Best 8933 quotes in «song quotes» category

Driving that train, high on cocaine Casey Jones you'd better watch your speed Trouble ahead, trouble behind And you know that notion just crossed my mind

Dreams last so long Even after you're gone I know you love me And soon you will see You were meant for me And I was meant for you Go about my business, I'm doing fine Besides, what would I say if I had you on the line Same old story, not much to say Hearts are broken every day I'm half alive but I feel mostly dead I try to tell myself it'll be all right I just shouldn't think anymore tonight

Dream Song: As my eyes Search the prairie, I feel the summer in the spring. Whenever I pause The noise Of the village.

Dream Song of Thunders: Sometimes I go about pitying Myself, While I am carried by the wind Across the sky.

Dubstep has been big in the UK for years. I'm fine with hearing a dubstep drop in any song.

Duke Ellington had a song, "What Am I Here For?" - this is what being pro-life is.

Drop guilt! - because to be guilty is to live in hell. Not being guilty, you will have the freshness of dewdrops in the early morning sun, you will have the freshness of lotus petals in the lake, you will have the freshness of the stars in the night. Once guilt disappears you will have a totally different kind of life, luminous and radiant. You will have a dance to your feet and your heart will be singing a thousand and one songs.

Due to people's health, and certain things that have happened to people's physicality because of their healthy, that would probably keep us from touring per se. It doesn't mean that the original band wouldn't someday do a song. But our focus is on the current band, and moving into the future, as far as touring is concerned.

During childbirth and hospice I'll sing gospel songs that my grandma taught me when I was younger, or something I've made up, or I'll hum. I just play things that I think the audience will like.

During recording, the most important thing of all is to "sing sincerely" from the heart. When you guys listen to my songs and able to feel my sincere singing, I will be very happy.

During the 'ballad' years for me, the politics was latent; I was just falling in love with the ballads and my boyfriend. And there was the beauty of the songs.

During my sabbatical, I spent two years not listening to my songs at all.

During my stage shows, I am so energetic. It's constant! I just don't stand still. I actually got given a mic stand from my team to say 'Just calm down. Stand still for at least two songs.' But now I just pick it up and walk around with it.

Dweezil and I are going on tour with the band probably starting in the middle of February for a month probably playing a few songs from my new record and then I'll continue on after that tour

DUST includes rarities, demos, unreleased songs and instrumentals, live recordings, and more.

Each album comes from definitely a different period in the evolution of each of us individually as creators and the role that we take in life. The external stimuli changed... so the songs are full of lots of different meanings.

During the songs, you transcend yourself. The best way to be in the performance is to be without pause and be essentially in the moment, in that moment of expression.

During those times like in my early years as a writer I could actually write a song in ten minutes because all of a sudden a song is writing itself, I'm just putting down words. It just seem each line that you put down flows with the other ones. It's like writing a love letter you don't think about it, it's something from the heart.

Each member does whatever they want with the song and it totally changes it from whatever idea I hear around it. It turns it into a Sonic Youth song and completely away from it being a solo song.

Each Desaparecidos's song has a seed that it came from. We're trying to take that and broaden it out and make it resonate with people.

Each of us has something within us which won't be denied, even if it makes us scream aloud to die. We are what we are, that's all. Like the old Celtic legend of the bird with the thorn in its breast, singing its heart out and dying. Because it has to, its self-knowledge can't affect or change the outcome, can it? Everyone singing his own little song, convinced it's the most wonderful song the world has ever heard. Don't you see? We create our own thorns, and never stop to count the cost. All we can do is suffer the pain, and tell ourselves it was well worth it.

Each song is a lifetime, it begins and ends, and there's a journey taken within the songs.

Each person who ever was or is or will be has a song. It isn't a song that anybody else wrote. It has its own melody, it has its own words. Very few people get to sing their song. Most of us fear that we cannot do it justice with our voices, or that our words are too foolish or too honest, or too odd. So people live their song instead.

Each song had a different way of coming about. In some, the music was written first while others it was the lyrics. We didn't want to overthink anything too much - we just wanted to, writing-wise, chuck out as many ideas as possible.

Each song has its own secret that's different from another song, and each has its own life. Sometimes it has to be teased out, whereas other times it might come fast. There are no laws about songwriting or producing. It depends on what you're doing, not just who you're doing.

Each time I've gone to the studio, the songs have got better and I've got more confident.

