Best 8933 quotes in «song quotes» category

I've known Prince for many years - I worked on the "Raspberry Beret" video - and Kirstie [Alley] and I used to fight about him.He once sent a card [saying] he had penned a song about me, called "Palomino Pleasure Ride." I remember bringing this card to work one time and showing Kirstie and saying: "See? Now who's the better friend?" It was so ridiculous.

I've learned this, that haters wanna hate. You could sing a song perfectly, you could write the songs perfectly, and some people are absolutely going to hate you.

I’ve learned to live with rage. In some ways, it’s my rage that keeps me going. Without it, I would have been whipped long ago. With it, I got a lot more songs to sing.

I've learned that my people are not the only ones oppressed... I have sung my songs all over the world and everywhere found that some common bond makes the people of all lands take to Negro songs as their own.

I've learned that people latch onto labels and stereotypes. There was a period when I was asked in every single interview how I liked being the new Frank Sinatra... I think people will soon realize that I do a lot more than interpret old songs.

I've literally opened it up to suggestions and it's totally chaotic and kind of a bad idea. You don't need the actual feedback to get a sense. When you're showing a song for the first time, people can feel that newness.

I've loved singing since forever. Whether it was with my sisters while cleaning the kitchen, putting shows on for my stuffed animals, writing songs about my stuffed animals, starting an a capella group with my cousins while on vacation, or awkwardly singing along to karaoke tracks alone in my bedroom - singing always found a way into my life.

I've made a contribution to my time and my generation through being myself, not through what I shared with the Rolling Stones. It's very bad for me and very dangerous to see myself as someone who had an influence on this song or that song. It immediately puts me in the position where my worth is dependent on how much of my soul I shared with Mick Jagger, and it's just not valid. You can use the gossip you've heard. You're not getting it from me.

I've never done anything so political before. I've spent years shouting my mouth off about serious issues over dinner tables but never really had the confidence to express my views in a song.

I've never done a video where I feel like the images have anything to do with my song, except in the most vague way possible, because I feel like the song is its own complete thing. But ideally, a song is a complete sphere like the Earth, where if you were an alien with a huge, huge finger, you could stick your finger into the middle of the ocean and make an impression on it. It’s not an impregnable sphere, but it is a sphere.

I've never been one for keeping a journal, so my songs were my journals. They allowed me to express my feelings and let people know what was going on with me. I knew that somebody would relate.

I've never been one like, "Oh, these are my songs" - that was done out of necessity, because there was no one to help. I have 90 percent of it written; that way, we can go on the road, be tight and have it ready to go for next year. I know I said I didn't have a grand design, but I think it's going to be like Marvin Gaye meets The Rocky Horror Picture Show.

I've never done songs with people just for the sake of the great combination. I've always done songs with friends.

I've never been the big recording star I'd love to be some day. I've had lots of hits off and on through the years but I've never had the success of other artists - one hit after another back-to-back-to-back and big hits, where every song is going to be number one. I'm not greedy or nothing. I just want everything. Is there something wrong with that?

I've never conceptualized much of what I write about. Maybe, once I'm onto something, I'll conceptualize a finished record. I want the songs to tie together and make sense together. I'm not like, "Oh, I want to explore this idea." That's just not how the creative process works for me. It's more like something strikes me, or finds me, and then I wrestle with it after that. I don't sit back in my armchair, like, "What kind of philosophy can I explore today?

I've never been good at rock'n'roll songs, anyway; either I'm blessed or I'm cursed, but whatever I write comes out sounding old.

I've never been more moved by a voice than I have been by Roy Orbison. I loved him personally, and I loved his voice. I think of him often and frequently listen to his songs.

I've never been the straight rapper that is going to stand in a cipher and battle all day. I started off battle rapping, but to me, making songs became more important than freestyles... I've met many rappers who can freestyle but can't make a record.

I've never heard a song written from a stepmother's point of view, about their family.

I've never really been a big fan of comedy songs, frankly. I think I enjoy the emotional payoff that the best music achieves to want to waste too much time turning good music into a joke.

I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.

I've never really been nervous about any concerts. I enjoy it so much. All that matters is getting the songs played well, trying to get them to sound as close to the record live, which isn't easy, because my music is quite complicated to play.

I've never had any kind of work ethic. I've never sat down with the intention of writing a song.

I've never liked songs that are about writing, or struggling to write. Maybe it's because it's too relatable to me.

I've never quite felt totally comfortable up on stage. I've gotten more comfortable, but drinking wine is a crutch that gives me a little courage. It helps me lose a little bit of the self-consciousness and the awareness of how awkward it is standing on a stage with lights and a bunch of people looking at you while you sing love songs.

