Best 8933 quotes in «song quotes» category

I don't own an ABBA album, and I never had the urge to go and buy one. If you're just talking about well crafted pop songs, they were fantastic.

I don't really care about how good a song is, I only want them to reflect what I felt when I was writing them

I don't play the traditional Charlie Parker songs. But I do improvise and I do create with my instrument, and that to me is jazz. But there are people who use the word 'jazz' only in a traditional sense, and they would be offended by that, and that's fine.

I don't really have a favorite song. Music is such a big part of who I am, and speaks to so many different emotions inside me, that I don't have an all-time favorite.

I don't really break into too many solos. But I've never been a super-big solo guy anyway. I like to make the main melody guitar lines of the songs as cool and interesting as possible without just strumming chords. I like to have chords intertwined with riffs here and there, but I'll do the riffs and the solos where the bottom will drop out. Basically, I do everything for the song, I don't do it for the solo glory. Kids aren't really into that anymore for some reason.

I don't really have a set-in-stone process or formula. Sometimes the melody is there and I have to chase down the lyrics. Sometimes, the song is there and I have to make the melody fit. What I've learned so far about songwriting is that I can't force a song. If I try to do that, it's hollow, and people know a hollow song when they hear it. It's the song they stop listening to and forget about. I'd prefer not to write those kinds of songs.

I don't really know how writing process happens, how these songs are arrived at. One of the things I like about the writing process is, I don't necessarily know where it's going, and even if I think I know where it's going, it'll turn out different. I find that exciting and rewarding.

I don't really think about having had a hard life. It was just my life, and it's all I knew. It made me who I am - all the good and bad - and it's where all of the songs on Here For The Party came from. I've lived them all.

I don't really like over-explaining the songs. Everyone constantly asks what the songs are about, and I think the thing is that the songs definitely all have stories in them; it's just nice to let people decide what they are. I think it's important that people hear it themselves rather than having me annotate it.

I don't really listen to the radio too much. I know that one song, "Hotline Bling.

I don't really know why an idea comes to me. But all of a sudden, an idea comes and from experience I can intuit what something means when an interesting line pops up. Or I can intuit what an interesting choice might be. And I can try a couple of different choices, and see which one feels right, and then continue the song to see where it goes.

I dont really take anything from home except some U.S. magazines and books and definitely some U.S. music. There are just certain songs that remind me of home.

I don't really need to stand out, there's room for everyone. Although I haven't built a niche yet, I'm just writing love songs.

I don't really see how any song can not feel contrived if it isn't honest, and how could I write honest songs if I don't write about stuff going on in my life and how I'm feeling?

I don't really know where the songs are coming from often. Many of the best things I made up were just off the top of my head.

I don't really listen to rock music anymore. But were I to write a song that sounded like it could be a rock song, I'd probably give it to the Pornographers, and I'd be excited to try to make it work.

I don't really write journals and stuff and then adapt them to music, it's completely within the form of the song. My great obsession and basically the bane of my existence is caring probably too much about every word, but it's too late to change my career path.

I don't set goals for myself too much, but I'm always trying to write that one great song.

I don't remember things initially when listening to music. Like, I don't remember where I first heard a song, I don't have nostalgic attachment to a song in that it reminds me of such and such a time or place. I think I probably did experience that somewhat when I was not a full-time, professional musician, but I don't think music works that way for people who are in it constantly.

I don't see myself as the boss. I sing and write the songs, and it would feel strange if somebody else wrote the lyrics I sang.

I dont separate my work with the band from this solo project-Im sure the group could have recorded any of these, and they would have if the Fleetwood Mac project had come up at this time. I dont have any finished songs lying around.

I don't see the songs as uplifting, but rather as trying to make lemonade from lemons, or whatever. When I listen to them, I understand the context. I don't like to pepper songs with my own experiences, though.

I don't separate writing songs from poetry and short fiction. In the area where I work in my house, there's a word processor and a guitar.

I don't sing a song unless I feel it. The song don't tug at my heart, I pass on it. I have to believe in what I'm doing.

I don't take off as many days as most other producers and songwriters, so I'm working every single day, and I do songs every day. So it's just about finding time, scheduling, getting in and cutting the records. I make it happen and that's the name of the game. It's no excuses - you gotta figure it out.

