Best 2839 quotes in «car quotes» category

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    I think the way I do things would be difficult to teach somebody to do. They need to get another good used car dealer. That's what they need. Find a good car dealer.

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    I think women are great drivers. To be honest, I've only been in one car accident - one of my best friends, his wife was driving. She went into oncoming traffic, our car flipped almost four times. I didn't even have time to put on a seat belt, because they'd just picked me up.

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    I think women like Ferraris. A Ferrari is everybody's car.

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    I think you have to feel comfortable with your car. You have to go into Turn 1, every lap, with confidence. You have to be sure of yourself and your equipment.

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    I thought cars were essential ingredients of life itself.

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    I thought of the scene while writing scenes with Rebecca [Hall] and wrote it like an opening montage of showing where someone works. If you see a film about a car mechanic, you'd show the place they work and what they do. So, that's what I set out to do with Rebecca's character. I thought it probably wouldn't even make it into film but I ended up liking it.

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    I thought you might need a ride.' 'The headmaster's office called me a car.' He shrugged, indifferent but amused. 'And here I am in a submarine.

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    It is a fearful environment where no one can trust to pick up a stranger, or a stranger cannot trust to get in a car. That search I find lacking. That openness. Right now, we have got ourselves stuck in one thing, which is make money as fast as we can, because it is hard to live in this world without it. Let us face it.

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    It is double pleasure to deceive the deceiver. [Fr., Car c'est double plaisir de tromper le trompeur.]

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    It is interesting that the black BMW is the preferred car of so many assholes.

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    It is just awesome, there’s no other way to describe it. To be the first to win in a Gen-6 car … I’m just very proud of the moment.

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    It is my experience that in some areas [my poodle] Charley is more intelligent that I am, but in others he is abysmally ignorant. He can't read, can't drive a car, and has no grasp of mathematics. But in his own field of endeavor, which he is now practicing, the slow, imperial smelling over and anointing on an area, he has no peer. Of course his horizons are limited, but how wide are mine?

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    It is not a bad thing to settle for the Little Way, not the big search for the big happiness but the sad little happiness of drinks and kisses, a good little car and a warm deep thigh.

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    It isn't easy for me to have contact with the industry, because it is so outdated. Look at General Motors, look at -Mercedes, look at Chrysler, look at Porsche, look at BMW . . . They are all building cars from yesterday! Nobody has an idea how the car of tomorrow should look. I've built them already. I have the prototypes in my exhibition, but they won't do it.

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    It is not in our drawing-rooms that we should look to judge of the intrinsic worth of any style of dress. The street-car is a truer crucible of its inherent value.

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    It is sometimes as dangerous to be run into by a microbe as by a trolley car.

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    It is sometimes of God's mercy that men in the eager pursuit of worldly aggrandizement are baffled; for they are very like a train going down an inclined plane - putting on the brake is not pleasant, but it keeps the car on the track.

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    It makes me happy that people recognise me and want to click pictures with me. But sometimes, I want to be a common person. I want to go to a coffee shop and just chill. I miss driving my car with the windows rolled down.

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    . . . it is true that language and forward movement in the cinema are jolly hard to reconcile. It's a very, very, difficult thing to do. . . . There is still a place in the cinema for movies that are driven by the human face, and not by explosions and cars and guns and action sequences . . . there's such a thing as action and speed within thought rather than within a ceaseless milkshake of images.

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    It just seemed too weird to me. I don't know, maybe they were smoking a joint in the car downstairs from their parents' apartment. I had to go that far to put together a scenario of how they could have possibly recognized me.

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    It [making tron: Legacy movie] was everything. I got pulled into a different country, in a different language, and a different society. In a movie, it's a completely different feel. In car design you know you have one year, and you have to go step by step. This is an organized catastrophe.

  • By Anonym

    It is true that we do not recognize greatness among us. Our measurements of importance are generally faulty and speak mainly to the superficialities of life, e.g., where one lives, the type of clothing one wears, the cars one drives, to the number of bodyguards that one employs to carry bags and open and close doors.

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    It might be funny when you get hit by a car, but not when you get run over by one.

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    It's amazing to me that we let humans drive cars... It's a bug that cars were invented before computers.

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    It's a balance. Like, we are shooting the big car chase at the end and it's me with everybody. And I got my stunt coordinator who shot some stuff and I'm like, you are right next to me, why don't we do it together.

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    It's a cocktail-party circuit in D.C., That guy who couldn't master the guitar and get in a band and get laid, he ends up there. Gary Condit make sense to me. He's away from his family, he's in D.C. - if he was a car dealer in the [San Fernando] Valley somewhere out there, he'd be the guy who was trying to get laid by offering you the free undercoating package.

