Best 20 quotes of Sarah Blake on MyQuotes

Sarah Blake

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    Sarah Blake

    And Evie was the grown-up now. She was in the line of grown-ups behind the child.

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    Sarah Blake

    And when the man had touched his bow to the string, touched and then drawn the bow across, holding that long first note, Ogden had understood that every life had at its center a beginning that was not birth, a moment when the catch on the lock in one's life opens, and out it comes, starting forward.

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    Sarah Blake

    And why just then, why that moment was the moment in which she understood quite suddenly her own death, she couldn't say. Simply, she saw how he would miss her.

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    Sarah Blake

    As a girl, it had been firmly set down that one ought never speak until one was spoken to, and when one did, one ought not speak of anything that might provoke or worry. One referred to the limb of the table, not the leg, the white meat on the chicken, not the breast. Good manners were the foundations of civilization. One knew precisely with whom one sat in a room based entirely on how well they behaved, and in what manner. Forks and knives were placed at the ten-twenty on one's plate when one was finished eating, One ought to walk straight and keep one's hands to oneself when one s poke, least one be taken for an Italian or Jew. A woman was meant to tend a child, a garden, or a conversation. A woman ought to know how to mind the temperature in a room, adding a little heat in a well-timed question, or cool a warm temper with the suggestion of another drink, a bowl of nuts, and a smile. What Kitty had learned at Miss Porter's School---handed down from Sarah Porter through the spinsters teaching there, themselves the sisters of Yale men who handed down the great words, Truth. Verity. Honor--was that your brothers and your husbands and your sons will lead, and you will tend., You will watch and suggest, guide and protect. You will carry the torch forward, and all to the good. There was the world. And one fixed an eye keenly on it. One learned its history; one understood the causes of its wars. One debated and, gradually, a picture emerged of mankind over the centuries; on understood the difference between what was good and what was right. On understood that men could be led to evil, against the judgment of their better selves. Debauchery. Poverty of spirit. This was the explanation for so many unfortunate ills--slavery, for instance. The was the reason. Men, individual men, were not at fault. They had to be taught. Led. Shown by example what was best. Unfairness, unkindness could be addressed. Queitly. Patiently.. Without a lot of noisy attention. Noise was for the poorly bred. If one worried, if one were afraid, if one doubted--one kept it to oneself. One looked for the good, and one found it. The woman found it, the woman pointed it out, and the man tucked it in his pocket, heartened. These were the rules.

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    Sarah Blake

    Because people are people. Evie fixed her eyes on him. People have complicated lives. Lives that don't necessarily fall so cleanly into black-and-white choices - people are blind, but still well-intended, and see as far as they can.

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    Sarah Blake

    Ghost stories belong to the middle-aged, thought it's always the young who play the dramas.

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    Sarah Blake

    If there are places that hold us, keeping us in them, surely too there are people, he felt, people who work like mirrors for the selves we have forgotten.

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    Sarah Blake

    It gets you thinking about all the parts in a story we never see" --he cleared his throat-- "the parts around the edges. You bring someone like that boy so alive before us and there he is set loose in our world so that we can't stop thinking of him. But then the report is over, the boy disappears. He was just a boy in a story and we never know the ending, we never get to close the book. It makes you wonder what happens to the people in them after the story stops--all the stories you've reported for instance. Where are they all now?

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    Sarah Blake

    It is the story that lies around the edges of the photographs, or at the end of newspaper account. It's about the lies we tell others to protect them, and about the lies we tell ourselves in order not to acknowledge what we can't bear: that we are alive, for instance, and eating lunch, while bombs are falling, and refugees are crammed into camps, and the news comes toward us every hour of the day. And what, in the end, do we do?

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    Sarah Blake

    Metaphor, Evie thought as she stepped off the curb as the light changed, was for the young. Or, at any rate, for the younger than she.

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    Sarah Blake

    No matter how well you take care of the dying, no matter if you sit beside them every minute, every day—in the end they must go, and you stay. And you wave them off. You lie.

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    Sarah Blake

    Reg was black and Len was white, but together they were neither. Or rather, together they were both.

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    Sarah Blake

    Sand was dribbling out of the bag of her attention, faster and faster.

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    Sarah Blake

    She was an historian; the past was her butter and bread. But, she thought as she made her way tot he bathroom and turned on the taps, nothing had readied her for the gentle persistent feeling growing stronger through this month, a steady rain in the back of her mind, that there was something she was missing, that she had failed somehow, that there had been a turn, back there in the road of her life, a trailhead, an opening she'd barrelled right past. Somewhere back there had been the right route, the way through, and she had missed it.

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    Sarah Blake

    There was no good name for this spot. Evie, who had shot like an arrow from school into life, who had never wavered, who had seen clear right from the start where she wanted to get to, had lately found herself more and more in the brambles. Somehow, here she was, no longer certain where she was going. Or even if she wanted to get there. The jobs had been won, the beds made, the dishes washed, the children sprouted. The wheel had stopped, and now what? Where, for instance, was the story of a middle-aged orphan with the gray streak in her hair, the historian who had rustled thirteenth-century women's lives out of fugitive pages, who believed more than most that there was no such thing as the certainty of a plot in the story of a life, in fact who taught this to students year in and year our, and yet who found herself lately longing, above all else for just that? Longing, against reason, for some kind of clear direction, for the promise of a pattern. For this relief--she pulled against the shoulder strap of her satchel--the unbearable relief of an omniscient narrator. Adolescence, she reflected, pushing open the classroom door with a kind of savage glee, had nothing on this.

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    Sarah Blake

    Time and quiet, everyone counseled, would help. Best not to mention it. Best not to dwell on it, his mother had said. It was a terrible accident. It must have been hot. Windows were open at the time. And time would heal. Somethings were better left unsaid.

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    Sarah Blake

    Undismayed by the ordinary evil of the world, he had the place and the power to make good, to do good. And he did so. He believed one could do right. He had been raised to expect that one could. His was the last generation for whom those givens remained as undisturbed as a silk purse.

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    Sarah Blake

    Wars, plagues, names upon tombs tell us only what happened. But history lies in the cracks in between. In the inexplicable, invisible turns and decisions. A person saying no instead of yes. …It is not that they had lived…but how.

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    Sarah Blake

    Wars, plagues, names upon tombs tell us only what happened. But history lies in the cracks between.

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    Sarah Blake

    We can't change what is coming. Something is always coming.