Best 1116 quotes in «drawing quotes» category

Always think of drawing, getting the forms realized, emphasizing the design.

A man is skillful at woodraft just in proportion as he approaches this balance. Knowing the wilderness can be comfortable when a less experienced man would endure hardship. Conversely, if a man endures hardships where a woodsman could be comfortable, it argues not his toughness, but his ignorance or foolishness, which is exactly the case with our blatant friend of the drawing-room reputation.

A man may learn from his Bible to be a more thorough gentleman than if he had been brought up in all the drawing-rooms in London.

A man sets himself the task of portraying the world. Shortly before he dies he discovers that this patient labyrinth of lines is a drawing of his own face.

A mental image gives you a framework upon which to work. It is like the drawing of the architect, or the map of the explorer. Think over this for a few moments until you get the idea firmly fixed in your mind.

A mistake in drawing becomes difficult to detect when the eye is familiar with it.

Among German historians, there's really not much debate about whether or not Hitler was a social Darwinist. He clearly was drawing on Darwinian ideas.

An accomplished woman is one who has a thorough knowledge of music, singing, drawing, dancing and the modern languages; she must be well trained in the fighting styles of the Kyoto masters and the modern tactics and weaponry of Europe.

An active line on a walk, moving freely, without goal. A walk for a walk's sake.

An actor uses his body as a tool and an instrument. In the same way a musician plays an instrument, the actor uses his body to convey feeling and emotion. An animator uses a pencil or a computer to create the same thing, the same exact way... An actor is taking words that are not his own, and he has to bring some kind of authentic life to those words. It's the same goal, to create this authentic life. Even if it's a drawing, or if it's a cartoon, you're still trying to create authenticity because, if the character emotes authentically, it has a power to connect with the audience.

An aspiring comedian must be determined to get to his or her true feelings on a subject and convey that to the audience. Figure out what you're feeling or interested in because the goal is to get the audience interested in what you're interested in. Good stand up comedy is drawing people into your head.

And as we live our lives we discover - drawing toward us the thin threads attached to each - what has been lost. I closed my eyes and tried to bring to mind as many beautiful lost things as I could. Drawing them closer, holding on to them.

And after drawing comes composition. A well-composed painting is half done

And, of course, I began drawing so much - wild, undisciplined pencil drawings and watercolors of knights battling and such.

Andy [Warhol] was on the scene, but he wasn't an artist at first; he was more an illustrator. He was always surrounded by about ten people who worshipped him. He'd go to a party and they would all come along. But he was drawing shoes and that sort of thing.

And yes, there are things I want to keep, that I like around me - especially when there's very little left. I just want to keep those little bits of reminders of my past. There are certain drawings from the '60s; certain little paintings from the '60s that I keep.

An inflated consciousness is always egocentric and conscious of nothing but its own existence. It is incapable of learning from the past, incapable of understanding contemporary events, and incapable of drawing right conclusions about the future. It is hypnotized by itself and therefore cannot be argued with. It inevitably dooms itself to calamities that must strike it dead.

Any glimpse into the life of an animal quickens our own and makes it so much the larger and better in every way." ... "Surely a better time must be drawing nigh when godlike human beings will become truly humane, and learn to put their animal fellow mortals in their hearts instead of on their backs or in their dinners.

An individual's ability to draw is... the ability to shift to a different-from-ordinary way of processing visual information - to shift from verbal, analytic processing to spatial, global processing.

An industrious farmer occupies a more dignified place in the scale of beings...than a lazy lounger...too proud to work, and drawing out a miserable existence by eating on that surplus of other men's labor.

Animation is not the art of drawings that move but the art of movements that are drawn.

Any idiot that wants to make a couple of thousand drawings for a hundred feet of film is welcome to join the club.

Any sort of working drawings are simply diagrams. Architecture encourages your imagination to work that way.

As each new skill is learned, you will merge it with those previously learned until, one day, you are simply drawing - just as, one day, you found yourself simply driving without thinking about how to do it.

Anything that makes you feel good is always going to be drawing in more.

As a kid I read Jules Verne, H. G. Wells, and a few others. As an adult have admired Leonardo da Vinci's drawings and notebooks.

