Best 8933 quotes in «song quotes» category

It's honestly every time that I'm doing something, and every time I visit a station and hear my song on the radio and people buying my stuff, I'm like 'Are you kidding me? This is insane!'

It's important to me that people feel connected to the band through the music, you know? I don't want it to be wallpaper. I don't want it to be background music. I want it to be clear: This is the song. These are the words. If you feel the same way as I do, sing it as loud as you can.

It's incredible how one song or even one little phrase or just a few notes, if you really concentrate on it, can be a kaleidoscope of possibility.

It's just a lot of fun to be able to see your ideas come into fruition. And to see people translate the things that come out of my mind vocally. And to be able to produce vocals and give people my point of view musically. And to be able to sit in the crowd and see people sing the song that I wrote, it's an amazing feeling.

It's just for some reason I've got just as many fans that only like me when I'm yelling or being funny or whatnot, and jumping up and down on a pogo stick while playing a fancy lead guitar. And they get mad when I sing a heartfelt emotional song and if there's an album full of them.

It's just like an idea, like a chorus, and then we just jam on it - it happens in loads of different ways. The best songs I find always come from the subconscious, like when you don't think. Not to be pretentious about it, but usually songs just blurt out rather than thinking about it. I never write lyrics and then do a song, I find that really hard - that's like a real skill.

It's just that a lot of songs that are popular right now, they don't have any meaning

It's in the films and songs and all your magazines. It's everywhere that you may go, the devil's radio.

It's just a blessing. Artists search and search for songs that will connect for a new artist because the familiarity is so low. People don't know what you look like. It's just so unbelievable to find a song that people are relating to. To have a song that people will actually pick up the phone and call the station to ask. It's a blessing.

It's just rock and roll. A lot of times we get criticized for it. A lot of music papers come out with: 'When are they going to stop playing these three chords?' If you believe you shouldn't play just three chords it's pretty silly on their part. To us, the simpler a song is, the better, 'cause it's more in line with what the person on the street is.

It's [Joni Mitchell's "A Case of You"] been one of my favorite songs for my entire life.

It's just that none of us had the wit or talent to make them into songs. We made them into life, which much messier, and more time consuming, and leaves nothing for anybody to whistle.

It's kind of a miracle to think that a device in your pocket can play pretty much any song that the world has ever created.

It's lifestyle music. It's not like some secretary who likes some pop song, but can't name who the band is; whereas a heavy metal fan is into every aspect of it. We'll see if rap holds up to that. Run-DMC seemed to be the Led Zeppelin of rap.

It's like visual is super important to me. So if I am writing a song, like, I have to have the title.

It's like if every single male artist dressed up as farmers. In every video they were on a farm. Whether it was Jason Derulo or Oasis, they're always on a tractor, they're always surrounded by sheep and always in boots. And all the songs are about enjoying farming, and this is all you've had for 10 years - you'd think you were going mad.

It's like, it's up to the people to fall in love with the song. The record company can only do so much.

It's likely that taboo words are stored in the right hemisphere of the brain. Massive left hemisphere strokes or the entire surgical removal of the left hemisphere can leave people with no articulate speech other than the ability to swear, spout cliches and song lyrics.

It's more difficult to write a song about having your heart ripped out of your chest while you're in love. Because it lacks honesty. And the honesty comes through in the music, it really does.

It's like this when you fall hard for a musician. It's a crush with religious overtones. You listen to the songs and you memorize the words and the notes and this is a form of prayer. You attend the shows and this is the liturgy. You're interested in relics -- guitar picks, set lists, the sweaty napkin applied to His brow. You set up shrines in your room. It's not just about the music. It's about who you are when you listen to the music and who you wish to be and the way a particular song can bridge that gap, can make you feel the abrupt thrill of absolute faith.

It's like a puzzle or a painting or music. When I ski, it's like a song. I can hear the rhythm in my head, and when I start to ski that rhythm and I start to really link my turns together, all of a sudden there's so much flow and power that I just can't help but feel amazing. That's where the joy comes from.

It's more like you write what comes to you... You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave.

