Best 3019 quotes in «color quotes» category

I tell my students, it's not difficult to identify with somebody like yourself, somebody next door who looks like you. What's more difficult is to identify with someone you don't see, who's very far away, who's a different color, who eats a different kind of food. When you begin to do that then literature is really performing its wonders.

I tend to gravitate towards neutrals in my home but also love finding interesting fabrics or pieces that add a pop of color.

I tend to follow a very nocturnal sort of existence mainly because I don't much care for sunlight. Bright colors of any kind depress me, in fact. And my moods are more or less inversely related to the clarity of the sky, on any given day.... my private motto has always been that behind every silver lining there is a cloud.

It gives a message to people of love... it does not matter what's the colour of your skin, what language do you speak, what religion do you believe in. It is that we should all consider each other as human beings and we should respect each other.

It has no color to it. If you can rap good, you can rap good. I look at Mac Miller, who’s one of my homies, and I look at Wiz Khalifa, who’s one of my homies, and I don’t look at Mac different because he’s white. He’s my homie.

I then realized that I could never be satisfied again with the mere natural charm of my voice, that I had to constantly paint when singing, melting all the colors, expressing reds and blacks that had to be less primary but bursting with subtly colored combinations.

I think being partnered with C. Wonder as their creative director and also getting to kind of educate her on how to mix prints and how to incorporate color into her wardrobe and how to go from an easy silhouette to using some of our accessories to cinch her waist or make it more cocktail - I think will be really, really fun.

I think color, for a costume designer, is one of your biggest storytelling devices.

I think crossing into the digital age is the big move for the industry. I think it will be the biggest thing that's happened while I've been making movies. I equate it to the invention of color or sound, and I don't see any other major technical process coming along and changing that.

I think drugs affect poor people and people of color more than anyone.

I think colors are miraculous. We live in a universe that is extremely creative and magical. We become happier as we appreciate these things in nature.

I think every painting should be the same size and the same color so they're all interchangeable and nobody thinks they have a better painting or a worse painting.... Besides even when the subject is different, people want the same painting.

I think for folks of color the key to combatting racism period is a) trusting their instincts and b) solidarity with one another.

I think if people genuinely want to help ... that'll shine through, no matter what color or what race. We cannot see race before compassion.

I think if you look at Hollywood as a whole and the type of content that they put out over the years, it's pretty homogeneous, right? They haven't done a really deep dive into a lot of stories of people of color. I don't want to say that there haven't been attempts, and there has been some great product that has come out over the years, but I think in 2016, we're in a world of struggle. It's not just about race, it's also about the LGBT community too and others.

I think I'm plain. I'm normal. I'm plain. I try not to stand out. I don't wear colors.

I think it doesn't matter what color you are. Everybody is getting the - getting the stick, and I'm sure Trump feels the same way.

I think it's a great time to be a person of color and with talent. And actually, to be a woman as well. Our show is one of the most diverse television shows on television right now.

I think it's too easy to just say that there is a direct and necessary conflict between black identity and gay identity. I think it's more nuanced than that simply because I think black is a color and then people layer on top of it all kinds of socio-cultural elements.

I think it's really useful to create parameters. The term you use can be forwarded into something more like a grid, a rubric, a system that you apply to all environments, and in so doing you create a situation in which you can locate local color, local differences within new environments.

I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were

I think life is cotton candy on a rainy day. For those who grew up with cotton candy the old-fashioned way, it is very delicate. Pre-made cotton candy that has preservatives is not nearly as good or true. True cotton candy is sugar, color, and air and it melts very quickly. That was the metaphor - it can't be preserved, it can't be put aside, it can't be banked. It has to be experienced, like life.

I think of color as being seen in and throughout, not solely on the surface.

I think men spend so much time passing for being men. There's a sense among many writers of color that the most invisible figure that was sitting between all of us was the nerd. But it was the thing we weren't saying, that people were afraid to say, like, "Yo, what we do is nerdy by definition.