I don't talk about my personal life in great detail. I write about it in my songs, and I feel like you can share enough about your life in your music to let people know what you're going through.

I don't sit down to write a song; they just come to me from something that somebody says, or something in the news. The punchline comes to me, and I go over it in my head and get the song form. I hadn't been doing that a lot.

I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs.

I don't spend my time perusing message boards to find out what people think about me or if people think my songs are good or if people love that lyric or this or that. I just want to be happy with it myself - and if other people like it, that's great.

I don't think any of us felt like, "Oh, we need to put joke songs on the record." If we found something funny, we would record it, and if we wanted to, we'd put it on the record. It's not really something we spent too much time agonizing over.

I don't think Ed Sullivan had anything to do with Carib Song.

I don't think comic timing is the same as music timing, but I definitely find that I've learned from just writing in general that songs can be narrative without having a story.

I don't think I approach my songs differently from other artists. You get a big picture of it, and you imagine the song and hear and feel it, and that big picture is like a snapshot, and it comes to you as fast as it takes to click a camera.

I don't think I'd be able to flat-out write a pop song and make it satisfying to me. I'm ready to make a consistent sound in whatever way I can.

I don't think I ever saw Hank with anybody, say, 'Let's go write a song.' One Sunday morning we left Nashville to go to Birmingham to do a matinee and a night, and he said, 'Hand me that tablet up there.' And he wrote down, 'Hey, good lookin', what you got cookin'' and before we got to Birmingham it was finished.

I don't think I ever wrote a song. I can write a lot of jokes, but when I try to write lyrics they're the most direct, non-figurative words, like, 'I like you, I like you,'... and that's it, for the whole song. People would go, 'Ooh, this guy's Dylan or something.' It gives me a lot more respect for songwriters, actually.

I don't think in biology it's very controversial at all. Whether certain behavior is culture or is not culture is argued. I think virtually all biologists would agree that some animal behavior is culture. Bird song is a good example.

I don't think I have enough of an interest in today's cultural mood to connect with or reject it. I'm compelled by the ideas that arrive when I'm not trying, and I follow them through almost every time. I feel fortunate that these days, there are a lot of them. You could argue that they are informed by everything I'm experiencing culturally around me but I don't, for example, look online for new music or art very often, and I don't think there is much in contemporary culture for me. It's a needle in a haystack kind of thing, and I'd rather spend that time working on a new song.

I don't think I've ever gone on stage to be an asshole. I know one thing, from the past, and that's that my intentions always began in a pure way. I really want to just try and play the songs.

I don't think of community as being a romantic notion. I think it's as vital as air and water, and so I think that informs a lot of what I write about. It could be a story about a couple, or a song about the slow death of the family farm or a small town.

I don't think people hear my songs and think, "Well this is a way to make a bunch of money.

I don't think radio is selling records like they used to. They'd hawk the song and hawk the artist and you'd get so excited, you'd stop your car and go into the nearest record store.

I don't think of them as teenage songs. The things that happen to you in high school are the same things that happen your entire life. You can fall in love at 60; you can get rejected at 80.

I don't think Neil Young has a beautiful voice but it's something that grabs you and the songs are so good.

I don't think people are fans of me because I wrote hit songs. I think they're fans because I'm a lunatic or a weirdo. The hit songs came out of my idiosyncratic personality, not the other way around.

I don't think talking about myself making songs is a very interesting topic, there are so many other more engaging things to think about and write about.

I don't think there are any songs that I've written in the past that I now disagree. It's kind of like tattoos; I would never regret a tattoo, because it was how I felt at that time in my life. I don't think I've ever said anything that I would take back. So far, so good! I would probably change the music, or change how I sing it, maybe do it a little bit cooler, or a bit more grown-up. But I don't think that there are any lyrics that I regret.

I don't think that good politics ever excuse a bad song.

I don't think there are any clichés I try to avoid. As soon as I spot a cliché, I go for it. I feel like clichés are the most useful thing in songwriting. They're the tool on which you build all the rest of the song.

I don't think there's anything wrong with not knowing how to play an instrument, but the rise of the non-musical producer has done away with musicianship and focused attention purely on the song's hook.