Best 8933 quotes in «song quotes» category

The emotions in a song - the anger, aggression - have got to be legitimate.

The End of a long week with Viking Leader AKA DJ Virgo AKA Avicii! So many great songs! #icantwait #revolution

The essence of songs is neither vocal nor cerebral but organic. We follow songs in order to be enclosed. We find ourselves inside a message. The unsung, impersonal world remains outside, on the other surface of a placenta. All songs, even when their content or rendering is strongly masculine, operate maternally.

The essential thing is to WANT to sing. This then is a song. I am singing.

The Eurovision Song Contest is by definition apolitical - unless your song criticises Russia, of course.

The eternal task of song can never be finished in a single lifetime. That is the beauty and fascination of the art. Once you begin to phrase finely, you will feel more joy in the beautiful finish of a beautiful phrase than that caused by the loudest applause of an immense audience. The latter excites for a moment; the former endures forever.

The ethic behind songs of conscience doesn't change, even though the issues are altered from generation to generation.

The exciting part about sitting down and writing songs, playing shows, or being a musician in general is that you never know where those songs and that music is going to take you. There's such a cool feeling about that the phone could ring tomorrow and someone could say "he guess what? your song..." That really is cool.

The expectation is this low, gravelly voice for John, but I went through his early recordings and there were songs in there where the voice was so different, I wasn't even sure if it was him singing, ... So it was interesting to me that we would see him develop the Man in Black sound. I thought it was really important that his voice change as his persona slowly solidified. The music was really the doorway into the character.

The experience of playing music at a young age really opens up one's mind to different melody in life itself, literally - like, when you've even played a recorder, or whatever, it becomes a lot easier to hear the beauty in a bird's song, or the quiet tune in a gentle rustle of the wind.

The fact is that all the recording science and technology in the world is no substitute for a good song or for real feeling. Music is about feeling and if there isn't any genuine feeling, if the song isn't about anything that anyone gives a damn about, there's nothing you can do. All the technique that exists won't make it any good; it'll just make it technological. All the production values you add won't do anything except make it glossy.

The fact of picking up an instrument and writing a song and expressing yourself publicly has a powerful political dimension.

The fact that we do not speak it but sing it only expresses the fact that our spoken words are inadequate to express what we want to say, that the burden of our song goes far beyond all human words.

The fact that my songs take a long time to write is no guarantee of their excellence.

The fact that we represented freedom, you know. We talked about that in the songs and I think that the parents, like all parents, they want their kids to be in line and not go crazy or do anything too weird (laughs). And for some reason, I think, people identified The Doors as representing just being able to do whatever you wanted to do.

The fall of waters and the song of birds, And hills that echo to the distant berds, Are luxuries excelling all the glare The world can boast, and her chief favorites share.

The falling leaves drift by the window The autumn leaves of red and gold.... I see your lips, the summer kisses The sunburned hands, I used to hold Since you went away, the days grow long And soon I'll hear ol' winter's song. But I miss you most of all my darling, When autumn leaves start to fall.

The fate of the African continent does not f-ing depend on a load of f-ing musicians in Hyde Park singing f-ing s-t songs to kids.

The fate of the singers who, like my songs, went up in flame was also the fate of the books which I later wrote. All of them went up in flame to Heaven in a fire which broke out one night at my home in Bad Homburg as I lay ill in a hospital.

..the fields might fall to fallow and the birds might stop their song awhile; the growing things might die and lie in silence under snow, while through it all the cold sea wore its face of storms and death and sunken hopes...and yet unseen beneath the waves a warmer current ran that, in its time, would bring the spring.

The film is a romance with songs and dances, aimed at a family audience.

The fire has its flame and praises God. The wind blows the flame and praises God. In the voice we hear the word which praises God. And the word, when heard, praises God. So all of creation is a song of praise to God.

The first flower that blossomed on this earth was an invitation to an unborn song.

The first four and a half years was me in the studio every day, writing songs for other people. I had jobs, too - eleven jobs. I worked at Kinko's, Fatburger, Subway - I was a sandwich artist - and I was a claims processor at Allstate Insurance.

The first music I was ever exposed to was Irish folk music, like the Clancy Brothers. My father plays that and Christmas songs.

The first music you really fall in love with is more than just music. It's something that clicks in you beyond the song; it's a message or image that causes you to jump in and not let go.

