Best 4283 quotes in «talking quotes» category

If you want to change people by talking about God, then there is only one way: instead of teaching God, you must live God. Because: "teaching" God is unthinkable in any other way than the way you would teach love or poetry. You teach love only through love, poetry only through writing poetry, faith in God only through a contagious way of trusting.

If you want to be a writer-stop talking about it and sit down and write!

If you want to be a rich person... don't let the poor person inside of you do your talking.

If you want to get over a problem, stop talking about it. Your mind affects your mouth and your mouth affects your mind. It's difficult to stop talking about a situation until you stop thinking about it.

If you want to know how to make people shun you and laugh at you behind your back and even despise you, here is the recipe: Never listen to anyone for long. Talk incessantly about yourself. If you have an idea while the other person is talking, don't wait for him or her to finish: bust right in and interrupt in the middle of a sentence.

If you want to write about people, you can make it up. But if you spend time talking to someone and examining what it is you want to write about, you discover a level of detail that you wouldn't have noticed otherwise.

If you were just a regular person, you turned on the TV, and you saw Eric Cantor talking, I would say—and I'm fine with gay people, that's all right—but my gaydar is 60-70 percent. But he's not, I think, so I don't know. Again, I couldn't care less. I'm accepting.

If you write a bunch of different characters with a bunch of different opinions, you end up with these long scenes of everyone standing around talking.

I genuinely enjoy talking one-to-one. I have no shyness about that.

If you wrote a page a day, at the end of the year you would have a book. Whether it's any good or not is beside the point, but you would have a book, instead of just talking about it all the time.

I genuinely like the people I meet at signings or the bits of public talking that I do.

I get a handsome amount. I could definitely buy a car off one of my guest appearances. & I'm not talking about a Hyundai.

I get a lot of kids distracted. Sometimes they got to go cover left field, but they're over here talking to me, getting an autograph.

I get a singular comment that's very revealing: "I didn't know what to expect." Every time I hear that I think it's really just code for, "I wasn't sure I'd be comfortable with you in this role," which I understand coming from Oscar Bluth and Hank Kingsley and whatever. But I think there's a degree of, "Oh, okay, this is how it is." Then almost always people tell me that they love it and then people start talking to me about their families, whether it's transgender issues or not.

I get bored talking about myself, but I can talk about the work.

I get in that kind of situation all the time, Comrade. It's not a big deal." Anger replaced my fear. I didn't like being treated like a child. "Stop calling me that. You don't even know what you're talking about." "Sure I do. I had to do a report on the R.S.S.R. last year.

I get nervous when I do print interviews because I know that whatever I say is going to be shown through the lens of whomever I'm talking to. So I've read a lot of different versions of myself - and all of them are true because it's all opinion and they're as accurate as it can ever be. But I don't think that I've been deft at hiding parts of my personality.

If you want your children to listen, try talking softly - to someone else.

If you watch the show and the characters don't look at each other while they're talking, the actors probably aren't getting along.

I go for really smart guys, ones who are well-read and can banter and argue. Men need to be able to take me out and have a few drinks, but by the end of the night we'll be talking about Nietzsche.

I got the sense that Alabama is a place where people don't want handouts and don't much care for people talking out of the side of their mouth.

I go into every meeting, into every room and for every speech understanding the standard deviation, the Bell Curve. I know there are about 10-15 percent of people in the room, who say, "I've been trying to say this for years. Finally. I agree. Yes, yes, yes." I know there are about 15 percent of the people in the room who think I'm an idiot, who think I don't know what I'm talking about, who think I'm naive or I have oversimplified everything. The majority who are open to the ideal.

I got fined for talking to myself.

I got well by talking. Death could not get a word in edgewise, grew discouraged, and traveled on.

I got to talking to an old actor, and he had a bunch of stories about the Rough Riders

I got some very good advice once. That was: You're not talking to a reporter, you're talking to the public. We didn't hide things. They are a little more guarded now.

I grew up in New York and I've always lived here, so I look at myself as a regular person. When somebody recognizes me from the film - and it can be a wide range of people, which shows the power of film - I feel like they're talking about someone else we both know. I just find it hard to believe that anyone would stop me to share how much they loved something that I was a part of.

