Best 8933 quotes in «song quotes» category

If you don't get a laugh I immediately think it's somebody else's fault. You can always blame the material. But when it's just yourself and songs that you've picked up because you love them and stories that you've written yourself and patter you think is really funny if that tanks, there's no one to blame it on. God knows, I try!

If you don't have to write songs, why write them? I've got enough where I don't really feel the urge to write anything additional.

If you don't like my songs, don't hear it. If you don't like my music videos, don't watch it. If you hate me, I don't care.

If you don't try and force it, a song will find the proper moment to come to life.

If you ever get to a wall, you just got to break that wall down and keep going, and I feel like I have come up with some conceptual songs that will really connect with people and that is something that I have been showing and improving my lyrical ability so much that I came to this realization that I also want to make music that people can connect with.

If you feel like you're getting into a rut with a song, a night off usually fixes it.

If you forget the words to your own song, you can always claim artistic license. Forget the words to the national anthem and you're screwed.

If you get 100 million streams on a song and you're only being paid on 20 percent, the check's not going to look good. The money's not going to look fair.

If you give it good concentration, good energy, good heart and good performance, the song will play you.

If you get a song right for its usage at the time, it can be useful to others. ...Those songs are more friendly to other artists looking for material.

If you have a recital to do, you have to memorize the songs. I never use music when I do recitals. It produces an instant barrier, both for yourself and the audience.

If you have a song that you think sounds like another song you should contact the publishing company and say I have a song here, let's cut a deal that lets everyone walk away feeling good.

If you have come to these pages for laughter, may you find it. If you are here to be offended, may your ire rise and your blood boil. If you seek an adventure, may this song sing you away to blissful escape. If you need to test or confirm your beliefs, may you reach comfortable conclusions. All books reveal perfection, by what they are or what they are not. May you find that which you seek, in these pages or outside them. May you find perfection, and know it by name.

If you have time to chatter, Read books. If you have time to read, Walk into mountain, desert and ocean. If you have time to walk, Sing songs and dance. If you have time to dance, Sit quietly, you Happy Lucky Idiot.

If you hear a good song, it makes you hopeful like, That is out there.

If you just concentrate on what you're doing and allow yourself to actually enjoy and let your feelings come out, whatever the tempos, whatever the rhythms, whatever the songs, 9 out of 10 times it will work.

If you listen to a lot of the songs that are popular now, there's very little melody in there. People love the beat. But to musicians, it's melody, because we understand how elusive it is and how hard it is to hold.

If you listen to my record, I'm just honest about stupid stuff most normal people wouldn't put in a pop song.

If you look at a lot of the songs I've been involved in, there's always been this retro vibe. I started getting worried that I wasn't moving forward very much, nor was I even in tune with the music today. I almost scoffed at it.

If you listen to a song and get an image in your head, and then you go home and watch mtv and the image they're showing is the same as the one in your head, kill yourself. You're better off coming back as a lobster.

If you listen to the radio for a whole hour there's maybe one decent song. The rest is mass-produced garbage

If you listen to a language for 15 minutes, you know the rhythm and song.

If you listen, you can hear it. The city, it sings. If you stand quietly, at the foot of a garden, in the middle of the street, on the roof of a house. It's clearest at night, when the sound cuts more sharply across the surface of things, when the song reaches out to a place inside you. It's a wordless song, for the most, but it's a song all the same, and nobody hearing it could doubt what it sings. And the song sings the loudest when you pick out each note.

If you look at all the artists I've ever worked with, I'm still blessed enough to have one of the biggest singles of their career. My passion is for them and I put my everything into these songs. i get into their life and what their aesthetic is. That's what's missing from R&B. People don't take it serious enough.

If you look at my last songs and first short stories, there is a real connection between them.

If you look at the charts every year, there may be five or ten memorable songs from each year.

If you look at the content of songs people write, it's usually about the things they know best.

If you look over the years, the styles have changed - the clothes, the hair, the production, the approach to the songs. The icing to the cake has changed flavors. But if you really look at the cake itself, it's really the same.

If you love a person, you say to that person, "Look, I love you, whatever that may be. I've seen quite a bit of it and I know there's lots that I haven't seen, but still it's you and I want you to be what you want to be. And I won't be happy if I've got you in a cage. You'd be a bird without song.