As an architect it is very important that you distinguish between different realities. There's the reality of the drawing and the reality of the building. So one could say, or at least it is the common belief that architecture has to be built; I always denied that, because ultimately it is based on an idea. I don't ever need a building to verify my idea. Of course, what with a building is more its vanity and actual physical experience. But I anticipate; I wouldn't even build it if I could not anticipate how it would be.

As "Calvin and Hobbes" went on, the writing pushed the drawings into greater complexity. One of the jokes I really like is that the fantasies are drawn more realistically than reality, since that says a lot about what's going on in Calvin's head.

A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts.

As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons or oils. Which is why, to me, the most important thing is what it is you are drawing, and in the themes that I depict, I think hand-drawing is the most effective.

Architecture is my work, and Ive spent my whole life at a drawing board, but life is more important than architecture. What matters is to improve human beings.

Architectural drawing is a language with conventions where the rules can be deliberately misused; a well-composed architectural drawing can both contain correct and incorrect arrangements of meaningful things.

Art isn't about drawing; it's about learning to see. What organization doesn't need this ability?

As an actor you bring some of your own experiences which can make things easier. You build off of it, but your imagination is always the best thing you have as far as creating things I think specifically for what that character is going through. But you're definitely drawing obviously upon things that you can connect to, and then you kind of mold the change that you're making into something that's right for the character.

As bank customers, we tend to believe that we can have both perfect security for our money, drawing on it whenever we want and never expecting it not to be there, while still earning a regular rate of return. In a true free market, however, there tends to be a tradeoff: you can enjoy a money warehouse or you can hope for a return on your investment. You can't usually have both. The Fed, however, by backing up this fractional-reserve system with a promise of endless bailouts and money creation, attempts to keep the illusion going.

As far as I can recall, the initial shiver of inspiration [for Lolita] was somehow prompted by a newspaper story about an ape in the Jardin des Plantes, who, after months of coaxing by a scientist, produced the first drawing ever charcoaled by an animal: this sketch showed the bars of the poor creature's cage.

As for 'drawing you out,' please believe I don't do such things deliberately, with an object -- It's only that I am, as a rule, far more interested in people than they are in me -- But it makes me a nuisance, I know: only an innocent nuisance.

As his campaign marches toward Cleveland, [Donald] Trump drawing more protests, too. Check out this scene from Arizona yesterday. The road to a Trump rally blocked. And there are new questions overnight about how Trump and his supporters are dealing with those protests.

'As I am, so are these. As are these, so am I.' Drawing the parallel to yourself, neither kill nor get others to kill.

A single note, held in an amber suspension of time, like a charcoal drawing of Icarus falling. It was sad and fierce all at once, alive with a lonely purity. It went on and on, until my own lungs were burning. “What bird are you calling?” I asked finally, when I couldn’t stand it any longer. The Bird Man stopped whistling. He grinned, so that I could see all his pebbly teeth. “You.

A simple line painted with the brush can lead to freedom and happiness.

As long as I could hold a pencil, I was drawing and telling stories and making jokes. I've just been lucky that no one ever stopped me, and now I can do that for a living.

As my early drawings warned me, where humans go, lions and tidal waves follow.

As technology advances at an alarming pace, the place of drawing remains as valid as ever in the creation of art and architecture.

As we grow in the knowledge of God's holiness, even though we are growing in the practice of holiness, it seems the gap between our knowledge and our practice always gets wider. This is the Holy Spirit's way of drawing us to more and more holiness.

As we grow old, we become aware that death is drawing near; his shadow falls across our path; the realities of life seem less crude than of yore, they touch our senses less intimately, and they lose much of their poignancy.

As the thought comes to me to exorcise and transform this black with a white drawing, it has already become a surface.. .Now I have lost all fear, and begin to draw on the black surface.

A straight line can readily be drawn among each of the two series of points corresponding to the maxima and minima, thus showing that there is a simple relation between the brightness of the variables and their periods.

As you are aware, no perceptions obtained by the senses are merely sensations impressed on our nervous systems. A peculiar intellectual activity is required to pass from a nervous sensation to the conception of an external object, which the sensation has aroused. The sensations of our nerves of sense are mere symbols indicating certain external objects, and it is usually only after considerable practice that we acquire the power of drawing correct conclusions from our sensations respecting the corresponding objects.

At such times I felt something was drawing me away, and I kept fancying that if I walked straight on, far, far away and reached that line where the sky and earth meet, there I should find the key to the mystery, there I should see a new life a thousand times richer and more turbulent than ours.