Best 8933 quotes in «song quotes» category

Truth is, you make albums, and some of those songs are hits, and some of the greatest hits albums have songs that weren't hits. You have a career, the reason why we're still around 10 years is that we do have successful songs.

Try not to sing too many sad songs for yourself. The universe already hates you. Self-pity isn't going to help.

Trying to make your own sound is hard. When I was producing for other artists, I could just produce and write songs as a normal songwriter, and almost make them generic. The artists themselves, whoever is singing that song, can put their own twist on it. When it came to my own material, I had to really dig deep, because I was just writing generic stuff. It sounded like everybody else, like Justin Timberlake, like Usher. I never wanted to sound like someone, that's when you know it's not going to work.

Twenty-seven people sang 'Wind Beneath My Wings' before I got around to it. A lot of people saw the movie that I sang it in, Beaches, and what they came away with was that song. They turned to their loved ones and said, 'You know, you are the wind beneath my wings!' The song expressed how they felt in a way a simple 'I love you' would not have.

Twelve years ago me and Allanah became really sick of writing pop songs, ... Eventually we dug a grave for the Thompson Twins, pushed them in there, and then moved to New Zealand. Before that I'd lived for a long time in south London where reggae was the music of the streets around me. You'd hear it booming out of people's windows and shops, and you could buy great old reggae singles for 50p (NZ1.30) in second hand shops. I'd always loved that sound, so soon after we got here I started making electronic dub records with my mate Rakai Karaitiana as International Observer.

Two things I'm obsessed with are the countryside and fields and being in the open space and body parts, so you'll hear me mentioning body parts and human anatomy. I've listened to my songs and I think I am quite visual and I talk about bones and flesh a lot.

Two tires fly. Two Wail. A bamboo grove, all chopped down From it, warring songs.

Typically, the theme of my albums, if there is a theme, is, 'How does it feel?' And that always leads to love songs. It just does.

Typing in the name of a song and downloading the song you really have no connection with the artist at that point. So I think it is still important to have physical CDs and stuff like that.

Typically I go in the studio and whatever I'm contemplating that day will wind up being a song. I don't come in with lyrics... I just go in and let it happen.

Typically there are little fragments of specific words and images swimming around in my mind, and then at some point, I'll sit down with the guitar and everything will fall into place. It's like your brain is a drain with a bunch of words and images dropping into it, swirling around. The drain is stopped up, but you can feel these things dropping into it. Then at some point, someone comes along and pulls the plug out of the drain and everything comes together in the song.

U2 is sort of song writing by accident really. We don't really know what we're doing and when we do, it doesn't seem to help.

U2 - that's a band that never should have existed. There's no life experience in any of their songs.

Ultimately, we as a band just write what we write. Some of it's very serious, and even in the serious songs, there's sometimes an angle of levity. I think that's just how we communicate naturally and to shy away from that would be, first of all, boring for me, but also it wouldn't ring true to who I am or the way I relate to people or the way we relate to people as a band or the way we relate to the audience. Humor is a big part of it, but we also take our craft very seriously.

Under the spell of the right song, passion is within reach... love is close by... and you are not alone! With such potency, music should be treated with care. The sound, the feel, the presentation... everything! It is a medicine. It is a teacher!

Unforgettable, that's what you are Unforgettable though near or far Like a song of love that clings to me How the thought of you does things to me Never before has someone been more Unforgettable in every way And forever more, that's how you'll stay That's why, darling, it's incredible That someone so unforgettable Thinks that I am unforgettable too

Unfortunately for humanity, I've gotten into the habit of providing my own closing music for shows by singing a song and playing the ukulele.

Unfortunately, most of the songs that I write I don't write them with guitar in mind. I just write it as a song and that was probably one of the ones that left an opening for it. The song's all right, I wouldn't choose to sing it now.

Unless I really loved it and felt really passionate about it, I would just kind of abort the song and start a new one.

Unless I am both capable of and willing to reopen the wound every time I write a song, if I choose to not look inside myself to write music, I'm really not worth being called an artist at all.

United Artists wanted to do records with me. I had no idea, what a rare thing that was... to make an album. And they put a guy with me working on songs, and I got busy with films. I just kind of let it slide. Isn't that amazing?

Unless I'm wrong I but obey The urge of a song: I'm-bound-away! And I may return If dissatisfied With what I learn From having died.

Unless you can feel when the song is done No other is sweet in its rhythm; Unless you can feel when left by one That all men else go with him.

Unlike my subject will I frame my song, It shall be witty and it shan't be long.

Unnur Birna is a Reykjavik-based violinist and singer. She has performed as a session musician with countless Icelandic and international artists while recording and appearing as a solo artist as well. Unnur has joined me as an unpaid guest on a few Icelandic shows in recent years, so it is a great pleasure to return the favour and appear on one of her songs at last. This new track, Sunshine, came about in Italy, written as an ode to sunlight and happiness after fleeing the dark winter in Iceland

Upon my lips the breath of song, Within my heart a rhyme, Howe'er time trips or lags along, I keep abreast with time!

