Best 8159 quotes in «poetry quotes» category

L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire

Lupasit tulla luokseni viime yönä. Se yö on mennyt. En luota sinuun enää. Rakastan sinua aina.

<>, dijo.

Lucky life isn't one long string of horrors and there are moments of peace, and pleasure, as I lie in between the blows.

Lying in me, as though it were a white Stone in the depths of a well, is one Memory that I cannot, will not, fight: It is happiness, and it is pain. Anyone looking straight into my eyes Could not help seeing it, and could not fail To become thoughtful, more sad and quiet Than if he were listening to some tragic tale. I know the gods changed people into things, Leaving their consciousness alive and free. To keep alive the wonder of suffering, You have been metamorphosed into me.

LXXV So are you to my thoughts as food to life, Or as sweet-season'd showers are to the ground; And for the peace of you I hold such strife As 'twixt a miser and his wealth is found. Now proud as an enjoyer, and anon Doubting the filching age will steal his treasure; Now counting best to be with you alone, Then better'd that the world may see my pleasure: Sometime all full with feasting on your sight, And by and by clean starved for a look; Possessing or pursuing no delight Save what is had, or must from you be took. Thus do I pine and surfeit day by day, Or gluttoning on all, or all away.

lying on marble the lazy cat gazes at dying stars

Ma eccola qui, la tua forma familiare, quel che è mio, il tuo, quel che è mio, quel che è tuo e mi inonda, eccola qui, che mi riempie le membra di abbandono, eccola qui, la tua tenerezza, che si ormeggia alle stesse radici, matura nella stessa carovana di frutti, ed esce dalla tua anima rotta sotto le mie dita come il succo del vino dal centro dell’uva.

Madeline: Form of poetry. Olly: that assumes that I have one Madeline: You're not a heathen. Olly: limericks Madeline: You are a heathen. I'm going to pretend you didn't say that.

Magic is when you live your life the way you didn’t picture it and leave nothing behind.

Mahal nga pala kita. Mahal pa rin pala kita. At sa wakas, hindi na kasing sakit ng dati, pero mahal, masakit pa.

Maldigo a vida e quem a fez Tinha a vista curta quem a fez

Malam ini, ia ingin sekali tengadah ke langit gelap penuh bintang di dalam hutan itu. Ia ingin malam ini bulan hanya berbentuk sabit dan tak banyak lolongan hewan agar ia bisa menatap langit sendiri saja sambil menangis dan tak ada satupun orang yang menelponnya. Ia tidak ingin menulis kesedihannya di twitter, mencaci mengamuk menggangu follower-nya di dunia maya. Ia hanya ingin menangis lirih saja sambil tengadah ke langit gelap penuh bintang dalam keheningan hutan malam ini.

manful potency as masterful kissers requires fecundity with voluminous whiskers

Man disavows, and Deity disowns me; Hell might afford my miseries a shelter; Therefore Hell keeps her ever-hungry mouths all Bolted against me. Hard lot! encompassed with a thousand dangers, Weary, faint, trembling with a thousand terrors, I'm called, if vanquished, to receive a sentence Worse than Abiram's. Him the vindictive rod of angry Justice Sent quick and howling to the centre headlong; I, fed with judgement, in a fleshy tomb, am Buried above ground.

MAN is a slave only to his own mental lethargy.

Man is no star, but a quick coal Of mortal fire: Who blows it not, nor doth control A faint desire,

Man is not victim of environment that due to world's evil, life is torment. It's man who victimized environment that due to man's evil, world is lament.

Man would not be man if his dreams did not exceed his grasp. ... Like John Donne, man lies in a close prison, yet it is dear to him. Like Donne's, his thoughts at times overleap the sun and pace beyond the body. If I term humanity a slime mold organism it is because our present environment suggest it. If I remember the sunflower forest it is because from its hidden reaches man arose. The green world is his sacred center. In moments of sanity he must still seek refuge there. ... If I dream by contrast of the eventual drift of the star voyagers through the dilated time of the universe, it is because I have seen thistledown off to new worlds and am at heart a voyager who, in this modern time, still yearns for the lost country of his birth.

Man's panic does not produce God's power.....sometimes you need to pray before you post on social media.

Man! Thou pendulum betwixt a smile and tear.

Many are they that rise up against you. Many there be which say of your soul, ‘’There is no help for you.’’ But the instruments of death is prepared for your cause.

Many a Death in Life will make you a Phoenix to fight.

