Best 1116 quotes in «drawing quotes» category

Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.

Was there another life she was meant to be living? At times she felt a keen certainty that there was ― a phantom life, taunting her from just out of reach. A sense would come over her while she was drawing or walking, and once while she was dancing slow and close with Kaz, that she was supposed to be doing something else with her hands, with her legs, with her body. Something else. Something else. Something else.

We are sending out thoughts of greater or less intensity all the time, and we are reaping the results of such thoughts. Not only do our thought-waves influence ourselves and others, but they have a drawing power - they attract to us the thoughts of others, things, circumstances, people, 'luck', in accord with the character of the thought uppermost in our minds.

We can all learn to conquer hatred through love -drawing on the power released through the practice of meditation to throw all our weight, all our energy, and all our will on the side of what is patient, forgiving, and selfless in ourselves and others.

We cannot condemn or judge or pass words that will hurt people. We don't know in what way God is appearing to that soul and what God is drawing that soul to; therefore, who are we to condemn anybody?

We cannot take one step in geology without drawing upon the fathomless stores of by-gone time.

We connect the dots in the drawing with our mind. We give them a meaning, a figurative sense, which is self-reflexive in that it creates us, because we are the experiencer of the moment.

We do a wealth of stuff (live), drawing from over the years.

We have set out on a quest for true humanity, and somewhere on the distant horizon we can see the glittering prize. Let us march forth with courage and determination, drawing strength from our common plight and our brotherhood [and sisterhood]. In time we shall be in a position to bestow upon South Africa the greatest gift possible--a more human face

Well, directing is doing the key drawings, not the key animation, mind you.

Well, back to the old drawing board.

Well, back to the drawing board.

We make every effort to bring the newest and most innovative technology to our enthusiastic customers, drawing on the best in the industry. Our collaboration with Qualcomm Technologies on the Snapdragon 810-powered Mi Note Pro provides us the ability to deliver more performance, features and user capabilities to a mobile device than ever before.

Well, it's always been my nature to take chances My right hand drawing back while my left hand advances

Well, what we do is we have a script, of course. But for us, writing is also like storyboarding. It's drawing. And so we will cut all of those drawings together with music, sound effects and dialogue. And we screen this kind of stick-figure version of the film.

Well, I love tattoos and have been drawing them on my binders in school since I was little.

Well, something must be done for May, The time is drawing nigh-- To figure in the Catalogue, And woo the public eye. Something I must invent and paint; But oh my wit is not Like one of those kind substantives That answer Who and What?

We're losing ground. This planet is losing ground. So things need to happen and they need to happen quick. Our message should be-loud and clear-there comes a time when the home needs protecting and the line needs drawing and anybody that dares cross it acts at their own peril.

We need all kinds of artists. We have no need to destroy drawing. We lose so much. This wouldn't happen in music.

We need to stop Sharon. His lethal policies are drawing blood on both sides. That's why we need a serious intervention -- international troops. And we need to end the occupation if there is to be security for both people.

We strive all the time to give our life its form, but we do so by copying willy-nilly, like a drawing, the features of the person that we are and not of the person we should like to be.

We should lay up in our minds a store of goodly thoughts which will be a living treasure of knowledge always with us, and from which, at various times, and amidst all the shiftings of circumstances, we might be sure of drawing some comfort, guidance and sympathy.

We struggle against easel painting not because it is an aesthetic form of painting, but because it is not modern, for it does not succeed in bringing out the technical side, it is a redundant, exclusive art, and cannot be of any use to the masses. Hence we are struggling not against painting but against photography carried out as if it were an etching, a drawing, a picture in sepia or watercolor.

We take as given the idea of distinction and the idea of indication, and that one cannot make an indication without drawing a distinction. We take therefore the form of distinction for the form.

We've seen the uproars around the world concerning cartoons depicting the prophet Mohammad. Anyone who does not think comic strips are relevant never had a fatwa put on him/her for drawing a picture.

We've had fiction from the time of cave drawings. I think fiction, storytelling, and narrative in general will always exist in some form.

What is the good of drawing conclusions from experience? I don't deny we sometimes draw the right conclusions, but don't we just as often draw the wrong ones?

We will be drawing down some troops. If the president wants to try to turn that into the beginning of a success, he actually, I think, has some opportunity.

