Best 1116 quotes in «drawing quotes» category

Looking at her always reminded me of a rose that was dripping blood. I always felt it was drawing all the life from inside. Just to look beautiful on the outside.

Not at all. You look as though magic has taken hold of you. It must be magic because I don't know how you can draw like that. I can barely manage a stick figure.

Now relax, think positively and begin --- the smile of success awaits you.

She had been fair at drawing before the war. She’d drawn her mother dozens of times, as she sat reading or sewing. There had been so many things in those days that kept a person still, that required perfect concentration for hours on end. It had been easy to draw portraits.

On the list of things I cannot draw, wedding dresses are right there next to cars.

Over the last forty years, many educators, decision-makers, and even some parents have come to regard the arts as peripheral, and let’s face it, frivolous—especially the visual arts, with their connotation of ”the starving artist” and the mistaken concept of necessary talent

(...) photography opened up quite a little Pandora's box, kiddies. (...) Once we no longer had to depend on drawing and painting to record our existence — once they became an option — they mutated . . . into a form of expression. And Art for its own sake, God help us, was born.

See feel draw: One verb.

... she wore a masterpiece smile with smudges of paint and graphite across her cheek, and her eyes were a Jackson Pollock painting.

Some days drawing is a real struggle. Hopefully, using the exercises in this book, it will become easier and more and more relaxing. Until that happens you may have to just accept the difficulty and battle through it - that too is a useful process. Build up your determination to succeed!

The hardest part of being a Canadian kid is having to color in Nunavut with a crayon in school, hell on earth.

The captain was amusing. He said that he himself couldn't draw and proved his words by drawing his own house for his prisoner to see. It was just such a house as the babies drew in the kindergarten: a square box with four square windows, a door and two chimneys, each with a neat curl of smoke. "That's best I can do," said the Captain, laughing. Max laughed with him for politeness' sake, though inwardly he was shocked that an important man like the Captain made a fool of himself. "Vater does not draw," he said kindly, "nor does Mutti; but they are both very keen on photography. Perhaps you are good at that?" "Not brilliant," said the Captain.

The depressing majority of comics seem to be about violence of one sort or another, [...] And I just don’t enjoy violence. I can see that narratively it is often a powerful spike in a story, but I certainly don’t want to dwell on it. I don’t want it in my real life, I don’t find violence entertaining in and of itself, or exciting, or funny. But sex is happily part of most people’s lives, and crosses the mind most days, I would say, even if it’s just watching your partner get out of bed in the morning. [...] Most pornography is pretty awful. I mean, it does the job at the most utilitarian level, but it rarely excites other areas of the mind, or the eye. It’s repetitive, bland and often a bit silly. I was interested in trying to do something that has an aesthetic beauty to it if possible, and something that tickles the intellect as well as the more basic areas of the mind. Maybe that’s not possible, and as soon as you start to think too much, it stops working as pornography. I don’t think so, but I guess it’s in the eye and mind of the viewer.

The first function of an art student is to observe, to study nature.

There are many arts and sciences of which a miner should not be ignorant. First there is Philosophy, that he may discern the origin, cause, and nature of subterranean things; for then he will be able to dig out the veins easily and advantageously, and to obtain more abundant results from his mining. Secondly there is Medicine, that he may be able to look after his diggers and other workman ... Thirdly follows astronomy, that he may know the divisions of the heavens and from them judge the directions of the veins. Fourthly, there is the science of Surveying that he may be able to estimate how deep a shaft should be sunk ... Fifthly, his knowledge of Arithmetical Science should be such that he may calculate the cost to be incurred in the machinery and the working of the mine. Sixthly, his learning must comprise Architecture, that he himself may construct the various machines and timber work required underground ... Next, he must have knowledge of Drawing, that he can draw plans of his machinery. Lastly, there is the Law, especially that dealing with metals, that he may claim his own rights, that he may undertake the duty of giving others his opinion on legal matters, that he may not take another man's property and so make trouble for himself, and that he may fulfil his obligations to others according to the law.

There are enough ideas, images, symbols, and experiences in your head already to work with for a lifetime. It's a little like having a car with an unpredictable battery, though. Sometimes you get in and it starts right up. Other times, especially if it has been sitting idle for awhile, you turn the key and nothing happens.

There are no bad drawings. Drawings are experiences. The more you draw, the more experienced you'll get. In fact, you'll learn more from bad or unpredictable or weird experiences than from those that go exactly as you'd hoped and planned. So let it go. Release your ego's desire for perfection. Take risks. Stretch. Grow. Create as much as you can, whenever you can.

