Best 4283 quotes in «talking quotes» category

I walked around my apartment with food in my mouth asking myself: "How do I come up with this voice?" Then I found the voice. I called the director and said on the phone: "Guess who you're talking to Chris? Sid, that's right Sid!" And that's how I came up with the voice. That's a true story.

I wanted to ask you one day but the time never seemed right, but we started talking and...Hell, I don't even have a ring. ... I'm naked here, bella, just laying myself out for you, telling you how I feel.

I wanted to be able to write in the voice that I talk to my friends and assume that everybody would know what I was talking about.

I wanted other women to know there's no shame in talking about it. People don't say they're pregnant until the second trimester. I intellectually understand that you don't want the whole world to know your business, but at the same time what does that mean? You don't tell your employers you're pregnant, but then when you miscarry no one knows you miscarried. Miscarrying is a horrible painful event.

I want a room decorated with bones!" Dan said. "Where'd they come from?" "Cemeteries," Amy said. "Back in the 1700s, the cemeteries were getting overcrowded, so they decided to dig up tons of old bodies–all their bones–and move them into the Catacombs. The thing is...look at the dates. See when they started moving bones into the Catacombs?" Dan squinted at the screen. He didn't see what she was talking about. "Is it my birthday?

I wanted her to to go on talking and understand without me saying anything. I wanted her to love me enough to leave him, to pack us up and take us away from him, to kill him if need be. (107)

I wanted to communicate what I had seen, so that others could see it.

I wanted to tell you everything. And that hurt because some things were too scary. Some things even I didn’t understand. How could I tell someone—someone I was really talking to for the first time—everything I was thinking? I couldn’t. It was too soon.

I wanted when we began this to have a conversation, the kind that you're able to have, and the only way I knew how to do it was not to have a pre-interview.

I want studios that make story-based games to start taking their stories more seriously. And that doesn't mean hiring a big shot writer from Hollywood; it means that story becomes integral to making your game. I don't see how you can achieve that without having an in-house writer that sits next to the designer, helping them make their levels, talking with the engineers about where we can tell the story more dynamically, pushing at technology.

I want TNA to grow as a company, it’s better for me as a performer and me as a businessman. But how can they grow if every chance they get they are constantly talking about up north and the WWE?

I want to be an actor, I am just not very comfortable talking about myself.

I want to be the first guy to help people accept everybody for who they are. I'm talking about colors, religions, sex, everybody. My music is for everybody, it's not just for one kind of group.

I want to be top scorer in the Premier League, top scorer at the World Cup and, within five years, I want to be among the best strikers in the world. Trust me, it will happen. I look around at other players, I see my own ability and I can't see anything that tells me it won't happen, I'm sure people will think 'What is he talking about?' But as I have done before, and as I will do again, I will sit at the other end and laugh at those people when it is all done.

I want to communicate through my music. If you want to know Geri Halliwell listen to my album: it tells you more about me than a documentary ever could.

I want to do something challenging and I want to take risks, but above all, I want people to be entertained...Because the only way of talking about some issues sometimes is through humor.

I want to keep talking about my people and my country in my own language.

I want to live every moment totally and intensely. Even when I'm giving an interview or talking to people, that's all that I'm thinking about.

I want to make movies that people talk about when they leave the theater, that aren't clear-cut, but effective and fulfilling in some sense.

I want to speak, to sing to total strangers. It's my way of talking to the world.

I was 32 years old, and I've changed my mind. And the biggest reason that I changed my mind was my seven years as a federal prosecutor. What I learned in those seven years was that we were spending too much time talking about gun laws against law- abiding citizens and not nearly enough time talking about enforcing the gun laws strongly against criminals.

I was a Jew talking about Goyim religion. If I had just stuck to Moses, everything would have been cool. But, copping to being part of the whole Christ murder conspiracy got everyone goose-stepping again.

I was always talking about peace and love, even when I was a kid. That's how I grew up in my family.

I was always pretty broad. I've had a couple bad experiences. One time, I showed up late for a gig in Brooklyn at an Italian restaurant. I ran on stage, did my show, and then some guy in the audience threatened to kill me because he didn't like my joke. Instead of talking to him, I just ran off stage. And then, because I was late, the owner of the restaurant threatened to kill me. And I was 19 years old and so scared that I almost started crying. But, I've done every gig you can imagine, in every state.

I was always talking about what I could and would do, and you would always make rhymes about the competion even though we werent thinking about competition.

I was always talking in weird voices from the time I was two. I guess I just found a way to keep doing it! I did get a degree in theater and took some voice-over classes... but most of it is just the same stuff I was doing as a kid!

I was amazed to receive later a substantial sum for sitting in my room and talking about myself. If only I could get some of the back pay!

