Best 8933 quotes in «song quotes» category

Three thousand people singing back your songs is an incredible feeling.

Three Songs 1 Mountain. I whip my quick horse and don't dismount and look back in wonder. The sky is three feet away. 2 Mountain. The sea collapses and the river boils. Innumerable horses race insanely into the peak of battle. 3 Mountain. Peaks pierce the green sky, unblunted. The sky would fall but for the columns of mountains.

Through my years as a writer, I've learnt how to simplify the message and pen songs that have a more specific quality - it's not just about my ego and trying to meet girls.

Throughout college I was getting better and better at making recordings, producing songs, making different kinds of beats. I was starting to learn the signifiers of production from the '60s, the '80s. We never re-recorded anything. All the record companies that wanted to sign us - except for one - were excited about the recordings that we had done ourselves.

Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.

Throughout my career, if I have done anything, I have paid attention to every note and every word I sing - if I respect the song. If I cannot project this to a listener, I fail.

Through song you learn, and I think school systems need to learn that. Through the rhythm you can learn better, through melody, with something you need to learn, it's a vehicle for it.

Through the clouds of smoke I seemed to see all old Asia before me, and the adventures of past years behind me. A carnival of old camp-scenes danced before my mind’s eye, expiring like shooting-stars in the night—merry songs which came to an end among other mountains and the dying sound of strings and flutes. And I was surprised that I had not had enough of these things and that I was not tired of the light of camp-fires.

Through the music I hope to give it an arc that gives it a greater sense of a journey through the set rather than a bunch of songs.

Thus we have at least a national song that unites all Germans, and is the symbol of our sixty-million nation.

'Time after Time' is one of the best pop songs ever written, in my opinion. It's an incredible, beautiful, timeless song.

Time can bring you down, time can bend your knees.

Time is your friend, impulse is your enemy. Take advantage of compound interest and don't be captivated by the siren song of the market.

Time is an enormous, long river, and I’m standing in it, just as you’re standing in it. My elders are the tributaries, and everything they thought and every struggle they went through and everything they gave their lives to, and every song they created, and every poem that they laid down flows down to me – and if I take the time to ask, and if I take the time to see, and if I take the time to reach out, I can build that bridge between my world and theirs. I can reach down into that river and take out what I need to get through this world

Times were changing. Clothes were changing. Morals were changing. We went from romantic loves songs like I used to do to rock 'n roll. Now that has changed to rap. So, there's always a new generation with new music.

Time to write and sing, to laugh, to listen, to discover, to cry, to love music.

To all companies please stop using Xmas songs and inserting your own lyrics. Write your own music. I am boycotting you until you stop.

To be honest, I know this probably sounds corny or whatever because I'm a musician, but listening to music really helps me relax and calm down - listening to my favorite songs. Also, laughing and hanging out with my friends.

To be honest, I think about the clubs when I write. But I should probably start thinking about stadiums, because the songs sound even better there - and bigger.

To be honest, that whole exchange with Crunk Feminist actually made me write the song because I realize there's a lot of young women out there so hurt by the misogynistic images in hip-hop they paint it with such a broad brush stroke that they think anybody that defends hip-hop is defending misogyny.

To be without a dog is worse than being without a song.

To come to a concert and hear a lot of songs from a female perspective should not make men say, 'Oh well, that's for women'.

To create an album of 12 songs, I've got to write about 80 songs. Half of those are totally weird and rubbish.

Today, I'd like to talk to Bob Marley. I'd just like to ask him what was his method. Bob is one of the greatest songwriters ever. I don't know if people understand how powerful his songs are and the simplicity and genius behind them, from 'Redemption Song' to 'Is This Love?' and 'I Shot the Sheriff.'

To-day I think Only with scents, - scents dead leaves yield, And bracken, and wild carrot's seed, And the square mustard field; Odours that rise When the spade wounds the root of tree, Rose, currant, raspberry, or goutweed, Rhubarb or celery; The smoke's smell, too, Flowing from where a bonfire burns The dead, the waste, the dangerous, And all to sweetness turns. It is enough To smell, to crumble the dark earth, While the robin sings over again Sad songs of Autumn mirth." - A poem called DIGGING.

Today, it's very tempting to create songs by cutting and pasting in the studio.

Today's folk song is rock and roll. Although it happened to emanate from America, that's not really important in the end because we wrote our own music and that changed everything.

