Best 8933 quotes in «song quotes» category

Find your balance and stand with it. Find your song and sing it out. Find your cadence and let it appear like a dance. Find the questions that only you know how to ask and The answers that you are content to not know.

Fine, you do that, and you tell them that at the very first opportunity, I'm coming down there and killing all of them. Mass murder. And after they're all dead, I'm going to kick the bodies around, dance on top of them, and sing a happy song. No jury will convict me.

['Fire and Rain'] is sort of almost uncomfortably close. Almost confessional. The reason I could write a song like that at that point, and probably couldn't now, is that I didn't have any sense that anyone would hear it. I started writing the song while I was in London...and I was totally unknown.... So I assumed that they would never be heard. I could just write or say anything I wanted. Now I'm very aware, and I have to deal with my stage fright and my anxiety about people examining or judging it. The idea that people will pass judgment on it is not a useful thought.

Finding out that Ray Charles sang country songs but it sounded as soulful as any rhythm and blues record that kind of opened up my horizons for what songwriting was and what singers I could listen to.

'Firecracker' was such a fun song to write and to perform.

First, in a love song, or any song for that matter, using a plastic word like "inhibitions" is just completely without feel or texture. It demonstrates a tin ear for communication.

First of all, I'm not a heartthrob. If you saw me in high school, you wouldn't say I'm a heartthrob. Having a hit song, the minute you're famous, you're a heartthrob. I know you don't believe me, but I honestly don't consider myself a heartthrob.

First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.

First you date the songs, and then you get engaged and then you marry them. They have to stand the test of time, because they are going to be yours for the next 20, 30, 40 years. So you had better choose right.

First play I ever did was 'Footloose.' I played the part of Willard when I was 16. I think I wore my drama teacher's jeans and her belt - that's how small I was. I know a lot of Willard's back story from the musical that's not explored in the film. Like he's got this whole relationship with his mama, and he sings this song "Mama Says".

Five mysteries hold the keys to the unseen: the act of love, and the birth of a baby, and the contemplation of great art, and being in the presence of death or disaster, and hearing the human voice lifted in song.

Flower god, god of the spring, beautiful, bountiful, Cold-dyed shield in the sky, lover of versicles, Here I wander in April Cold, grey-headed; and still to my Heart, Spring comes with a bound, Spring the deliverer, Spring, song-leader in woods, chorally resonant; Spring, flower-planter in meadows, Child-conductor in willowy Fields deep dotted with bloom, daisies and crocuses: Here that child from his heart drinks of eternity: O child, happy are children!

Flower was a good metaphor for growth. The song is obviously about sexual responsibility, so that was the main metaphor. Also, it's like knowing who someone has been and remembering and appreciating that, but really appreciating what they are now even more.

Folk songs are evasive-the truth about life, and life is more or less a lie, but then again that's exactly the way we want it to be. We wouldn't be comfortable with it any other way. A folk song has over a thousand faces and you must meet them all if you want to play this stuff. A folk song might vary in meaning and it might not appear the same from one moment to the next. It depends on who's playing and who's listening.

Folk music is not so much a body of art as it is a process, an attitude, and a way of life; its distinguishing features lie not within the songs themselves, but in the relations of those songs to a folk culture.

Folk songs in general, I like. The old spooky Scottish folk songs.

Flow gently, sweet Afton, among thy green braes, Flow gently, I'll sing thee a song in thy praise.

Fly Away changed my life. There are certain songs that do. When I won the Grammy, I was in Paris. I sort of forgot about it.

Follow me and do exactly what the song says Smoke weed, take pills, drop outta school, kill people And drink and jump behind the wheel like it was still legal.

Food binds us to our roots as strongly as any song or poem. Many of us have learned more about our ancestors in the kitchen than we ever will from a book.

For a brief moment, I considered deconstructing the song and going down a cerebral road, but then I realized it would kill what is most powerful about it.

Fools are my theme, let satire be my song.

For 70 nights, right across America, I've been getting out there with two ex-lovers and we've been playing songs which are so specific about each of us, you just wouldn't know. We're friends now but we can't forget what happened between us.

Fools, art is a heavy task, more heavy than gold crowns; it's far more difficult to match firm words than armies, they're disciplined troops, unconquered, to be placed in rhythm, the mind's most mighty foe, and not disperse in air. I'd give, believe me, a whole land for one good song, for I know well that only words, that words alone, like the high mountains, have no fear of age or death.

