Best 8159 quotes in «poetry quotes» category

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    Anon, who wrote so many poems without signing them, was often a woman.

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    An outline, my body, no mass or feeling, A dark reflection spread from floor to ceiling, The faceless copycat stalks me day after day, A personal eclipse of the sun never going astray, Each movement mine in a world of its own, Whispering shades unseen of a different home, A skewed yet comparable story occurs every day, Removed, though not far, less than halfway, The whiter the glow the blacker the stain, An ethereal cachet remaining midst the acidic rain, A trust and intimacy of a curious nature, I follow, it follows, we follow a stranger.

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    A novel is a hearty meal, but poems are the Belgian chocolates of the bookshelf. You can pick one and linger over it. Savour the aroma, the taste, the melting texture, the sweet craving it leaves behind! Or you can scoff down as many as you can eat. It’s up to you.

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    An orphan's curse would drag to hell A spirit from on high; But oh! more horrible than that Is the curse in a dead man's eye! Seven days, seven nights, I saw that curse, And yet I could not die.

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    Another breath, left to translate

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    Another example of the same attitude, this time on a less cosmic and more humble scale, comes from the life of the warrior-poet Egil Skallagrimsson. According to his saga, toward the end of his life, one of his sons died, after the others had died before him. Such was the depth of Egil's grief that he planned to kill himself, but his surviving daughter convinced him instead to use his poetic talent to compose a memorial poem for his lost children. Egil's poem is called The Wreck Of Sons (Sonatorrek). In it, Egil bemoans his lot in life and curses Odin, his patron god, for having made him suffer so much. But Egil finds that this suffering has also carried a gift within it, for his anguish inspires him to compose better poetry than ever before. He lets loose an eloquent cry of both despair and joy, or at least contented acceptance. The final three stanzas read: I offer nothing With an eager heart To the greatest of gods, The willful Odin. But I must concede That the friend of the wise Has paid me well For all my wounds. The battle-tested Foe of the wolf Has given me A towering art, And wits to discern In those around me Who wishes well, Who wishes ill. Times are dire, Yet glad is my heart, Full of courage, Without complaint. I wait for the goddess Of dirt and of death Who stands on the headland To bear me away.

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    Antique Foundation Here I built the ruin in My voice on either side of me In the temple the ocean could Not be a crowd I mined The shore with fog the sun dries These bricks I built the vision in The cinder block that is the city Wall this grave Tone I speak with a picture Of myself in my wallet • Don’t be fooled by grass and these words Grass whispers Because they are real they are Ruinous Here, the gossip is in the dust Not the sea cloud enters the open Child’s window dimming the silver Flute’s sheen Where is he Who hears inside the brick those notes? There is a rumor in the city we’ll exist If he plays his song no one knows • Follow that shadow don’t tell me it’s mine Here there is no being alone Here are my hands which tore the leaves so Quietly in the temple the god Emerging from marble points at the chisel At the base of his stone Did I tell you Where I’m going? To the old man Who sings the margin Where on wave-tip swords turn edge over edge Wound us and the shore with foam • My face on either side of my face I tore My picture in half to show the gate You must climb inside your breath to leave As fog the wind will bear you— If you’re lovely—away In the spare clouds The children’s chorus Do you hear?— Where were you, and where are you going? Here I built the ruin in the stone-crushed Sage leaves my hands scented as long ago When I liked to press the desert against my head to think

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    Any healthy man can go without food for two days--but not without poetry.

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    Any hand can condem, but it takes a helping hand to build.

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    anyone who has no feelings for animals has a dead heart.

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    Anyone who has no need of anybody but himself is either a beast or a God." Aristotle

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    Anyone who claims good or evil isn't one or either, they're just a liar... the worst kind of liar... the liar that doesn't even know they're lying. We're human. We're good during the day and evil at night, half the time those roles are reversed, that's what it's all about.

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    Any life-form that evolves beyond a given mental and conscious level can achieve a deeper synchronicity with love...life and ultimately universal consciousness. However this can only occur when the given life-form is aware and willing.

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    Anyone who says, “Here’s my address, write me a poem,” deserves something in reply. So I’ll tell a secret instead: poems hide. In the bottoms of our shoes, they are sleeping. They are the shadows drifting across our ceilings the moment before we wake up. What we have to do is live in a way that lets us find them.

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    A page, turning, is a wing lifted with no twin, and therefore no flight. And yet we are moved.

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    ...a passing face together with his grief turned you into a weeping Madonna...

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    A panther poised in the cypress tree about to jump is a panther poised in a cypress tree about to jump. The panther is a poem of fire green eyes and a heart charged by four winds of four directions. The panther hears everything in the dark: the unspoken tears of a few hundred human years, storms that will break what has broken his world, a bluebird swaying on a branch a few miles away. He hears the death song of his approaching prey: I will always love you, sunrise. I belong to the black cat with fire green eyes. There, in the cypress tree near the morning star.

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    Apakah hidup ini akan menjadi membosankan, jika hanya melulu soal patah hati dan perasaan yang tak berbalas?

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    A Parting Guest What delightful hosts are they— Life and Love! Lingeringly I turn away, This late hour, yet glad enough They have not withheld from me Their high hospitality. So, with face lit with delight And all gratitude, I stay Yet to press their hands and say, Thanks.—So fine a time! Good night.

