Best 8933 quotes in «song quotes» category

I never thought of having platinum albums and winning awards. I just wanted to write songs and sing when I started out in the music business.

I never trust songwriters who talk about what their song is about.

I never try and force-feed any song idea or lyrical message. It's really what's on my mind and what comes out of me. And a lot of these lyrics are metaphors for specific life situations that I've been through, and in most cases, the struggles. Something about human beings wearing sadness heavily on their sleeve inspires me to make something uplifting about the situation.

I never took singing lessons. I guess, I feel comfortable with it, but I do not feel like a singer. I never want to sing without a guitar in my hand. I consider myself more of a songwriter, rather than a singer. I could never be in a wedding band and just sing Marvin Gaye songs.

I never try to be religious. I never try to be any type of religious cat. Spiritual, yes, but religion, when you get into that you get into a category where you lock yourself in and people look at you a certain way and then they become that way. Nah, I'm still an MC, I'm an MC first. People try to figure out my origin, at the end of the day it's just clever songs.

I never want to pick an easy song. I want to continue to challenge myself vocally.

I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.

I never want to be too mean with my songs, but with I Hope It Rains it was definitely somewhere in the middle with being sassy but also a little class in there as well. It was a good blend for me and who I want to be perceived as an artist.

I never wanted to be a star, I never wanted to travel far / I only wanted a little bit of love so I could put a little love in my heart / I never wanted to be la-de-da, go to parties ‘avec le bourgeois’ / I only wanted to sing my song well so I could ring a small bell in your heart

I never write from concept. The beat is the beginning, and then I fill in the rest of the song into what it should be.

I never wrote music or arranged songs or lyrics when I was under the influence of anything but coffee. That's not gone away.

I never wanted to be an actor and to this day I don`t. I can`t get a handle on it. An actor wants to become someone else. I am a song-and-dance man and I enjoy being myself, which is all I can do.

I never wanted to write the sort of song that said, 'Look at how abnormal and crazy and out there I am, man!'

In every song I write, whether it's a love song or a political song or a song about family, the one thing that I find is feeling lost and trying to find your way.

In fact, after Donald Trump won, some of the relief of finishing record was to turn off all the politics for a while. There were some songs that had more of the political stuff that we just decided to wait on and put aside. A few weeks after the election, I stopped watching cable news and just unplugged. My way of dealing with the new situation we're in was to just work on something that I care about.

In fact, my favorite Beatles song is "In My Life." And from that, you can gauge that my friends mean so much to me. I love John Lennon, so it's kind of like moody... There's a lot you can gauge from that. As insignificant as it seems, as an actor, it's an interesting way to approach a character.

In fact, many musicians are the happiest when the artist and audience re-interpret or re-imagine the content of the songs.

In fact, on a side note, after the success of the first record, I got asked to write for some pop artists, as everybody does, and I did a couple songs for some of these massive stars and the review that I got back was, "This artist likes the song but it's too POP-y for them." I was like, "What do you mean, I thought I was writing for a pop star.

In folk music, I've always been fond of the fragment. The song that has one verse. And you don't know anything about the characters, you don't know what they're doing, but they're doing something important. I love that. I'm really a sucker for that kind of song.

In Genesis we saw ourselves as song-writers. After Peter Gabriel left I was the first to say: 'It's OK - we can just do instrumentals.'

In high school, I was Mr. Choir Boy. I had solos, I was helping out the tenors with their parts and our choir teacher would ask me what songs we should do.

In high school no guys wanted to be in a band with me unless I was going to play bass or play grindcore or be in a scream-o band, so it was fun to finally have that experience of having my songs backed by a drummer and a bassist who were just as excited about it as I was.

In hip-hop, I wasn't very focused on delivering a message. It was just a string of lines that didn't connect. What I wanted to do is write stories... and affect someone's emotions with that song. I think as a soul singer, I'm able to accomplish that.

In high school, some of the guys were really into music. When I first joined the team as a sophomore, I was blown away when we came out for our first home match—I'm getting goose bumps just thinking about it. The seniors would bring their whole stereo system. We started by yelling and stuff inside this little room just off the gym; then the coaches said, "Ready. Go!" We threw open the door and came running out. Even when I hear the songs now I get all jacked up.

