Best 3019 quotes in «color quotes» category

I can't work without a model. I won't say I turn my back on nature ruthlessly in order to turn a study into a picture, arranging the colors, enlarging and simplifying; but in the matter of form I am too afraid of departing from the possible and the true.

I choose color on the spur of the moment. People ask me why I paint in red. I do not have the slightest idea. I was painting in blue, then I had a need to paint in red. To be able to interact with the medium, this is the key. There are no sure ways to do art.

I come from a very warm island, where colors are very important, very vibrant, and obviously the color has been an influence on my work.

Icons are also beautiful, with their luminous colors and gold leaf. On first glance, the subjects can seem flat, their poses artificial. But the wonder of the icons has to do with the relationship which develops between the panel and the viewer. Looking at an icon brings me a feeling of serenity; it's like a form of prayer. So I suppose in this sense, the icon is unsurpassed.

I consider myself a crayon... I may not be your favorite color but one day you'll need me to complete your picture.

I could introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices to say that at some point in time, I will be standing over you, as genially as possible. Your soul will be in my arms. A color will be perched on my shoulder. I will carry you gently away.

I could see from this, that perhaps if white Americans could accept the Oneness of God, then perhaps, too, they could accept in reality the Oneness of Man - and cease to measure, and hinder, and harm others in terms of their "differences" in color.

I create my subjects somehow visualizing them in my style. I start as a poet, put the colors and composition down on canvas as a painter, but finish my work as a sculptor taking delight in caressing the forms.

I'd become sort of involved in things that were happening to people. No matter what color they be, whether they be Indians, or Negroes, the poor white person or anyone who was I thought more or less getting a bad shake.

... ideals, standards, aspirations,--those are chameleon words, and take color from their speakers,--often false tints. A scholarly man of my acquaintance once told me that he traveled a thousand miles into the desert to get away from the word uplift, and it was the first word he heard after he reached his destination.

Ideally, travel broadens our perspectives personally, culturally, and politically. Suddenly, the palette with which we paint the story of our lives has more colors.

I definitely am drawn to deeper reds and wine colors for lips and even cheeks during the holiday.

I definitely associate music with color. For example, my first record has a red cover but it is totally green and blue to me.

I definitely feel like it took me a while to learn the baseline things you have to do if you want people to hear you. That's why I've had the same haircut for the entire time that I've been on television and that's why I wear literally the same jacket every day. I keep all the clothes I wear on TV in my office on a little hanging rack. My girlfriend calls it all the colors of the German rainbow. Grays, blacks, a slightly greenish gray for the days that I'm feeling particularly festive. I'm not trying to accomplish anything in the way I look other than to be boring enough for people to hear me.

I deliberately look for colorful people. They're very right for theatre. Theatre has to be theatrical. If you can get color into the accountant, you've got something. Write the whole thing first and then say he's an accountant. That's a very wacky accountant, but so what? Theatricality feeds and challenges the actor, the director, and the designers.

Identify in your work opposites of color, form, compositional arrangements, space, etc.

I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.

I did a lot of shopping for her in Tokyo because the colors here are very conservative. A shopaholic would have a coat in every color and lots of accessories

I didn't know his middle name or his favorite color, but I knew how his thoughts felt caressing my mind. The bright tang of his adrenaline coursing under my skin. The force of his heart, strong and rhythmic and a bit sad, pumping within my own chest.

I didn't remember what month that was, or what year even. I only knew the memory lived in me, a perfectly encapsulated morsel of a good past, a brushstroke of color on the gray, barren canvas that our lives had become.

I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just started making oil paintings.

I'd like them to see that those things that set us apart or make us different can be wonderful contributions to the world around us. I'd like them to see that size and color are irrelevant to the dreams we envision for ourselves. And I'd also love for them to see that life is a journey, and every step of the way, we can learn something and become stronger and wiser.

I'd like to start off this show by asking you all a question, cause I don't know the answer. Uh, I lost my sunglasses and yesterday I went to the Sunglass Hut. Here's the question: Why does a pair of sunglasses cost more than a 25-inch color television set? I go to the Sunglass Hut. I see a pair that I like. I don't love them. I don't. I like 'em. $309.