The first song I sent over was Up All Night. People say that sounds like Angels on a Blink record. Well, no - that's just me!

The first song I wrote and had published was titled "Just As Long As That Someone Is You". It was written in 1959, and recorded in 1965 by Jimmy Ellege. I started writing songs because I wanted something of my own to sing. I, at that time, was not aware that the songs I heard on the radio were not written by the folks singing them. I had always loved poetry, and found it easy to integrate a melody with poetry.

The first song I wrote was called "You" and it was a love song about somebody who didn't even exist. I remember them all because I used to always write terrible poetry. I keep all my notebooks.

The first song I ever learned to sing and play on the piano was 'I Remember Sky' when I was 10 years old. I remember thinking, This is the most beautiful song I will ever hear. And that remains true for me to this day. His music is the sole reason I wanted to be on Broadway. I wanted to sing music that transports us to the most important place one can travel, our hearts.

The first song I wrote was "Look Both Ways Before You Cross" from Imaginaryland. I started the song by singing a bass line, "hoo hoo hoo hoo.

The first song that I wrote was when I was with The Del Rios. I was like 14 years old but I was always putting my thoughts down on paper even before then because it was like an escape - a way of unleashing all the stuff.

The first song I did was over a Chief Keef beat - Understand Me. I did that in, like, 2011 or 2012, I think.

The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum.

The first song is called 'London.' It's about two Russian soldiers who desert the Russian army and escape to London, where they indulge in a life of crime.

The first songs I wrote were catchy, but the subject matter was God.

The first thing that inspires any song is a chord progression. When I have one I really like, I get into the lyrics even more.

The first time I knew what I wanted to do with my life was when I was about four years old. I was listening to an old Victrola, playing a railroad song...I thought that was the most wonderful, amazing thing...That you could take this piece of wax and music would come out of that box. From that day on, I wanted to sing on the radio.

The first thing about a song is that it has to be real, be lived; it has to be emotional, and melancholic. I don't mean sad. Melancholy is sort of a comfort. Melancholy has a sort of beauty to it. This attracts me to every other form of art.

The first thing I did when I got inside was turn on the kitchen light. Then I moved to the table, putting my dad's iPod on the speaker dock, and a Bob Dylan song came on, the notes familiar. I went into the living room, hitting the switch there, then down the hallway to my room, where I did the same. It was amazing what a little noise and brightness could do to a house and a life, how much the smallest bit of each could change everything. After all these years of just passing through, I was beginning to finally feel at home.

The first thing I think I ever played in public, aside from singing in church, would have been - and this is a true story - when I was about nine or 10 years old, I was obsessed with Twin Peaks. I played the theme from Twin Peaks on a little tiny Casio keyboard. People politely applauded. I just fell in love with that song and thought it was very heartbreaking.

The first time ever I saw your face I thought the sun rose in your eyes

The first time I heard Bob Dylan, I was in the car with my mother listening to WMCA, and on came that snare shot that sounded like somebody'd kicked open the door to your mind.

The first two songs that I wrote, produced and demoed with my voice on it was that song and then Akon's "Sorry, Blame It On Me." The first two demos I ever wrote and demoed, the two biggest artists at the time took them.

The flattery is nice, but awards don't add up to writing quality songs.

The friends that have it I do wrong Whenever I remake a song, Should know what issue is at stake: It is myself that I remake.

The forest is peaceful, why aren’t you? You hold on to things causing your confusion. Let nature teach you. Hear the bird’s song then let go. If you know nature, you’ll know truth. If you know truth, you’ll know nature.

The focus of my playing is the groove, and every time I find a new rhythm, I find I can write a bunch of new songs. Learning how to dance, or drum, or to swing my body in a new way is the fundamental way I find a new riff. Because when you learn to swing your body in a new way, you begin to swing with your instrument differently.

The first time that I appeared on stage, it scared me to death. I really didn't know what all the yelling was about. I didn't realize that my body was moving. It's a natural thing to me. So to the manager backstage I said, "What'd I do? What'd I do?" And he said, "Whatever it is, go back and do it again.

The fun thing about song writing is that it's just creative. It can be whatever you want it to be. For me, I'm really protective of that. I'm not going to write something because I feel like it fits here or it fits there - I just want to write music that feels good to me.