There are no mistakes in Zentangle, so there is no need for an eraser. If you do not like the look of a stroke you have made, it then becomes only an opportunity to create a new tangle, or transform it using an old trusty pattern. A Zentangle tile is meant to be a surprise that unfolds before the creator's eyes, one stroke at a time.

The true purpose of illustrated journaling [is] to celebrate your life. No matter how small or mundane or redundant, each drawing and little essay you write to commemorate an event or an object or a place makes it all the more special.

The search for this inner truth is the search for beauty. People whose vision does not penetrate beyond the narrow limits of the commonplace, and to whom a cabbage is but a vulgar vegetable, are surprised if they see a beautiful picture painted of one, and say that the artist has idealised it, meaning that he has consciously altered its appearance on some idealistic formula; whereas he has probably only honestly given expression to a truer, deeper vision than they had been aware of. The commonplace is not the true, but only the shallow, view of things. [...] Our moments of peace are, I think, always associated with some form of beauty, of this spark of harmony within corresponding with some infinite source without. [...]. In moments of beauty (for beauty is, strictly speaking, a state of mind rather than an attribute of certain objects [...]) we seem to get a glimpse of this deeper truth behind the things of sense. And who can say but that this sense, dull enough in most of us, is not an echo of a greater harmony existing somewhere the other side of things, that we dimly feel through them, evasive though it is

There is a rage inside me that I mitigate with my constant drawing.

This is a familiar syndrome. There is a stage with every drawing or painting when it looks banal and clumsy. It's worth pushing through that, working through the cliché to find out what made it a cliché in the first place.

This is almost always the case: A piece of art receives its f(r)ame when found offensive.

This is not a how-to book. It is a how-to-think-about-how-to book. In it I bombard you with images and metaphors with never a photograph or diagram in sight. Your mind's eye will create all the images in this text, and each mind is unique. Getting these, and other images, down on paper will provide you with fun, frustration, joy and despair. Like life,

Tony and Peg have two kids, Terry-Lynn and Harvey, both of whom are enrolled in so many extracurricular and afterschool clubs that they hardly ever see their parents. If Terry-Lynn is in Girl Guides, she doesn’t have to see Peg inviting the Purolator man in for “a cup of coffee”. If Harvey is in the anime drawing club, he doesn’t have to see Peg kissing Mr. Cooper from across the street, even if all the other neighbours secretly know what’s going on. Tony has no idea, all he knows is that Peg isn’t the same Peg he married back in 2003. All he knows is that she’s changed a great deal, and not for the better, like a beautiful butterfly regressing back into a devouring, ugly caterpillar in the span of only a couple of months.

Throughout our youth, whenever we had a dispute, Li Wei and I would apologize to each other by exchanging gifts. Mine would be in the form of drawings, crudely done with whatever natural supplies I could find. His would always be carvings. There was only one time the exchange didn't happen, the day I told him I was accepting the apprentice position and would never be able to marry him.

Time will do his own drawing upon us but we will do our own drawing upon time as well!

Uno tiende a olvidar que lo visual es siempre el resultado de un encuentro irrepetible, momentáneo.

When Van Gogh was a young man in his early twenties, he was in London studying to be a clergyman. He had no thought of being an artist at all. he sat in his cheap little room writing a letter to his younger brother in Holland, whom he loved very much. He looked out his window at a watery twilight, a thin lampost, a star, and he said in his letter something like this: "it is so beautiful I must show you how it looks." And then on his cheap ruled note paper, he made the most beautiful, tender, little drawing of it. When I read this letter of Van Gogh's it comforted me very much and seemed to throw a clear light on the whole road of Art. Before, I thought that to produce a work of painting or literature, you scowled and thought long and ponderously and weighed everything solemnly and learned everything that all artists had ever done aforetime, and what their influences and schools were, and you were extremely careful about *design* and *balance* and getting *interesting planes* into your painting, and avoided, with the most astringent severity, showing the faintest *acedemical* tendency, and were strictly modern. And so on and so on. But the moment I read Van Gogh's letter I knew what art was, and the creative impulse. It is a feeling of love and enthusiasm for something, and in a direct, simple, passionate and true way, you try to show this beauty in things to others, by drawing it. And Van Gogh's little drawing on the cheap note paper was a work of art because he loved the sky and the frail lamppost against it so seriously that he made the drawing with the most exquisite conscientiousness and care.

When I write... I am in the fond arms of a childhood friend upon whose colorful heart I can hang the charcoal drawings of my woes.

