Best 8933 quotes in «song quotes» category

All our songs are about real people, true events. We do write about DC Comics and things like The Replacements. It's pretty much good conversations that happen at Art Brut shows. It's like making friends - like a Wanted ad: "Man that likes the Replacements and DC Comics wants friends to drink with at venue tonight. Who's coming?" It's like that.

'All Over Me' is a song that I really got fired up the first time I heard it: it just really moved and it really had a lot of energy.

All power is God`s power; we are only vehicles. He pulsates in our hearts. He breathes through us. He sings a thousand and one songs through us. Sannyas means to let this understanding become the foundation of your life: We are not, God is. Let the ego disappear, evaporate, and you will find infinite contentment. With the ego there is only misery; without the ego there is only God; and God is bliss, and God is benediction, and God is ecstasy. Die to the ego so that God can live in you.

All poets pretend to write for immortality, but the whole tribe have no objection to present pay, and present praise. Lord Burleigh is not the only statesman who has thought one hundred pounds too much for a song, though sung by Spenser; although Oliver Goldsmith is the only poet who ever considered himself to have been overpaid.

All songs have those X factors. I couldn't even explain or describe what will grab me about them but it's all music that I'm usually listening to. I'm always looking there to hear new music and see what's going on so that's usually when I'll hear something and be like "Wow, that melody is really crazy.

All songs are about shagging, you can't deny it

All songs are living ghosts. And long for a living voice

All songs are already perfectly written. It is the writer's job to find it and get it on paper.

All songs have a message whether it's I love you, do you love me or this government sucks in a basic format and then you expand upon your beliefs and your thinking process about what's going on around you in the world.

All the best songs are, I think, the easiest write because they just come out.

All the carbon copies, the stuff that the industry puts together, it's not selling if you pay attention and look at the charts. The stuff that they put together, these hits that just go out, it doesn't sell. It doesn't have a core fan base of fans that dedicatedly watch their life. It's just a song, another song, another hit song, a one-hit wonder. It doesn't sell. It doesn't last.

All the earth is at rest and is quiet: they are bursting into song. Even the trees of the wood are glad over you, the trees of Lebanon, saying, From the time of your fall no wood-cutter has come up against us with an axe.

All the good music has already been written by people with wigs and stuff...Basically what people want to hear is: I love you, you love me, the leaves turn brown, they fell off the trees, the wind is blowing, it got cold, you went away, my heart broke, you came back, and my heart was okay...Modern music is people who can't think signing artists who can't write songs to make records for people who can't hear. Most people wouldn't know good music if it came up and bit them on the ass...If lyrics make people do things, how come we don't love each other?

All the folks I play with come from jazz backgrounds or at least appreciate spontaneity within the parameters of a pop song.

All the hills and vales along Earth is bursting into song, And the singers are the chaps Who are going to die perhaps.

All the new songs have been written since the re-issue of Diamond Day. With my first royalties I got a Mac and a little mixer and a keyboard, figured out the basics of a music program, and gradually started to write and record the songs and the arrangements.

All the high-tone, big-time folks would say, 'Isn't it wonderful how these untrained, primitive musicians can pick up all the latest songs instantly without being able to read music?

All the forms of popular music from jazz to hip-hop, to bebop, to soul [come from black innovation]. You talk about different dances from the catwalk, to the jitterbug, to the Charleston, to break dancing -- all these are forms of black dancing...What would [life] be without a song, without a dance, and joy and laughter, and music.

All the songs are written from the perspective of a person, being me, who had trouble with some of the big questions in life, like, are we meant to be together with the same person for the rest of our lives? Or, is it frowned upon if a man goes through many women at all times? What is the meaning of love versus sex? It's just a lot of big questions, I guess, that are really difficult to answer. People see it very differently, but people sometimes suppress their lust. And it's not only sex. It could be lusting for anything that's supposedly very bad for you but can be good for you, too.

All the songs on the first album were like skeletons of how we really played them. It was just a combination of not having any studio experience and having to do everything so fast. I also think that studios are, by nature, limiting. You cannot get the sound of five big amplifiers on a little piece of tape.

All the songs that were written for that album are just all our first sophomore songs. So they're all from real life. Very sweet and very innocent.

