Best 3019 quotes in «color quotes» category

I always carry around a giant makeup case with about fifteen items in it. I so want to be the girl who just carries lipstick as if that's all I need, but I'm just not that girl. I need my lipstick, but then, just in case my cheeks start to lose their color, I need my blush. Then I'll need my oil pads...so I just take the whole thing. And now I need a full on fashionable backpack for it all!

I always considered myself bi-racial, because I didn't want to disconnect from either side, and I felt very strongly about that. Now, I understand that the world sees me as a black woman, a person of color, and I'm okay with that.

I always loved to paint. As a kid, I liked to dip my paintbrush in black ink. They gave colors to me to use, but I didn't like them very much.

I always see colors when I listen to music. It's difficult to explain, but when I hear the music I think about gold, blood rushing.

I am a 20th century escaped slave. Because of government persecution, I was left with no other choice than to flee from the political repression, racism and violence that dominate the U.S. government’s policy towards people of color.

I am a believer that color affects people's moods.

I always work directly from life, partly because I really enjoy having an interaction with the person in front of me but also because I love having a direct response to shape and color.

I am also going to go with somebody who is the opposite of Donald Trump and her name is Johari Osayi Idusuyi. I think she represented millions and millions of Americans who look at the message that Donald Trump is using his fame and the power he has accumulated to,you know, to send out into the world and it`s horrified. And I think her quiet resistance represented so many people because I`ll tell you, people of color have been trying to warn this country about Donald Trump for a really long time and I think she reminded us.

I am always in the hope to express the love of two lovers by a marriage of two complementary colors - colors which marry each other... complement each other as a man and a woman do.

I am also a painter. I paint the hearts of people with colors of spirituality.

I am a man, and men do not drink pink drinks. Now, be gone, woman, and fetch me something brown." Jace said. "Brown?" said Isabelle. "Yes. Brown. It's a manly color. See? Alec is wearing it." Jace said. "Well, it was black but it faded." Alec said. "Well, I can always fix it up with something sparkly," Magnus said, holding a sparkley headband. "Resist the urge, Alec, resist the urge." Simon said.

I am certain that if I have any merit, it is knowing how to make good use of my eyes, to guide the camera in its task of capturing not only colors, lights and shadows, but the movement of life itself.

I am at the Continental Divide with the astral beings. They're most beautiful. They're most luminous. They have many shapes and sometimes their shape changes constantly, All kinds of colors.

I am convinced that abstract form, imagery, color, texture, and material convey meaning equal to or greater than words.

I am curious about color as one would be visiting a new country, because I have never concentrated so closely on color expression. Up to now I have waited at the gates of the temple.

I am going to ensure that LGBTQ Americans have full equality under the law and address the urgent crisis of violence against transgender women of color.

I am here and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to.

I am inspired by life, past experiences, what's to come, women around me, art, colors, paintings, and emotions.

I am held to answer for the crime of color when I was not consulted in the matter. Had I been consulted in the matter and my future fully described, I think I should have objected to being born in this gospel land.

I am just learning to notice the different colors of the stars, and already begin to have a new enjoyment.

I am never in a hurry to reach details. First and above all I am interested in the large masses and the general character of a picture; when these are well established, then I try for subtleties of form and color. I rework the painting constantly and freely, and without any systematic method.

I am more and more convinced that music is not, in essence, a thing which can be cast into a traditional and fixed form. It is made up of colors and rhythms.

I am no longer interested in seeing and knowing everything all at once in my work. Technically I select the area of focus and if it's possible I try to make an amalgamation of every shape and color in the picture so that it acquires a circular movement: from representation to abstraction, from life to death, and vice-versa.

I am not dead yet! I can still call forth a piece of soul and set it down in color, fixed forever.

I am optimistic. I think that there are a lot of women producing things, not necessarily in the studios. Actresses are putting stuff together. I think there are more stories about women of color [and] older women. But it is slim pickings.

I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work. And the songs that I sing are made up for the most part by all sorts of folks just about like you.

