Best 2585 quotes in «perspective quotes» category

I don't spend a lot of time judging anyone I play. Even if their function in the script is to be the villain, I concentrate on what their perspective of the events is. Not even to justify them.

I don't teach literature from my perspective as 'Joyce Carol Oates.' I try to teach fiction from the perspective of each writer. If I'm teaching a story by Hemingway, my endeavor is to present the story that Hemingway wrote in its fullest realization.

I don't think a novel's main donation, main gift, is the document. The document is there, but a novel goes beyond documentation. It goes into opening a new vista, opening a new perspective, showing familiar things in an unfamiliar way, and making the reader reconsider the documentary facts which he or she may have known before.

I don't think the possibility for beauty can be foreclosed, because beauty can take so many forms. There is beauty that arises from the unexpected, when our familiar perspectives are thrown off balance. There is also the beauty that paradoxically comes out of the tragic, that emerges because we are reminded of what is no longer there, that becomes powerful because of what is absent.

I don't view myself as a musician anymore - I view myself as a human being that functions as a musician when I'm functioning as a musician, but that's not 24 hours a day. That's really opened me up to even more perspectives because now I look at music, not from the standpoint of being a musician, but from the standpoint of being a human being.

I don't want to be vain or fearful, and I don't think I'll do anything [in terms of plastic surgery], but if I want to do something, I will. From my perspective, there's no reason to be afraid of aging, because if you age, you're lucky! The alternative is death.

I do think that what's wonderful in life is that we gain perspective as we take on different roles that are mind and heart opening.

I do want to try to put things in perspective today relative to the U.S.-Canada relationship. I would like to start by talking about how important this relationship is to the people of the United States.

I expressed skepticism, in the first chapter, about the utility of time machines in historical research. I especially advised against graduate students relying on them, because of the limited perspective you tend to get from being plunked down in some particular part of the past, and the danger of not getting back in time for your orals.

If [after one role] you believe that you've mastered acting and you don't have to study the craft or get a deeper perspective, then you're not going to succeed.

If a reader believes that everything in nonfiction or history is just objectively true, I don't really know what to tell them, except that at least in fiction, the choice of what perspective and bias to tell a given story from - which is always a deliberate choice - is foregrounded and clear.

I feel like utopia is neither here nor there. It's in that sort of space where you feel the most present, and that can be on tour [or] at home. It's easier to get to that place on tour because your environment is constantly changing, and from a very primal, evolutionary perspective, you have heightened awareness when you're in an unfamiliar place, so it's easier to access that state.

I feel like what we love to do is solve problems. If it's easy to solve, we find a more difficult one. There's always a way. In our world, we can build stuff. We can build more sets than you could ever build in live-action. We can build more props just for custom angles or perspectives. We'll build special trees for that, paint a sky. There's really no limitations, except that you run out of time and money at some point.

I feel like I've got so much to do, from a music perspective. Jamie's done his record and traveled around the world with it. Romy did all those writing sessions. I would love to do what Romy's done and experience that other side of the pop machine. It sounds terrifying and, at times, a little bit soulless. That's a real pet peeve of mine, when people talk about songwriting in a cynical way. But having said that I still want to do it, just to know what it's like.

I find male singers and what they sing about fascinating. It makes me realize how little we know about ourselves and how little I know about myself. It's interesting to see the male perspective.

I feel traveling certainly does broaden the mind. In my case certainly I feel more confident. It gives you a new perspective on the world.

If I brought you down to the size of an individual cell so that you could see your body from that perspective, it would offer a whole new view of the world. When you looked back at yourself from that perspective you would not see yourself as a single entity. You would see yourself as a bustling community of more than 50 trillion individual cells.

I find myself trying to explain more, and explain the perspective of my mentality, or the mentality I'm trying to convey.

I feel that as artists - whatever your medium is - I feel that we're watching what goes on around us and we take what we don't see, or we don't hear, or we don't feel and we do something that speaks of it; more about it, for it, or against it - whatever our perspective is - that's what our job is.

I find that the time that goes by is actually your best friend when you are making a record. The passing of time gives you perspective on what you recorded and what you wrote. If something sounds good to you 12 months after you recorded it then chances are pretty good that there's something valuable about the part or the song.

If I said who I was influenced by, it would be really weird and pretentious because it would be people who have nothing to do with what I do. From a listening perspective, there's just something in their playing that I'm inspired by.

