Best 8933 quotes in «song quotes» category

It was as familiar to me as a song I'd been hearing my whole life, covered by various people but the basic tune the same.

It was dark and misty for 2 weeks, and I didn't come up with a thing. Suddenly the sun shone and it was, 'Wow, look at those beautiful Alps.' I wrote 'Mr. Blue Sky' and 13 other songs in the next two weeks.

It was a slow process. You gotta remember I hadn't recorded a song sober in seven years. So it took me awhile to even feel like I could record a song sober.

It was during this [as a kid] time that I came out of my shell vocally and performance wise, I learned how to really and truly sing in a different way.... my way. It was an amazing experience because I also realized my lifelong dream - to sing my own songs...I have something to say and it was a great release for me to share that part of myself with others.

It was just like a dream. I could have ended up with an album that's not all that different from anything else coming out of Nashville. Mutt made the difference. He took these songs, my attitude, my creativity, and colored them in a way that is unique.

It was [Kanye West] who spoke, and then we met and recorded some songs. After, you know what it is: we all bump like crazy.

It was missing a piece. And it was not happy. So it set off in search of its missing piece. And as it rolled it sang this song - "Oh I'm lookin' for my missin' piece I'm lookin' for my missin' piece Hi-dee-ho, here I go, Lookin' for my missin' piece.

It was my 16th birthday-my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do-write songs and sing them to people. [...] Everything on this record is what I really wanted to say, and I'm back to being the poet I always thought I was.

It was not cool to be that fun, bubbly kid, so I would just go off on my own and sing and make up songs, and that's how I think I developed into the kind of artist and writer that I am.

It was like orderin a hamburger and getting only the buns" (After Brooke White of season 7 on american idol sang the song 'Hero' by Mariah Carey)

It was like those songs I'd heard as a child, each so familiar, and all mine. When i got older and realized the words were sad, the stories tragic, it didn't make me love them any less. By then they were already part of me, woven into my conciousness & memory

It was more about getting together with other musicians and playing live. I needed to suss out a full set [for the Last Summer tour], and I didn't want to play Fiery Furnaces material. So half of our set was new songs that we ended up recording for this album. And that made such a huge difference - going into the studio after playing a song for two years, knowing it inside-out and having sung it millions of times, and then recording it is a totally satisfying experience. You're suddenly in this controlled environment and you can make it sound exactly as you've been imagining it.

It wasn't like we cut songs out; we cut bits of songs, bits of action or bits of whatever. So we would have to go back in get a full orchestra re-orchestrate it, re-score it, re-record it. It's a massive job. But, if there's a demand we can always discuss it.

It wasn't my natural inclination to get into writing protest songs.

It wasn't until I moved to Nashville that I realized what an amazing community it is. It's the thing I've been missing my whole career, the feeling of being able to sit around with a guitar and have people know each other's songs and know songs from people who've influenced all of us. When I moved here pretty early on Vince Gill started calling me to do guitar pulls, and I thought, gosh, this is just like heaven on earth down here.

It was on this day that the Bahamas declared independence. Before that they were a British colony. The British Empire lost Canada and the Bahamas, to name just a couple. Britain's been dumped more times than Taylor Swift. But did they go writing whining songs about it? No.

It was November--the month of crimson sunsets, parting birds, deep, sad hymns of the sea, passionate wind-songs in the pines. Anne roamed through the pineland alleys in the park and, as she said, let that great sweeping wind blow the fogs out of her soul.

It wasn't just about flashing lights and pinball machines blowing up and things like that. It was about using encores, bringing back the good songs and using techniques that I knew about from rock performance.

It wasn't professional, but it was a few levels below the top level. I loved playing football, but my passion was always music. It didn't become a possibility to me until I started playing songs I thought were good. I think it happened during my third song. The dream to become a musician appeared in my heart, and that happened about 2010.

It was really different this time, because we did everything in the studio and thought out the writing and song structures. Before this album ["The Black Crown"], we used to just write riff after riff and then worry about the rest of it later.

It was really fun. Well, Bobby was just basically a folk singer. He didn't play with any bands or anything, like all the rest of us. Just played his guitar and sang his songs.

It was R.E.M. who showed other Eighties bands how to get away with ignoring the rules - they lived in some weird town nobody never heard of, they didn't play power chords, they probably couldn't even spell 'spandex.' All they had was songs.

It was Rick's Rubin idea to have the 'Brooklyn' verse repeat. It already was a story, but having that made it a folk song. Instead of this rambling march of verses, Rick understands that music needs hooks. You need that repeated chorus, that everyone can sing along to.