If you only ever heard "Valley Girl," or "Don't Eat The Yellow Snow," or a song that has a comedic narrative, you would get some impression that that was novelty music, but that's the only stuff that ever got on the radio. You can make the argument that that's what has confused generations as to what his music's about.

If you only do little clusters - three or four songs by one, and another, and then yet another - you lose the opportunity to think your way into the composer's mind, since, after all, most of these pieces are quite brief.

If you play "I Don't Want To Know" by Fleetwood Mac loud enough -- you can hear Lindsey Buckingham's fingers sliding down the strings of his acoustic guitar. ...And we were convinced that this was the definitive illustration of what we both loved about music; we loved hearing the INSIDE of a song.

If your Birthday is on Christmas day and you're not Jesus, you should start telling people your birthday is on June 9 or something. Just read up on the traits of a Gemini. Suddenly you're a multitasker who loves the color yellow. Because not only do you get stuck with them combo gift, you get the combo song. "We wish you a merry Christmas - and happy birthday, Terry - we wish you a merry Christmas - happy birthday, Terry - we wish you a merry Christmas and a happy New Ye - Birthday, Terry!

If you play a Nickleback song backwards you'll hear messages from the devil. Even worse, if you play it forwards you'll hear Nickleback.

If you perform on a stage or you sing a song, it's like you sing your song, and then the words go into the air, and then they go into somebody's body through their ears, so it's kind of like penetrating somebody. It's kind of like having sex with somebody - but, obviously, from a great distance.

If you put all the songs together that I've written on band records, and put it up next to my solo record, there's definitely a different kind of feel than Billy's songs.

If you read about a tree, and there is a description, you have to grow that tree in your mind. So that's an active way of looking at media, whereas a movie or a TV will be passive, because they are showing you the tree. In the same way, when somebody sings a song for you, those words get so much in the foreground, that even if you take a minor key of music and then put like happy lyrics to it and people think it's a happy song. So, in a song, you are told what to feel, whereas, in an instrumental music, you get as much out of it as you are willing to put into it.

If you're a musician, you can practice your guitar every day and write songs, but when you're an actor, you can't just like burst into a monologue. Your only exercise is when you're in prep or you're working.

If you really want me to be safe, maybe it's time." "I'd just feel safer if you'd start sleeping in a coffin." Just then my door creaked open. Billy's expression turned to surprise. "Get out!" I said, hopping off the bed. "Uh...we are making up lyrics to a song." But that didn't keep Billy out. Instead he was totally interested. "You're writing a song? That's so cool. I want to hear it." "It goes, 'Safer in a coffin, and if your brother doesn't leave, he'll be in one too.

If you're callin' about my heart, it's still yours.

If you're a songwriter, it's to perform your songs. For singers, it's just to get to sing somewhere. So while there may be a reluctance with all the things that go along with it, you got to choose, and this is one of my big opportunities to get back doing it.

If you're bored of the songs, you're bored of the songs. There's not much you can do.

If you're a pop singer, you don't need to evolve. You just get a set together, have some hit songs and play them over and over.

If you're a songwriter, you want to write a song like "Oh Yeah" that radically shifts everything. You can definitely retire on that song. You want to have something you can put in your songbook that everybody can recognize, whether it's a good or bad thing.

If you're asking if I would be foolish enough, or insulting enough, to write about people in my life that I respect and sell it to the masses as a "break-up song," I can't imagine doing that to people I love.

If you're a song writer, it's a bit different because you are expressing your own words, feelings, perspective. As an actor, you are doing your best to interpret and express the root of the character's perspective which have been established by the writer. There are parallels of performing. Tapping into your own emotional piggy bank. The biggest commonality is if you are successful in either industry, you get free snacks all the time.

If you're in a bar and a certain song comes on and the vibe is just different, it evokes the kinds of things that you want to feel, and if music can do that it's a very special thing.

If you're gonna sing meaningful songs, you have to be committed to living a life that backs that up.

If you're going to write a song, try to get together with a collaborator because it's better to write with collaborators.

If you're up there performing a song for the first time, it's as if you're hearing it through their ears. You become acutely self-conscious of the song in performance, so that's a good thing before recording. But I like to have some surprises for the audience; I don't want the audience to know everything that's going to be on the record, because these days, with the Internet, people become avid collectors of pre-knowledge.