Best 8933 quotes in «song quotes» category

I am really obsessed with finding melodies that just hypnotize you and sink you into a song.

I am saying what comes out, because I'm really not a methodical writer. I'm not a good building writer, where you are like "well, I going to make a song today, and I think it will be a pop song." Some people are great at it and it's beautiful. If I am feeling musical and I pick up the guitar, usually something will eventually come out and I'll see where it goes.

I am so all over the place with my music taste, it's ridiculous. It is! I mean, I find myself listening to weird things like hardcore techno music and then I'll be listening to mainstream hip-hop music. But it's like I am so crazy with my music taste. I'll listen to a song, I'll become obsessed with it, and then I'm on to the next one. So it's just very inconsistent.

I am the Alexander Graham Bell of the phone company, the Christopher Columbus of America because after 'The Twist' everything changed, .. Watch the films from 1958 up to 1959, and watch American Bandstand during that time. After the song came out, everything was different.

I am the entertainer, I've come to do my show You've heard my latest record, it's been on the radio It took me years to write it, they were the best years of my life It was a beautiful song but it ran too long If you're gonna have a hit you gotta make it fit So they cut it down to 3:05.

I am the stereo-typical classic lapsed Catholic. Religious themes crop up in my songs sometimes as metaphors and other kinds of touchstones for getting at issues and "deeper issues," and all that. Right now, honestly, I think all religion is proving itself to be a NET negative on the human race. I recognize its valuable place in individual lives and many larger communities - I know the good that is done in its various names all over the world, but I don't believe in it anymore, and I see the negative aspects dragging us down at a much faster rate than the positive ones are bouying us up.

I am very busy and don't have a lot of down time, but I write my best songs in those situations. I enjoy my life the most when I have a bunch of things going on at the same time.

I am very impressed by The Carrivick Sisters, one of the best young duos I’ve heard. The girls sing and play as one and their work is characterised by great musicality. They are not only very talented instrumentalists and singers but they write really good songs as well.

I am writing better Stephen Sondheim songs than even Stephen Sondheim is writing.

Ian and Sylvia, who, when you got right down to it, were essentially country and western singers. I just recorded his Four Strong Winds. It's a wonderful song.

I appreciate when people listen to the sad songs, because it's almost like telling someone your problems and having them listen with a compassionate ear.

I approach song writing three different ways. One way is where I write the initial melody and lyrics first and then take it in to the producer to collaborate. Another way is where the producer sends me his initial musical track ideas and then I write the lyrics and melody over his track. The third way is where we just jam out in the studio and see what we come up with.

I appreciate art in any form. So it applies to clothes as well. On stage, I think people prefer me in Indian outfits... in fact, it goes with the kind of songs I sing as well. Indianness in the form of a sari, or a chaniya choli or jeans with something interesting, matches my style of singing.

I appreciate the additional additives and preservatives that help sell a project, but I'm sticking to what works best for me. I gotta sell the album live on stage and make people believe in the songs.

I asked her, "Are you an optimist or a pessimist?" She looked at her watch and said, "I'm optimistic." "Then I have some bad news for you, because humans are going to destroy each others as soon as it becomes easy enough to, which will be very soon." "Why do beautiful songs make you sad?" "Because they aren't true." "Never?" "Nothing is beautiful and true." She smiled, but in a way that wasn't just happy, and said, "You sound just like Dad.

I ask but one thing of you, only one, That always you will be my dream of you; That never shall I wake to find untrue All this I have believed and rested on, Forever vanished, like a vision gone Out into the night. Alas, how few There are who strike in us a chord we knew Existed, but so seldom heard its tone We tremble at the half-forgotten sound. The world is full of rude awakenings And heaven-born castles shattered to the ground, Yet still our human longing vainly clings To a belief in beauty through all wrongs. O stay your hand, and leave my heart its songs!

I base my track-listing and what songs I pick by what my fans expect from me and what they want and what I think they want.

I basically try not to waste any lines in any of my songs, and I think the witty phrases and funny lyrics I have bring a smarter sound to college hip-hop.

I auditioned for a solo in church and got it. I was about seven and I sang a song called, 'Jesus, I Heard You Had a Big House' and I remember people standing up at the end and me thinking, 'Oh, I think I'm going to like this.' That's how it all began. Sounds funny to say you got your start in church, but I did.

I basically had the idea when I was 18 that I wanted to write my own songs. I knew it was going to be a long, tough road, and I was like, if I just begin now, by the time I'm 40, I'll be good at it.

I bear my testimony that there is no joy to be found in all this world like that of sweet communion with Christ. I would barter all else there is of heaven for that. Indeed, that is heaven. As for the harps of gold and the streets like clear glass and the songs of seraphs and the shouts of the redeemed, one could very well give all these up, counting them as a drop in a bucket, if we might forever live in fellowship and communion with Jesus.

I bad a piano long before I bad a guitar, and the practice I got just playing those three chords in a basic 12-bar blues song was very important.

I basically taught myself how to sing and play by copying records, and that's just how it was for me. I know that's true for a lot of budding musicians out there - that's the thing that gets them inspired, is trying to learn their favorite songs. I think it's a great way to teach yourself.