Up till now I wrote the songs on my acoustic guitar alone with the Lord. Then I would take the song and share it with my family and then we all would figure out instrumentation together.

'Urban Renewal' was sweet because I've been - unfairly, I would say - plonked in the middle of the road because of a handful of songs. It came at a good time for me, because you do take a bit of a browbeating and, as you get older, you become better at accepting it and realizing why it happens.

Use your eyes as if tomorrow you would be stricken blind. Hear the music of voices, the song of birds, the mighty strains of an orchestra as if you would be stricken deaf tomorrow . . . Smell the perfume of flowers, taste with relish each morsel as if tomorrow you could never smell and taste again. Glory in all the facts of pleasure and beauty which the world reveals to you.

Usually now a song starts just in my head with a melody or a lyric idea coming first.Then typically I'll go to a guitar, unless it's a instrumental then I'll usually build it on a keyboard instrument.

Usually I just let my songs do the talking. As a matter of fact I have long had an aversion to celebrities endorsing politics, and in some cases even other causes. I wonder about their motives. And I have to admit when celebrities get involved in political campaigns I tend to get a little bit sarcastic about it.

Usually, I make a simple beat, throw in the acapella, and then I just improvise on the piano. Whatever comes up, I record the result, and I rework on it. Sometimes it takes a while to come with an idea, but mostly it comes naturally because I already have a connection with the song.

Usually, I think it's best to play the song for them once and have them mix it up on the spot, because when the logical mind gets too involved, I think it kills a lot of magic. I just think the subconscious mind is so much smarter, and unfortunately, people do not trust their subconscious. A lot of people just don't access to all of that, the secret genius that's inside of them. And it's so much easier to get it out of a musician if you don't give them a chance to overthink.

Usually the song is totally done. I'll do absolutely everything, backing vocals - everything - but in gibberish. A lot of times its based on the mumblings that I sing. Even though I sing in gibberish, it kind of makes sense.

Usually a song being hard to write is a sign that the song isn't good enough. It should be like a good kiss. Effortless and smooth.

Usually I start with a beat, I start making a beat, and my producer side is making the beat. And on a good day, my rapper side will jump in and start the writing process - maybe come up with a hook or start a verse. Sometimes it just happens like that. A song like 'Lights Please' happens like that.

Usually I will hear a sample, think of a theme and then it will take me a couple of days to write down some lyrics. Then I will decide that I hate those lyrics and rewrite. Then I will change all the music around. Then I will rewrite all the lyrics again. I am a bit of a perfectionist although you would never know it because all my songs are like chopped up and @#$%& up, but you see that's on purpose.

Video games are so popular these days, getting the opportunity to star in one is something special. More people should do it.

Vocal arrangements are something I'm working a lot with for the new songs.

Video is a funny thing. It's one thing to be an artist, singer-songwriter, and use words and create pictures in people's minds. And then be asked to do video for it, to actually give a certain visual for your song.

wanted to highlight that to a certain extent and go deeper into that direction. I also try to write each song in a different key, so I can be as diverse as I can. I'm always trying to push the envelope and not be complacent or happy in one spot. As far as the grooves on this record are concerned, I think we just tried to experiment in that realm.

Wake up to find out that you are the eyes of the world, but the heart has its beaches, its homeland, and thoughts of its own. Wake now, discover that you are the song that the morning brings, but the heart has its seasons its evenings, and songs of its own

Walk on a rainbow trail; walk on a trail of song, and all about you will be beauty. There is a way out of every dark mist, over a rainbow trail.

Walt Disney was a great believer in the use of song to convey story. He was primarily a storyman & story-driven songs were his 'pets.' He always asked what was going on with the song - he hated 'singing heads.' He loved learning about character & motivation thru music & lyrics.

Wakefulness is not a destination but a song the human heart keeps singing, the way birds keep singing at the first sign of light.

Walk through this with me. Through this church birthed of blood and muscle where every move our arms take, every breath we swallow is worship. Bend with me. There are bones in our throats. If we choke it is only on songs.

Watch out where the Huskies go And don't you eat that yellow snow

Way back in the day, when I first started and had delusions of adequacy as a cartoonist, I would listen to music. When I switched to a career as a writer, I would try to listen to music, but if the songs had lyrics they would get in the way of the words I was trying to write. So I switched to listening to purely instrumental pieces.

We actually have some gay people that work with us, and we have a lot of friends that are gay, too, and I know that this song has inspired them... I know that coming out was tough on their parents and on them and the whole entire family. For a long time, some of them didn't get to hear 'I love you' from their dads or be accepted in that way. ... It's helped a lot of our friends... We don't judge anybody's lives.

Water. Its sunny track in the plain; its splashing in the garden canal, the sound it makes when in its course it meets the mane ofthe grass; the diluted reflection of the sky together with the fleeting sight of the reeds; the Negresses fill their dripping gourds and their red clay containers; the song of the washerwomen; the gorged fields the tall crops ripening.