Early on I was just a kid in a cowboy hat with a bunch of other guys in a room that were putting out some records. Now thank God, in the past 3 or 4 years, when.. it's really hard to burn an image of a face with a song these days. I think that the songs like 'Don't Happen Twice' and 'Young' were songs that helped me do that and I think that 'I Go Back'(did) that even more.

Early in my songwriting career, when I was learning a lot about writing songs, I'd force myself to sit down until I came up with something.

Eat of my deep earth, drink of my living streams, for I am your Mother. Your heart is my wild drum, your breath my eternal song. If you would live, dance with me!

Echo waits with art and care And will the faults of song repair.

Eleanor hadn't written him a letter. It was a postcard. GREETINGS FROM THE LAND OF 10,000 LAKES it said on the front. Park turned it over and recognized her scratchy handwriting. It filled his head with song lyrics. He sat up. He smiled. Something heavy and winged took off from his chest. Eleanor hadn't written him a letter, it was a postcard. Just three words long.

Eloquence the soul, song charms the senses.

Elvis Costello's song writing is so peerless and individualistic. It's storytelling and it's deeply intelligent and clever.

Eminem's 'Lose Yourself' is my go-to song to pump myself up if I'm having a tough time or if I get really nervous right before a speech.

Emma Watson was saying the other day that when Helena Bonham Carter was becoming Hermione, or trying to become her for the polyjuice-potion sequence, she was trying to take on Emma's mannerisms, and she was asking Emma questions like, "What's Hermione's favorite color?" Because she wanted to absorb all this information and to know, in here touches temple what she was like. And as I've tried to develop as an actor, I see that these things, however much they seem insignificant... By knowing what's Neville's Longbottom favorite Beatles song, you can know so much!

Empires dissolve and peoples disappear, song passes not away.

Em reminds me of one of my friends from back home. It was just so natural. I forgot in two seconds that he was the biggest-selling artist of the decade. He knows what he’s doing. Me and him mixed [the song] together and he’s not like somebody that’s telling somebody what to do. We were both on the board turning knobs. The atmosphere and the vibe down there was just super cool.

Enema of the State song is kind of like a tattoo, like a moment in time, but it aged well. It's not like one that you're looking at like, "Aw, God, I gotta get that s**t removed." It's something we're proud of.

English has always been my musical language. When I started writing songs when I was 13 or 14, I started writing in English because it's the language in between. I speak Finnish, I speak French, so I'll write songs in English because that's the music I listen to. I learned so much poetry and the poetic way of expressing myself is in English.

Eriugena and other Celtic teachers speak of Christ as our memory, as the one who leads us to our deepest identity, as the one who remembers the song of our beginnings….

Entertainers are nothing special. Maybe we have a talent for singing a song, but other people have talents. I wish fans would just come up and say 'hello' before asking for an autograph. I wish they would just say, 'Hello, I'm so and so, and I just want to shake your hand.' I'm impressed when I find people like that. Most people just say, 'Sign here,' and treat you like a statue.

Esperando (Cuando Cuba Sea Libre) is probably one of the most personal songs from the new [September, 2007] CD, "90 Millas" . . . as it really speaks about the celebration, nostalgia and emotion that will happen the day Cuba is free. If we're to move forward in Cuba, we really have to have a lot of forgiveness for each other and look towards the future.

Even if my songs are a bit low-spirited, they make me happy. I become happy when I hear sad songs. When you sing about sad things in a beautiful way, the atmosphere turns upside down

Even before I started writing songs, that was one of my goals to be a writer, and I still have that goal. I've just gotten sidetracked.

Even before I wrote any songs, I had this idea of a triangle where the voice was at the top, some sort of guitar element on one side, and then some sort of really basic rhythm on the other side. That's where I started from in the recording process.

Even Crazy Horses is a good song, by the Osmonds. I've known many bands who have covered that. It's just a great song. I bought it in a brown, paper bag because I didn't want anyone to know I had it.

Even a song on the radio that completely lacks substance is there for a reason. Sometimes, people need a break from cold reality; the song that you really don't have to put that much thought power into can be just as entertaining as something that might take you on a three- or four-minute cruise through the depth of reality.

Even if it was a difficult operation to copy a song, it only takes one person to do it. After that the spread of the song via the Internet or other means of propagation is only limited by the honesty of the users.

Even a man's exact imitation of the song of the nightingale displeases us when we discover that it is a mimicry, and not the nightingale.

Even if nobody's singing, just when you talk, you're singing. I'll meet somebody and say, "Oh, I'm tone-deaf." I say, "You're not tone-deaf, because if you were tone-deaf you would speak like that. But you're 'Oh, I'm tone-deaf.' You already sang a song to me.