Today the mockingbird does not sound very happy. It sounds if it is coming apart. As of the very heart of itself-its song-is breaking into pieces and flying off in a hundred directions.

Today While the blossoms still cling to the vine I'll taste your strawberries I'll drink your sweet wine A million tomorrows shall all pass away Here I forget all the joy that is mine. Today I'll be a dandy and I'll be a rover You know who I am by the songs that I sing I'll feast at your table I'll sleep in your clover Who cares what tomorrow shall bring I can't be contented with yesterday's glory I can't live on promises winter to spring Today is my moment and now is my story I'll laugh and I'll cry and I'll sing

To die, so young to die. No, no, not I, I love the warm sunny skies, light, song, shining eyes, I want no war, no battle cry, No, no, not I.

To evade such temptations is the first duty of the poet. For as the ear is the antechamber to the soul, poetry can adulterate and destroy more surely then lust or gunpowder. The poet's, then, is the highest office of all. His words reach where others fall short. A silly song of Shakespeare's has done more for the poor and the wicked than all the preachers and philanthropists in the world.

To get 300 songs to fit together on an album, it's not like I choose 300 songs and say these are the ones I wanted to pick. To get those 300 songs I sampled 1000's of songs and narrowed down the ones I felt worked the best musically.

To feel strong, to walk amongst humans with a tremendous feeling of confidence and superiority is not at all wrong. The sense of superiority in bodily strength is borne out by the long history of mankind paying homage in folklore, song and poetry to strong men

To get large groups of people to dance, there needs to be something accessible about the music. The beat can't be too esoteric, but unless we're talking about prog or etherealist composition, I think there's something simplistic about most music. What's completely insane to me is that people would consider music that's simple to be dumbed-down. Couldn't simplicity be a deliberate, smart choice? Those people aren't really listening; they're judging a song off of a beat, off of a pulse.

To learn a belief without the belief is to sing a song without the tune.

To just write one song to then go and play huge festivals all around the world it's exciting and it's never really been the case.

To look for some kind of insight or meaning in pop songs is not really - well there's plenty of other places where you should probably look first before you start looking for it in a pop song.

To kill the misconception, I don’t think the songs we wrote before ‘Danger Days’ are bad songs by any means. In fact, I kinda think some of them are among my favorites we have ever written. A lot of them are kinda f—ing rad… they just so happened to have been created in the wrong place, at the wrong time, and we as their parents were not ready to raise them just yet… and so they sat and waited.

To know how to suggest is the great art of teaching. To attain it we must be able to guess what will interest; we must learn to read the childish soul as we might a piece of music. Then, by simply changing the key, we keep up the attraction and vary the song.

To lose somebody is to lose not only their person but all those modes and manifestations into which their person has flowed outwards; so that in losing a beloved one may find so many things, pictures, poems, melodies, places lost too: Dante, Avignon, a song of Shakespeare's, the Cornish sea.

To make a song is a gift, and once it's done it keeps evolving and changing and becomes a tool to interact with other people. It's like a conversation.

To me, a political song is also a personal song. Most political activism has been driven by empathy for other people and the desire for a world that's less divisive. Even if songs aren't overtly political, they can make a listener more empathetic.

To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.

To me, ballads are special, because you can have a pop song that’ll be know for three weeks and then you’ll hear nothing else about it. Nobody else will record it and it’ll just be gone. But if you do a good ballad, it’ll be in the world forever.

To me, every episode is like a song, and every season is like an album. There's that part of the day when you first get the idea and you say, "This could be really funny." And you sit down and you write it. There's just something that happens there that doesn't happen when you really give it a lot of time beforehand.

To me, it makes more sense to write different songs and to play different kinds of music and to find your own voice. But no matter what, get out and play for people. Get out and learn, and do everything that you can, you know?

To me, the message of my songs, of all songs, is "enjoy life." My message as a person who evidently doens't have much more planned is the same. It's the only message I ever thought art had any business having.

To me, the musical is best when it's a musical comedy. So if you have a very, very funny show, and very good, funny songs, that's what the musical does best.

To me, the hook of the riff is what makes a great guitar recording. It's the backbone of the whole song. When you have a strong riff, it's the rocket fuel for the track.

To me, there are 3 parts of the album process: writing, recording, and my favorite part: getting to sing the songs with the fans every night.