Best 44 quotes of Black Francis on MyQuotes

As I paint, I realise, while it's something I do very much by myself, it's very solitary, the creative process feels similar to making music to me now, at least as far as my brain is concerned.

As soon as I got into music, I tried to be a working, real artist who gets paid for what he does, who doesn't have a day job.

Bob Dylan is quite a songwriter, and a great singer and musician. I won't bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.

Everyone thinks I'm a wimp and even my own band hates me. Oh, well. I guess I'll just flip 'em the bird!

For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.

I can remember back as far as age 8, performing with the Boston Folk Song Society. It was a Woody Guthrie song.

I certainly have gotten caught up in the music business at various times in my life, mostly because you want to get along with whatever record company you're dealing with. I don't want to be flaky. I don't want to be some temperamental, hard-to-work-with musician.

I come from an art history background. I studied at a master's degree level; I chose to dork out on art for much of my adult life. A lot of my heroes are artists and a lot of my musical heroes have an artistic side.

I don't like to have everything all worked out in my head because there's always a chance of it coming out different than you think it should anyway.

I don't make records that way, where I'm trying to please the marketplace or anything. Not because I have anything against that, it's just never been a part of my aesthetic, even when I was with the Pixies.

I don't want to do children's music. I write kids songs, but the kids songs I write are for my kids - like when I'm putting them to bed. We sing some song that we made up but I don't want to make a record like that.

I drive a lot. Just for pleasure. Sometimes I'll get in the Cadillac and drive around the city or the country, kind of trying to get lost basically. Y'know, just see where roads lead.

If I have more creativity that I want to get out of me, I try to find other ways than pursuing solo records so much.

If you're a good band then the filter of the band is pretty strong.

I have always been a singer, a writer, and a musician, not as a prodigy or as in a trade handed to me by my parents, but because of an inner voice or maybe a command from beyond reality as it is usually defined.

I have had UFO experiences, and yet, at the same time, I can easily be convinced that none of it is true. It's hard to say whether or not you're a believer. I've been interested in that subject matter, like lots of people. Perhaps foolishly, I've allowed some of that stuff to creep into my music.

I have two step-kids and one of my own on the way. That's three college funds.

I initially felt shy about doing painting because I wasn't a professional painter. I almost felt like I didn't deserve to paint. But I have gradually adopted a different kind of attitude about this.

I like visual images and there are certainly other bands that have strong visual images going all the way back to Elvis Presley, but it's kind of like that's never really been my bag. Probably because I'm too shy.

I listen to Neil Young and jazz and classical stations and, if my girlfriend's driving, it tends to be Hall & Oates.

I'm always looking to rock out. But it isn't really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good. When you look at something that's really good, it might be Iggy Pop or it might be Leonard Cohen. Whatever it is, you want it to be really good.

I'm an untrained musician. Untrained musicians don't really have any music theory, they don't have a lot of rules. We break the rules, but it's mostly because we don't know what the rules are. It's easy for us to go to certain places, so I'm not surprised that a lot of people were amused by my songwriting style.

I'm not saying that people have to listen to rock music. It's a great, cool thing and it can really be liberating for a lot of people but, hey, so can Charles Dickens so I'm not going to judge.

I'm really inspired by the interplay of visual art and music, a total artistic environment where there's sound and visuals. When I think about that I get stimulated and excited. It's a feeling that you can't label with words.

I think all musicians and producers, they know the real goal is to come up with a record that is entertaining and not boring, that's the goal. I think if everyone agrees that that's the goal then it doesn't matter who's the band and it doesn't matter who's the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.

I think everyone should sell whatever product they want to sell for whatever price they want to sell it for, but ultimately the market will dictate what it is and people will have to charge less money for everything. Record companies have been overcharging people for way too long and now this is the trouble that they're in.

I think that painting is a very ancient form of expression.

It's obvious you shouldn't steal, kill or be cruel.

It's sour grapes, I admit, I want to be more famous so people are examining my work couplet by couplet, you know what I mean? That's the level where I want to go.

I've got a small, loyal audience, which is great. And I appreciate that. They're there for me every time.

I won't necessarily make new music because when you make a record there are these great expectations on the side of the record company who are going to produce your record, promoters that are going to do your shows. They want you to do interviews, they want you to play shows. I mean, they want it to be a campaign.

My most cryptic, strange songs might be my most personal, but that isn't how people are going to receive them, because they don't know the code.

People go back to the stuff that doesn't cost a lot of money and the stuff that you don't have to hand money to over and over again. Stuff that you get for free, stuff that your older brother gives you, stuff that you can get out of the local library.

That's the most important thing, to get along with people. When you feel like you click with them. That's more important even then what their background is or what they've done before, how good they are, how new they are or whatever. All that stuff is really secondary to just getting along with the person.

The first thing that inspires any song is a chord progression. When I have one I really like, I get into the lyrics even more.

There's more to life than listening to rock music.

There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, 'Velouria'] - 'Sounds like someone's been taking singing lessons'. Like, motherf**king A! I am the singer. Who do sing SONGS. It's like I never sang before; like I was - I don't know - reading PROSE on my previous records and now I sing. EXCUUUUUUSE me for singing

They're pretty good actually, Hall & Oates. I gotta give them credit. They got a lot of toe-tappers.

This is a particular thing, you know, catholic stories of martyrs who had their head removed and then continued to be miraculous in the last moments of their life.

When we've got something to say to the world, we will. I'm really happy that people are interested. "So, what's up with the Pixies record? So, what's up with the Pixies record?" One guy just kept asking me and asking me in an interview, and I kept saying, "I just got done telling you no, there's nothing to report.

When you're a creative person and you create art with other people, whether you're married to them or not, you're going to run into creative conflicts. If you're a couple, certain inhibitions and barriers are gone. I have those barriers with other people, but I don't have them with my wife.

Wise is the tongue, wet of perfect thought.

You should never rely on interviews with musicians as being factual. Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor.

You think you've made something really great, but there's a reason why it's not resonating the way some previous work did. But it's not that easy to just replicate. Some people think, "Oh, just go do that thing you used to do before." But it just doesn't work like that. It's a lot more mysterious or slippery.