Best 4283 quotes in «talking quotes» category

A lot of people think this is a goodie two-shoes talking. But we do have a tendency to complain rather than celebrating who we are. I learned at my mother's knee it's better to appreciate what's happening... I think we kind of talk ourselves into the negative sometimes.

A lot of the listeners don't realize that the Daytona 24 Hours is the most difficult race in the world. It's 24 hours, a lot of darkness because it's held at the end of January, so you're talking about 13-14 hours of darkness.

A lot of times when you're acting, you're no longer talking and listening; you're going at it for your own self.

A lot of times, when people say hip-hop, they don't know what they're talking about. They just think of the rappers. When you talk about hip-hop, you're talking about the whole culture and movement. You have to take the whole culture for what it is.

Also, having grown up in England, you walk around London, you're passing relics that are a thousand years old - the wall of London is a thousand years old. You don't talk about it, it's part of your everyday life. The idea that people are in these environments and talking about the past and what happened, it's irrelevant. It's all about living and in this world it was about surviving.

Also, I've spent an entire week without reading any books or talking about them too loudly. I'm learning to work my apparat's screen, the colourful pulsating mosaic of it, the fact that it knows every last stinking detail about the world, whereas my books only know the minds of their authors.

Although human beings are incapable of talking about themselves with total honesty, it is much harder to avoid the truth while pretending to be other people. They often reveal much about themselves in a very straightforward way. I am certain that I did. There is nothing that says more about its creator than the work itself.

Although there exist many thousand subjects for elegant conversation, there are persons who cannot meet a cripple without talking about feet.

Although once when we were talking after class, Herr Silverman told me that when someone rises up and holds himself to a higher standard, even when doing so benefits others, average people resent it, mostly because they're not strong enough to do the same.

Always be on time. Never try to make any personal engagements. Do as little talking as humanly possible. Never be disturbed by anything. Always do what you're told to do as quickly as possible. Remember to lean back in a parade, so that people can see your husband. Don't get too fat to ride three on a seat. Get out of the way as quickly as you're not needed.

Always keep a big bottle of booze at your side. If a bird starts talking nonsense to you in the middle of the night pour yourself a stiff drink.

Always write as if you are talking to someone. It works. Don't put on any fancy phrases or accents or things you wouldn't say in real life.

Always remember, money isn't everything - but also remember to make a lot of it before talking such fool nonsense.

American Green Berets have been on the ground reaching out to some of the factions there. But don't confuse them with combat troops. So we're only talking about airstrikes now. If there are any troops that go in there it will likely be the Italians.

American scripts are usually non-stop conversation. People talking over each other. I like that.

A man who always talks for fame never can be pleasing. The man who talks to unburthen his mind is the man to delight you.

A Murphy [Eddie Murphy] movie is like a Sidney Poitier comedy - he's that intensely good... He revolutionized acting. He's literally black Brando. Before Eddie Murphy, there were two schools of acting for a black actor: Either you played it LIKE THIS or youplayeditlahkdis. He was the first black guy in a movie to talk like I am talking right now. That did not exist for black actors before him.

Among the worst examples is that of the Alberni Indian Residential School (British Columbia) where, during the 1920s, children caught talking Indian suffered the hideous ordeal of having sewing needles pushed through their tongues.

A much talking judge is an ill-tuned cymbal.

And also, I'm most comfortable with like two people just sitting and talking about their feeling, you know, in a room with like two cameras and that's it. And I wanted to do something where there was like action and running and you know crowd scenes and big set pieces and certainly did a lot of that, so yeah.

And as Craig Brown - he's an English humorist, not a comedian but he's just a writer and humorist - I'm quite a fan of. I heard him talking in a rather similar way on the radio. He said I'm the sort of person - I can't remember exactly what he said, but it was rather interesting - he said I'm the sort of person that can be reduced to tears in an empty church and feel like I'm the CEO of the Devil's organization in a full one, and I tend to feel like that as well. I love empty churches and going into them looking around, but I'm not a churchgoer at all.

And everybody’s running around talking about ‘Zionists’ all day. Okay, just keep parroting that over and over again.

And I don't care if you're talking about things that are true, you're still talking about my personal life. How about I go peek in your window, take what underwear you wore last night, whose husband you were fucking, and shove that in the megaphone throughout your neighborhood? How does that feel? It's none of your goddamn business.

And if we’re talking about hard-boiled detectives, too, what could be more hardboiled than the worldview of Ligotti or Cioran? They make the grittiest of crime writers seem like dilettantes. Next to The Conspiracy Against the Human Race, Mickey Spillane seems about as hard-boiled as bubble gum.

And in the fountain squatted a giant crab. I’m not talking ‘giant’ like $7.99 all-you-can-eat Alaskan king crab. I’m talking ‘giant’ like bigger than the fountain.

And James L. Brooks then sort of became our mentor, brought us out to Los Angeles and worked on the script for a year with us. We learned so much working with him - just being able to spend time with him, the quality of his mind, the things he comes up with and says. I think Wes [Anderson] and I could go to dinner tonight and spend the whole dinner thinking and talking about things that Jim has said to us over the years.

