Best 8159 quotes in «poetry quotes» category

¿Acaso no oyes al viento cuando pasa silbando mensajes? Tu alma existe, pero no gravita.

A child said, What is the grass? fetching it to me with full hands; How could I answer the child?. . . .I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropped, Bearing the owner’s name someway in the corners, that we may see and remark, and say Whose? Or I guess the grass is itself a child. . . .the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them; It may be you are from old people and from women, and from offspring taken soon out of their mother’s laps, And here you are the mother’s laps. This grass is very dark to be from the white heads of old mothers, Darker than the colorless beards of old men, Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues! And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women, And the hints about old men and mothers, and the offspring taken soon out of their laps. What do you think has become of the young and old men? What do you think has become of the women and children? They are alive and well somewhere; The smallest sprouts show there is really no death, And if ever there was it led forward life, and does not wait at the end to arrest it, And ceased the moment life appeared. All goes onward and outward. . . .and nothing collapses, And to die is different from what any one supposed, and luckier.

A chronic poet should always be an inveterate nature-lover.

A clock ticking on a wall, a fake laugh, a boy only thinking for himself.

~A Comparison of Seasons~ Snow's unforgiving power causes some men to wish for spring's flower. Some might hate snow's bitter chill, but you love it at your own will. I see snow as something fun, but others might still long for summer's sun. You and I hate summer's heat, but we still love the warmth of a fire on our feet. Spring has jays whose virtuous songs are nice, but winter's lonely echoes are earth's frigged vice. I enjoy spring's life, yet I still love winter's seemingly harsh sorrow; sometimes I can't get out of the house, so I worry about tomorrow. I love the sight of snow and I treasure the sight of summer's river which swiftly flows. Also, winter can be cold, but we can look forward to seeing spring's life and joy unfold.

A coward is a servant of his fears. A hero enslaves his fears.

Act correctly. Incorrect action cannot be justified by incorrect action. An incorrect action taken to cover an incorrect action is doubly incorrect.

Acquainted with the Night I have been one acquainted with the night. I have walked out in rain—and back in rain. I have outwalked the furthest city light. I have looked down the saddest city lane. I have passed by the watchman on his beat And dropped my eyes, unwilling to explain. I have stood still and stopped the sound of feet When far away an interrupted cry Came over houses from another street, But not to call me back or say good-bye; And further still at an unearthly height, One luminary clock against the sky Proclaimed the time was neither wrong nor right. I have been one acquainted with the night.

a cracked yolk split between her thighs. she rushed to clean up her shame. yellow stained her hands; yellow stained her child, who was born in a world designed to hate. —the early nineties

Across the centuries the moral systems from medival chivalry to Bruce Springsteen love anthems have worked the same basic way. They take immediate selfish interests and enmesh them within transcendent, spiritual meanings. Love becomes a holy cause, an act of self-sacrifice and selfless commitment. But texting and the utilitarian mind-set are naturally corrosive toward poetry and imagination. A coat of ironic detachment is required for anyone who hopes to withstand the brutal feedback of the marketplace. In today's world, the choice of a Prius can be a more sanctified act than the choice of an erotic partner. This does not mean that young people today are worse or shallower than young people in the past. It does mean they get less help. People once lived within a pattern of being, which educated the emotions, guided the temporary toward the permanent and linked everyday urges to higher things. The accumulated wisdom of the community steered couples as they tried to earn each other's commitment. Today there are fewer norms that guide that way. Today's technology seems to threaten the sort of recurring and stable reciprocity that is the building block of trust.

A crust of bread and a corner to sleep in, A minute to smile and an hour to weep in, A pint of joy to a peck of trouble, And never a laugh but the moans come double; And that is life! A crust and a corner that love makes precious, With a smile to warm and the tears to refresh us; And joy seems sweeter when cares come after, And a moan is the finest of foils for laughter; And that is life!

...across the snowy field the barn light gleams - it's the loneliness of November twilight...

ACTS OF LOVE Love is not a word Or a thought. It is the name for An action That breathes from its light. What do you DO In Love's name? And is it only done Outside In the light? Or with an inner Flame Illuminating Love's TRUE Name? I want to know. Are your actions Done by remote Or with SOUL? And when you say You love someone, Does a light go off Inside at all? What have YOU Done In the Name of LOVE? Because, Really, I want to know.