I am real, real picky with what I decided to do. I want to make sure it's new and at the same time that it's in the same color of what I have played before. Not to pigeon hole myself but I don't like to do fluff.

I am trying to show the world that we are all human beings and that color is not important. What is important is the quality of our work.

I am willing to compete on my merits and on my character - not with the color of my skin. We talk about being a color-blind society, but I don't think the political process could actually handle that.

I am tired of myself in every way. All things, deep down to the secret of their roots, are stained by the color of my weariness.

I became a chameleon. My color didn't change. But I could change your perception of my color.

I ask you and all the leaders of the world: Would you act differently, would you keep silent and do nothing if you were in our place? Would you not resist if you were allowed no rights in your own country because the color of your skin is different to that of the rulers, and if you were punished for even asking for equality? I appeal to you, and through you to all the countries of the world, to do everything you can to stop the coming tragedy. I appeal to you to save the lives of our leaders, to empty the prisons of all those who should never have been there.

I argue, based on metaphysical and physical considerations, that we should think of the fundamental parts of the world as a mix of intrinsic natures, rather like a paint-pot filled with a rainbow of colors, loosely mixed to give a richly varied, spatiotemporally inseparable, spread of qualities, and that this mixture is what gives rise to ordinary reality.

I barely notice colors unless I taste them. Not the yellows or the greens. I taste the deeper blues. The darker reds.

I began to understand the challenges that first-generation college students and students of color have in college.

I applied streaks and blobs of colors onto the canvas with a palette knife, and I made them sing with all the intensity I could.

I begin with the renaming of the system. It used to be capitalism. But that evokes [Karl] Marx and [John] Rockefeller. So now we speak of the market system. That is a nice bland expression, which forgets those off-color references.

I believe in rainbows and all of that. But there are darker colors … and it's the shade that defines the light.

I believe in human beings, and that all human beings should be respected as such, regardless of their color.

I believe in Mexico there's a big culture of moviegoing, both studio and indie. I think here in the US that's not the case because Latino communities don't have access to indie films. If you go into communities of color you will only find the big theater chains which only play the blockbuster genre films.

I believe that all centers that appear in space - whether they originate in biology, in physical forces, in pure geometry, in color - are alike simply in that they all animate space. It is this animated space that has its functional effect upon the world, that determines the way things work, that governs the presence of harmony and life.

I believe that white people need to check themselves, account for their privileges, and undergo whatever interaction with communities of color with that understanding. They have to add up all those processes and articulate those privileges to try to equalize the historical process.

I built the film [Boy and the World] this way. I gathered all the tools I usually use such as brushes, color pencils, crayons, watercolors, and everything else I found in my studio, and I put them on top of a table. I had this feeling of freedom and possibility like if I was this boy. I was using the boy's freedom to create this film.

I brought color to bridal. There was one whole season of blush. If you think about the bareness, the illusion (fabric), the corsets that I did in bridal, they were trends in ready-to-wear, too.

I buy what makes my heart sing. So, it's not that I follow one specific track. It's sort of what I like. I love colors. I love unique pieces. I love vintage clothing.

I came from a white middle class neighborhood. Was I expected to go back there and teach the woman next door about Renaissance sonnets? The embarrassing truth of the matter was that I was being chosen because Yale University had some peculiar idea about what my skin color or ethnicity signified.

I cannot affirm God if I fail to affirm man. Therefore, I affirm both. Without a belief in human unity I am hungry and incomplete. Human unity is the fulfillment of diversity. It is the harmony of opposites. It is a many-stranded texture, with color and depth.

I can find something between sight and hearing and I can produce a fugue in colors as Bach has done in music.

I cannot copy nature in a servile way; I am forced to interpret nature and submit it to the spirit of the picture. From the relationship I have found in all the tones there must result a living harmony of colors, a harmony analogous to that of a musical composition.

I can go completely berserk with the makeup, depending on the event. I'm currently in this very mod stage. I wear false lashes and color on my eyelids. I'm really liking shiny eyelids in copper, rose, gold, or silver.