Best 8933 quotes in «song quotes» category

It's the coolest feeling signing your record. And it's great when people come to your shows and know the words to the new songs.

It's striking how commercially viable that impulse for instant intimacy is right now, especially in songs and writing.

It's that feeling when you hear your favourite song. That feeling, whether you're in a car, at a party or alone at home or in bed and you hear this song and it just hits you so strong - that’s what we aim for.

It's the coolest part about writing music. I don't know how other people work, but so much is derived from some amalgamation of all these different songs that I love. That's why they jump all over the place.

It's the same at a rock-and-roll concert. You have an opening number with a strong entrance; then you go through a lot of the old standards, building up to your hit song at the end.

It's the great male fantasy-all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know-this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want princes, but boys want their princesses just as much.

It's the singer not the song that makes the music move along.

It's the way I enjoy making art - I like sitting down and making five beats; I enjoy that process. I can go two weeks without making a song and just making beats and I'll be OK.

It's the way I like to work for these kinds of songs [like "Peace Trail"]. It was the right time of the month; everything was looking good.

It's the song in your heart that wants you to help make yourself a better person, and to help other people do the same. Everybody has one.

It’s very difficult for me to appreciate my own songs as I criticise them a lot.

It's very hard for me to say "Do I have favorite?" because I find that each song represents a different sounds different emotions in Andy's [Kim] life. Particularly "Sister OK", 'cos that started everything.

It's very hard to get good songs because a lot of writers record their own; they keep the best for themselves.

It's very hard to teach someone how to write a song if to begin with there's no creative crop to harvest.

It's very important to have a good song - one where you can strip away all the production and just play it on guitar or at the piano. It has to hold its own. That's why I've put videos online with acoustic versions of my songs, so you can hear them in their original form.

It's very funny to see a Justin Bieber song done by a bunch of grown men.

It's weird being an author because it's different than writing songs. You put so much more of yourself out there to be judged because it's a memoir. So when the reviews come in, they all feel really personal. Some people are just going to hate you no matter what. Personally, I never believe good reviews. When people tell me they love the book, I just shrug and say, "Yeah, whatever." My shrink says it's all about the love within. You have to love yourself or you'll never be able to accept compliments from anyone.

It's what I like to call the horizontal Jesus. Vertical Jesus are the songs that say 'Lord I love you, Lord I praise you, Lord I thank you' and horizontal is 'I'm in a situation. This is the problem. How can I apply that now horizontally?' There are more problems in the world because he's not being applied horizontally.

It's warts and all in my songs, and I think that's why people can relate to them.

It's weird for me to try and write punk songs - I'm almost scared of it.

It takes me a lot of time, and it's almost frustrating for the guys sometimes because they're waiting for a new song. And I - it's just so important for me to get the perfect, exact, right song.

It takes us a long time to write a song that we all really like, so it makes sense that it would take a while for the listener to get there, too.

It was a complete dream to work with David LaChapelle. I collected his books as a teenager, and I fantasised that he would direct the video for 'Spectrum' from the moment the song was written. I still can't believe it actually happened, 
and I'm completely overjoyed that he felt such a connection with the song.

It used to be that youd have a song recorded by a major country artist and if it was a hit, you could buy a car. Now you can buy a dealership.

It used to kind of upset me when I'd be working on a part in my hotel room, and I'd get an idea for a song and find myself on the guitar for an hour when I should be working on my lines. But I've discovered that when I start to shake up my creativity it wants to be expressed in all kinds of different ways. They all kind of inform each other.

It was a nice relief to be able to work on individual songs.

It was always very important for us that we presented ourselves as a band, because it's a three-part writing process and it's a three-part decision making process, it's not two producer guys and a girl that sings the songs. It's startling how many people make that assumption.

It was a matter of not seeing the woods for the trees. Glorious songs have been in Ireland forever, but a lot of these were so popular they were sung only by drunken men at weddings. They didn't have any regard for the song at all. So, I picked out 14 songs that I had grown up with, songs with great melodies. After 35 years as a songwriter, I appreciate the value of a good melody because I know how hard it is to write one. So I presented them in a new way, with piano, keyboards, strings, and a contemporary rhythm section. I just treated the melody with a bit of dignity and a bit of style.

