Best 8933 quotes in «song quotes» category

The one good thing about a movie and music and stuff like that: Sometimes it's a counterpoint between the movie and the music itself, the difference and the tension they build together. I think that could be something that helped with me, because when I write songs now, I write lyrics a bit like that. I try to make the music be an interesting twist on the lyrics and help tell the story in a - I don't tell crazy stories, you know? So a lot of times, the twist is in the subtleties. The twist is in the way the story's told.

The one thing I've learned in the last ten years is that successful artists don't get paid to write and sing songs, they get paid for the psychological roller coaster they're going to have to ride. That's the hard work.

The one album I can't live without is called 'Cumbolo' by a band called Culture. Every song on their album is deep, but there's one in particular called 'This Train.' I have a tattoo of the lyrics on my left arm.

The only 'anti-fascist' song that makes any sense to me is the Beatles' 'Love Is All You Need', because, quite simply, it's true.

The only instrument I can play is piano. Whenever I make songs at home, I play the piano and make them on the piano.

The only problem I had on The Voice, was wishing that we, as artists, could have had a stronger opinion in our own song choices. At the end of the day, it's still a vocal competition show and you want to sing the song that showcases your voice the best.

The only reason I would write a break-up song is because my own problem of allowing myself to relate to people.

The only reason I do anything is that I just love writing songs. If I write songs, I feel good about it for days and that's the only reason I do it and it is the only reason I'm in a band. And it's the touring aspect, getting out there, seeing the world, meeting people. It's all I ever really wanted, you know. And it's kind of ever since I was fourteen, I was compelled to do it. I just don't really know what it is or why it is.

The only reason to write a new song is because you're tired of the old ones.

The only reason I felt like I could sing a song like 'Blown Away' is because I have definitely lived through my fair share of trips to the cellar in the spring. We were no stranger to that. I still ask my mom, 'Is the cellar cleaned out now? Is everything OK?' Even in my new house, I had something built in it that's like a storm shelter.

The only thing contrived is the production - you can over-produce to the point you kill a good idea, you can under-produce so that the song's amazing but you'll have folks at a radio station saying they won't play it, so there's this balance, and it has to be true.

The only thing I think about is doing something where I'm the only person making all the decisions - I think that would be fun to do, just to get it out of my system. And honestly, I kind of got it out of my system when I recorded three songs and put them online. That was enough of a solo experience for me; it scratched that itch.

The only thing better than one of my songs is one of my songs with a glass of scotch.

The only thing that really inspired me for singing was the movie and musical 'Phantom of the Opera.' I went to see it in the theaters, and I loved it so much. And when I got home, I started singing the songs around the house, and my mom thought I was really good, so she asked me if I wanted to do a talent competition. And I said, 'Yes, definitely.'

The only time I think I've ever gotten sick of playing Guns and Roses songs really was during - after having played them in Guns and Roses, and then in Snakepit, and then playing 'It's So Easy' and 'Brownstone' in Velvet Revolver.

The only Train song I like is the one that I play in my act "Drops Of Jupiter". Sheryl Crow has three or four songs that I like; also Dave Matthews Band. With those particular musicians, it's more that there are a few songs that I like rather than their entire body of work. There are a lot of indie bands that I like too. I'm not a snob about music. Does the fact that I like Stephen Sondheim and Broadway musicals make me a fake? Does the fact that I'm "the Billy Joel of comedy" mean that I don't have indie-rock credibility?

The only thing that's a little tricky about it is sometimes people assume that if it's a new song, it's a reflection of what you're feeling or going through now.

The only thing that would make her jealous would be if I led a parade riding a unicorn while ballerinas sang love songs.

The opening line from a journal can be the beginning of a song.

The open road still softly calls, like a nearly forgotten song of childhood

The orchestra's an amazing instrument, but I don't want to just arrange my songs for it. I think that might be kind of boring and a little bit overdramatic, perhaps. I'm still just having too much fun doing it my way, for the time being.

The opportunity to record the song came when Phil Collins' record label, Atlantic, was doing a tribute album to him and they asked all these different artists to do renditions of his songs.

The other songs [of Billie Holiday] - "Body and Soul" is like the standard - I also wanted some songs that I knew I would sound good on, as a producer. It's been the same nine songs since I debuted it back in 2012.

The outlet for my sorrow, that I do feel deeply, and the pain, is the songs. That's where it goes.

The owner of Spotify is worth something like 3 billion dollars ... he's richer than Paul McCartney and he's 30 and he's never written a song.

The past few years have been absolutely incredible and I feel so blessed to have the privilege of sharing even more music. 'Beautiful Day,' although a fun song, has a message saying that in spite of what we're going through, every day is a good day and an incredible gift because God made it. In my young life I've learned that every day can begin with worshipping my Creator.