It was the British rockers that saved me. They brought me to a different generation altogether [in the 60th]. The Who and The Yardbirds and Georgie Fame and Van Morrison and all those people. The only person who ever did my songs in [ U.S] country was Bonnie Raitt.

It was really hard to find people to come over and play guitar and sing and write songs together. So that turned me into a songwriter that way, just so I could be able to play with other people.

...it was the arts, those noble expressions of the human spirit that are communicated through literature, dance, song, film, drama, painting and sculpture, among the many other such creative means, that helped articulate the sufferings of [these] people that were heard around the globe.

It was such a sweet, sad song with such sweet, sad lyrics. Old-fashioned a little, but also timeless.

It was very romantic. It's all in the song, The Ballad of John and Yoko. If you want to know how it happened, it's in there. Gibraltar was like a little sunny dream. I couldn't find a white suit -​ I had sort of off-white corduroy trousers and a white jacket. Yoko had all white on.

It was writing about music for NPR - connecting with music fans and experiencing a sense of community - that made me want to write songs again. I began to feel I was in my head too much about music, too analytical.

It was your song that made me sing It was your song that gave me wings It was your light that shined guiding my heart to find This place where I belong It was your song Dreams can come true With God's great angels like you

It will affect me in ways I can't even begin to get my mind around. This day is a dark crater. There is no room for songs. The songs are wrong. Every song is wrong. And I don't know what to do without music.

It won't be long before another day, were gonna have a good time. And no ones gonna take that time away. You can stay as long as you like

It would be impossible for me to give you a list of the top 10 songs that shake my life. Far more music went in to it than just ten.

It would be fun to go back and see where all my songs stopped, because I think I'd have every number in the top 100. It never ceases to amaze me. It still hurts when one doesn't work, because you put your heart and soul into it.

It would be as naive to study the song of the nightingale, as it would be ridiculous to try and win a King's Gambit against a representative of the old chess guard.

It would be inappropiate, undignified, at 38, to conduct friendships or love affairs with the ardour or intensity of a 22 year old. Falling in love like that? Writing poetry? Crying at pop songs? Dragging people into photobooths? Taking a whole day to make a compilation tape? Asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or TS Eliot or, god forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at 38, to expect a song or book or film to change your life.

It would be so nice to write songs that end up being timeless.

It would be very difficult to draw a line between holy wonder and real worship; for when the soul is overwhelmed with the majesty of God's glory, though it may not express itself in song, or even utter its voice with bowed head and humble prayer, yet it silently adores.

It would be nice to abandon the verse-chorus-bridge structure completely, and make it so none of these things are definable. ... Make up new names for them. Instead of a bridge, you can call it a highway, or an overpass. ... Music should never be harmless. ... I remember from my earliest years, people speaking, you know, in a certain kind of rhythm and telling stories and sharing experiences in a way that was different in Indian country than it was other places. And I was really struck by this and obviously very affected by it, because it's always come out in my songs.

It wouldn't be a Carrie Underwood album without a revenge song on it. People really like when I do that. I don't mean to. I don't hate men that much. But it turns out so well!

It would get really alienating, to have my face be the face of a cause. So much just comes down to the songs. I just want to give us the opportunity to write great songs. Even our work in Haiti is limited by how good our songs are. We just need to get rid of as much of the bullshit as possible, so we can have a life, so we have something to write about.

I understand why some kid in his bedroom in Wisconsin thinks downloading songs couldn't hurt anyone. True fans will buy the CD or go see the movie after downloading, but to say it doesn't affect anyone - come on.

I understand that transposing a song a half step can effect the believability of a lyric.

I understand why people get desensitized and roll their eyes when they hear a protest song, or even a politician making some flowery speech. It doesn't really change anything.

I understand why some bands don't like test new songs, but for us it's been very helpful and it hasn't really backfired. I was nervous that our second record was - you know, you could hear the whole thing on YouTube before the album came out because we played it all live, but it ended up being something that people appreciated.

I use a lot of specific places in my songs - traditionally, a lot from Minneapolis and St. Paul, where I grew up. Most people, especially when you get into international touring, have not been there. So you say, "Well, isn't it risky to talk about the corner of Franklin Avenue and Lyndale?" If you do it right, someone should say, "God, I know a corner like that." Offering specific details to describe something universal.

I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then "accidentally" sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.

I used to go to the school folk club with my songs when I was only 13 or so and say "this is a traditional folk song" and sing it with a bad Irish accent to disguise the real source.

I used to imagine that making it in music - really making it in music - is if you're an old man going by a schoolyard and you hear children singing your songs, playing jump-rope, or on the swings. That's the ultimate. You're in the culture.

I used to like to set different film clips to classical music, not even my own songs, but make little movies.