Best 8933 quotes in «song quotes» category

I don't like it when people ask me what my favourite Beatles song is. I always get that. First of all, I don't like having to pick a favourite thing anyway. You can't pick a favourite Beatles song! What about "Strawberry Fields"? What about "Lucy In The Sky With Diamonds"? What about "Tomorrow Never Knows"? Come on. That question is small minded to think you could even have a favourite Beatles song.

I don't like hearing Beatles songs in commercials. It almost renders them useless. I think, 'Oh God, another one bites the dust.'

I don't like lyrics that are just thrown together, that were obviously written as you went along, or the song was already written and the guy made up the lyrics in five minutes.

I don't like to feel like I'm in a club when I'm in my car and I turn on the radio. Anything that ceases to be a song and just sounds like house music kind of stresses me out.

I don't like the way recording to digital sounds. Most of the time when I'm recording to 2-inch tape, I still have a romantic vision of how songs sounded coming out of the radio when I was younger, and how they sounded coming out of my little four-track cassette player.

I don't like to go into the studio with all the songs worked out and planned before hand ... you've got to give the band something to use its imagination on as well. That can make a very ordinary song come alive into something totally different ... the X-factor - so important in rock and roll - which is the feel.

I don't like to make fluffy little songs, but now I want to make some light songs.

I don't like to play the same set every night. I think the band would prefer the same 12 songs, to be honest, but if I get bored, then I think the audience gets bored too.

I don't listen to a lot of new stuff. I just like the old stuff. It's all quite dramatic and atmospheric. You'd have an entire story in song. I never listen to, like, white music - I couldn't sing you a Zeppelin or Floyd song.

I don't look at myself as a celebrity. People recognize me, but it's all about my music, my songs. It's not like I'm a greater being. I take my kids to school, pick them up, go to the grocery store. I'm a mother, and my kids mean more to me than even being an artist.

I don't love playing new songs in a festival environment. Because when it comes to a festival a lot of people probably won't know your band really well at all so playing more familiar songs is a little more conducive in having a better show.

I don't make the mistake of thinking it's a major musical event. I love the Eurovision Song Contest and it will continue long after I'm gone. Just please don't ask me to take it seriously.

I don't listen to the national anthem ironically. It's a beautiful song. I love it!

I don't mind doing two or three Eagles songs and playing the drums. I'm not one of those artists who's going to sit here and deny the past.

I don't mean this in a stuck-up way, but I needed an attitude song.

I don't mind him not talking so much, because you can hear his voice in your heart; the same way you can hear a song in your head even if there isn't a radio playing; the same way you can hear those blackbirds flying when they're not in the sky

I don't much like 'Wonderwall,' but the effect that song has on people, I can't deny it.

I don't need to edit names out of songs and I don't need to edit details out of my songs because I've always been able to be honest with my music. That's the one place where I'm never ever going to change how I do things.

I don't own an ABBA album, and I never had the urge to go and buy one. If you're just talking about well crafted pop songs, they were fantastic.

I don't really care about how good a song is, I only want them to reflect what I felt when I was writing them

I don't play the traditional Charlie Parker songs. But I do improvise and I do create with my instrument, and that to me is jazz. But there are people who use the word 'jazz' only in a traditional sense, and they would be offended by that, and that's fine.

I don't really have a favorite song. Music is such a big part of who I am, and speaks to so many different emotions inside me, that I don't have an all-time favorite.

I don't really break into too many solos. But I've never been a super-big solo guy anyway. I like to make the main melody guitar lines of the songs as cool and interesting as possible without just strumming chords. I like to have chords intertwined with riffs here and there, but I'll do the riffs and the solos where the bottom will drop out. Basically, I do everything for the song, I don't do it for the solo glory. Kids aren't really into that anymore for some reason.

I don't really have a set-in-stone process or formula. Sometimes the melody is there and I have to chase down the lyrics. Sometimes, the song is there and I have to make the melody fit. What I've learned so far about songwriting is that I can't force a song. If I try to do that, it's hollow, and people know a hollow song when they hear it. It's the song they stop listening to and forget about. I'd prefer not to write those kinds of songs.