It was a very bizarre experience for me, to get the songs together, go in there, and try to deliver them as I would perhaps in a live setting. But I realized that I couldn't take on that coffeehouse style that I came from and go in there and burn it up.

It was as familiar to me as a song I'd been hearing my whole life, covered by various people but the basic tune the same.

It was dark and misty for 2 weeks, and I didn't come up with a thing. Suddenly the sun shone and it was, 'Wow, look at those beautiful Alps.' I wrote 'Mr. Blue Sky' and 13 other songs in the next two weeks.

It was a slow process. You gotta remember I hadn't recorded a song sober in seven years. So it took me awhile to even feel like I could record a song sober.

It was during this [as a kid] time that I came out of my shell vocally and performance wise, I learned how to really and truly sing in a different way.... my way. It was an amazing experience because I also realized my lifelong dream - to sing my own songs...I have something to say and it was a great release for me to share that part of myself with others.

It was just like a dream. I could have ended up with an album that's not all that different from anything else coming out of Nashville. Mutt made the difference. He took these songs, my attitude, my creativity, and colored them in a way that is unique.

It was [Kanye West] who spoke, and then we met and recorded some songs. After, you know what it is: we all bump like crazy.

It was missing a piece. And it was not happy. So it set off in search of its missing piece. And as it rolled it sang this song - "Oh I'm lookin' for my missin' piece I'm lookin' for my missin' piece Hi-dee-ho, here I go, Lookin' for my missin' piece.

It was my 16th birthday-my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do-write songs and sing them to people. [...] Everything on this record is what I really wanted to say, and I'm back to being the poet I always thought I was.

It was not cool to be that fun, bubbly kid, so I would just go off on my own and sing and make up songs, and that's how I think I developed into the kind of artist and writer that I am.

It was like orderin a hamburger and getting only the buns" (After Brooke White of season 7 on american idol sang the song 'Hero' by Mariah Carey)

It was like those songs I'd heard as a child, each so familiar, and all mine. When i got older and realized the words were sad, the stories tragic, it didn't make me love them any less. By then they were already part of me, woven into my conciousness & memory

It was more about getting together with other musicians and playing live. I needed to suss out a full set [for the Last Summer tour], and I didn't want to play Fiery Furnaces material. So half of our set was new songs that we ended up recording for this album. And that made such a huge difference - going into the studio after playing a song for two years, knowing it inside-out and having sung it millions of times, and then recording it is a totally satisfying experience. You're suddenly in this controlled environment and you can make it sound exactly as you've been imagining it.

It wasn't like we cut songs out; we cut bits of songs, bits of action or bits of whatever. So we would have to go back in get a full orchestra re-orchestrate it, re-score it, re-record it. It's a massive job. But, if there's a demand we can always discuss it.

It wasn't my natural inclination to get into writing protest songs.

It wasn't until I moved to Nashville that I realized what an amazing community it is. It's the thing I've been missing my whole career, the feeling of being able to sit around with a guitar and have people know each other's songs and know songs from people who've influenced all of us. When I moved here pretty early on Vince Gill started calling me to do guitar pulls, and I thought, gosh, this is just like heaven on earth down here.

It was on this day that the Bahamas declared independence. Before that they were a British colony. The British Empire lost Canada and the Bahamas, to name just a couple. Britain's been dumped more times than Taylor Swift. But did they go writing whining songs about it? No.

It was November--the month of crimson sunsets, parting birds, deep, sad hymns of the sea, passionate wind-songs in the pines. Anne roamed through the pineland alleys in the park and, as she said, let that great sweeping wind blow the fogs out of her soul.

It wasn't just about flashing lights and pinball machines blowing up and things like that. It was about using encores, bringing back the good songs and using techniques that I knew about from rock performance.

It wasn't professional, but it was a few levels below the top level. I loved playing football, but my passion was always music. It didn't become a possibility to me until I started playing songs I thought were good. I think it happened during my third song. The dream to become a musician appeared in my heart, and that happened about 2010.

It was really different this time, because we did everything in the studio and thought out the writing and song structures. Before this album ["The Black Crown"], we used to just write riff after riff and then worry about the rest of it later.

It was really fun. Well, Bobby was just basically a folk singer. He didn't play with any bands or anything, like all the rest of us. Just played his guitar and sang his songs.