I began dabbling in writing when I was 12, and there was never an official start to singing... I just sang my songs because there was no one else to sing them and no one told me to shut up!

I begin with songs. They provide a sort of skeleton grammar for me to flesh out. Songs of longing for future tense, songs of regret for past tense, and songs of love for present tense.

I become the stars and the moon. I become the lover and the beloved. I become the victor and the vanquished. I become the master and the slave. I become the singer and the song. I become the knower and the known. I keep on dancing then, it is the eternal dance or creation. The creator and creation merge into one wholeness of joy. I keep on dancing and dancing...and dancing. Until there is only...the dance.

I begged her to write a song and she said yes. I am a huge Regina Spektor fan. I think she's a genius and just a lovely soul, and I wanted her voice on it. And she agreed, which is just the coolest thing, ever. She knocked it out of the park.

I began thinking about the idea of a 24 hour concert. What if you tied songs to certain hours of the day - creating a 24 hour world of lyric and melody. So that was the inspiration for this project.

I began writing The Cold Song in the months following my fathers death, when I felt this sense of loss, disappearance, of being right in the middle of life and wondering: What now? How to proceed?

I believe a No. 1 song starts happening when it's believable and validating.

I believe in the power of song. Under the spell of the right song, passion is within reach, love is close by, and you are not alone!

I believe in working with songs that have personal value for me.

I believe that all novels, ... deal with character, and that it is to express character – not to preach doctrines, sing songs, or celebrate the glories of the British Empire, that the form of the novel, so clumsy, verbose, and undramatic, so rich, elastic, and alive, has been evolved ... The great novelists have brought us to see whatever they wish us to see through some character. Otherwise they would not be novelists, but poet, historians, or pamphleteers.

I believe that people want to hear good songs and they want to be moved.

I believe the time will come when the whole definition of pop music will change. It will get to the point where a song will not be a good song until it has a high level of creativity in writing and performance. In other words, in order to be popular, songs will have to meet these high standards.

I believe truly that Satan cannot endure it and so slips out of the room - more or less - when there is a true song.

I believe your success is based off what your goals are. Are you trying to feed your family or have plaques on the wall and be broke? In that case, I think the game is in a better place. We have all heard of famous artists who are broke. Then we know of artists who may have had only a song or two on radio, but have a million or two dollars off that quick come up.

I built a reputation as a songwriter in the industry before my own hits. People were used to coming to me for songs. There were songs like 'Clown' and 'Mountains' that were my songs that I wanted to keep. But the record labels saw me as a songwriter. It was hard to get people to believe in me as an artist.

I borrowed a guitar at age 16 and taught myself to play because I wanted to write songs.

I bring my classical training - some of it, but not all of it - and also my background and culture, to spirituals. And I try to leave room for that unpredictable factor, where the feeling of the song is allowed to come through. The same ethos can be applied to singing Mozart, or Schubert, or Bach. It's not just about what's on the page.

I bring my past I bring my future I bring my rights and I bring my song I stand atop the Hacienda and shout We belong Here. We belong.

I call it sacred geometry. When everything's just right and it feels really balanced, so that when it unfolds to the next part, you feel totally familiar and at ease within the song.

I came home one day from school after being chased by kids singing “Yellow Submarine”, and I didn't understand why. It just seemed surreal: why are they singing that song to me? I came home and I freaked out on my dad: 'Why didn't you tell me you were in The Beatles?' And he said, 'Oh, sorry. Probably should have told you that.'

I came in with a completely new perspective. I would write songs and they would pick tunes they felt were in the Purple vein.

I called record Prism because I actually finally let the light in and then I was able to create all these songs that were inspired by letting the Light in and doing some self-reflection and just kind of working on myself.

I called the guys from Promise of the Real, whom I've been playing with, and they were all on the road. Right after I hung up the phone, I wrote another song and started writing another, and I'm going, "Hey, I can't wait. I should be doing this now!" My experience tells me that when it's there, it's there, and you can't make it wait. So I got Jimmy Keltner and Paul Bushnell, two good guys, and went in and did this record ["Peace Trail"].

I brewed potions in a vain search for life everlasting, I read books, I sang songs of history, And today I've come home to Cold Mountain To pillow my head on the stream and wash my ears.

I came down to Orange because I sold the Smothers Brothers a song called 'Chocolate,' and that gave me enough money to move down here. I was washing windows down in Orange County when they called me up and said they wanted me to do their TV show.

I call my mom from the car. I tell her that Neutral Milk Hotel is playing at the Hideout and she says, "Who? What? You're hiding out?" And then I hum a few bars of one of their songs and Mom says, "Oh, I know that song. It's on the mix you made me," and I say, "Right," and she says, "Well you have to be back by eleven," and I say, "Mom this is a historical event. History doesn't have a curfew," and she says, "Back by eleven," and I say, "Fine. Jesus," and then she has to go cut cancer out of someone.

I came into the music world in 1988 with a song called Ooh La La, that was like a breath of fresh air in Haitian music.