I've never really gotten into the whole labels thing. There were times I would cover a pop song, and people would say 'You sound really country.' I gave up on that whole thing a long time ago.

I've never sold my publishing. I have 100% control of all of my publishing and that includes everything, every use of my songs.

I've never written a song about DNA or anything that I work on. But I just think that DIY aspect, and the creativity and the belonging and acceptance is what drew me in.

I've never written a song that's hopeless. I'm not a hopeless person. I'm crazily optimistic. I crazily see the good in people. I crazily see the way out of a terrible situation. I crazily try to be the diplomat. If there are two warring factions in my life, I want them to agree to disagree at the very least.

I've never sung a single song in my whole life on purpose to shock anyone. My 'hot numbers' are all, if you will notice, written about something that is real in the lives of millions of people.

I've never written a song that's hopeless. I'm not a hopeless person. I'm crazily optimistic. I crazily see the good in people. - singer Michael Stipe of R.E.M. Focusing on the tiniest details, finding magic in even the smallest inspirations, embracing the briefest moments-that's where passion is.

I've never written a song in my life. It's all a big hoax.

I've noticed that most authors who are pastors or speakers write books whose message is derived from a sermon series they did at their church. I guess my process is similar except that instead of a sermon, the genesis of the idea is found in the form of a three-minute song. And many of my songs have been inspired by the true stories and testimonies of people who've written to me from all over the world.

I've never really suffered complete and utter writer's block, really. I equate it with sex: in the beginning of my career, I was writing five songs a week; now, I occasionally write a song. But it's an exciting moment when it happens!

I've never used the word jamming. It's a matter of finding a great song and learning the chords, then slightly altering the vocal melody, and matching a classic chord progression with another chord progression.

I've never... when I was having songs on the airwaves, and that sort of thing, I never felt a sense of pressure anywhere except from myself, to do things the way I wanted to do them; to feel authentic; to feel like I was presenting my true self to the world.

I've never written a political song. Songs can't save the world. I've gone through all that.

I've played death metal, punk rock, hardcore, funk... I've done it all. And all there really is music and at the end of the day, anybody who has a record and puts out a record that's basically the same song 13 times over on one record; to me they're just cheating the fans.

I've only covered a few songs because I feel that if you're not going to go beyond the original artist in some way, then don't disrespect what they created.

I've reached the stage of my life where learning is so important to me. I go through the past enough when I play my old songs on stage. And I don't mind doing that. But I want to think about the future.

I've recorded songs that are prayers in different styles, not just in the traditional gospel style that can help and comfort them. It's the words that matter most.

I've recorded myself for four or five years and have been doing lots of experiments. I'm not that good an engineer - so it always becomes a different song - but I have ideas.

I've reinvented myself every year since 1998, and my style's still changing. It's grittier now. I always gotta try something new. I've grown up. Then I was rapping; now I do music, I write albums. But my distinctive voice and style, people still can't catch it. They're still asking me, "What were you saying on that song?".

I've said the line about Ray Charles a million times, but nobody listens to him singing "I Can't Stop Loving You" and wonders who Ray can't stop loving. They apply that to their own lives. That will happen with my songs.

I've seen people that get onstage and sing while they have tears running down their face - I can't do that. When I cry, it starts like in my throat, so when I have something that's really emotional, sometimes if I access that too much, I can't finish the song.

I've stayed true to my music and I sing heartfelt songs with a message.

I've tended to write lyrics alone. The emotion of the melody comes first. But what stimulates us are usually these dreamy minor chords. We all feel we're an emotional band as far as writing, but the specific emotions tend to be of a melancholic, or of an almost sinister-yet-beautiful nature. I never think of our songs as being about boy-girl relationships or ultra-female. The music comes from a universal place.

I've sung a lot of emotional songs, but when you're writing it's very difficult to decide what to reveal.

I've spent a lot of time in tiny venues in the way that I got my record deal and got my name out there just performing live. I was literally performing my songs in all kinds of different ways with different guitarists, and I didn't have an album up online or anything. It's been a lot of work; it definitely hasn't been a sudden explosion into fame.

I've spent a lot of my early twenties focusing on other people as opposed to myself. Being madly in love with people and putting them first and not necessarily putting myself under a microscope. It's unsettling but I'm trying to be the kind of person that can be alone, at peace with himself. Making most recent album, I felt braver putting stuff into songs than I do bringing them up in conversation. Which makes no logical sense. Lyrically, there was a lot less hiding behind suns and moons and stars.