Best 35 quotes of Loudon Wainwright Iii on MyQuotes

After a war, after a concentration camp, I find it's not too difficult to be happy.

As it turns out, three of my four kids are professional singers. And they're really interesting, good singers.

Displaying a bland, even an eerie, disregard for what appeared to be the facts of the situation, he fell back on an old habit of looking ahead to the next defeat.

Geoff Muldaur was and is one of my musical heroes. When I listen to him sing and play, I can hear the coal mine, the cotton field, and last, but certainly foremost, the boy's boarding school.

I always wanted to be an actor, even as a little kid. So I went to drama school in the late '60s at Carnegie Mellon.

I don't think of myself as a folk singer per se, but I really like blues and string-band music. When I started listening to records when I was a teenager, the folk boom was going on.

If I had five minutes to live, I don't think I'd be bothered singing a song. I'd be dead, so it won't really matter. I'd have a glass of wine and a cigarette.

If you're 28 and singing about being over the hill, you're pretending. When you're 67 and singing about it, you know what you're talking about.

I had a hip replacement a couple of years ago. I have a song about that. And why wouldn't you? It strikes me that that was a huge event. It's kind of funny and horrible and interesting, so why wouldn't one write about that?

I hated the idea that I would be like my father. Which is one of the reasons I decided I didn't want to be a writer and wanted to be an actor instead. I wanted to go in a total different direction. But, of course, I ended up being a writer anyway.

I have a song called "Men." I mean, manhood and trying to be one, and failing as one, and trying to be a husband and a father, and failing at that. I love failure. It's stuff that I'm thinking about all the time in my life, so it would make sense to me anyway to write about it.

I have travelled and been pretty much a one man operation for most of my career, and I think it'll continue to be that way.

I love failure. It's stuff that I'm thinking about all the time in my life, so it would make sense to me anyway to write about it.

I'm always asked if the songs that I write are therapeutic, and my answer is a quick no. In fact, it could be argued that they exacerbate my neurosis.

I'm writing about what's happening to me now. I mean, I had a hip replacement a couple of years ago. I have a song about that. And why wouldn't you? It strikes me that that was a huge event. It's kind of funny and horrible and interesting, so why wouldn't one write about that?

In a way, the songs are written to be performed. I put them on records, but I'm always thinking about how an audience would react to it. I realized at age 7 that I wanted to be a performer, and I used to do that, and occasionally I'll get an acting job. I don't really make much of a living as an actor, but it's fun to do it when I get a job.

I studied acting and there's certainly an element of performance. I think that the songs are in many ways written to be performed. I think about what it's going to be like to sing them on stage rather than what it's going to be like to have someone at home listening to them on a CD. I guess in that way there's a connection between my acting experience and the songwriting and the way the songs are written.

I think I'm the oldest new Bob Dylan around. I predate Bruce Springsteen, Steve Forbat and John Prine. I was probably the first of the new Bob Dylans.

It's hard for the modern generation to understand Thoreau, who lived beside a pond but didn't own water skis or a snorkel.

It's nice when people say, 'God, I've been listening to you since 1963 or 1985, or whatever.' I appreciate anybody who goes out and buys music these days.

I've been writing about growing old for some time, really from the beginning of my career. It's something I'm apparently hung up about and now that I am old, hopefully I speak about it with some authority.

I've never really suffered complete and utter writer's block, really. I equate it with sex: in the beginning of my career, I was writing five songs a week; now, I occasionally write a song. But it's an exciting moment when it happens!

I was a smoker for years. Occasionally I slip and have a cigarette. Remarkably, my voice has held up. I'm grateful, obviously. But I don't gargle with honey and ground-up bird eggs. I have no secrets.

I wasn't in a lot of rock and roll bands. I was in jug bands and things when I was in school.

Los Angeles, the sun shines a lot, and it's blue, and there's palm trees; it's a bit like Sydney, I guess, but the underbelly is a vicious, mean, cruel, awful place.

My father writings stuff was always his personal stuff, like about the day we had to put our dog down, or finding old photographs of his father, or passing a guy he went to boarding school with on a street in New York. Very specific, detailed, descriptive columns that he wrote. I think in a way, it could be argued that my best songs are that way too. They're almost journalistic in that they're very clear, and very specific, and they describe things.

My feeling is that, and I've been writing about my family over the years, although it might make them feel uncomfortable, people generally like to be written about. If I've written a song about the family, they enjoy being mentioned in the songs. Nobody's confronted me and said 'don't write any songs about me.

My music comes from country music. Merle Haggard is God, and I do believe that. I'm not too tuned in to country music. I don't know who Brooks and Dunn are. I like Shania Twain, though!

Right away, I knew I didn't want to have that look of other guys with long hair and bell-bottom pants, because everybody else had that look. I kind of adopted my boarding-school look, which made me stand out. Then the next thing you know, the first song on my first record is a song called "School Days." It's about going to the boarding school I went to. So then I just started to write about myself. The very first song I ever wrote was about a guy I met in a boatyard that we were working in. So I've always had this thing about sticking to more or less what I knew.

When a parent dies, the whole house of cards comes down.

When my mother died, and when my father died, it's big. Our parents are giants; they're titans of our lives, so of course it's going to be a big deal.

When you have a song on the radio your career and your life changes maybe for the better and maybe for the not so good depending on how it's going that day.

When you make a record, you listen to it literally hundreds of times. When it's done and you can't do anything else, I never listen to my records.

Why kill good people just to get a bad man?

You just do the best you can. It doesn't necessarily mean that you have to get worse the more you do it. It can get better, I think... aspects of it, anyway. I mean, I don't write as much as I used to. But I don't do a lot of things as much as I used to. So that's the natural order of things, too. You're more or less living in the present. You're just trying to get that next song, whatever it is. And not think too much about what happened on the last record, or the record you made 20 years ago, because those are over with. Those are done.