Best 36 quotes of Patrick Wilson on MyQuotes

A heroic nature is very Greek.

At an early age my dad - probably because he's a journalist - said: "Just have something to say. Don't just blather. Always have one line in your mind." So, that was always my thing whenever I met someone when I was younger, if ever I got to meet a real celebrity.

A wide receiver like me wouldn't have won. The quarterback - or even the running back - always wins.

Emasculation does seem to be a theme in the roles that I choose.

For me, I always have to establish a reality for the character. In very actor-y terms, you just have to understand his reality.

For me, it doesn't matter whether it's a comedy, a Western or horror. As long as you've got a good story to tell, the genre almost doesn't matter. As an actor playing the role, it's all rooted in reality.

Honestly, if you're just going to be the love interest then at least let it be a really good movie. Not every role is going to be Hamlet, I know that.

I always grew up around acting. I did commercials as a kid and all that kind of stuff and my oldest brother did theatre in High School. It's funny, when I was 15 I had a friend of mine who dragged me away to a camp at Boston University. It was the first time truthfully that acting didn't feel presentational; it felt very personal. I didn't just feel like I was singing and dancing for my friends in High School. It felt like I was doing a scene and all of a sudden I started to feeling something - I started to feel emotional.

I am an avid runner, mainly on weekends.

I am fascinated with religion or things that people believe in and question that. I think it's interesting.

I did have Skidz overalls. Remember Skidz, those baggy plaid pants that look like pajamas? So I did rock overalls, but not in purple velvet. I couldn't find those.

I didn't win prom king. By that point, I'd quit sports except for soccer, so I was really just a theater guy. I totally lost to the captain of the football team.

I don't concentrate on if a moment is scary or not. That's not my job.

I knew I wanted to go to college and I wanted to study it acting, so I just looked for the best school that I could get into. Luckily, I had very supportive parents. I went to a conservatory that is basically drama school. You take one English class and one history class for four years but you don't take any other science or anything like that. It's strictly, from 7am until night, all acting. It's a lot. Some people find it too much, but for me I was preparing for a career and I never really looked back.

I like the not knowing of what the next job is.

In a normal movie, you'd never see one guy talk for an entire page, whether good or bad.

I remember seeing Extreme play with [Debra] Winger and Cinderella. Gary Cherone was wearing purple velvet overalls with no shirt and saddle oxfords.Afterward, I went home and told my mom, "I need to find saddle oxfords." And she said, "Like little girls wear?" Naturally, I couldn't find them in my size, so I went to a shoemaker and had him make me a pair. I wore them for a while, but they didn't seem as cool on me, because when your foot is size 12, they sort of look like clown shoes.

I think your teenage years define your musical roots forever. You're always looking for a theme for your high school years.

I try to shave at night so my skin has a chance to settle by the early morning call-time.

It's frustrating sometimes for actors because you slam it out and you have a great time, you think it's funny, and then for whatever reason the movie doesn't come together.

It's very hard to just break into movies. I always felt like it would be giving up a theatre career to go and try and be in movies. So, I thought I'd exhaust the theatre thing, go as far as I can, and originate roles, be on Broadway, maybe win some Tony Awards, and then hopefully some door would open. Luckily, it did.

It was always acting for me, since I was about 15. My middle brother always wanted to be a news anchor, so we always felt that he'd be the one to take over for dad, so we could go and do our thing.

I've always had good relationships with directors. I'm one of those people where, if there's a good idea coming from the sound guy, I'll take it. Filmmaking is a collaborative effort, whether it's a first-time director or it's Mike Nichols. I think that's the standard that the great ones set.

Mike Nicholls saw me in the musical of The Full Monty and brought me in to audition for Angels in America for HBO. And that opened a lot of doors because you could go to LA and say: "Well, I'm starring opposite Al Pacino and Meryl Streep...

Somebody can paint with a fine brush like Monet and do millions of little dots or somebody can splatter it up there like Kandinsky or Jackson Pollock and go "Yep, that's art." That's okay.

The blessing and the curse of not having a huge hit... you can go in and out of roles and some people know who you are and some people don't. I'd love for one of these movies to be super successful because then at least you're presented with more opportunities.

There are tons of different reasons why you do TV series and why you don't, and how it'll affect your career, and all that. Without a doubt, it has always come down to the script for me. I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles.

When I look at a character, whether he's good or bad, one scene or 10 scenes, I just have to find my way in.

When I met Harrison Ford I just kept thinking: "At what point do I break out my Star Wars memorabilia? When is it OK to have him sign something? Will he? And will I look like a total idiot!" The only time I ever got anything from another actor to sign was for my brother or my kids because both of my brothers are die-hard Star Wars fans.

When I went to LA I was almost 30, I'd been nominated for two Tony awards, and on the New York theatre scene I was pretty well known. I went out to LA to meet with casting people, and I remember walking into one meeting and saying: "Hey, how are you? I'm Patrick..." And they said: "I'm so sorry! I thought you were British!" When I asked why, she replied: "Because you're 30 and I've never heard of you!

When you're playing the good guy, you want to find the dirty parts - and when you're playing the bad guy, you want to find the vulnerability.

When you're younger you don't care so much, but as you get older you have a family and stuff like that. But I've always kept my foot in theatre and I've kept my foot in independent film, so I'm really happy going back and forth. So, if I can't find the meaty roles in studio films, then I'll go back and dig up a little independent where I can flex my muscles a little bit.

When you shoot a movie so quickly you can't really afford to shoot a bunch of extra footage because you don't have that luxury.

You don't ever see a thriller with a spiritual backbone.

You have your vision and you need to be focused, but you have to listen. I never felt a sense that the wheels were going to come off because we're all friends and family. It was all good.

You know, I gotta be honest. I have not done a lot of CGI work. I just haven't. I mean, there were hundreds of effects in Watchmen, and I probably dealt with almost none of them, because all my stuff was very practical.