When she started with the first empty canvas, she didn’t know what she was going to paint, she just let her paint brushes glide and they religiously followed the trajectory of her angst; the choice of colours and the strokes, they were all a reflection of what was going through her mind. The reds were the embers within her that refused to die. The blues were the rare instances when she was spent by her grief. The blacks were her moments of absolute weakness, the colour of the bottomless pit within her that she had plunged into, falling through and through. The brush strokes moved around blank canvases like snakes with fangs of elixir that filled her scars with a deluge of hope and a gale of faith in herself. The colours spoke to her in whispers, narrating their own tale while she poured out hers to them. They allowed her to channel her life through them. They listened. They cared. They laughed. They cried. They reassured her that there was life waiting ahead, staring at her past, urging her forward with eager arms. And Preeti rushed into them with her brush in hand that rose along with her and fell along with her.

When we were in New York, you cried for two days and passed out. You said a word in your sleep, over and over. Akinli.” Elizabeth stared down at the drawing. “At first I thought it was gibberish. And then I thought it was the name of a town or a building. . . . I didn’t figure out it belonged to a person until you made that.” Elizabeth pointed down to the paper, worn from being folded and unfolded who knew how many times. “When Elizabeth came to me, I had to tell her the truth, and we decided to find him. You gave us the name of the town. We went there looking for someone answering to that name, fitting this image.” Miaka smiled ruefully. “Very small town. It wasn’t hard.” Tears pooled in my eyes. “You’ve really seen him?” They both nodded. I thought about all those trips they had taken, making up ridiculous stories so they could get to him without me knowing. “How is he?” I asked, unable to contain my curiosity. “Is he okay? Has he gone back to school? Is he still with Ben and Julie? Is he happy? Could you tell? Is he happy?” The questions tumbled out without me being able to hold them in. I was desperate to know. I felt a single word would put my soul at ease. Elizabeth swallowed hard. “That’s the thing, Kahlen. We’re afraid he’s dying.

When you are drawing, you are always one or two marks ahead. You're always thinking, 'After what I'm doing here I'll go there, and there.' It's like chess or something. In drawing I've always thought economy of means was a great quality - not always in painting, but always in drawing.

With lead he shaded love into the woman's eyes.

Above and beyond drawing my creations, I try to incorporate some kind of message. I try not to end as merely a question but try to provide a conclusion within the work.

Writing is an abstract art of drawing pictures of the conscious and subconscious mind with words.

You fear mistakes, but you shouldn't. Mistakes are your best friends as an artist. Embrace them. Seek them out. Draw with the purpose of making mistakes. When I was in one of those progressive European art schools when I was a young lad, all the teachers did was setting you up to make mistakes. Because with mistakes comes discovery. At one point you develop a system that is based on making mistakes. It's called experimenting. You produce 100 mistakes and you get 1 gem. You have now truly advanced, because you progressed with awareness. On a smaller scale. There is a shitty line in your drawing. Great. Pay more attention to it in your next drawing. Or schedule in some line practice. Ignore perfection. You want mistakes. Mistakes are what you should go for. Mistakes are your best friends. They don't lie to you and tell you what you need to know. Cherish them. Look at them for what they are. They are you. And you need them. Every time you make a mistake and you see it, you should be happy. Start looking for mistakes. Make them on purpose. Train yourself. Practice making mistakes till you are comfortable with them. Nothing comes for free, except the gift of mistakes.

Abstraction has always been around, since the drawings in the caves. It exists in all cultures all over the world. I thought for a while that it was going to be the major movement. But people always drift back to realism. I guess there is a certain security in that.

Accurate drawing, accurate colour, is perhaps not the essential thing to aim at, because the reflection of reality in a mirror, if it could be caught, colour and all, would not be a picture at all, no more than a photograph.

Action is the highest perfection and drawing forth of the utmost power, vigor, and activity of man's nature.

A cool tattoo design is any drawing that would also look good saggy.

A critic in my house sees some paintings. Greatly perturbed, he asks for my drawings. My drawings? Never! They are my letters, my secrets.

Actually, I don't really draw that well. It's just that I don't stop trying as quickly. I keep at it. I happen to have high standards and I try to meet them. I have to struggle like hell to make a drawing look good.

A Curve does not exist in its full power until contrasted with a straight line.

A drawing, brought by Colonel Coombs, from a sculptured column in a cave-temple in the South of India, represents the first pair at the foot of the ambrosial tree, and a serpent entwined among the heavily-laden boughs, presenting to them some of the fruit from his mouth.

A drawing should have no unnecessary lines and a machine no unnecessary parts.

A drawing is always dragged down to the level of its caption.

A drawing is essentially a private work, related only to the artist's own needs; a 'finished' statue or canvas is essentially a public, presented work - related far more directly to the demands of communication.

A drawing is simply a line going for a walk.

Adversity has the effect of drawing out strength and qualities of a man that would have laid dormant in its absence.