Many Americans first fell in love with the poetry of the thirteenth century teacher and spiritual leader Jelalludin Rumi during the early 1990s when the unparalleled lyrical grace, philosophical brilliance, and spiritual daring of his work took modern Western readers completely by surprise. The impact of its soulful beauty and the depth of its profound humanity were so intense that they reportedly prompted numerous individuals to spontaneously compose poetry.

Many came but only two blue did appear. Enlaced in a sleigh, all happy the reindeer, Rolled in the snow that covered the house, Reindeer darling of she who's Ana Claus, Yell to the whole world to hear: Christ, the Lord, oh just so near! Holy Saints rejoice and sing, Real life comes for us to bring In tender thoughts and dear salvation, So is the Lord and all His Creation. Tender and sweet as the little things, Mild and soft He who is the King. All in one voice echoeing with no parallel: Save us the Lord, it's Noel, Noel, Noel!

Many Castles On My Travels i have been A guest in Many castles Yet the Monument Which i Find Divine Is the oasis Where the heart And the silence Intertwine.

Many of the poets writing today are hung up on language and symbolism. If the poem does not have depth of meaning or fit a certain academic styles and standards, then it is not poetry. Poetry should relate to the man on the street who has to work for a living. Until poetry connects with the working man, it’s not going to sell; it’s not going to be of value.

many took the leap with the frog, only to become Basho's ignoring the frog and the pond

Maple. Maypole Catch and carry. Ash and Ember. Elderberry. Woolen. Woman. Moon at night. Willow. Window. Candlelight. Fallow farrow. Ash and oak. Bide and borrow. Chimney smoke. Barrel. Barley. Stone and stave. Wind and water. Misbehave.

Many terribly quiet customers exist but none more terribly quiet than Man his footsteps pass so perilously soft across the sea in marble winter up the stiff blue waves and every Tuesday down he grinds the unastonishable earth with horse and shatter shatters too the cheeks of birds and traps them in his forest headlights salty silvers roll into his net, he weaves it just for that, this terribly quiet customer he dooms animals and mountains technically by yoke he makes the bull bend, the horse to its knees...

Maple. Maypole Catch and carry. Ash and Ember. Elderberry. Woolen. Woman. Moon at night. Willow. Window. Candlelight. Fallow farrow. Ash and oak. Bide and borrow. Chimney smoke. Barrel. Barley. Stone and stave. Wind and water. Misbehave.Maple. Maypole Catch and carry. Ash and Ember. Elderberry. Woolen. Woman. Moon at night. Willow. Window. Candlelight. Fallow farrow. Ash and oak. Bide and borrow. Chimney smoke. Barrel. Barley. Stone and stave. Wind and water. Misbehave.

MARBLE STEPS COMPLAINT White dew grows on the marble steps, And in the long night, soaks into my stockings. But now I let the crystal curtain down, And gaze through it at the autumn moon.

Maria, lonely prostitute on a street of pain, You, at least, hail me and speak to me While a thousand others ignore my face. You offer me an hour of love, And your fees are not as costly as most. You are the madonna of the lonely, The first-born daughter in a world of pain. You do not turn fat men aside, Or trample on the stuttering, shy ones, You are the meadow where desperate men Can find a moment's comfort. Men have paid more to their wives To know a bit of peace And could not walk away without the guilt That masquerades as love. You do not bind them, lovely Maria, you comfort them And bid them return. Your body is more Christian than the Bishop's Whose gloved hand cannot feel the dropping of my blood. Your passion is as genuine as most, Your caring as real! But you, Maria, sacred whore on the endless pavement of pain, You, whose virginity each man may make his own Without paying ought but your fee, You who know nothing of virgin births and immaculate conceptions, You who touch man's flesh and caress a stranger, Who warm his bed to bring his aching skin alive, You make more sense than stock markets and football games Where sad men beg for virility. You offer yourself for a fee--and who offers himself for less? At times you are cruel and demanding--harsh and insensitive, At times you are shrewd and deceptive--grasping and hollow. The wonder is that at times you are gentle and concerned, Warm and loving. You deserve more respect than nuns who hide their sex for eternal love; Your fees are not so high, nor your prejudice so virtuous. You deserve more laurels than the self-pitying mother of many children, And your fee is not as costly as most. Man comes to you when his bed is filled with brass and emptiness, When liquor has dulled his sense enough To know his need of you. He will come in fantasy and despair, Maria, And leave without apologies. He will come in loneliness--and perhaps Leave in loneliness as well. But you give him more than soldiers who win medals and pensions, More than priests who offer absolution And sweet-smelling ritual, More than friends who anticipate his death Or challenge his life, And your fee is not as costly as most. You admit that your love is for a fee, Few women can be as honest. There are monuments to statesmen who gave nothing to anyone Except their hungry ego, Monuments to mothers who turned their children Into starving, anxious bodies, Monuments to Lady Liberty who makes poor men prisoners. I would erect a monument for you-- who give more than most-- And for a meager fee. Among the lonely, you are perhaps the loneliest of all, You come so close to love But it eludes you While proper women march to church and fantasize In the silence of their rooms, While lonely women take their husbands' arms To hold them on life's surface, While chattering women fill their closets with clothes and Their lips with lies, You offer love for a fee--which is not as costly as most-- And remain a lonely prostitute on a street of pain. You are not immoral, little Maria, only tired and afraid, But you are not as hollow as the police who pursue you, The politicians who jail you, the pharisees who scorn you. You give what you promise--take your paltry fee--and Wander on the endless, aching pavements of pain. You know more of universal love than the nations who thrive on war, More than the churches whose dogmas are private vendettas made sacred, More than the tall buildings and sprawling factories Where men wear chains. You are a lonely prostitute who speaks to me as I pass, And I smile at you because I am a lonely man.

