Best 1032 quotes in «hip hop quotes» category

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    If you see something is going wrong within politics and the world today, then some Hip Hop artist is gonna come along and get straight with it. If they think that there's a lot of racism going on then there's another Hip Hop artist who's gonna come out and speak their mind.

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    If you scared to take chances, you'll never have the answers...

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    If you speak to young kids anywhere in the world, hip-hop is the music that they like to listen to more than any other type, so the influence simply cannot be underestimated.

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    If you take a guy like a Barack Obama, who's raised millions of dollars from the most donors in the history of this nation, it suggests that there's a deep and profound hunger for a new politics to come forth. And a guy like him has been able to mobilize that and to reach certain parts of the hip-hop generation.

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    I gave you prophecy on my first joint, and y'all lamed out Didn't really appreciate it, 'til the second one came out

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    I gave birth to most of them MC's... So when it comes around to the month of May, Send me your royalty check for Mother's Day.

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    I get a craving like I fiend for nicotine. But I don't need a cigarette, know what I mean?

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    I get freedom out of hip-hop. I get to be a true artist without any shackles or harnesses.

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    I get imaginative with a mouth full of adjectives, A brain full of adverbs, and a box full of laxatives, Shittin' on rappers, causin' hospital accidents.

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    I get what I desire, it's my empire And yes I call the shots, I am the umpire

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    Ignorance is a poison and knowledge will nourish.

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    I got a letter from the government the other day I opened and read it...it said they were suckers.

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    I got beef with commercial-ass niggas with gold teeth Lampin' in a Lexus eatin' beef.

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    I got introduced to the rave scene in 1992. At the time I was into skateboarding; I listened to a little hip-hop but was mainly into heavy metal and grunge.

    • hip hop quotes
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    I got a voodoo doll every time I pen a verse: Not only do they say they feel it, but they say it hurts.

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    I got lots of love for my crew, that is; No love for them other crews and rival kids. All them out-of-town niggas know what time it is, And if they don't? They need to buy a watch, word up.

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    I got the Rolly on my arm and I'm pouring Chandon And I roll the best weed cause I got it going on.

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    I gotta feel alive, even if it kills me. Promise to always give you me, the real me.

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    I got the best of Jesus. He got the worst of me.

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    I got the wild style, always been a foul child, My guns go boom-boom, and your guns go pow-pow.

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    I got this black chick, she don't know how to act Always talkin' out her neck, makin' her fingers snap She like, "Listen Jigga Man, I don't care if you rap You better - R-E-S-P-E-C-T me

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    I grew up around salsa, merengue, bachata, bass music, freestyle, hip-hop, techno, house, rave. Miami is special for that. It's a city where you don't know if it's more a part of the US, or of the Caribbean, or of Latin America, or of Europe.

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    I got you open like supermarkets!

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    I grew up in the '80s and '90s listening to Public Enemy and Mobb Deep and the Smashing Pumpkins. I don't even know what it was like in the '60s - I wasn't alive then - so the Mayer Hawthorne sound is taking what I can learn from the classics, and blending it with my hip-hop DJ and producer background and punk-rock bands that I played in as a kid.

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    I grew up in predominantly black neighborhoods and went to predominantly black schools. And hip-hop is what I grew up listening to in my teenage years. Basically I'm just being myself.

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    I grew up in the suburbs, and I listened to hip-hop for the right reasons, which was to understand a culture that was beyond mine, and to understand what was going on in places outside of my sheltered bubble.

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    I grew up listening to Tupac, Biggie and other hip hop artists in the 90s. To this day, their music is still some of my favorite.

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    I grew up on Hip Hop, it's the music I love and it's the music I respect. I respect the culture...that's me.

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    I guess hip-hop has been closer to the pulse of the streets than any music we've had in a long time. It's sociology as well as music, which is in keeping with the tradition of black music in America.

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    I grew up with synthesizers and weird, spacey music-hip-hop, R&B, modern rock-that I heard on the radio. That's influenced the way I play music. It's natural for me to go with what I feel. If I didn't let that other stuff out and stuck to a certain format, I would feel like I was missing out on something. I'm just enjoying my ride and being who I am.

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    I guess I'm still holding on to something that I know will probably never happen, because somewhere deep down inside me, I have this little piece of hope that someday, it will.

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    I guess the difference between the Korean hip-hop scene and the American hip-hop scene is that in the American hip-hop scene, you know, they have their Jay-Zs. They can become conglomerates through hip-hop. In Korea, it doesn't happen.

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    I had a cigarette for breakfast, just for beginners, Cried for my lunch, and sleep for dinner.

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    I had a really good time on the show [Sisterhood of Hip Hop]. Most of all, what I've learned is I need to share what it is that I know.

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    I had gone to a talent show, I was interested in American hip-hop music, with my older brother, to another town and my town was attacked. I went from having an entire family to the next minute not having anything. It was very painful.

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    I had danced with Janet Jackson and P. Diddy so I had done a bunch of hip hop. Really and truly my roots are in modern and ballet but, professionally, that's not really out there any more, unfortunately, so these artists aren't really having a lot of ballet dancers behind them so I had to learn hip hop really quick.

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    I had Ice Cube on my first album, "Bunker," and then I did a remix for Snoop Dogg. I've worked with Grandmaster Flash and Pharrell. It's a different work process and there's a different take with how you produce [hip-hop].

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    I had friends who only listened to hip-hop. I had friends who only listened to musicals, and I stood proudly in the middle.

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    I had no idea how much the stuff I was doing was affecting people outside Oakland. At the time, also, hip hop wasn't able to tour because all these clubs that let hip hop come in now, they would never have let hip hop come in.

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    I have gone through many difference phases in my love affair with hip-hop.It evolves, your taste. It sometimes deepens, in terms of what's out; sometimes it's not as deep in terms of what's out. So it's definitely an evolution. I don't ever claim to be a hip-hop head.

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    I had to Derrick Rose the knee up before I got the re-up

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    I hate to see somebody get locked up, especially someone as talented as Lil Wayne. You know Wayne is a strong figure in the hip-hop marketplace, and for him to go away for 8 months, you know it's sad for hip-hop as a whole.

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    I have always touched on different genres whether it has been hip-hop, country and the rock element.

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    I have a very family-like connection to hip-hop, which is why it frustrates me so much.

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    I have done so much for hip-hop and 'til this day, I haven't received any awards or any recognition for it.

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    I have no confidence issues with the impact or the quality of the music. No one in hip-hop, before this point and to this point, with all due respect, has done this.

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    I know a lot of mainstream hip-hop people, have been listening to things like Aphex Twin for years. When somebody first played me some of that album, I was just like, "Woah!

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    I haven't come to tell you I've got juice I just produce, create, innovate on a higher level

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    I have to be perfectly honest: You should have an anniversary to acknowledge the way I work the ebonics.

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    I just need the junkies and the liars and the thieves, I need the pimps, prostitutes and pushers out in the streets. That's where I'm seeking God, cause that's where He found me.