Best 1783 quotes in «pieces quotes» category

I always knew I wanted to make films, but just didn't quite know how to start. I was making little short films with my friends but I wasn't quite sure how to put those pieces together for myself.

I always told my team, "You have to believe that you are not in front of a computer, but that your canvas is a piece of paper. You have to believe this even if you have a computer in front of you.

I always write with music. It takes me a while to figure out the right piece of music for what I'm working on. Once I figure it out, that's the only thing I'll play.

I am a searcher... I always was... and I still am... searching for the missing piece.

I am attracted only to music which I consider to be better than it can be performed. Therefore I feel (rightly or wrongly) that unless a piece of music presents a problem to me, a never-ending problem, it doesn't interest me too much.

I am a lover of all sorts of different music. I love blues and every piece of music that I have listened to has become an influence.

I am always looking for some clue, some easily missed sign that might just be the missing piece in the puzzle.

I am delighted that I have found a new reaction to demonstrate even to the blind the structure of the interstitial stroma of the cerebral cortex. I let the silver nitrate react with pieces of brain hardened in potassium dichromate. I have already obtained magnificent results and hope to do even better in the future.

I am intrigued by inanimate objects. They're a piece of history, someone's statement and ideas of life.

I am in constant search for that project that speaks to me personally. And when all the pieces come together properly, it'll happen.

I am not a composer of music; I sing pieces which have been written for me which gives me bigger freedom to search for pieces I want to record.

I am living today as someone I had not yet become yesterday and tonight I will borrow only pieces of who I am today to carry with me to tomorrow.

I am not a piece of hash. I'm in charge of Factory Records. I think.

I am six years old and instead of celebrating with birthday cakes, I chew on a piece of charcoal.

I am tired of spending a little bit of money in a lot of pieces because they keep on falling apart.

I, and all the complex things around me, exist only because many things were assembled in a very precise way. The 'emergent' properties are not magical. They are really there and eventually they may start re-arranging the environments that generated them. But they don't exist 'in' the bits and pieces that made them; they emerge from the arrangement of those bits and pieces in very precise ways. And that is also true of the emergent entities known as "you" and "me".

I became interested in building furniture, because I couldn't find pieces I really loved for myself and my clients. I picked stuff up from the street, and tweaked those pieces to make them what I really wanted. It became a career!

I am going for a level of perfection that is only mine... Most of the pleasure is in getting the last little piece perfect.

I am to gratify his pleasure and nurse his child, I am a piece of household furniture, I am a woman.

I assemble my ideas in pieces on a computer file, then gradually find a place for them on a piece of scaffolding I erect.

I attribute a scab to the present state of society. The way the scab looks in its worst state is gross and chaotic and horrible, that's now, but when it breaks away, there's a brand new piece of skin that's stronger than before. It's like creation out of chaos.

I began to write what I called 'rhythms' ie unrhymed pieces with no formal metrical scheme where the rhythm was created by a kind if inner chant... Later I was told I was writing 'free verse' or Vers libre.

I believe in Buddhism. Not every aspect, but most of it. So I take bits and pieces.

I am slow to learn and slow to forget that which I have learned. My mind is like a piece of steel, very hard to scratch any thing on it and almost impossible after you get it there to rub it out.

I believe you can never change a habit, or create one, with a word or a piece of chalk. You can talk all day, put all sorts of diagrams on the board, but a habit is not going to change. It's a conditional reflex, created by a repetitive act.

I believe that the data will set you free. At the end of the day, it’s about how do you turn those pieces of information into insights that will improve business.

I became comfortable with what I knew would be the process of trying to pick up the pieces of brain that were in the rubble and tried to make some mosaic out of the pieces and that that would be the trajectory.

I came up to New York at 20 with a suitcase and a ceramic tiger. That was my one piece of furniture and I wanted to save it.

I came up in the '60s; that was a time when there was a revolution going on in music. Stravinsky had become a twelve-tone composer; even Aaron Copland was writing twelve-tone pieces at that time!

I came to what I think of as the critical problem: the aging process of a piece of music. I noticed in the '70s that pieces I wrote would sound great the first time I listened to them and then on repeated hearings they sounded older and older until what seemed exciting and vibrant on first listening became stale.

I cannot abide anyone treating another human being like a piece of dirt, whatever the context.

I can look at a photo and the dimensions of any piece and tell you if it's going to sit well with the four other pieces in your room.

I bought a cheap piece of land... It was on someone else’s property.

I cannot do the piece-of-talking-meat thing, the 'Here's your money, wear a pretty dress and take the cheque.' I'm not made that way. I have to be as good as I can be at whatever I do.

I can't imagine myself doing something like 'Narnia' again. I would love to do something with Ridley Scott, you know, some action/adventure or something like that. But I'd also love to do a dramatic piece. It's really just whatever you read and take to.

I cannot, in my old age, live off pieces of my youth.

I can wear a hat or take it off, but either way it`s a conversation piece.

I congratulate you both on a fine piece of work which I am sure will ultimately prove of importance. I am personally very much interested in your results... In the past I have tried a number of experiments... but without any success.

I compose my pieces with a formula that I created myself.

I currently spend a lot of time thinking about orchestration and every detail of a piece.

I can't remember a single year of my life when I haven't made a piece of theatre.

I'd always wanted to do these types of things - pieces of magic I could put out not as illusions, but really doing it.

I cook croquetas, and I eat jamon. I keep my diet 100% Mediterranean and drink my Rioja. In that sense, I have a piece of Spain in West Hollywood.

I consider the first 20 performances just learning the piece. Think about it this way: If you think about a pianist who plays a Schubert sonata through his whole lifetime - if you listen to Rubenstein or Horowitz playing their repertoire later in their life, you understand the richness with which they play that music, and how differently they must have played it when they were younger.

I deserved kisses. I deserved to be treated like a piece of meat but also respected for my intellect.

I did a lot of my writing as though I was an academic, doing some piece of research as perfectly as possible.

I designed every piece {of furniture} for a different reason and purpose, so I love each one.

I did a lot of thrift and vintage. I would mix those pieces into some of the more inexpensive items from Express, Gap, Old Navy, and Clothestime.

I didn't give any instruction to the video, because it was a new medium. I didn't know what to tell him; it was so young. I did the piece and immediately after the piece, I wanted to see the material.

I did a pilot for HBO, called One Percent, that they didn't end up picking up, but it was a pretty intense and dramatic piece.