For a heart without love is a song with no words And a tune to which no one is listening So your heart must give love and you'll find that You shine like rain on the leaves you'll be glistening.

For all its material advantages, the sedentary life has left us edgy, unfulfilled, even after 400 generations in villages and cities, we haven't forgotten: The open road still softly calls like a nearly forgotten song of childhood.

For all things turn to barenness In the dim glass the demons hold The glass of outer weariness Made when God slept in times of old

For all that has been said of the love that certain natures (on shore) have professed for it, for all the celebrations it has been the object of in prose and song, the sea has never been friendly to man. At most it has been the accomplice of human restlessness.

For a moment there I convinced myself I had my back against a wall, and suddenly the only wall I find my back against is that of a 10 by 10 writing shack in Glendale, where the summer days average between 90 and 100 and each song can be quantified in the sweat it took to write it. There is no ac in hell, and sometimes you've got to get down to get up. The train is gaining speed I should think.

For a person as obsessed with music as I am, I always hear a song in the back of my head, all the time, and that usually is my own tune. I've done that all my life.

For a song cycle to work, you have to feel these things when you hear them and you either have an emotional reaction to it or you don't. The plotline is something that gets woven together in the backstory.

For as long as I can remember, I have written songs because I wanted to, because I was experiencing something that couldn't be described except through a sound.

For a song I was bought Now I lie when I talk With a careful eye on the cue card. Onto a stage I was pushed, With my sorrow well rehearsed. So give me all your pity and your money, now (all of it).

[For Before the Dawn] it was in the hands of a fantastic drummer and percussionist and who drove it into another moment in time. It's such a poignant song and it was transformed into entirely different beast.

For a while, I felt a little self-impelled to write Lou Reed Kind of songs. I should have understood that a Lou Reed song was anything I wanted to write about.

For centuries before Google, MIT, and IDEO, modern hotbeds of innovation, we struggled to explain any kind of creation, from the universe itself to the multitudes of ideas around us. While we can make atomic bombs, and dry-clean silk ties, we still don't have satisfying answers for simple questions like: Where do songs come from? Are there an infinite variety of possible kinds of cheese? How did Shakespeare and Stephen King invent so much, while we're satisfied watching sitcom reruns? Our popular answers have been unconvincing, enabling misleading, fantasy-laden myths to grow strong.

For centuries poets, some poets, have tried to give a voice to the animals, and readers, some readers, have felt empathy and sorrow. If animals did have voices, and they could speak with the tongues of angels-at the very least with the tongues of angels-they would be unable to save themselves from us. What good would language do? Their mysterious otherness has not saved them, nor have their beautiful songs and coats and skins and shells and eyes.

Forever Young, by Dylan, is one of my favorite songs.

For every age there is a popular idea about what madness is, what causes it, and how a mad person should look and behave; and it's usually these popular ideas, rather than those of medical professionals, that turn up in songs and stories and plays and books.

For every Foo Fighters record, we've had two or three beautiful, acoustic-based songs, but they never usually make their way to the record, because we want to make rock records.

For every good song, I write 20 bad ones I have to chuck away.

For flowers that bloom about our feet; For tender grass, so fresh, so sweet; For song of bird, and hum of bee; For all things fair we hear or see, Father in heaven, we thank Thee!

For hate is strong, And mocks the song Of peace on earth, good-will to men!

Forgive me, that I manage badly, Manage badly but live gloriously, That I leave traces of myself in my songs, That I appeared to you in waking dreams.

For hundreds of years people have talked about artists having inspiration, but often, some persons would say, write us a symphony or write us a song, on commission. The artists would come up with a masterpiece without waiting to have their muse inspire them.

For Joe Budden fans, and for Joe Budden, I like to focus on the creative side, and havin' a thought and bein' able to execute it in the booth. I think that song best displays me being able to do that.

For many years, I shut down that place inside myself that needed to rage, cry, ask questions and basically just express herself. I made a conscious choice when I put (the song) 'Me and a Gun' on the record not to stay a victim anymore.

For many of us the march from Selma to Montgomery was about protest and prayer. Legs are not lips and walking is not kneeling. And yet our legs uttered songs. Even without words, our march was worship. I felt my legs were praying.

For me, as a music fan, visuals kind of steal away the purity of the song. My instinct is not to provide a visual to go with a piece of music. But here's MTV. It's really powerful.

For me, country music symbolized freedom and the joys of life... roaming the country, experiencing the joys as well as the heartbreaks. It was a transporting kind of song, and I'd just kind of sing along with them.