Added to the crazy legends was a collection of essays called: “Gazpacho for My Mother: Tales of Tritesza and Sorrow,” in which Fergus declared and adored the hair-raising fits of anguish, sadness and self-absorption he experienced as a Hispanic person of mostly non-Hispanic origin.

A day that's free, a man that's free, A spring like this invites a spree! Seek out the shade of a plane tree To spread a rug that's rainbow-spun- And hail the country of the Sun!

A death in reverse is the rewinding of life. I do not die of old age, in a bed surrounded by strangers my loved ones paid to take care of me. I die in reverse. I die falling back into a younger age. From my forty-five years to twenty-five. To sixteen. When we were in love. To fourteen: when we first met. To five. To one. To the hospital my mother died at from the complications of my existence. A life for a life.

Adios Her pretty picture lying on the ground was like the toppling of some fascist regime And burning the photograph, was the celebration

A demon seduced an angel in the middle of the night and they gave the stars a glimpse. There was nothing casual about it, it was tender skin and battle scars breathless passion under storm clouds a rapid river stream mirroring the moon light. Until one day, he left her with nothing, just a bruised heart and carved memories iridescent wings chipped on the edges heat under her skin, like an ember burning low. I asked her, "What do you do after a love like that?" She laughed. And madness danced behind her eyes. But she flew so high the world was jealous.

Admittedly, I'll admit to thee that no one is above the 'I Am' in themselves. So look to God for common people are as worthless as a puff of wind, and the powerful are not what they appear to be. If you weigh them on scales, together they are lighter than a breath of air.

Adorn ritual; decorate shrines of love, hope, tranquility. Be significant. Arrive deliberate. . .

A drop of darkness above me hung,within me ruined Rome,within me demolished Rome, where those lands my dream would well travel, before that I want to die without blame,so let me see ten thousand moons to Dream.

Aegean Islands 1940-41 Where white stares, smokes or breaks, Thread white, white of plaster and of foam, Where sea like a wall falls; Ribbed, lionish coast, The stony islands which blow into my mind More often than I imagine my grassy home; To sun one's bones beside the Explosive, crushed-blue, nostril-opening sea (The weaving sea, splintered with sails and foam, Familiar of famous and deserted harbours, Of coins with dolphins on and fallen pillars.) To know the gear and skill of sailing, The drenching race for home and the sail-white houses, Stories of Turks and smoky ikons, Cry of the bagpipe, treading Of the peasant dancers; The dark bread The island wine and the sweet dishes; All these were elements in a happiness More distant now than any date like '40, A. D. or B. C., ever can express.

Adventures kept hidden, words kept silent. You became my greatest secret. And when you left, no one knew the source of the pain I felt. No one knew you existed, except my writhing heart.

Aeneas' mother is a star?" "No; a goddess." I said cautiously, "Venus is the power that we invoke in spring, in the garden, when things begin growing. And we call the evening star Venus." He thought it over. Perhaps having grown up in the country, among pagans like me, helped him understand my bewilderment. "So do we, he said. "But Venus also became more...With the help of the Greeks. They call her Aphrodite...There was a great poet who praised her in Latin. Delight of men and gods, he called her, dear nurturer. Under the sliding star signs she fills the ship-laden sea and the fruitful earth with her being; through her the generations are conceived and rise up to see the sun; from her the storm clouds flee; to her the earth, the skillful maker, offers flowers. The wide levels of the sea smile at her, and all the quiet sky shines and streams with light..." It was the Venus I had prayed to, it was my prayer, though I had no such words. They filled my eyes with tears and my heart with inexpressible joy.

A espantosa realidade das coisas É a minha descoberta de todos os dias. Cada coisa é o que é, E é difícil explicar a alguém quanto isso me alegra, E quanto isso me basta. Basta existir para se ser completo.

A few drinks and the world was hers— she wore her whiskey like a loaded gun.

A few cold words on yonder stone, A corpse as cold as they can be -­ Vain words, and mouldering dust, alone -­ Can this be all that's left of thee? O, no! thy spirit lingers still Where'er thy sunny smile was seen: There's less of darkness, less of chill On earth, than if thou hadst not been. Thou breathest in my bosom yet, And dwellest in my beating heart; And, while I cannot quite forget, Thou, darling, canst not quite depart.

A fallen blossom returning to the bough, I thought -- But no, a butterfly.