What actually happened was that Rolling Stone paid me fifteen hundred dollars for the use of all the drawings - about twenty four of them - and then offered to buy the originals from me, which my agent urged 'was a good move!'. He sold the whole damn treasure trove to Jann Wenner for the princely sum of sixty dollars per drawing. I rue the day I let him convince me.

What happens if you start drawing squares? Well, I'd say the answer to that is, don't get famous for drawing circles.

What is drawing? How does one get there? It's working one's way through an invisible iron wall that seems to stand between what one feels and what one can do. How can one get through that wall? - since hammering on it doesn't help at all. In my view, one must undermine the wall and grind through it slowly and patiently.

What is the shape of space? Is it flat, or is it bent? Is it nicely laid out, or is it warped and shrunken? Is it finite, or is it infinite? Which of the following does space resemble more: (a) a sheet of paper, (b) an endless desert, (c) a soap bubble, (d) a doughnut, (e) an Escher drawing, (f) an ice cream cone, (g) the branches of a tree, or (h) a human body?

We would sift through every inch of what it was that worked, or if it didn't, and wonder what was effective in it, in terms of paint, the subject matter, the size, the drawing.

What do drawings mean to me? I really don't know. The activity absorbs me. I forget everything else in a way that I don't think happens with any other activity.

What is drawing? Not once in describing the shape of the mass did I shift my eyes from the model. Why? Because I wanted to be sure that nothing evaded my grasp of it... My objective is to test to what extent my hands already feel what my eyes see.

When caricaturist, Al Hirschfeld, did a drawing of a celebrity, it often looked more like the person than the person did. That's our goal in animation.

When a man's intellect is constantly with God, his desire grows beyond all measure into an intense longing for God and his incensiveness is completely transformed into divine love. For by continual participation in the divine radiance his intellect becomes totally filled with light; and when it has reintegrated its passible aspect, it redirects this aspect towards God, filling it with an incomprehensible and intense longing for Him and with unceasing love, thus drawing it entirely away from worldly things to the divine.

When a young artist asked me for advice on drawing the human foot, I told him, ‘The first thing you must learn is how to take your shoe off, and then how to take your sock off, then prop your leg up carefully on your other knee, take a piece of paper, and draw your foot.’

Whenever I am tired of making photographs of drawings, I make drawings of photographs.

When drawings of the main buildings I have designed in the last five years are juxtaposed, the fact that they all involve the pursuit of certain configurations is obvious to anyone.

What's the good of drawing in the next breath if all you do is let it out and draw in another?

When drawing the sun, try to have on hand colored paper, chalk, felt-tip markers, crayons, pencils, ball point pens. You can draw a sun with any one of them. Also remember that sunset and dawn are the back and front of the same phenomenon: when we are looking at the sunset, the people over there are looking at the dawn.

Whenever I start thinking of my love for a person, I am in the habit of immediately drawing radii from my love - from my heart, from the tender nucleus of a personal matter- to monstrously remote points of the universe. Something impels me to measure the consciousness of my love against such unimaginable and incalculable things as the behaviour of nebulae (whose very remoteness seems a form of insanity), the dreadful pitfalls of eternity, the unknowledgeable beyond the unknown, the helplessness, the cold, the sickening involutions and interpenetrations of space and time.

When I have a model who is quiet and steady and with whom I am acquainted, then I draw repeatedly 'til there is one drawing that is different from the rest, which does not look like an ordinary study, but more typical and with more feeling.

When I get to the drawing, I really enjoy taking a big chunk of time and working on the drawing and nothing else. That allows me to make sure that I'm really challenging the art, making each picture as interesting as I can.

When I first started listening to music intently as a teenager, I was always sitting there with a biro or a pencil, drawing. That's how I absorbed it all.

When I'm doing a drawing, I get lots of ideas I use them in my songs, even. I do a lot of drawings because that's where I get most of my spending cash and I just always have to have new records, to get something to satisfy my listening pleasure.

When I'm drawing, I'm drawing with the light, being completely open and creative. I can't draw in the evening. I need light and I need warmth if it is a summer thing, and I need cold if it is a winter collection. The good thing is that I have houses to go to whenever I'm working. I draw according to the place.

When I'm painting and drawing I only do people. Acting is obviously portraiture - and writing is as well.

When I come home and I'm tired from filming all day, I expect her to be there and make sure everything is cool for me. You know, like drawing my bath and helping me into bed.