Marriage: a poetic ideal, a prosaic reality.

Mary Magdalene Speaks: We walked together our souls united in the quest for truth He a man of flesh yet in his beautiful eyes eternity’s love shone out to our world I loved him He belongs now to the ages You and I shall never forget his beautiful light

Mathematicians still don’t understand the ball our hands made, or how your electrocuted grandparents made it possible for you to light my cigarettes with your eyes. It isn’t as simple as me climbing into the window to leave six ounces of orange juice and a doughnut by the bed, or me becoming the sand you dug your toes in, on the beach, when you wished to hide them from the sun and the fixed eyes of strangers, and your breath broke in waves over my earlobe, splashing through my head, spilling out over the opposite lobe, and my first poems under your door in the unshaven light of dawn: Your eyes remind me of a brick wall about to be hammered by a drunk driver. I’m that driver. All night I’ve swallowed you in the bar. Once I kissed the scar, stretching its sealed eyelid along your inner arm, dried raining strands of hair, full of pheromones, discovered all your idiosyncratic passageways, so I’d know where to run when the cops came. Your body is the country I’ll never return to. The man in charge of what crosses my mind will lose fingernails, for not turning you away at the border. But at this moment when sweat tingles from me, and blame is as meaningless as shooting up a cow with milk, I realise my kisses filled the halls of your body with smoke, and the lies came like a season. Most drunks don’t die in accidents they orchestrate, and I swallowed a hand grenade that never stops exploding.

Matched with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me.

Mataku merenung alam. Menunggu datangnya syair

Mathematics and poetry are the two ways to drink the beauty of truth.

Maud Shade was eighty when a sudden hush Fell on her life. We saw the angry flush And torsion of paralysis assail Her noble cheek. We moved her to Pinedale, Famed for its sanitarium. There she'd sit In the glassed sun and watch the fly that lit Upon her dress and then upon her wrist. Her mind kept fading in the growing mist. She still could speak. She paused, and groped, and found What seemed at first a serviceable sound, But from adjacent cells impostors took The place of words she needed, and her look Spelt imploration as she fought in vain To reason with the monsters in her brain.

Maybe all that we are is what people expect us to be.

May, and after a rainy spring We walk streets gallant with rhododendrons.

Material creation begins in a tiny corner of a large island called imagination.

Maybe if I could slip into Sylvia's mind, sort out the spices in her rack, alphabetize them and dust them off. Maybe then I'd understand how it's the little things that pull you under.

May be its mine bad-luck Or yours not to get me But I still have hope Of being yours

Maybe if we re-invent whatever our lives give us we find poems.

Maybe one day we’ll find that place, where you and I could be together and we’ll catch our dreams within the waves of change. So hear me, you are not alone.

Maybe I live in the gates that lead to outbound international flights. Maybe that is home. And do I feel more comfortable at the departures or at the arrivals?

Maybe some people are only ever meant to be missed.

Maybe, just maybe, it's difficult to find solace in one another, in anyone, or anywhere, because everyone is hurting at the same time.