A feeling struck me one fine day that people call ‘love’, Before that my life was empty, all I had was loneliness and sorrow… I loved the way it felt being with him, for I felt up above, Now everything was complete and nothing remained hollow… That person who cupid made me fall for, was a God descended from heavens, I loved him with all I had, a true heart and a pure soul… I thought I achieved the meaning of life, never did I felt so glad, But when he left me amidst a chaos, I had no one with me to console… I cried, it hurt, I wept and screamed, everyone called me ‘mad’, And still I wonder if in my life, that actually was his role… But a string still binds me to my past of untold vow, Some unsaid promises that linger between us even now, Although I don’t know where he went after that fateful day… I still try to convince myself every day, I know how, Each moment has been tough, each day a new challenge… Each hour passed as if it was my heart that always allowed, One more day to live without him, one more day to cherish… One more day to spend without the love of my life somehow, But he doesn’t know that one day, the girl herself would perish… Who loved him and lived each day of her life in his wait, For the man who never returned, for the man who wasn’t in her fate…

A far horizon embraced by cloud like a nameless God beautiful and evaporating

A fool lies here who tried to hustle the East.

A fleeting second on someone's news feed, No dearth of meanings for those who read, Not my stories but 'tis what I think, I say I don't write poems, I just write dreams.

A flower is Mother Nature’s ‘tap on the shoulder’ to stop and look … A poem is an author’s ‘tap on the shoulder’ to find the flowers.

a flower knows, when its butterfly will return, and if the moon walks out, the sky will understand; but now it hurts, to watch you leave so soon, when I don't know, if you will ever come back.

A fortress built long ago, Walls made timeless by historic glory. The small girl in the boat slows, To listen to its story.

A friend is a companion for the journey, never a means to our own. What we take we take together, the joy we reap, we have sown.

A fruitless year, take a fearless heart One that blooms late will flourish in the dark

After all these years, all I know is, I need not to do anything as a part of remorse. All I need is to write. Because,'Poetry forgives.

After a night of insomnia the body gets weaker, Becomes dear but no one’s — not even your own.

After I was caught returning at dawn from one such late-night escapade, my worried mother thoroughly interrogated me regarding every drug teenagers take, never suspecting that the most intoxicating thing I’d experienced, by far, was the volume of romantic poetry she’d handed me the previous week. Books became my closest confidants, finely ground lenses providing new views of the world.

After a noticeable silence, he'd recently published a book of technically baffling poems, with line breaks so arbitrary and frequent as to be useless, arrhythmic. On the page they look like some of Charles Bukowski's skinny, chatty, muttering-stuttering antiverses. Impossibly, Mark's words make music, the faraway strains of an irresistible jazz. It's plain to any reader, within a few lines—well, go read the poems and see, Marcus Ahearn traffics with the ineffable. He makes the mind of the speaker present, in that here-and-now where the reader actually reads—that place. Such a rare thing. Samuel Beckett. Jean Follain, Ionesco—the composer Billy Strayhorn. Mark calls his process "psychic improvisation" and referred me to the painter Paul Klee; the term was Klee's. "You just get out a pen and a notebook and let your mind go long," he told me.

after Ernest Hemingway a road. a sign. Like a yellow kite flying in the sky last week the old bookmark Cul-de-sac. pull away wrong turn Window open a song adrift among the grass buttoned white shirt Sweat absorbed vest back to back Stars on the highway a black gap closes Wild strawberries in red.

After the final no there comes a yes. And on that yes the future world depends. No was the night. Yes is this present sun.

After seven days of fasten so it was, that the thoughts of my heart were very grievous unto me- and my soul recovered the spirit of understanding.

After you left I stared at the driveway Feeling its emptiness Wondering if you’d return. After you left I thought about your questions Wishing I hadn’t been so blunt Wondering if I scared you away. After you left I remembered how you felt in my arms. How you fit so perfectly there. Like my guitar. Wondering if I should have kissed you when I had the chance. After you left I sat in my room Remembering all the things you said, and Wondering about all the things you didn’t. After you left I sat in silence. Missing you in a way I didn’t quite understand. Wondering if you’d ever come back.

After this I don’t think I will ever love again Perhaps it is the only way to be saved

Against Self-Pity It gets you nowhere but deeper into your own shit--pure misery a luxury one never learns to enjoy.

a generation: the black night gave me black eyes still I use them to seek the light

Age in itself gives substance — what has lasted becomes a thing worth keeping. An older poem's increasing strangeness of language is part of its beauty, in the same way that the cracks and darkening of an old painting become part of its luminosity in the viewer’s mind.

A girl whose name is Love Is lost. Simple, beautiful, She is lost.