Best 27 quotes of Ari Graynor on MyQuotes

All I can to, and the only sense of control I have over this crazy moviemaking business, is to pick things that I like with people that I love and respect, and then just hope everything else works out.

As an actor, when you're doing comedies, you're around fantastic, funny people and you hopefully have a really good time doing it.

As I've grown as a person and gotten to know myself more - the question of how someone becomes who they become has gotten really interesting to me.

Comedy is funny when it comes from truth, and that's always the rule of them. It's about how far you can push that boundary.

I can be such a people pleaser, and so worried about what people are thinking or feeling insecure.

I don't think there's anything more scary than being forced into doing stand-up comedy.

In stand up every joke is thought about so meticulously, and one word can completely change how the audience responds. You're up there with no safety net; you can't shirk responsibility. It's your thoughts; it's your voice. You can't blame it on the writing, you can't blame it on the editor. You are just up there completely naked.

I started doing community theater when I was seven and I think the intent was just expression. When you're a musician, you can make music in your room, and when you're a writer, you can write. Acting is one of the tricky art forms where you need a certain amount of permission to be able to do it. You can talk to yourself in the mirror, but it's different than actually acting or doing a scene. You need an audience and you need someone else to do it with.

I think casting a show is an art form in and of itself. We're all so different - the cast is made up partly of real stand-ups, partly of actors, and then partly of just legendary actors.

I think the good news for me in life is that I really trust my instincts when I come to work. Maybe less in life and in love, but in work and in comedic beats, I feel pretty confident.

I think the world of comedy is a relatively small community, and especially for women in comedy, there just aren't that many people involved.

It's exciting to look back at the work that I've done and not have a single regret about a job I've taken. I feel really proud of every film I've been a part of. Big or small role, I feel like it was the right choices.

It's the people that ultimately are less talented or have less confidence in what they're doing that then try to micro-manage, which lends itself to a less than ideal film.

I was a precocious only child, and then I went through a fat, awkward stage for several years, so I learned to fall back on my humor and personality when I was growing up. It's how you survive, so I think it was more of a natural progression for me, developing into comedy.

I was more of the kind of babysitter that liked holding the baby, sort of playing Mom, and then putting the baby to bed and watching TV while eating everything in their kitchen.

I would love to be in 'Downton Abbey.' That's the thing I thing many people would have a good laugh with me saying anything like that. I feel like that's the next phase of my career. To reprove to everyone that I can do things besides the crazy characters.

Life is hard enough, so when you can get any joy out of it, whether it's something you do on a day-to-day basis, or the people in your life, or going to see a funny movie, there's just nothing better. That's what life is about.

Once you do something that people respond to, they understandably think of you in that way, and you want to work and it's fun and it's wonderful. I think a lot of people in all different fields find themselves in a moment of repeating certain beats. There's also a moment that is personally related to age as well - in whatever field you're in, you say, "Wait a minute, where am I and how did I get here? How has this changed from my original intent and what do I want to do about that now?" That's part of the process.

Regardless of what kind of film, the number one rule of comedy is to never take yourself too seriously and then the next rule is you can't have any self-consciousness, otherwise it kills the laugh, and that will never change.

The best and most talented directors - and I think it goes for people too - are the most confident in giving room to their actors and trusting them.

The only thing that I'm not willing to do is really stupid, horribly written sitcoms. It can be tempting during pilot season time, but I realized this a while ago when I almost signed my life away to a stupid pilot.

There's a certain truism that you can't be self-conscious in comedy. If I'm in it and if there's a scene that has a great set-up, I will go as far as somebody will let me.

There's pressure to come up with something genius every time. I feel like I keep letting myself down with my Twitter posts. I have to start keeping a journal of rough drafts of prophetic ideas about the world.

Through working with amazing people, the bar is always raised to do your own best work. I want to be a part of unique stories that are smart, heartfelt, funny and sad, and have a general sense of good quality.

When you look at all of the male characters on television and in film, it's not like every one of them are the people doing the right thing that you can point to as your own moral compass.

With acting, I started as a kid and it was my safe space and the place where I felt the most free to be all of myself. What gets explored in our show is where that instinct starts and where it meets with career, and how that can change your path a bit.

Working with David Gordon Green, and Jonah Hill, and Michael Cera, and Drew Barrymore, and all of those people - those are the best people in comedy to work with. Anna Faris. You know, that's my goal, to keep learning and to just keep working with the best people I can. And yeah, we do all hang out, and we all kind of know each other.