Best 76 quotes of Ryan Adams on MyQuotes

A lot of my songs, they're like puzzle pieces, and there's just one way to put them together. You could, if you needed to, get the scissors out and cut up things to make them work. But I don't want to do that.

A lot of the songs I write are like songs that I've never been able to find on any record, but that I've always wanted to hear. Or maybe in a style I already loved, but I was looking for something in it that I wasn't hearing yet.

Bad nights lead to better days

Being a rock musician is already like ego-tripping hardcore. You're self-consumed, and you're always thinking. It's really easy to say, "I'm going to write a song about this situation, and when I'm done, everyone will care." To everybody else, that's ego-tripping.

Caitlin Cary and I were always talking about X when we talked about whiskeytown, before it became an actual band. We like the concept of there being no real front person in X, yet this kind of switch up of vocals and really their sheer power, and their ability to sort of bastardise punk rock and midwetsren rock and even country into their own sound.

Can you still have any famous last words if you're somebody nobody knows?

Collaboration has become really integral to my process. I play music so that I can spend time with my friends and communicate in that way. I experience so much joy in that process, because, you know, it's those times of getting together and playing music and all that comes with it that are the best for me.

Do you remember stormy winter?Well button up your coat, one's comin' soon

Fame is an unnatural construct and those who go in search of it are the least likely to find it.

Forever only takes its toll on some

For me, a record is valid when I actually hold the vinyl. Like, I've worked on the art for a while and I see the vinyl and I go "Ooh, it's an actual LP. How cool is that?" That's very sacred to me. You can't take that back, you know?

I always have to remember that I am the narrator, but it doesn't have to be about me. A lot of songwriting is about trying to use what part of me is valid in telling the story. I don't want to overcook it, you know? Sometimes it seems that's really where the work is.

I can sort of will that stuff to happen to me if I put myself in the right headspace. Then I can actually get to a space where it won't just be one song that comes through, but a series of them.

I don't think I've ever gone on stage to be an asshole. I know one thing, from the past, and that's that my intentions always began in a pure way. I really want to just try and play the songs.

I don't think, that all my stuff could've been records. Some, maybe. The ones that I really wanted to be records, those are the ones that are going into the box.

If I had a reed made of lightening I could blow the sax all night... I don't know where one would acquire a reed made of lightening but I would imagine that Bill Clinton has one.

I got on the phone with the president of my label and I said, "Obviously, I write songs in a lot of styles and play a lot of different kinds of music. We're getting toward the end of our business collaboration. If you could envision a record that you wanted to hear from me, what kind of record would it be?" It wasn't like asking him to fill an order, it was really just a conversation. For all the things I'd ever asked him, this was one thing I'd never asked, and I don't know why. So I was curious. And the thing that he was most interested in hearing was a solo record.

I have found in black metal the lyrics are profoundly beautiful... a pathos and mythos at the same time.

I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.

I like things that reach a little further and are a little more abstract, but I don't think that's what I do naturally well. How I write naturally is probably what's furthest from me, and the most removed from what I understand.

I'm definitely in the market for being uncool. There was some funny stuff, like the thing about making sure I show people that I have tattoos and cigarettes so that they know I'm badass. But really, I do have tattoos! And I do smoke cigarettes sometimes, and I can't change that. But I am not badass, by any means. I do some stuff that's tongue-in-cheek, and some stuff that's on the line. And it could be funny, it could be serious, and I never even know myself, because it could be funny that day, and the next day it's totally embarrassing.

I'm never argumentative for the sake of being argumentative, I don't think. And more than ever, I've had to be willing to fight just to get records released, or just to be able to walk away with a little bit of self-respect and pride.

I'm not the cool thing, and I'm not going to be the cool thing for a really long time, and it isn't like I'm not the cool thing and I sell 3,000,000 records every time. I'm not the cool thing, and I barely sell 150,000 records, if that, ever. So I'm obviously working really hard to sustain myself. I'm actually a target to be dropped, because that's just not enough records for a big company.

I'm sort of planting Post-It notes all over my psyche. Do not skateboard wasted. Do not buy $10,000 rugs. Be careful what you say to journalists. You don't have to stay up until 7 A.M. - tomorrow is a new day.

I no longer know the author of this book, for simply stopping long enough and writing it down was where I changed from a boy with his eyes squeezed shut to a man with his eyes wide open so that the sunlight might reach my heart despite all that darkness.

I quit drinking every night, at 1:30 A.M.

I routinely never discuss my marriage. It's nice to have things in my life that are totally mine.

I should've died a hundred thousand times,Teetering stoned off the side of a building.Nobody loved me and nobody even triedYou can't hang on to something that won't stop moving.Singing and dancing to them nighttime songs.

Is it possible to love someone too much? You bet.

I think it would be wrong to consider 'Ashes and Fire' a love album. The record is obsessed with time. I believe that there is a kinder view of the self on this record.

I think I've been incredibly raw my whole career. A lot of people spend a lot of time trying to look cool and spend time being guarded and putting up walls. I just never had the time. It seems more honest to say, 'Hey, this is who I am.'

I think that music, or at least the kind of music that I make, benefits greatly from improvisation.

I think that we live in a time where it's easier to be suspicious of dedicated men and women, people dedicated to their craft, because the world around them inspires them to be lazy. It inspires them to be negative. It inspires them to be snarky.

It's hard to be bipolar and bicoastal at the same time.

It's hard to view myself sometimes as even in the same league as other musicians, mainly because there's so much music before me. I feel overinformed by different styles and different possibilities.

It's like — I don't know, sometimes it's like chasing a pretty girl on the beach. And things I never thought I could do... I can do.

It sounds like I'm channeling or something, and I don't really fully understand what it is. I'll get a piece of paper and write down what I think is coming to me. And I'll play it once. Whether it's being recorded or not, I can then usually remember it for a sometimes shocking amount of time.

It's really very easy for me to be in The Cardinals, because I bring my voice, my guitar, and my songs to them, and then we all play around to find out what works.

It was never my first choice to be a singer/guitar player. I really wanted to play drums.

It would be really nice to make a record that would be super-fun to play live - a record that would be funny, with a little bit of heart.

I use to be panicked, but know I'm curious!

I've gotten to a place where I still love to play and sing, but I don't have any ego agenda left, outside of just wanting to stay in a creative place and play music. I much prefer to sing for somebody else, and to somebody else.

I want to make sure I'm with a girl that's a good kisser, and that when I wake up, I have coffee and a cigarette. That's all I really want out of life. That, and world domination.

I was a nervous young man. I wanted to do so many things. And I was so enthusiastic and earnestly in love with so many things that I tried too hard. I tried really, really hard. And I made a lot of mistakes. I was afraid of a lot of stuff. And I kind of feel bad for that person I was.

I was never much of a bass player.

I went down to Houston and I stopped in San 'Antone, I passed up the station for the bus. I was trying to find me something, but I wasn't sure just what... man, I ended up with pockets full of dust.

Maybe I am a jerk sometimes. Maybe I'm not. I think most people are kind of a jerk once in a while.

Most of my songs are pretty sketchy. There's not a lot of bass sections. I don't write big bridges. Sometimes I'll try. But it's hard for me to focus that way, because I always think it's more interesting to just see what will happen next.

Music is my thing. It's my thing; it's what I love. It's what I do. It's football to me; it's Christmas to me; religion to me; poetry to me.

My intentions have been, and are always, to just really get behind what my ideas are musically and to just ride this thing out, cause it feels good, and I think for the most part it's good music. Even when it's not, I'd like to still search for something that could be even like a little bit mind-blowing or shocking to me.