Best 135 quotes in «bass quotes» category

A bass should sound like a bass with the thump of the finger against the wood, like it began with stand up.

Actually freestyle really comes from 'Planet Rock'. If you listen to all the freestyle records you'll hear that they are based on 'Planet Rock'. All the Miami Bass records are based upon Planet Rock.

As a genre, rockabilly's post-Elvis profile has seldom been lower in the United States. Many labels that produced fresh bass-slappin' sides during the '90's are now out of business.

A lot of modern amps and preamps sound great when you're jamming by yourself, but don't hold up in a band situation. The sound isn't dense enough, and the lows and highs tend to get soaked up by the bass and cymbals.

Being down in Orlando, Florida, where we filmed the movie, I learned how to bass fish. Jerry Reed, who plays the villain in the movie, taught me how to bass fish.

As time progressed, my songwriting developed out of my bass, because that's all I could do. I decided to take it as far as it could go and to use my skill as a tool.

Bach is really the ultimate in bass players you know

As far as current inspiration, I'm listenting to a lot of flamenco, because the techniques used for flamenco can be adapted to playing bass.

Bass players are always the intellectual kind, but nobody knows it.

Besides, the bass isn't a difficult instrument to play. It's like one step up from the kazoo, isn't it?

Bill Withers and Curtis Mayfield, those are the people who informed me in playing the bass.

Boy you got my heartbeat runnin away Beatin like a drum & it's comin your way Cant you hear that Boom badoom boom boom badoom boom bass He got that super bass Boom badoom boom boom badoom boom bass Yeah that's that super bass

But people are now realising why I was playing bass with Hendrix.

Close to the Edge by Yes. Such a fun tune to play on bass.

Could have called back just to say som' I'm fall back in the bass drum

Drums, bass, guitar, keys, I play a little of each of those.

'El Otro Lado' has heavy emphasis on the bass and loads of nice little touches and sounds you really notice on a big system.

Every Bass Communion track is based on a single sound source. Increasingly I find that I'm really interested in taking a particular sound and it's almost like solving a problem. If I have a sound, the problem is how can I create a piece of music from this one sound source?

For my money, Ray Brown is the greatest living bass player. Every great thing that's happened on bass since Ray Brown -- all of us point back to him. That's where it started, you know. Ray Brown is definitely a walking master, and to get to play with him is obviously an opportunity that no one should ever pass up.

Eliminating the piano means that I've always worked closer with the bass than most players.

From the first moment that I can remember, I had identified myself as a bass player and it had everything to do with my father, who was a bass player. And he loved music, you know, as much as anybody Ive ever seen. And that dynamic I just thought as somehow was a straight pass to me.

For me, if the music is good, whether the artist is famous or unknown, I love being part of the music and contributing what I can to the bass end.

Funny story: I was hanging out with Adam Shankman for Samantha Ronson's birthday, and Lance Bass was there. I don't really know Lance, but he comes over to me and goes, 'Hey, I just wanted to let you know I'm a fan of 'Pretty Little Liars' and I'm rooting for your character.' It was surreal! That's how 'PLL' has changed my life.

Guitar is for the head, drums are for the chest, but bass gets you in the groin

Black Sabbath was written on bass: I just walked into the studio and went, bah, bah, bah, and everybody joined in and we just did it.

I actually think that bass is probably the instrument that has evolved in a quantum leap compared to other instruments. It's the instrument that's evolved the most, especially with how it's perceived. And even how it's played, and how it's viewed from a point of view of commerce, like with the music industry.

I always got great respect as a bass player.

I always just wanted to be the singer or the bass player in the band. I'd love to have a band, where I was obviously the singer, but where it wasn't me, it wasn't my name.

I can't really sing and play live, because I can't play bass efficiently and sing at the same time. If I concentrated on the vocals, I'd mess up the bass, and if I concentrated on the bass, I'd forget the lines.

I can't remember the first song I learned to play on bass, but the first song I learned to play on guitar was 'For Your Love' by the Yardbirds. That kind of was the beginning for me. I thought it was a great song and I loved the open chord progression at the beginning of that song.

I actually met Chick Corea in New York, where I was staying with a bass player friend.

I continued studying by myself in the field of jazz with my own technique of improvisation, walking bass lines, rhythms, all kinds of stuff, which I created for myself.

I don't know nothing about no jungle and bass.

I don't really have a favorite bass player. I listen to a lot of bluegrass. But then again, I'm not a typical bluegrass bass player. I was really into the Grateful Dead, and I still am - I don't listen to them too much, but for me they are a big influence.

I don't really know why I chose bass except that it was different than guitar.

I don't regard myself as a great classical or jazz pianist. I like country music, but I'm not a great player. I just like music. Drums 'n' bass is pretty exciting and I'd love to explore it.

I came from an era when we didn't use electronic instruments. The bass wasn't even amplified. The sound was the sound you got.

I eat steamed sea bass and vegetables, and I have no sugar, and only drink soy milk.

I even played bass for a while. Besides playing electric guitar, I'd also get asked to play some acoustic stuff. But, since I didn't have an acoustic guitar at the time, I used to borrow one from a friend so I could play folk joints.

I feel that whatever you put out is what you'll get back. I always put out, 'hey, hi, I'm a bass player, no bullshit,' and that's what I got back. I got the respect.

If his voice hasn't been the melody of my life, it's been the bass line, so subtle you don't notice it until it's missing.

I'd love to play bass with Parliament Funkadelic, but I can't play bass, so I don't think that's going to happen.

If you play the very subtle jazz tunes with acoustic pianos, acoustic bass and it's a dead standard, you are going to play very differently. It depends on the music.

I first picked up the bass guitar when I was twelve years old, and fooled around with it. By the time I was thirteen I got pretty serious about it.

If you're working on a computer and you're editing bass, it looks like a warm curvy, sort of feminine object.

I got heavily into the drum-and-bass scene, which is really wicked.

I had done chorus before in school, but I was only trying for an easy A. I was a bass going 'dum dum da doo wop.

If you mess around with jazz, you better have a good drummer and a good bass player.

If you're using live bass versus orchestral bass, you've got to make sure that you're not stepping on the toes of the other elements, so you've got to balance it out.

I have always been drawn to percussion and drums, to bass and piano, in music much more then I am drawn to the guitar and the other lead instruments.