t really go to clubs so I don’t know what sounds are made there.

Ever since time began: What song is not about love? Whether it's about love from man to woman or parent to child, or grandmother to granddaughter... It just goes on and on. Or whether it's the love of one's country.

Every album is just a greatest hits of whatever songs are on a pile when I go in to make a record.

Every artist wants some sort of feedback, because you make this music and you hope people love it and you want to hear if they love it and what they love about it, what their favorite song is, what they think the next single should be. I like to hear those things.

Every blade of grass is a blade of grace, a grace note in God's single Song. Nature is not blind and dumb. Nature is eloquent. Human science is blind and dumb if it does not hear this eloquence.

Everybody has a direct view of the person "behind" the art, so there is going to be a certain amount of awareness of who is making songs. But I like paintings where you can see the brush-strokes.

Everybody has had the experience of something they love - whether it's a pop song or a painting or a movie - feeling so perfect to them that it's almost like it came from another planet. It has nothing to do with ordinary life, which is very plain. And there's something depressing about that in a way, because you feel like you're this small little human, and you feel like it has nothing to do with you.

Everybody has their own way of hearing songs. My fans are usually pretty on point. Sometimes they go all the way to the bottom of it. It's fascinating to me how far an idea can go. I wrote most of my first album in my mom's kitchen, and now I can go around the world and hear people recite those lyrics, and understand the story, even though they're not from the same area I grew up in.

Everybody has their own approach to songwriting. When you're an electronic musician, the whole writing process just depends. Some people have a very live way of writing electronic music, very improvisational. They set up a lot of gear and do live takes. I'm concerned with having a specific kind of sound. There's not one second that I haven't put thought into. I put almost as much time into my live shows as I do into writing music, but they're two completely different processes. Some people think the way I perform live is how I write songs, which isn't true at all.

Everybody knows we're big liberals and I was a very outspoken Hillary Clinton supporter, and I still am. It's impossible for us to separate the songs we're writing from what's going on in the world.

Everybody's creative. We create our songs and our paintings, our families and our children. Every one of us is on the cutting edge of the future.

Everybody struggles with get tiring as a musician having to play the same songs over and over again on one level or another. That is why you're cast to write the best songs you can. It keeps it going for you. My old man used to tell me be careful what you write you might have to play it for the rest of your life. That is always a challenge and the best way to remedy it is to write.

Everybody needs inspiration Everbody needs a song. A beautiful melody, When the night's so long. Cause there is no guarantee, That this life is easy.

Everybody now who's playing in Unicorn band is deeply schooled in music. I'm the only one who's self-taught, which I think is a bit hilarious because I'm leading the band and writing the songs, but I'm surrounded by such overwhelmingly competent musicians.