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    It's all based around the idea that basically VW cars are space age. They're the worst cars to use in action movie, because all the things you want to traditionally do in an action movie they won't allow you to do, because they make you drive safely if you want to or not.

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    It's always been jewelry, clothes, appearance. Those are things that compete with the car. But the car is the ultimate. Get that car right and it doesn't matter what you got on or what you wear once you step out of that car.

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    It's a shame cars don't run on cognitive dissonance.

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    It's become such a cultural norm that people brag about it: "Oh yeah, you did that? I did this." Keeping up with the Joneses used to be about "I have the bigger house and car," and now it's much more about how much stuff you can cram into your calendar.

  • By Anonym

    I told my wife I'm afraid to go back to the doctor because I'm afraid they're going to look at you and say: 'ma'am, just sell him for parts. It's like that old car that as soon as you fix one thing, something else goes out on it.

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    It really comes down to parsimony, economy of explanation. It is possible that your car engine is driven by psychokinetic energy, but if it looks like a petrol engine, smells like a petrol engine and performs exactly as well as a petrol engine, the sensible working hypothesis is that it is a petrol engine.

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    I try to get away from the pits as quickly as I can. I speak to my engineer when I get out of the car, usually there's some press to do, then I will go off and have a shower and get my dry, clean overalls and clothing on. I'll have a massage, stretch and something to eat. I don't sleep, but I try to close my eyes for a while.

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    It's a bug that cars were invented before computers.

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    It's a treat to see the sun rise over the desert. What am I saying? It's a treat to fire off a rocket car over the desert!

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    It's a very different experience shooting in 3-D because the camera rigs are so large. Everything we've become accustomed to in the last ten years as filmmakers, which is cameras getting smaller and smaller and you can just throw them on your shoulder and stick them in a car and do whatever you want, you can't do any of that now. You're forced to put things on dollies and track and cranes.

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    It's easy to be a backseat driver. It's even easier to be a backseat driver when you're not even in the same car.

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    It seems to me I spent my life in car pools, but you know, that's how I kept track of what was going on.

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    It seems that these phenomenal feats that race car drivers are performing are instinctive. They [require] very little mental workload.

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    It's energy intensification, where we essentially have, through our light bulbs and cars, the manpower of [hundreds of] people working on our behalf, helping our food being created, helping our materials like steel and plastic and wood and paper be created. Our lifestyles are incredibly energy intense.

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    It's fascinating watching the debates [of Hillary Clinton and Donald Trump], with the search for the new president. It's like a car crash, unfolding in front of your eyes. The level of personal attacks!

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    It's frequently said that there is 'no reason' for such 'military-style weapons' as the Bushmaster to be available to citizens. But isn't that a lot like saying there is no reason why any civilian should drive a military-style car like the Hummer?

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    It's good to be happy and tell us how cool your life is and how awesome you are on social media. It inspires other people to be happy, too. But a lot of times, people are trying to be happy in the wrong ways - with money or with different things that are not true happiness. It's leading people down a rabbit hole that actually doesn't exist. So people think like, "Yo, once I get this money and these cars and stuff, I'ma be so happy." But that's not true. And I feel like that's why it's very important to educate people on different things while you are actually on social media.

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    It's hard to do a camera inside of a car. Non-Stop would have been impossible. Usually modern lenses you can focus up to the lens pretty much, but anamorphic you can't. You need like three feet.

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    It's impossible to predict which paintings will last and which won't. In New Orleans I painted on a dilapidated shop in a street littered with abandoned cars and rotting mattresses, then two hours later the piece was gone. It turned out I'd picked the side of a crack house and the proprietor didn't like the attention.

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    It's hard to steer a parked car.

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    It's horrible for someone to listen to someone learning any instrument - when I was first learning the banjo, I used to have to go out and sit in the car, and even in the summertime I'd have to roll up the windows. Because you just couldn't practice a banjo or a fiddle with other people around. Unless they're being paid.

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    It should also be born in mind that the research on 'movement' and the dynamic outlook on the world, which were the basis of Futurist theory, in no way required one to paint nothing but speeding cars or ballerinas in action; for a person who is seated, or an inanimate object, though apparently static, could be considered dynamically and suggest dynamic forms. I may mention as an example the 'Portrait of Madame S.' (1912) and the 'Seated Woman' (1914).

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    It's just one thing after another. Cars that won't run. Planes that will never fly again. Computer systems we can barely use, let alone re-create. It's like...time is flowing backward. We're caveman archeologists in the ruins of the future.

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    It's just these moments in hip-hop where you feel invincible. It felt good hearing the music on the radio and in cars, skating rinks, and clubs.