I'd love for there to be a situation - a world in which that's just not even a question anymore. We are all filmmakers - different stripes, genders, sexual orientations, colors - and our work can be taken on its own terms. I'm really looking forward to that day.

I'd only started noticing that something had gone wrong when I got a call from Naomi [Campbell], she called me and said, "You gotta do something about it, it's really bad, they're not using any models of color.

I do not plan any painting, but begin with layers of textures and colors. As I layer the colors, something is suggested to me from within, and that is how it evolves.

I don't encourage any act of murder nor do I glorify in anybody's death, but I do think that when the white public uses its press to magnify the fact that there are the lives of white hostages at stake, they don't say "hostages," every paper says "white hostages." They give me the impression that they attach more importance to a white hostage and a white death, than they do the death of a human being, despite the color of his skin.

I don't bang for the color or the land. I bang for the principles and for the honor. I'm bangin' for the Westside- this is in my heart, this is how I feel.

I don't deserve you." "You're not allowed to say that." "Why not?" "It's a breakup line. Unless you're breaking up-" Jason leaned over and kissed her. The colors of the Roman afternoon suddenly seemed sharper, as it the world had switched to high definition. "No breakups," he promised. "I may have busted my head a few times, but I'm not that stupid.

I don't have the educated knowledge of what textures, colors, shapes and spaces need to be put together to make something just right. I'm learning it by trial and error, which is something that's slow going.

I don't have a favorite director just like I don't have a favorite color or I don't have a favorite food. I like everything.

I don't judge people by their sexual orientation or the color of their skin, so I find it really hard to identify someone by saying that they're a gay person or a black person or a Jewish person.

I don't know if I have a favorite color.

I don't know what it is, but I ache for it each day. It's as though I have eyes, but there are colors I cannot see. As though I have ears, but there's a range of notes I cannot hear.

I don't play too much into the color game, because I don't want to be the best African American quarterback, I want to be the best quarterback.

I don't make a lot of distinctions between things like landscape or figure painting, because to me the problems are inherently the same - lighting, color, structure, and so on - certainly traditional and ordinary problems.

I don't think I'd ever want to direct. I don't think I have as much discipline to direct as I would like to have, and I don't want my hair color to not go grey during that process.

I don't think he (Joseph Albers, fh) ever realized that it was his discipline that I came for. Besides, my response to what I learned from him was just the opposite of what he intended.. ..I was very hesitant about arbitrarily designing forms and selecting colors that would achieve some predetermined result, because I didn't have any ideas to support that sort of thing - I didn't want color to serve me, in other words.

I don't really wear lip gloss often, but I do like to wear a dab of lipstick. I put a dab on my lip and mix it with some of my chapstick, and people think it's my natural color!

I don't see race. I don't see color.

I don't think in terms of intervals; I think in terms of tonal color. I'm trying to play through as many keys as possible.

I don't think of color, I think that anyone wants a master of their skill and be successful knows no color.

I don’t trust the answers or the people who give me the answers. I believe in dirt and bone and flowers and fresh pasta and salsa cruda and red wine. I don’t believe in white wine; I insist on color.

I don't think women need another black bag. Everybody has a black bag already, so I thought this season (needs) color.

I don't want enemies. I want friends, and I want them in all shapes, sizes, and colors, and loving whoever they want to.

I dreamed a place where I have come to dwell Cold Mountain says it all Monkeys scream, the valley fog is cold My door blends with the color of the peaks I gather leaves and thatch a hut among the pines Dig a pond and lead a trickle from the brook Long ago I left the world behind Eating ferns I pass the years in peace

I don't wear any make-up on normal days and at school. But, if I'm going somewhere, I always do something with my eyes - crazy colors, sparkles. I'm all for it. I love experimenting.

I don't work from drawings. I don't make sketches and drawings and color sketches into a final painting.

I draw things on the paper very freely but believing there is meaning to them already. There is already meaning in the colors, I don't need to be guided by words. I draw them and the meaning comes after. Every time we would start a new sequence we would change everything.

I dreamt that I could paint you with words, but there were no colors bright enough, black or white enough, blue or green enough...they didn't mean enough