Best 8933 quotes in «song quotes» category

There is no time in modern agriculture for a farmer to write a poem or compose a song

There is plenty of people I'd love to collaborate with, would love to produce with, would love to write songs with.

There is redemption in every song.

There is something elegantly sinister about the Rolling Stones. They sit before you at a press conference like five unfolding switchblades; their faces set in rehearsed snarls; their hair studiously unkempt and matted; their clothes part of some private conceit; and the way they walk and talk and the songs they sing all become part of some long mean reach for the jugular.

There is something in the spirit of song...that fires the soul in a way that it can't otherwise be touched or fired.

there is this one photograph... that is just beautiful. it would be impossible to describe how beautiful it is, but i’ll try. if you listen to the song “asleep,” and you think about those pretty weather days that make you remember things, and you think about the prettiest eyes you’ve known, and you cry and the person holds you back, then i think you will see the photograph.

There is the "you" that people see and then there is the "rest of you". Take some time and craft a picture of the "rest of you." This could be a drawing, in words, even a song. Just remember that the chances are good it will be full of paradox and contradictions.

There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artist's relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artist's concern with merely temporary and local disturbances. The song is higher than the struggle.

There is truth in little corners of our lives. There are hints of it in songs and children's eyes. It's familiar, like an ancient lullaby; What do I live for? If we've eyes to see... If we've ears to hear... To find it in our hearts and mouths the word that saves is near. Shed that shallow skin... Come and live again... Leave all you were before... To believe is to begin.

There is the happiness which comes from creative effort. The joy of dreaming, creating, building, whether in painting a picture, writing an epic, singing a song, composing a symphony, devising new invention, creating a vast industry.

the relentless touring and endless repetition of the same songs over and over again promoted a creeping awareness that my music had begun to sound like my washing machine.

There might be two or three songs I'm trying out. I've been singing these songs (on the new album) in the studio, but I haven't really done them live. It's intimate to sing them in a studio. Now, I've got to be on a stage and be in front of a lot of people.

The Replacements are the foundation for a lot of what came after in alternative and college rock. Let It Be is their best record and has the most diverse collection of songs. Some pop stuff, some heavy stuff, and some real moments of beauty like 'Sixteen Blue' and 'Androgynous.' It's a record I always go back to.

There must be a law if there is to be liberty. Try to play a piano and you will run into laws as fixed as the decrees of the Medes and Persians. But through those statutes you reach the songs, drudgery leads to delight. The law of Christ brings the liberty of Christ. Keep His statutes, and they become songs. The other side of commandment is conquest. What seems restraint to the outsider means release to you.

The Replacements definitely changed my life, I think they're just amazing. The thing that blew me away [a band like that] is that you'll get into a band from hearing one interesting song and then you'll realise that you've got seven or eight albums to listen to afterwards and every single one of them is a great record. The Replacements definitely changed my life.

There needs to be structures in place to do something about misrepresentation about hip hop. When awards are given out and the media talk about hip hop, they're confused because they haven't done their homework on it so you have a case where there's an award for the most pop song in the world and it's called 'hip hop'.

There's a certain feeling of giving, a certain feeling of generosity in love songs. When you sing a song of love, you're actually giving something to yourself, too. You're singing and casting these affirmations of love out into the universe.

There's a bootleg album that was recorded when I was 14 or 15, a compilation of things live at different clubs. Songs like Girl from Ipanema and Cry Me A River. I don't know what the title of it is.

There's a category for me. I like to be referred to as a good singer of good songs in good taste.

There're songs to make you smile, there're songs to make you sad. But with a happy song to sing it never seems as bad.

There's a band in a garage right now writing songs for an album that will do the same thing 'Nevermind' did some 20 years ago. We don't know who and where, but it will f***ing happen again. All it takes is for that storm to break.

The requests started coming in from other prisoners all over the United States. And then the word got around. So I always wanted to record that, you know, to record a show because of the reaction I got. It was far and above anything I had ever had in my life, the complete explosion of noise and reaction that they gave me with every song. So then I came back the next year and played the prison again, the New Year's Day show, came back again a third year and did the show.

There's a great difference between being popular and being an artist.

There's a feeling that you get when you write songs where... it feels like it's destined to do something. Then sometimes you get that feeling with a song and it never goes anywhere, that happens all the time too, so you never really know.

