Best 3019 quotes in «color quotes» category

I brought color to bridal. There was one whole season of blush. If you think about the bareness, the illusion (fabric), the corsets that I did in bridal, they were trends in ready-to-wear, too.

I came from a white middle class neighborhood. Was I expected to go back there and teach the woman next door about Renaissance sonnets? The embarrassing truth of the matter was that I was being chosen because Yale University had some peculiar idea about what my skin color or ethnicity signified.

I can find something between sight and hearing and I can produce a fugue in colors as Bach has done in music.

I can go completely berserk with the makeup, depending on the event. I'm currently in this very mod stage. I wear false lashes and color on my eyelids. I'm really liking shiny eyelids in copper, rose, gold, or silver.

I can honestly say that in my time in America, I have not encountered any racism. When Jim Thorpe and I make fun of each other on the range, or even when a white player makes a joke about my color, I take it as what it is-a joke-and give it back accordingly.

I cannot affirm God if I fail to affirm man. Therefore, I affirm both. Without a belief in human unity I am hungry and incomplete. Human unity is the fulfillment of diversity. It is the harmony of opposites. It is a many-stranded texture, with color and depth.

I cannot copy nature in a servile way; I am forced to interpret nature and submit it to the spirit of the picture. From the relationship I have found in all the tones there must result a living harmony of colors, a harmony analogous to that of a musical composition.

I cannot say what color Lenore Beadsman’s eyes are; I cannot look at them; they are the sun to me.

I can picture the color of the song, or the shape of it, or who it is that I'm trying to appeal to, in the song, and what I'm trying to, almost, reinforce my feelings for. And I know that sounds sort of vague and abstract, but I've got a handle on it when I'm doing it.

I can see thru mountains watch me disappear, I can even touch the sky. Swallowing the colors of the sounds I hear, am I just a crazy guy? You bet.

I can see forms and shapes in my mind when I solo, just as a painter can see forms and shapes when he starts painting. And I can see different colors.

[I] can't actually imagine a time in which the need for more diversity would ever cease. Affirmative action has been an issue since segregation practices. The question is not when does it end, but when does it begin [..] When do people of color truly get the benefits to which they are entitled?

I can't describe it in words, but I can see it in my head, its color, its light, its shapes, and I've managed to synthesize my love for myself by way of many different reasonings and processes, and I've been able to really synthesize my own satisfaction and things that do it for me. They've usually been self-taught, self-instructed, self-refined. So to be with anybody else has to somewhat lie in that comfort zone I've created with myself so well.

I can't work without a model. I won't say I turn my back on nature ruthlessly in order to turn a study into a picture, arranging the colors, enlarging and simplifying; but in the matter of form I am too afraid of departing from the possible and the true.

I choose color on the spur of the moment. People ask me why I paint in red. I do not have the slightest idea. I was painting in blue, then I had a need to paint in red. To be able to interact with the medium, this is the key. There are no sure ways to do art.

I come from a very warm island, where colors are very important, very vibrant, and obviously the color has been an influence on my work.

Icons are also beautiful, with their luminous colors and gold leaf. On first glance, the subjects can seem flat, their poses artificial. But the wonder of the icons has to do with the relationship which develops between the panel and the viewer. Looking at an icon brings me a feeling of serenity; it's like a form of prayer. So I suppose in this sense, the icon is unsurpassed.

I consider myself a crayon... I may not be your favorite color but one day you'll need me to complete your picture.

I could introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices to say that at some point in time, I will be standing over you, as genially as possible. Your soul will be in my arms. A color will be perched on my shoulder. I will carry you gently away.

I could see from this, that perhaps if white Americans could accept the Oneness of God, then perhaps, too, they could accept in reality the Oneness of Man - and cease to measure, and hinder, and harm others in terms of their "differences" in color.

I create my subjects somehow visualizing them in my style. I start as a poet, put the colors and composition down on canvas as a painter, but finish my work as a sculptor taking delight in caressing the forms.

I'd become sort of involved in things that were happening to people. No matter what color they be, whether they be Indians, or Negroes, the poor white person or anyone who was I thought more or less getting a bad shake.

Ideally, travel broadens our perspectives personally, culturally, and politically. Suddenly, the palette with which we paint the story of our lives has more colors.

... ideals, standards, aspirations,--those are chameleon words, and take color from their speakers,--often false tints. A scholarly man of my acquaintance once told me that he traveled a thousand miles into the desert to get away from the word uplift, and it was the first word he heard after he reached his destination.