I was a painfully shy, awkward kid, with low self-esteem and almost no social skills. Online, I didn't have a problem talking to people or making friends. But in the real world. interacting with other people - especially kids my own age - made me a nervous wreck. I never knew how to act or what to say, and when I did work up the courage to speak, I always seemed to say the wrong thing.

I was at La Fenice opera house back in 1991 with friends, and we started talking about a conductor whom none of us liked. Somehow there was an escalation, and we started talking about how to kill him, where to kill him. This struck me as a good idea for a book.

I was at the table with three Europeans, and we were having lunch. And they were talking about their role as lead authors. And they were talking about how they were trying to make the report so dramatic that the United States would just have to sign that Kyoto Protocol.

I was a walking, talking hunk of human poop.

I was a weird kid because I liked to be alone, but I craved attention. It was important for me to be cool, but I couldn't keep my mouth shut. So I was either talking for the sake of talking, or I was curled up with a book somewhere hiding from everyone.

I was a young feminist in the '70s. Feminism saved my life. It gave me a life. But I saw how so much of what people were saying was not matching up with what they were doing. For example, we were talking about sister solidarity, and women were putting each other down. We were talking about standing up for our rights, and women weren't leaving abusive relationships with men. There were just so many disconnects.

I was born in Cuba. At the age of 14 years of age I was involved in a revolution. We were suffering from a very cruel, oppressive dictatorship, and the revolution started in the high schools and the universities. So when I was 14, I was involved in the revolution. I was in the revolution four years. During that time, a young, charismatic leader rose up in Cuba, talking about hope and change. His name was Fidel Castro.

I was breathless, talking as fast as I could. I was afraid if I stopped talking, even for a second, I’d start sobbing again. “Whoa, there.” Fang smiled and reached up, tracing a hand down the side of my face, winding strands of my hair around his fingers. “Stop talking and let me just tell you how great it is to wake up staring at your face. Okay?

I was born to speak. I got in trouble as a kid for talking. I already knew it was a strength.

I was crushingly bored talking about politics 30 hours a week.

I was disappointed not to be able to interview Mr. Clinton. I met him two years ago. I was looking forward to talking with him about issues from Africa to terrorism.

I was gonna put him on the bus...I got tired of him talking, it was time for him to go home.

I was happy to be a scrub. I was proud to be a scrub. When I got older and I started talking to girls, part of my game when I was talking to them was to tell them how poor I was. I actually enjoyed that.

I was in a state of shock, because I have never seen the pope talk about something as unimportant as Donald Trump. OK? And I was like, the pope is talking about me? This can't be happening. And then I said, is it good or bad? They said it's bad.

I was in a taxi the other night, and we started talking about life and the taxi driver goes, 'Chaos and creativity go together. If you lose one per cent of your chaos, you lose your creativity.' I said that's the most brilliant thing I've heard. I needed to hear that years ago.

I was just talking to Bono the other day, and he was like, "Are you doing shows?" I've just been off the road for a month-and-a-half, and he was like, "You lucky girl.

I was like, wow, this guy's [Donald Trump ] going to do well. And I remember people laughed at me. People were like, oh, you silly ignorant person who's just come to this world. You clearly shouldn't be at "The Daily Show" 'cause you don't know what you're talking about. And I was like, but I don't know. He seems like he connects with people. I can relate to him as a performer. I can see what tools he's using. He's good at riffing. He's good at taking the crowd on a journey. I can see what he's doing.

I was kind of feeling a spiritual need all those years. My wife Geraldine and I went to an Episcopalian Church for a while. Oh, it just seemed very political to me that a guy so liberal was talking about opposing the war in Vietnam and I didn't want to hear that when I went to church. I wanted something spiritual.

I was in the Vancouver airport, and I was speaking with a young girl. She asked if I was Freddie Prinze Jr., and I said I was. She kind of giggled, and while I was talking with her, her girlfriend ran up and took my sandwich. I did not call out after her.

I was living in Japan at the time, Shoko Asahara was an important figure and you could say his name and people would immediately know who you were talking about but since being back in America I've realized most people don't know who he is, which I find odd because he was far worse than Charles Manson. He killed many more people than Manson and was actually trying to kill thousands but wasn't careful enough in his process.

I was never bitter because I believed in the man upstairs. I continue to do my best. I let someone else be bitter. If I was bitter, I was only hurting me. I prefer to remember Bill Veeck and and Jim Hegan and Joe Gordon, the good guys. There is no point in talking about the others.

I wasn't fooled. He was avoiding looking at me. "There's nothing to talk about." "I knew you'd say that. Actually, it was a toss-up between that and 'I don't know what you're talking about.'" Dimitri sighed.

I was happy but happy is an adult word. You don't have to ask a child about happy, you see it. They are or they are not. Adults talk about being happy because largely they are not. Talking about it is the same as trying to catch the wind. Much easier to let it blow all over you.