And, since they are theater people, they are all talking. All of them. Simultaneously. They do not need to be heard; they only need to be speaking.

And nobody is talking about taking guns away from hunters or sportsmen or banning all guns. Nobody is talking about that.

And that Aha! that you get when you see an artwork that really hits you is, 'I am that.' I am the very radiance of energy that is talking to me through this painting.

And then there's this guy, Barack Obama, who lost - I could take up a whole afternoon talking about his failures, but - he lost his first race for Congress, and now he gets to call himself my husband.

And so, when I was a young writer I always worked hard on imagery, and I knew that the roots of imagery were the senses - and that if my readers could feel, taste and see what I was talking about, I would be able to tell them a story.

And stop talking in that puffed-up way they taught you. Words aren't brains, you know.

And that's my message to voters, this isn't about Barack, it's not about person on that ballot -- its about you. And for most of the people we are talking to [blacks], a Democratic ticket is the clear ticket that we should be voting on, regardless of who said what or did this -- that shouldn't even come into the equation.

And so not only did I have all new friends and all new surroundings, I didn't even understand what they were talking about, which was very difficult and kind of started me, I think, on my path to animation. It was a lot easier to draw people than to talk and interact with them.

And there's wordplay and there's rhythms and you have to be able to get the poetry out of it. You have to be able to sell my jokes. And if you're talking about somebody like Sam Jackson, they do that. Sam Jackson can do that. Sam Jackson can turn it into the spoken word that it was always meant to be and he can sell my jokes. And Christopher Walken can do it and a lot of people can do it, all right.

And under the new guidelines issued by the Obama Administration, Federal agents will not pursue pot-smoking patients in states that allow medical marijuana. This new policy is called 'Don't Ask, Don't -- What Was I Talking About?'

And we are magic talking to itself, noisy and alone. I am queen of all my sins forgotten. Am I still lost? Once I was beautiful. Now I am myself

And we certainly don't have full conversations on cellphones. You know? Usually the reception is so bad, but it's only bad on your side. The person talking to you has no clue. They're just rambling on and on. You've got your finger jammed in your ear, you're shushing people on the streets. You're ducked behind a dumpster so you can hear about your friend's new hair cut. What about the bangs are they shorter?! Are the bangs shorter?! The bangs!

And what happens a lot of times when - let's just speak specifically white and black - when white or black people feel misunderstood when it comes to talking about race, they immediately get defensive.

And when they start talking, and they always do, you find that each of them has a story they want to tell. Everyone, no matter how old or young, has some lesson they want to teach. And I sit there and listen and learn all about life from people who have no idea how to live it.

And what better way to get people talking than by creating a new word.

And when I say permanent afternoon, you know, I’m talking like crystal clear, crispy blue sky. All the sudden you didn’t need to sleep as much because it just was difficult. And how that translated into my creative process I still am not quite sure, but it made my relationship to sleep a kind of abstract you know bizarre…

And you're a bad boy?" I asked. Ollie's grin was contagious. "Oh, I'm a bad, bad boy." Cam shot his friend a look. "Yeah, as in bad at spelling, math, english, cleaning up after yourself, talking to people, and I could go on.

Andy Dufresne: 'That's the beauty of music. They can't get that from you...haven't you ever felt that way about music?' Red: 'I played a mean harmonica as a younger man. Lost interest in it though. Didn't make much sense in here.' Andy: 'Here's where it makes the most sense. You need it so you don't forget.' Red: 'Forget?' Andy: 'Forget that...there are places in this world that aren't made out of stone. That there's something inside...that they can't get to, that they can't touch. That's yours.' Red: 'What're you talking about?' Andy: 'Hope.'

And you know, we were talking about American identity, and where we've come from and where we are and where we're headed. We knew that we wanted to have a hopeful ending and we wanted it to be pro-community, and a pro-democracy type of movie.

Anna spoke not only naturally and intelligently, but intelligently and casually, without attaching any value to her own thoughts, yet giving great value to the thoughts of the one she was talking to.

A new vision and understanding of something demands a new way of talking about it, for the old terminology gets in the way of this effort. Stubbornly entrenched behind the words coined by a particular conceptual orientation are its secrete prejudices. Any attempt to open out an adequately human vista onto the phenomena of undisturbed existence must include a critique of the most important idea of traditional biology, physiology, and psychology.

An idea that will translate really well musically should work visually. I try to write music that you can feel if you were to close your eyes you can see what I am talking about.

An oak tree and a rosebush grew, Young and green together, Talking the talk of growing things- Wind and water and weather. And while the rosebush sweetly bloomed The oak tree grew so high That now it spoke of newer things- Eagles, mountain peaks and sky. "I guess you think you're pretty great," The rose was heard to cry, Screaming as loud as it possibly could To the treetop in the sky. "And now you have no time for flower talk, Now that you've grown so tall." "It's not so much that I've grown," said the tree, "It's just that you've stayed so small.

An ostentatious man will rather relate a blunder or an absurdity he has committed, than be debarred from talking of his own dear person.