Best 8933 quotes in «song quotes» category

I would only listen to certain things, like a lot of teenagers do. But the Tragically Hip is a ribbon that's been with me pretty much my entire musical life. Every mix tape I ever made had at least one Hip song on it. Right from the outset I feel like Gord Downie built so much room into his songs. There was so much space in them that he created. He made me think of songwriting as full of boundless possibilities in a way that - well, that a lot of songwriters do, but that was the first time I thought a song could really contain multitudes.

I would pray that I'd leave a legacy of faith, trust and joy. For the joy of the Lord has been my strength and song, and I praise Him.

I would push for more production and Steve Miller would say, "Why do you want to have more production when you have real songs? You don't want to cover up the song.

I would rather be remembered by a song than by a victory.

I wouldn't say the purpose of making art is to enjoy it necessarily. For me, it happens to be the thing I enjoy the most. I don't even know what the purpose of art is really, I just know that is something that makes me feel satisfied in a way that other things don't. That's all I know, that's why I like to write songs and films or draw. I just like to make things and somehow I find it gives me a feeling of satisfaction that I can't find in other areas of my life.

I wouldn't want someone assuming that some negative song has some truth between me and my wife. There was a song that one of my buddies sent me, and it was an awesome song. It was about this woman who had fallen in love with a man that wasn't her husband, and I love everything about the song except for the fact that I personally cannot sing it. It would kill me if someone thought I was singing it about my wife.

I would play all the parts of the song, show them the way it went together. Then I'd basically break down an arrangement - I wouldn't plan endings or beginnings - so they knew everything that was going on. I had the lyrics on a prompter so that I could remember everything I'd written, and I was able to just get into the groove and play with them. I think "Peace Trail" is one of the exceptions, where it's a later take. It just happened really quickly.

I would point to a song like 'I'm Not A Loser', which I tried to evolve as best I could over the years. But finally after years of trying to evolve it into something a little more, up to date I guess, we just don't play it anymore.

I would prefer that, rather than sitting down and giving someone advice, I would way rather write a song about what I was going through. I think that's a pure, organic process of learning from someone else's mistakes.

I wouldn't want to do a Bollywood film per se, but I would like to do an Indian-language film. For some reason I think Bollywood has become synonymous with commercial cinema, which is song and dance and everything that is larger than life, and I am interested in the reality.

I would say my relationships have always affected my music. Each one. I wrote most of my great songs, that I'm still using today, in 2008 when I had the worst heartbreak of my life with my first girlfriend. It inspired great music.

I would say it's always been in me to want to have victorious songs. I sort of want my songs to have a feeling of victory, but through a lot of pain. Like, you're 75 percent to the top of the mountain and sometimes you fall back to the bottom, but hopefully by the end of the record you'll feel like there's no mountain at all.

I would rather put out two year-defining songs a year than flood the market with eight or nine songs.

I would say the hummingbird really deserves the royalties on [some of my songs].

I would rather write songs and then practice with the band. Just the band camaraderie is awesome and then writing music and then just listening to it and saying 'Dude, we made that music!' That's really fun.

I would say the main themes are love, loss and life. Although a lot of the songs represent hard times and situations I think my album is positive, the message is things will get better.

I would say, you can never do enough gigs and you can never do enough songs. Make sure that every opportunity you can, play a show and every opportunity you can, write a song.

I would sooner be robbed by a fan than a company. The fan may be broke and have but one choice. There is no excuse for the way the "songwriter" is robbed by everyone from the record company to the broadcaster, by the pure bottom line, greed. If it continues, sadly, in time, the music will suffer. It takes many many years to learn how to write a song properly. Songwriters will be forced to hit the road in order to make a decent living and, in my opinion, these two careers are related but not compatible.

I would start seeing, in just the sense I was saying now, the kind of record it was going to be and what the arrangement demands, and what my vocal part should be in the record. This was all emerging as the song was emerging.

I would start off with a lively rag, then would come a ballad, followed by a comedy song and a novelty number, and finally, the hot song. In this way, I left the stage with the audience laughing their heads off.

I would want to bring a certain kind of unity and awareness to different things. Even in the 80s, I wanted to do something with Unicef, and I wrote a song for Unicef, but I didn't have any means or the celebrity.

I would say "These Days." It was the title song to an album I put out, and it's really this song that you'll hear throughout the episodes and the season in the show. I write all my music, I'm an independent artist so we do it all in-house and that song embodies exactly what the title says.

I would take songs that I'd loved as a child and redo them in my mind for the new voice I had, the low voice.

I write about heartbreak because I like writing about sad things, but I'm writing happy songs, too!

