Best 26 quotes of Sam Raimi on MyQuotes

Any time anyone makes a comic book into a movie, in some way, I think they have to kill the comic book.

As I began making my feature films, it was a great adventure. It was about constructing something I saw in my head or I had designed on storyboards and capturing that on film.

I don't like movies about serial killers, necessarily; it's too real and unpleasant for me.

If a remake is not good, no one wants to see it and, again, it doesn't hurt the original.

I feel the horror audience is a great audience, and I would ideally make a movie that would give them as much energy as they're willing to give to the picture.

I like a good mono track, it's right up front. I don't need all the surrounds telling me there are birds in the neighbourhood.

I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.

I'm not certain, but I have a little gypsy blood in me. And my mother always told me that her grandma could give someone the evil eye, and I'd better not cross her because she had some of that blood in her. Mother always believed that she could predict the future, and she had dreams that came true.

I'm too obsessed that the people who say critical things about me are right, even though I'm getting to do something I love.

I realized what interested me as a student of film was one thing and the movies that I liked were another.

I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.

I think movies lost a lot when they went to stereo and five-track sound.

It's lovely being a producer. It's really a lot of fun and I can learn a lot.

I used to get headaches in 3D movies, and I didn't want the movie to give people headaches.

I've always been interested in the camera and the effects of it - that's what drew me to film in the first place.

I've always loved... actually I didn't always love horror films. I started out and I only liked comedies and dramas.

I've always worked with a team of actors and filmmakers ever since I was a kid in Michigan making Super-8 movies.

Money opens up wonderful worlds of possibilities.

Nowadays everyone's got the nose rings and the colored hair, so for me to wear the suit and tie is a different way to go.

R is for wussies if you're talking about blood and guts.

Rob [Tapert], myself and Bruce Campbell sat in hundreds of drive-insnot hundreds, but tens of drive-ins, watching these movies and learning how they were made, and we started to make our own in Super 8. And that’s really how we got into horror films. After a while we learned to really like them, and the craft that went into them.

That's what heroic stories do for us. They show us the way. They remind us of the good we are capable of.

The domination of one's spirit and mind is not a pretty thing, but I think it happens.

Well it's always been an element of the horror film to show us the gross out. I mean that's one option for all filmmakers making a horror film and it's not something I've found myself above either.

When we read stories of heroes, we identify with them. We take the journey with them. We see how the obstacles almost overcome them. We see how they grow as human beings or gain qualities or show great qualities of strength and courage and with them, we grow in some small way.

You know, I put my little brother in the movies and he's still in the pictures. My mother makes me put him in the pictures.