All these songs honestly explore the ups and downs of my reality.

All the songs I write are about human dynamics, whether it's with girlfriends, boyfriends, or family.

All these different groups of people that are put right in the path of billions of dollars of American tax payers' money. If I had enough time I could have named all of those people [in the song], too! The song would have been 400 minutes long.

All the signs were right. And when I mean all the sings were right, the only signs that we care about when we start a project of making a record is, do we have the songs - it's that simple.

All the songs that were written for that album are just all our first sophomore songs. So they're all from real life. Very sweet and very innocent. I think the theme of the album probably was just that it was our first record. ... Back when we were first making records, you didn't just make the music, you put a great deal of energy into the way it looked, and every word that was written on the whole thing.

All the songs were written on guitar and then put into the computer, where I played around with different sounds I was hearing and what was available in the software.

All the songs we do are basically about one of three things: booze, sex or rock n roll.

All things die not: while the soul lives, love lives: the song may be now gay, now plaintive, but it is deathless.

All things in the world are singing a song, reciting a poem, inaudibly, to their surroundings, to the things they encounter.

All this role model bullshit; you don't have any extra responsibilities because you made some good songs! Your only responsibility is to make good songs.

All things are aggregations of atoms that dance & by their movement produce sound. When the rhythm of the dance changes, the sound it produces also changes... Each atom perpetually sings its song, and the sound at every moment creates dense subtle forms.

All those ridiculous songs about love - I finally understood.

All those experiences were a chance to learn more about music. Playing with the Valley band is like such a "live" band. I mean, really, in many ways Bright Eyes is really a studio project. We form bands to tour, but it really is - you know, we take the songs and we figure out how to decorate them and it's all in the studio, we build the songs that way. Whereas Mystic Valley Band was the exact opposite, where everybody knows what they are gonna be playing on the song and there's sort of a general stylistic approach, and then it's just plug in and play.

All we do as songwriters is rewrite the songs that have impressed us till we find our own voice. It's part of learning the craft.

All truths, not merely ideas, but truthful faces, truthful pictures or songs, are highly beautiful.

Almost every band has somebody who's the main songwriter and who has a vision, a very clear idea of how a song should be.

Almost all the producers I know and dig, like Quincy Jones or Brian Eno, are really musicians first. I'm a composer, an orchestrator, an arranger and a musician first. I know how to write and rewrite songs, and the genius is really in the rewriting.

Almost every song on OK Computer revolves around how I am afraid computers get up at night and attempt to choke me with their wires.*doesn't laugh*

Almost all the shows I've been connected with have been extremely well cast. They're playing the show, not just doing the songs.

Along with some of the worst music of Bob Dylan's career ("Self-Portrait," 1970), this period produced some gems - including many songs recorded with The Band in '67 but not released until years later.

A lot of artists are used to their music being reused online and have come to accept and embrace it. You have a generation who go on YouTube and remake and remix music online all the time. They remake and upload songs and videos, and then other people remake the remakes; it just keeps going.

A long time ago, I made the commitment to dedicate at least one song per album to God. He has been very good to me, and never for one minute do I want Him to think I've forgotten, because I haven't.

Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that.

A lot of artists come into the game with a radio record, but they don't establish the fans as fans of their style of music. It's just that they're a fan of that song, and after that song plays out, it's real hard for 'em.

A lot of country music is sad. I think most art comes out of poverty and hard times. It applies to music. Three chords and the truth - that’s what a country song is. There is a lot of heartache in the world.

A lot of ideas get re-used and made part of new songs if the first version didn't cut the mustard, and the stuff that gets left off usually contained the germ of something good but failed to reach a satisfactory state by the recording stage.

A lot of my early career, I wrote story songs that had narratives, that had plots.

A lot of my songs are about death and the fleetingness of life. It just feels good to remind myself about that a lot. For whatever reason. And it's a beautiful thing, actually. It seems to me like it's a beautiful way to live in the world and to relate to things, with an awareness of temporality.

A lot of my songs are fantasy. I can dream up all kinds of things. That's the kind of world I live in. It's very sort of flamboyant, and that's the kind of way I write. I love it