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    A Photographer's Poem To take a photograph is to learn new steps Like a toddler's first walk from start to end Visualize a dream, a paradigm, a theme It could be about anywhere, anyone, any moment or anything Let that sink in until your eyes see clearly What image you cease to create to preserve in dearly With a camera you take the picture in mind A photographer's mistake is to leave it behind Take it wherever a journey is to take place There will always be something that comes across your ways

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    A picture in a book, a lynching. The bland faces of men who watch a Christ go up in flames, smiling, as if he were a hooked fish, a felled antelope, some wild thing tied to boards and burned. His charred body gives off light--a halo burns out of him. His face is scorched featureless; the hair matted to the scalp like feathers. One man stands with his hand on his hip, another with his arm slung over the shoulder of a friend, as if this moment were large enough to hold affection.

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    Aphrodite’s thirst was never quenched; it was cruel and dreamy. It was certainly the most splendid kind of thirst.

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    A poem can't free us from the struggle for existence, but it can uncover desires and appetites buried under the accumulating emergencies of our lives, the fabricated wants and needs we have had urged on us, have accepted as our own. It's not a philosophical or psychological blueprint; it's an instrument for embodied experience.

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    ...a poem is only finished when the last reader has read it or listened to it.

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    A poem shouldn't just give melody; it should give meaning.

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    A poet is a feeling, sentient being, not a word machine.

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    A poet is an artist that paints pictures by mixing thought, imagination, and emotion with words.

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    A poet's work . . . to name the unnamable, to point at frauds, to take sides, start arguments, shape the world and stop it from going to sleep.

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    A poesia de um povo deriva sua vida da fala do povo e, por sua vez, dá-lhe uma vida; e representa o seu ponto mais elevado de consciência, o seu maior poder e a sua mais delicada sensibilidade.

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    A poet, any real poet, is simply an alchemist who transmutes his cynicism regarding human beings into an optimism regarding the moon, the stars, the heavens, and the flowers, to say nothing of the spring, love, and dogs.

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    A Poet = A willingness to be vulnerable & to trust the inner voice.

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    A poetess is a collection of unfinished thoughts. She is a tormented phantom, a harbinger of life and death. Those who peer deep inside her catacombs will learn that even madness is a virtue.

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    A poet is an unhappy being whose heart is torn by secret suffrings, but whose lips are so strangely formed that when the sighs and the cries escape them, they sound like beautiful music. People corwd around the poet and say to him: "Sing for us soon again;" that is as much to say, "May new sufferings torment your soul.

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    A poet is someone who never forgets that they were born naked.

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    A poet's autobiography is his poetry. Anything else is just a footnote.

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    ...[A] poor priest, Chandi Das, was shocking Bengal by composing Dantean songs to a peasant Beatrice, ideal­izing her with romantic passion, exalting her as a symbol of divinity, and making his love an allegory of his desire for absorption in God; at the same time he inaugurated the use of Bengali as a literary language. "I have taken refuge at your feet, my beloved. When I do not see you my mind has no rest .... I cannot forget your grace and your charm,—and yet there is no desire in my heart." Excommunicated by his fellow Brahmans on the ground that he was scandalizing the public, he agreed to renounce his love, Rami, in a public ceremony of recantation; but when, in the course of this ritual, he saw Rami in the crowd, he withdrew his recanta­tion, and going up to her, bowed before her with hands joined in adora- tion.

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    A poem a day keeps the doctor away.

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    A poem is a place where the conditions of beyondness and withinness are made palpable, where to imagine is to feel what it is like to be. It allows us to have the life we are denied because we are too busy living. Even more paradoxically, a poem permits us to live in ourselves as if we were just out of reach of ourselves.

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    A poem is never finished; it is only abandoned.

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    A poem is playing with many words which gives many giggles after a happy day or not so happy day.

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    A poem without metaphor is a gelding; useless to nightmares.

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    A poet could kill the dead.

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    A poet is someone whose words can grasp & pull the thread of a person's soul & make them unravel with delight.

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    A Poet never denies creativity entrance.

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    A poet often lives in an enchanted land where he sees things not with his eyes but with his feelings.

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    A poor humiliated love burns in the house I see. In the vastness of the world, full of hard marvels, this love exists and suffers, wounded as no other.

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    A poem is never a put-up job, so to speak. It begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness. It is never a thought to begin with.

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    A poem must be authentic. It could be flowery, it could have the most brilliant metaphor, it could be bursting with onomatopoeia and alliteration, assonance and consonance, hyperbole and paradox, from every end, it could have daring syntax and clever cacophony, it could have a neat and ordered rhyme scheme...but, if it loses its authenticity, its ability to convey the very heart and soul of the poet, then all the euphony and cacophony in the world cannot make up for the loss of its identity as a poem. And that is the true cacophony.

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    A poem should create thought and emotion, whether that intended or not.

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    A poem was a box for your soul. That was the point. It was the place where you could save bits of yourself, and shake out your darkest feelings, without worrying that people would think you were strange. While I was writing, I would forget myself and everyone else; poetry made me feel part of something noble and beautiful and bigger than me. [...] I slid them under the carpet as soon as they were done, all the images and rhymes wrestled into place. By the time I had copied them out, I found I had memorized every line. Then they would surprise me by surging through me, like songs I knew by heart.