In green old gardens, hidden away From sight of revel and sound of strife, Here I have leisure to breathe and move, And to do my work in a nobler way; To sing my songs, and to say my say; To Dream my dreams, and to love my love; To hold my faith, and to live my life. Making the most of its shadowy day.

In Homer and Chaucer there is more of the innocence and serenity of youth than in the more modern and moral poets. The Iliad is not Sabbath but morning reading, and men cling to this old song, because they still have moments of unbaptized and uncommitted life, which give them an appetite for more.

In Hungary all native music, in its origin, is divided naturally into melody destined for song or melody for the dance.

In honor of his new Nobel, this hard-core Dylanophile wants to share with you a song or two from each of his many incarnations. Because you deserve to know.

Initially, in starting to pick the songs for the live show, it was really a matter of picking songs that I loved over the years. As far as the album goes, it happened very naturally.

Initially, when I was first starting as a musician, I was a very nationalistic figure and I used to believe in doing a lot of national songs. I would always have a national song in the albums I did.

In law also the emphasis makes the song.

In Middle America men are awakening. Like awkward and untrained boys we begin to turn toward maturity and with our awakening we hunger for song. But in our towns and fields there are few memory haunted places. Here we stand in roaring city streets, on steaming coal heaps, in the shadow of factories from which come only the grinding roar of machines. We do not sing but mutter in the darkness. Our lips are cracked with dust and with the heat of furnaces. We but mutter and feel our way toward the promise of song.

In mid-wood silence, thus, how sweet to be; Where all the noises, that on peace intrude, Come from the chittering cricket, bird, and bee, Whose songs have charms to sweeten solitude.

In most of my films I write the music into the script. I'm listening to songs and lyrics that empower the themes of the film. There's a lot of Indigenous music that has not been heard widely and I love the idea of giving that music to the rest of the world.

In most cases, my favorite Jethro Tull songs will be determined by how I feel about them as live performance songs, not by the recorded identity.

In my banjo show with the Steep Canyon Rangers, I do do comedy during that show. It'd be absurd just to stand there mute and play 25 banjo songs.

In Moulin Rouge, Baz Luhrmann takes the most thrilling moments in a movie musical-the seconds before the actors are about to burst into song and dance, when every breath they take is heightened-and makes an entire picture of such pinnacles.

In my first bands I was a singing guitar player, but if you heard any of those songs you wouldn't describe me as a singer. But I can make it work.

In musical theater, if you have a song, it has to advance the plot. If you have a song in a musical and it does not advance the plot, it gets dropped.

In my opinion, there is a huge lack of imaginative, unconventional music being created by artists today and what little there is, goes widely unappreciated by the masses. 'Port Blue' is my attempt at re-creating the music I want to hear and the emotions I want to feel." "If by chance you ever feel as though you’ve come to know these songs, please consider yourself a friend because in a manner of speaking, you know me. This music is my heart and soul. This is who I am." (Adam R. Young, 2006)

In my opinion, poets talk through the symptoms of disease. These symptoms of disease are predictions, screams, and songs.

In my particular instance, I came from a family that didn't have anything. Everything I earned in life I made. Myself. With songs that I wrote.

In my opinion, I think sarcasm and humor in a song, without turning it into a novelty song, is really charming.

In my songs, I'm not saying something that's never been said before. The have lyrics aren't going to blow people away. It's the emotion and the melody that drive it home.

In my world, history comes down to language and art. No one cares much about what battles were fought, who won them and who lost them - unless there is a painting, a play, a song or a poem that speaks of the event.

In my songs there's a lot of intimate, personality - driven, sweet singing, and that's the kind I actually love the most, as close to how we speak as possible.I do get to do the crazy high notes, of course. But that's also a part of me. I'm full spectrum. A vulnerable side and a side that wants to kick ass.

In my songs, the sex is all subliminal. It's subliminal, spiritual.

In nature everything is valuable, everything has its place. The rose, the daisy, the lark, the squirrel, each is different but beautiful. Each has its own expression. Each flower its' own fragrance. Each bird its' own song. So you too have your own unique melody.

In New York I heard A Piece of Ground, written by a white South African, Jeremy Taylor. I modified it a little and sang it myself. That song is very special to me because it deals with the land question in southern Africa. We were dispossessed of our land.

I no longer really have faith in the album anymore. I no longer have faith in the song.