It's more in retrospect as I've thought about it over the years and look back at what I wrote, how I wrote things - like there's a song that Ralph Stanley later recorded with me that he had guested on my record what was called "Travelers Lantern" that I wrote as basically, you know, a hymn.

It's nice that there are movies and songs about romance - it's what motivates us as human beings. I'm all for being brainwashed by rom-coms.

It's nice if people ask to use your song. You have to make a decision as an artist how you feel about that.

It's nice to know that you're worth something and music really does put that kind of light back into you. Well, it does for me anyway. I've been through some very interesting times in my life and there is certain songs that I go to and I'm like, ok, it's not that bad.

It's not about battling the original artists when I record these songs, it's about paying tribute to them.

It's not a great song unless it makes your DNA remember Eden and your spirit long for Home.

It's not always easy for a father to understand the interests and ways of his son. It seems the songs of our children may be in keys we've never tried. The melody of each generation emerges from all that's gone before. Each one of us contributes in some unique way to the composition of life.

It's not a normal recording shift where you do a song and you get a day to tweak it and the third day you mix it. It's like double the work in the period of time it would take to do one.

It's not crazy to want to have certain songs be developed harmonically and still want to make noise with the guitar. And you can have both.

It's not like I wake up and songs flow out of me.

It's not me, it's the songs. I'm just the postman, I deliver the songs. When I first heard Elvis' voice, I knew that I wasn't going to work for anybody ... hearing him for the first time was like busting out of jail. This land is your land and this land is my land, sure, but the world is run by those that never listen to music anyway. People today are still living off the table scraps of the sixties. They are still being passed around - the music and the ideas.

It's not just a song I sing with my hand raised but also with a billfold I've laid.

It's not like that when you're a songwriter - songwriters aren't like pulp writers or journalists, even. You just follow the muse. It's called muse-ic. Whenever the muse decides to bestow her inspiration on the songwriter, then the song is born.

It's not like we did something wrong. We just burned down the church while the choir within sang religious songs.

It's not my job to be popular. I'm goal-driven; my job is to get results.

It's not just songs and glamour. It's sweat, blood, broken toes, and mistakes... It's life.

It's not really difficult to go from one voice into the next. It's like asking you to sing a line of Happy Birthday and then Goodnight Irene - assuming you know the words to both those songs

It's not set in stone. I like to keep it rolling and changing, and so I am like, "Great, I get to remake my song.

It's not rubbish to say that I was a bit peeved about not getting credit for a couple of songs, but that wasn't the whole reason. I guess I just felt like I had enough. I decided to leave and start a group with Jack Bruce

It's morning when I go to sleep In the distant dawn a church bell rings Another day is coming on A baby's born, an old man dies Somewhere young lovers kiss good-bye I leave my soul and just move on And wish that I was there to sing this song

It's not what you take when you leave this world behind you. It's what you leave behind you when you go.

It's not that I don't want to, it's just that there's no money in it. By that I mean the way the video business works now, the artist and the record label send out a song to a bunch of different directors and say, 'What would you do with this?' Then everyone has to come up with an idea and bid on it. For me, it's like, 'Hey, you want me to do it? Then pay me. I'm not auditioning for you.'

It's not that I don't love the song. My songs are like my children: some you want around and some you want to send off to college as soon as possible.

It's not that I have resisted songwriting, it's just not something I felt I have had to do. I've just not woken up and thought, I must do this. But I have often heard music that I have instantly felt 'I have to sing that song'

It's not the case of turning in a bunch of songs and recording the next month. I think you're looking for songs all year long and you're writing all year long.

It's one thing having a great song, but I think for me if you take it to the next level... say you had a guitar and a vocal, and the song was amazing but the vocalist wasn't that great and it just was a guitar and vocal acoustic track, switching that to something like an amazing voice singing the exact same song with the instrumentation being really nice and lush or unique in some way and interesting and diverse... I think it's all about the instrumentation and textures in the sound.

It so happens that certain songs becomes part of culture, and culture is a form of preserving patterns. Yes, we're Mexican, and we're proud to be, but we're also human. But like all cultures, there are retrograde elements and evolutionary elements. I think we'll chose to head towards the evolutionary ones and leave the others behind.

It's okay not to be okay