There's a little book I'm thinking of writing - "Swan Song" is what I shall call it. The song of the dying. And my book will be incense burnt at the deathbed of this society, damned with the damnation of its own impotence.

There's all kinds of those moments in your life where either through a weird set of circumstances, or a song you hear, or a smell you smell, or one person says something totally out of the context without the meaning that you assigned to it, but you snap back to the way you were when you were 14 or 15. We all deal with that.

There's a lot of craft that goes into achieving a hit song - at the beginning of your career, you're usually more inspiration than craft, and you get great when those intersect. A skilled songwriter can get you to that intersection.

There's a lot of people I'd love to work with at some point, but I think the song has to be the right thing. It has to be the right fit.

There's all these people involved, and it becomes this huge machine - it stops being just me making my own little songs for myself, or for the world. And it's hard to stop the machine. If you want to take time to write a record, they're like, "OK, tour through March, April, and June, then you can take a few weeks off to record in July before getting back on the road for the European festival circuit." After a while, I had to put my foot down.

There's a lot of personal stuff that can go into songwriting but there's also a lot of dramatization and fictionalization. You have to do that to make a good song.

There's a lot of rage you have to express it somehow. If I didn't express it in song, I'd become incredibly violent.

There's a lot of different ways that a song would be a challenge to parody. There are a lot of songs that would ostensibly be a good candidate for parody, yet I can't think of a clever enough idea. Some songs are too repetitive for me to be able to fashion a humorous set of lyrics around. Some songs flat-out just don't work creatively for me.

There's a lot of hurry up and wait. But it gives you time to write a song.

There's a lot of craft in songwriting. The divine inspiration is when the idea comes. It may be a riff. It may be a word. It may be a phrase. It may be a title. Sometimes, in the best of both worlds, that divine inspiration extends through the whole song. I've literally sat down and written a song from beginning to end, almost complete lyrics and everything without ever stopping...in two minutes. The chorus of 'She's Gone' was like that.

There's a lot of instant spotlight and pressure when it comes to a Bond song.

There’s always some level of optimism in every single song.

There's a lot of reflection that goes on whenever I write a song - it's been a wild whirlwind last couple of years and there's a lot to talk about, and hopefully that's evident in the music.

There's a lot of ridiculous hypocrisy about sex in films today. And that's one of the reasons why I made 9 Songs, to say, "Why can't you put sex in a film?

There's always stuff to write about. So it's very gratifying on a lot of levels. This is stuff I got asked over and over again, or heard about. People would ask me about it, but they kind of knew the answer. It would be this ongoing question: "Your fans are wondering, now that you're married, are you still going to be able to write songs?" I'm serious! I would get asked that!

There's always a tension between wanting to write a really concise, instant gratification type song that gets under your skin the first time you hear it, and wanting to really stretch out. I think it's a healthy tension.

There's always gonna be guys who are just wonderful singers and probably shouldn't be writing songs. Then there's always gonna be guys who move up the ranks writing. I don't know what's healthier or what's the best thing - probably whatever yields the best songs.

There's always going to be life experiences that find their way into my songs.

There's always that struggle between me wanting to keep [song] new and fresh and then be - I can never get with pop songs being so repetitive.

There's a million things that come through when you put songs together and it's kind of difficult to pinpoint exactly what triggers it on every occasion. It's just like somebody writing a screenplay or something like that.

There's an element to songwriting that I can't explain, that comes from somewhere else. I can't explain that dividing line between nothing and something that happens within a song, where you have absolutely nothing, and then suddenly you have something. It's like the origin of the universe.

There's an element of tongue-in-cheek in every one of our songs. Walking off into the sunset, holding hands, and being married forever was not exactly a brand new idea.

There's an opera out on the turnpike, there's a ballet being fought out in the alley.

There's a particular trend towards the empty pop song right now. Where people are like, "This. Is. Brilliant. She's singing about a crush on somebody. Wowww." You know what I mean? There's a weird, I don't know... It's called "poptimism.

There's a reason why the Foo Fighters don't blast out Nirvana songs every night: because we have a lot of respect for them. You know, that's hallowed ground. We have to be careful. We have to tread lightly. We have talked about it before, but the opportunity hasn't really come up, or it just hasn't felt right.

There's a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It's like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way... Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it's working and the rhythm's there, it does feel like magic to me.