The pause makes you think the song will end. And then the song isn't really over, so you're relieved. But then the song does actually end, because every song ends, obviously, and THAT. TIME. THE. END. IS. FOR. REAL.

The people at the record company had asked me if I could write a song about my life, my relationship with God, and where I'm from. Well, I can't write a song on purpose, my songs come in a moment of inspiration or desperation.

The people playing on these songs are from Wisconsin and Illinois and Chicago and St. Louis and there’s a certain attitude that comes across in the songs and the way that they’re performed. I’m born and raised in the Midwest, and my family’s been here for generations. This is where I’m from and how I think, and that’s reflected in the music I make.

The people wanted to believe that the Negroes couldn't learn to read music but had a natural talent for it. So we never played with no music. I'd get all the latest Broadway music from the publisher, and we'd learn the tunes and rehearse them until we had them all down pat- never made no mistakes. All the high-tone, big-time folks would say, isn't it wonderful how these untrained, primitive musicians can pick up all the latest songs instantly without being able to read music?

The people who run record companies now wouldn't know a song if it flew up their nose and died. They haven't a clue, and they don't care. You tell them that, and they go, Yeah? So, your point is?

The people who are making money are the ones who are writing and singing their own songs.

The perfume of the flowers and of the bay tree are wafted on high, like incense. The birds sing sweet songs of praise to their Creator. In the tops of the trees, the soughing of the wind is like the hushed prayers of the multitude in some vast cathedral. Here the heart of man becomes impressionable.

The people who keep coping, keep trying, no matter how many blows Fate takes at them. Nobody'll make a song about them, but they're heroes all the same.

The Pilgrim of Eternity, whose fame Over his living head like heaven is bent, An early but enduring monument, Came, veiling all the lightnings of his song In sorrow.

The piano song that I do in the movie [The Hangover], it's a great example, that was never - that wasn't in the script.

The place that I worked I used to joke about it. There was a, every morning at 10:30 I'd come into work and I'd go into this cubicle that had a little upright piano and fake white cork bricks on the wall, and a little slate that came out of the wall that you could actually write on. And a door that locked from the outside. Every day from 10 to 6, we'd go in there and pretend that we were 13 year old girls and write these songs. That was the gig.

The poems in Helena Mesa’s virtuosic first book, Horse Dance Underwater, run with such speed, verve, and alacrity they leave you breathless, exhilarated, and transformed as if the purest kind of song had lifted you into the air.  By this quickness of language finding lyric speech, Mesa’s poems remind us of art’s joyous and ecstatic effects.

The pleasant converse of the fireside, the simple songs of home, the words of encouragement as I bend over my school-tasks, the kiss as I lie down to rest, the patient bearing with the freaks of my restless nature, the gentle counsels mingled with reproofs and approvals, the sympathy that meets and assuages every sorrow, and sweetens every little success--all these return to me amid the responsibilities which press upon me now, and I feel as if I had once lived in heaven, and, straying, had lost my way.

The poet is a creator, not an iconoclast, and never will tamely endeavor to say in prose what can only be expressed in song.

The poets of each generation seldom sing a new song. They turn to themes men always have loved, and sing them in the mode of their times.

The point of making records for me isn't to hear 300 songs in 50 minutes; it's to hear the 50-minute piece of music.

The popular will cannot be taken for granted, it must be created.

The power of the masses can influence any government in the world. The power of the masses can elect an official, start a revolution, and drive history. Nelson Mandela did it alone from his prison cell. Ghandi did it lying down. Egypt did it singing songs.

The power of music is still with me, every day. It's one of the most inspiring things available in the world. I write with music. I write scenes in movies that hopefully can earn the use of some songs that are powerful to me. But, I think it just came from being affected by strong, personal art.

The potential beauty of human life is constantly made ugly by man's ever-recurring song of retaliation.

The point is, I can’t tell you how to succeed. But I can tell you how not to: Give in to the shame of being rejected and put your manuscript—or painting, song, voice, dance moves, [insert passion here]—in the coffin that is your bedside drawer and close it for good. I guarantee you that it won’t take you anywhere. Or you could do what this writer did: Give in to your obsession instead.

The popular song is America's greatest ambassador.

The potential beauty of human life is constantly made ugly by man's ever recurring song of retaliation. The oceans of history are made turbulent by the ever rising tides of revenge. Man has never risen above the injunction of the lex talionis: "Life for life, eye for eye, tooth for tooth, hand for hand, foot for foot." In spite of the fact that the law of revenge solves no social problems, men continue to follow its disastrous leading. History is cluttered with the wreckage of nations and individuals that pursued this self-defeating path.

The process depends on the situation, and I don't think there are any two songs that have gone exactly the same way... well, actually, that's not true.