I write about what I know and what I've experienced. That's the only way it can be real to me. I love songwriting. There is something so satisfying in coming up with an idea and turning it into a song that means something to people.

I write a lot, and very often I write a couple of lines that are particularly revealing in some kind of way. And then as a few more lines get added and a piece gets added, eventually the song pretty much takes over and you can't really find a way to change those things.

I write a lot of songs about my impressions from a man's point of view.

I write a tiny fraction of what I used to write. My only job used to be to just write songs, and that was a really nice job to have, but only a tiny amount of people heard those songs, and I didn't make a living from it, and eventually I begged my parents to let me move back into my room.

I write lyrics everyday as I go. I'm always taking notes in my phone whenever I am inspired by something. Most of my writing starts out as poetry before I put it into songs.

I write all my own songs and they are just simple melodies with a lot of lyrics. They usually have to do with current events and what is going on in the news. You can call them topical songs, songs about the news, and then developing into more philosophical songs later.

I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.

I write almost everything, actually. Songs, poems, stories. And stories out of every genre, too.

I write a lot and I will have some originals on the record. I think it is a mistake for an artist like me to think I am a better writer than Cole Porter. I think it is important to realize what my strengths are. I do like to write and I'm not shabby but I don't think I'm the most brilliant writer. I think it would be a shame and sort so egotistical to say I don't need these wonderful writers. These men created works of art and wrote hundreds of beautiful songs. It would be a mistake for me to say at this point in my career that I am so good.

I write a lot of songs about being in love, how beautiful women are but I've definitely experienced that other side of love where you're in a situation where you love a girl so much but you just know for a fact that she doesn't love you the same. "Grenade" is the extreme way of saying "I'd do anything for you and why can't I feel you would do the same for me?

I write a lot on airplanes actually because it's completely isolating; there's no one to talk to, there's nothing to do. And then I think a lot of it sort of comes out sitting down with the people I'm co-writing with and talking to them about what I'm going through and what I want to say. It just sort of happens; every song came about in a completely different yet organic way.

I write a little something every day, even though I don't write a song [every day]. Everything inspires me. I'll come up with a line, or somebody will say something that will trigger something.

I write most of my own lyrics for my album and I am helping to produce some of the songs as well.

I write my own lyrics completely on my own. Sometimes I have people helping me with concepts or like choruses and stuff sometimes, but mostly I write all my own songs by myself, especially the verses and a lot of the choruses.

I write my own songs. I made my own videos. I pick my producers. Nothing goes out without my permission. It's all authentic.

I write a lot of material you've never heard that live inside my sadness. You'll hear a song that lasts six to seven minutes of just beautiful sadness. But I can't just go out on the stage to ask five thousand people to be sad with me for seven straight minutes.

I write anywhere. I'm always banging around on the dashboard. Whatever I'm doing. I can make music out of anything. Whenever a song hits me, I'll pick some sort of melody or rhythm out on it, and kind of enhance the song.

I write a song to be recorded. And to some extent to be performed, but definitely more to be recorded than performed, because the recording will last longer than a performance.

I write most of my songs when I'm in a bad mood.

I write poems for myself and I write poetry that gets torn apart and becomes songs. I have a lot of respect for words, the power of words.

I write poetry because I can’t disobey the impulse; it would be like blocking a spring that surges up in my throat. For a long time I’ve been the servant of the song that comes, that appears and can’t be buried away. How to seal myself up now?…It no longer matters to me who receives what I submit. What I carry out is, in that respect, greater and deeper than I, I am merely the channel.

I write a lot of songs about love and I think that’s because to me love seems like this huge complicated thing. But it seems like every once in a while, two people get it figured out, two people get it right. And so I think the rest of us, we walk around daydreaming about what that might be like. To find that one great love, where all of a sudden everything that seemed to be so complicated, became simple. And everything that used to seem so wrong all of a sudden seemed right because you were with the person who made you feel fearless.

I write a lot of songs people don't hear. I really just enjoy the process. I finish 'em all. I don't think there's a whole lot of difference between the bad ones and the good ones.

I write a song because I want to. I think the moment you start writing it to make money, you're starting to kill yourself artistically.

I write in my sleep. I don't know how, but I'll work on a song, go to sleep and it's finished when I wake up.

I write in the studio, I don't sit around with a piano or a guitar and write songs. I get satisfaction out of that because I can finish the song really quickly. I can use whatever momentum I have. I've got to put it down, develop it, and get it as far [as I can], because the excitement of the moment of when you get that idea - you want to try and hold it and build on it and really gain strength from it. Being in the studio and writing songs like that is really the best way.