I definitely associate music with color. For example, my first record has a red cover but it is totally green and blue to me.

I definitely am drawn to deeper reds and wine colors for lips and even cheeks during the holiday.

I deliberately look for colorful people. They're very right for theatre. Theatre has to be theatrical. If you can get color into the accountant, you've got something. Write the whole thing first and then say he's an accountant. That's a very wacky accountant, but so what? Theatricality feeds and challenges the actor, the director, and the designers.

Identify in your work opposites of color, form, compositional arrangements, space, etc.

I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.

I did a lot of shopping for her in Tokyo because the colors here are very conservative. A shopaholic would have a coat in every color and lots of accessories

I definitely feel like it took me a while to learn the baseline things you have to do if you want people to hear you. That's why I've had the same haircut for the entire time that I've been on television and that's why I wear literally the same jacket every day. I keep all the clothes I wear on TV in my office on a little hanging rack. My girlfriend calls it all the colors of the German rainbow. Grays, blacks, a slightly greenish gray for the days that I'm feeling particularly festive. I'm not trying to accomplish anything in the way I look other than to be boring enough for people to hear me.

I didn't remember what month that was, or what year even. I only knew the memory lived in me, a perfectly encapsulated morsel of a good past, a brushstroke of color on the gray, barren canvas that our lives had become.

I didn't know his middle name or his favorite color, but I knew how his thoughts felt caressing my mind. The bright tang of his adrenaline coursing under my skin. The force of his heart, strong and rhythmic and a bit sad, pumping within my own chest.

I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just started making oil paintings.

I'd like to start off this show by asking you all a question, cause I don't know the answer. Uh, I lost my sunglasses and yesterday I went to the Sunglass Hut. Here's the question: Why does a pair of sunglasses cost more than a 25-inch color television set? I go to the Sunglass Hut. I see a pair that I like. I don't love them. I don't. I like 'em. $309.

I'd like them to see that those things that set us apart or make us different can be wonderful contributions to the world around us. I'd like them to see that size and color are irrelevant to the dreams we envision for ourselves. And I'd also love for them to see that life is a journey, and every step of the way, we can learn something and become stronger and wiser.

I'd only started noticing that something had gone wrong when I got a call from Naomi [Campbell], she called me and said, "You gotta do something about it, it's really bad, they're not using any models of color.

I'd love for there to be a situation - a world in which that's just not even a question anymore. We are all filmmakers - different stripes, genders, sexual orientations, colors - and our work can be taken on its own terms. I'm really looking forward to that day.

I do not plan any painting, but begin with layers of textures and colors. As I layer the colors, something is suggested to me from within, and that is how it evolves.

I don't judge people by their sexual orientation or the color of their skin, so I find it really hard to identify someone by saying that they're a gay person or a black person or a Jewish person.

I don't encourage any act of murder nor do I glorify in anybody's death, but I do think that when the white public uses its press to magnify the fact that there are the lives of white hostages at stake, they don't say "hostages," every paper says "white hostages." They give me the impression that they attach more importance to a white hostage and a white death, than they do the death of a human being, despite the color of his skin.

I don't have a favorite director just like I don't have a favorite color or I don't have a favorite food. I like everything.

I don't bang for the color or the land. I bang for the principles and for the honor. I'm bangin' for the Westside- this is in my heart, this is how I feel.

I don't deserve you." "You're not allowed to say that." "Why not?" "It's a breakup line. Unless you're breaking up-" Jason leaned over and kissed her. The colors of the Roman afternoon suddenly seemed sharper, as it the world had switched to high definition. "No breakups," he promised. "I may have busted my head a few times, but I'm not that stupid.

I don't have the educated knowledge of what textures, colors, shapes and spaces need to be put together to make something just right. I'm learning it by trial and error, which is something that's slow going.

I don't know if I have a favorite color.

I don't know what it is, but I ache for it each day. It's as though I have eyes, but there are colors I cannot see. As though I have ears, but there's a range of notes I cannot hear.

I don't play too much into the color game, because I don't want to be the best African American quarterback, I want to be the best quarterback.

I don't make a lot of distinctions between things like landscape or figure painting, because to me the problems are inherently the same - lighting, color, structure, and so on - certainly traditional and ordinary problems.

I don't think I'd ever want to direct. I don't think I have as much discipline to direct as I would like to have, and I don't want my hair color to not go grey during that process.