I think of painting as possessed by a structure... but a structure born of the flow of color feeling.

I think that I'm very old fashioned in terms of my film references and what appeals to me, in a way with camera moves and a depth of color to bring things to it.

I think television is one of the last real bastions of the white beauty standard, but still in many industries the workers can be replaced by someone who's willing to play the game or who looks like the person in charge. And this is a problem for all women, not just women of color.

I think people are like that. When you really look at them, you stop seeing a perfect nose or straight teeth. You stop seeing the acne scar or dimple in the chin. Those things start to blur, and suddenly you see them, the colors, the life inside the shell, and beauty takes on a whole new meaning.

I think that a woman wears so many hats, we have so many aspects to us that we're not just one thing. We represent so much within us and that kind of comes across for me as a designer through mixing prints and colors.

I think that we will come out on top as women, as people of color, as Muslims, as transgender people, as people who are part of the disabled community - I think that we'll come out on top.

I think that sexual pleasure and the weird color of the sky after a storm or the stream of tail lights across the bridge or the way silence can thin or thicken before music starts - all these things have to be harnessed by the political. The libidinal has to be harnessed by the political.

I think that the best movies are made, not from a point of view that depends on your personal history, whether it's the color of your skin or the politics that you had or the place that you come from, but from a point of view of an understanding of human nature, an understanding of history, and an understanding of what motivates people.

I think the fashion industry was slightly put off by people they didn't know. They were presented with things like 20-gatefold color brochures.

I think the names of colors are at the edge, between where language fails and where it's at its most powerful.

I think the more the listener can contribute to the song, the better; the more they become part of the song, and they fill in the blanks. Rather than tell them everything, you save your details for things that exist. Like what color the ashtray is. How far away the doorway was. So when you're talking about intangible things like emotions, the listener can fill in the blanks and you just draw the foundation.

I think the legacy of the civil rights movement is that now whites are more open to being represented by people of color or people who are women or, again, non-traditional candidates.

I think the ultimate sense of security will be when we come to recognize that we are all part of one human race. Our primary allegiance is to the human race and not to one particular color or border. I think the sooner we renounce the sanctity of these many identities and try to identify ourselves with the human race the sooner we will get a better world and a safer world.

I think theres too much saturated color in comics, thanks to digital color techniques.

I think the world is ready for people of color to take on more heroic and leading roles, and not always be the sidekick, the nemesis or any sort of stereotype of what a person of color can play typically in a Hollywood picture.

I think we're starved for a life of the senses. We're in the garage, we're in the car, we drive to work, we're in a windowless cubicle that's gray and beige. In a way, it's funny that we consider ourselves an advanced culture, because people who live in so-called primitive environments still enjoy the richness of the smells, colors, and sounds of our world. We all crave that.

I think we're entering a new period of filmmaking that's analogous to switching from black-and-white to color, or from silent to sound. The medium is completely flexible, and it's not bound by anything. If you imagine something, you can do it.

I think viewing people by the color of their skin is one of the dumbest ways to view people.

I think we should all come together, and that race and color or social demographics really don't matter.

I think words speak to us even though they may be written on a wall. So we hear them in our mind. We say it to ourselves. But they are also visual things. You draw them. They are designed. They are colored. They have a certain size. I put them in a certain place. So they are objects that have to be - artistic decisions have to be made in terms of the color and the size and the line and whatever.

I think you'd be pretty in any color."-Posy to Octavia

I think white is the most wonderful color of all, because within it one can find every color of the rainbow.

I think young people have a wonderful reaction to color because it's not screwed up by too many references.

I thought that it would be easier to learn that if I worked in motion pictures. So I went to work with one motion picture producer who was developing a color system. This didn't do to me much good. All I did was pick filters for the camera.

I thought Alchemists avoided alcohol the same way they do primary colors.

I thought that was a pretty stupid argument, really, because it's the final product that matters. The look of the film, however it's done, is still the cinematographer's vision in my mind. People said the same when color film came in, didn't they? The world evolves, and image-making evolves.