I grew up Baptist and still go to church. I myself have explored other religions, because I want to know what it is that makes other people tick. I find we're all talking about the same thing, really - it's all God.

I get scared of a lot of attention. I get scared of the spotlight. And I'm not talking about on the basketball court.

I guess I just couldn't see standing there -- alive, talking, thinking, breathing, being -- one second, and dead the next. It really bothered me. Death by violence isn't the same as dying any other way, accident or disease or old age. It just ain't the same.

I guess really having a good support group around me and talking about what I've gone through is important.

I guess telling stories is an art. I never looked at it that way. I just started talking, and everyone started laughing. So I kept talking, and they kept laughing.

I guess libertarianism is always considered so weird and fringe that people assume that you're in the closet if you don't go around talking about it.

I guess lyrically they're similar because they're talking about escaping the kind of misery that likes company. 'The Last One Alive,' for me, is very simple. It's just about alienation, really, that causes anger.

I had a friend who, after 25 years of marriage, found himself trying to date again, and it was completely different. Everything had changed, and he had to reacquaint himself. It was funny even talking to him about it. For someone who has been out of the loop, it’s a different world.

I had admired Waylon [ Jennings], but I never expected to meet him and get to know him. When I finally moved to Nashville years later, one night I went to a Harlan Howard Guitar Pull thing, and there was Waylon. He started talking about how much he loved my work and how great I was, and I couldn't even get a word in.

I had a great time being a salesman because of the pitches that I gave when I was selling shoes. However, I don't think I'm as well versed in shoes as I am in comedy. Being a salesman was all about being a people person, and I enjoy being around people. I also love talking to people - which is why I think I did so well.

I had a period after touring the first record where I didn't agree with the way things worked in the music industry as far as how you release music, demand, the pace of everything. You don't know who's talking to you. Who's Spotify? Who's iTunes? Who are all those bloggers? Who says I have to do this? Why do you have to do all this press? Why do I have to do so many shows? Why do I have to do a regular album right now? I don't understand it.

I had an extremely boring time doing 20 to 30 trades a day while everyone was talking about baseball or basketball. So I stood there fantasizing about a device that could do the same thing I was doing.

I had been reading this book about Zen Koan philosophy, and it was talking about the right here and the right now, and how important it is, and I was really trying to get there in my life.

I had forgotten that talking to you is like trying to pet a cactus." Saiman said dryly. "Thank you for reminding me." "Always happy to oblige.

I had an uncle who had a car with a rumble seat, and I used to love to ride in that thing. I mentioned this to some kids, and they were like, "What are you even talking about?

I had a real epiphany. I guess it was during and after the operation. I did what's a common thing; I kind of raised above the table and could look at me and listen to all the people talking and understand what they were saying and so forth.

I had people in 'Entertainment Weekly' talking about how they wanted to throttle me because they thought I was too disgustingly cute, as if that were my fault, you know, as if that was my fault, not the fault of directors and producers and such.

I had seen movies before that that had made me laugh, but I had never seen anything even remotely close to as funny as Richard Pryor was, just standing there talking.

I had some things I had to fix. It took me 14 years to do it. But it was never really fun back in the day to work with directors who were a lot older and were like authoritarian and talking to you like that.

I had a total revelation with the feminist moment, with Carolee Scheeman and Marina Abromovic and of course Joan Jonas; that was a big breakthrough with me. And through them, I was introduced to Chris Burden and Bruce Nauman and Vito Acconci. You can almost call it a gang, because the works are always talking together. That stuff had a huge impact on me, but other than that, my interest had always been old paintings.

I had great, great times as a Little League coach. People were talking about me quitting acting, and they would say, What about your creative juices? Coaching is creative, because you could take a kid who thought he wasn't any good and, within four minutes, change his mind. And I didn't have to wait six months for them to put music to it.

I had gone away from Twitter because before people had been so mean to me. Talking about my lisp and my enormous forehead and all these things. I do have a lisp, I do have a forehead I know you could land a plane on, it's no mystery to me. I just didn't have the skin for it.

I had no idea Savage Season was the beginning of a series. I wrote the second one about three years later. The character of Hap wouldn't stop talking to me, and then there was a third, and over the years nine novels and a collection of stories and some uncollected stories.