If nothing changes, you will have to put your disappointment in perspective.

If it weren't for the dark days, we wouldn't know what it is to walk in the light.

If someone is being absolutely critical of me as a driver, what could they say? I am also critical of myself to try and keep things in perspective. That is very important.

I found everything so remote but, at the same time, familiar when I occasionally looked into the mountains, rocks, pine trees and plums depicted in old literati paintings. My innermost feeling which was awakened by the same mountains, rocks, pine trees and plums has been totally and utterly changed. Moreover, like an apparition, it hides deep down in my vessels. The very trees and rocks have become the storage of memories and emotions from various eras. Forced by the rapid change of time and perspective, I cannot help but feel urged to face up to these things once again.

If the chaos is overwhelming, I start making lists. To write it down puts it in perspective.

If the purpose of literature is to illuminate human nature, the purpose of fantastic literature is to do that from a wider perspective. You can say different things about what it means to be human if you can contrast that to what it means to be a robot, or an alien, or an elf.

If the only tool you have is a hammer, it's hard to eat spaghetti.

If the participants regret participating, then you won't have something that reveals some greater truth about human condition or allow some other perspective. You need people to want to be there so they can talk at length and want to continue talking to you.

If the purpose of life is just to live this life and then die, it's hard to answer the purpose of pain question; but if we can help people see from an eternal perspective - that all of this is working together to prepare us for something higher than we've ever imagined, more noble than we've ever dreamed - then we discover some hope that we can hold on to.

If there is anything good about exile, it is that it teaches one humility. It accelerates one’s drift into isolation, an absolute perspective. Into the condition at which all one is left with is oneself and one’s language, with nobody or nothing in between. Exile brings you overnight where it would normally take a lifetime to go.

If we would see others as they see themselves, our shyness would soon become compassion.

I further testify that when we eventually see things through the proper perspective of eternal truth, we will be amazed at how much we were blessed in important though often unperceived ways through keeping the Sabbath Day holy.

If we are to have broad-thinking men and women of high mentality, of good physique and with a true perspective on life, we must allow our populace a communion with nature in areas of more or less wilderness condition.

If we don't have a sense of humor, we lack a sense of perspective

If wrong decisions, both from a governance perspective and ethics, happen, this is a slippery slope that we will go down. Unless and until you recognise this, you will not take the right decisions.

If you allow your perceptions to be dominated by a status-quo perspective these thought forms create a network of status-quo mental habit patterns.

If you are born a female and live as one, you can't deny your connection to feminism. I think if you are a female, you are a feminist. As far as my work goes, I don't want it to be interpreted solely from a feminist perspective, of course, but for a woman to have no interest in feminism or say that it doesn't concern her is self-denial. I know that sexism still exists within various societies and systems, whether blatantly or subtly. We are, however, much better off than previous generations.

If you call a thing bad you do little, if you call a thing good you do much

If you do not raise your eyes you will think that you are the highest point.

If you give people more perspective of one object, they start to see it more clearly.

If you ever get rich and famous, by definition you are special. You have done something special, and therefore you start to behave special. Then if the floor drops out, and you become down and out, you have a really new perspective.

If you find yourself saying things like, "I'm hitting the age where I'll need reading glasses," "I'm too old to try yoga (or some other activity)," or other such statements, make a conscious choice to shift your perspective and what you tell yourself about your body and age.

If you need to take a step back from day-to-day operations and plot out the long-term direction of your user experience strategy, consultants can give you a perspective you can't get on your own.

If you keep your perspective correct and understand that people are coming to you because your gift makes room for you in the world, then you do not need to wonder or worry about having to misplace your importance as a person.

If you replace a soldier with a machine, you take away the possibility of the soldier or the policeman to not do something the state asks of him. He may think it's unethical to do it. A machine doesn't have that critical perspective.

If you're proactive, you don't have to wait for circumstances or other people to create perspective expanding experiences. You can consciously create your own.

If you read any of the biographies on J. Edgar Hoover, you find that they contradict each other more than they agree. Often times, they're often told from a political perspective.

If you're going to make sense of politics you have to have a historical perspective and also recognise that you have to work with people you don't agree with.

If you're too close to events, you lose perspective. It is not easy to be fair with the facts and keep your own convictions out of the picture. It is almost impossible to be both a participant in the events and their observer, witness, interpreter.