I don't really know how writing process happens, how these songs are arrived at. One of the things I like about the writing process is, I don't necessarily know where it's going, and even if I think I know where it's going, it'll turn out different. I find that exciting and rewarding.

I don't really think about having had a hard life. It was just my life, and it's all I knew. It made me who I am - all the good and bad - and it's where all of the songs on Here For The Party came from. I've lived them all.

I don't really like over-explaining the songs. Everyone constantly asks what the songs are about, and I think the thing is that the songs definitely all have stories in them; it's just nice to let people decide what they are. I think it's important that people hear it themselves rather than having me annotate it.

I don't really listen to the radio too much. I know that one song, "Hotline Bling.

I don't really know why an idea comes to me. But all of a sudden, an idea comes and from experience I can intuit what something means when an interesting line pops up. Or I can intuit what an interesting choice might be. And I can try a couple of different choices, and see which one feels right, and then continue the song to see where it goes.

I dont really take anything from home except some U.S. magazines and books and definitely some U.S. music. There are just certain songs that remind me of home.

I don't really need to stand out, there's room for everyone. Although I haven't built a niche yet, I'm just writing love songs.

I don't really see how any song can not feel contrived if it isn't honest, and how could I write honest songs if I don't write about stuff going on in my life and how I'm feeling?

I don't really know where the songs are coming from often. Many of the best things I made up were just off the top of my head.

I don't really listen to rock music anymore. But were I to write a song that sounded like it could be a rock song, I'd probably give it to the Pornographers, and I'd be excited to try to make it work.

I don't really write journals and stuff and then adapt them to music, it's completely within the form of the song. My great obsession and basically the bane of my existence is caring probably too much about every word, but it's too late to change my career path.

I don't set goals for myself too much, but I'm always trying to write that one great song.

I don't remember things initially when listening to music. Like, I don't remember where I first heard a song, I don't have nostalgic attachment to a song in that it reminds me of such and such a time or place. I think I probably did experience that somewhat when I was not a full-time, professional musician, but I don't think music works that way for people who are in it constantly.

I dont separate my work with the band from this solo project-Im sure the group could have recorded any of these, and they would have if the Fleetwood Mac project had come up at this time. I dont have any finished songs lying around.

I don't see the songs as uplifting, but rather as trying to make lemonade from lemons, or whatever. When I listen to them, I understand the context. I don't like to pepper songs with my own experiences, though.

I don't separate writing songs from poetry and short fiction. In the area where I work in my house, there's a word processor and a guitar.

I don't sing a song unless I feel it. The song don't tug at my heart, I pass on it. I have to believe in what I'm doing.

I don't take off as many days as most other producers and songwriters, so I'm working every single day, and I do songs every day. So it's just about finding time, scheduling, getting in and cutting the records. I make it happen and that's the name of the game. It's no excuses - you gotta figure it out.

I don't talk about my personal life in great detail. I write about it in my songs, and I feel like you can share enough about your life in your music to let people know what you're going through.

I don't sit down to write a song; they just come to me from something that somebody says, or something in the news. The punchline comes to me, and I go over it in my head and get the song form. I hadn't been doing that a lot.

I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs.

I don't spend my time perusing message boards to find out what people think about me or if people think my songs are good or if people love that lyric or this or that. I just want to be happy with it myself - and if other people like it, that's great.

I don't think any of us felt like, "Oh, we need to put joke songs on the record." If we found something funny, we would record it, and if we wanted to, we'd put it on the record. It's not really something we spent too much time agonizing over.

I don't think Ed Sullivan had anything to do with Carib Song.

I don't think comic timing is the same as music timing, but I definitely find that I've learned from just writing in general that songs can be narrative without having a story.

I don't think I ever saw Hank with anybody, say, 'Let's go write a song.' One Sunday morning we left Nashville to go to Birmingham to do a matinee and a night, and he said, 'Hand me that tablet up there.' And he wrote down, 'Hey, good lookin', what you got cookin'' and before we got to Birmingham it was finished.