Best 1852 quotes in «crime quotes» category

Have you ever been in jail, mate? Whatever you did in your life, nothing can be compared to a single day in jail.

HAVING NEVER taken a decent holiday before, I decided on a trip to Thailand, booked a flight and flew out the following week. Mate, I loved it. The friendly people, the food, the females!

Having saddled yourself with laws that you *assume* will be broken, you've never found anything to do that makes better sense than punishing people for doing exactly what you expected them to do in the first place. For ten thousand years you've been making and multiplying laws that you fully expect to be broken, until now I suppose you must have literally millions of them, many of them broken millions of times a day.[...]The very officials that you elect to uphold the laws break them. And at the same time your pillars of society somehow find it possible to become indignant over the fact that some people have little respect for the law.

Hawaii once had a rat problem. Then, somebody hit upon a brilliant solution. import mongooses from India. Mongooses would kill the rats. It worked. Mongooses did kill the rats. Mongooses also killed chickens, young pigs, birds, cats, dogs, and small children. There have been reports of mongooses attacking motorbikes, power lawn mowers, golf carts, and James Michener. in Hawaii now, there are as many mongooses as there once were rats. Hawaii had traded its rat problem for a mongoose problem. Hawaii was determined nothing like that would ever happen again. How could Leigh-Cheri draw for Gulietta the appropriate analogy between Hawaii's rodents and society at large? Society had a crime problem. It hired cops to attack crime. Now society has a cop problem.

He attained the highest mastery of Korean martial arts—he could hurl himself through the air and crack cement blocks with his bare hands. In knife-fighting drills, he developed a thousand different reflexes to disarm and stab people. He learned to shoot all manner of firearms…Justin Moon had become the ideal South Korean soldier—with stony strength, quickness, and above all, endurance.

He began as a minor imitator of Fitzgerald, wrote a novel in the late twenties which won a prize, became dissatisfied with his work, stopped writing for a period of years. When he came back it was to BLACK MASK and the other detective magazines with a curious and terrible fiction which had never been seen before in the genre markets; Hart Crane and certainly Hemingway were writing of people on the edge of their emotions and their possibility but the genre mystery markets were filled with characters whose pain was circumstantial, whose resolution was through action; Woolrich's gallery was of those so damaged that their lives could only be seen as vast anticlimax to central and terrible events which had occurred long before the incidents of the story. Hammett and his great disciple, Chandler, had verged toward this more than a little, there is no minimizing the depth of their contribution to the mystery and to literature but Hammett and Chandler were still working within the devices of their category: detectives confronted problems and solved (or more commonly failed to solve) them, evil was generalized but had at least specific manifestations: Woolrich went far out on the edge. His characters killed, were killed, witnessed murder, attempted to solve it but the events were peripheral to the central circumstances. What I am trying to say, perhaps, is that Hammett and Chandler wrote of death but the novels and short stories of Woolrich *were* death. In all of its delicacy and grace, its fragile beauty as well as its finality. Most of his plots made no objective sense. Woolrich was writing at the cutting edge of his time. Twenty years later his vision would attract a Truffaut whose own influences had been the philosophy of Sartre, the French nouvelle vague, the central conception that nothing really mattered. At all. But the suffering. Ah, that mattered; that mattered quite a bit.

He could sense in her the same spirit that ran in his veins. They were people with independent minds. They were not clerks at desks. They preferred to act. Accomplish something. They were rushing to reach the end. Such people need to be left alone. They are used to the darkness, the silence, the waiting. They belong to the same family. That of leopards.

He’d have denied it to his dying breath but Derwent wasn’t as tough as he pretended to be. For the very small number of people he cared about, Derwent would give his all. It made him vulnerable, and every now and then that vulnerability showed.

He darted for her; his blade wielded smooth and steady in front of him. She didn't hold back either; when they joined, their weapons clanked and sparked with an icy rage. They danced around one another; their feet light yet balanced, their arms twisting and turning with every thundering blow they made.

He did his best to explain this to Inspector Sloan afterwards. 'A funny feeling, sir.' 'Yes?' Funny feelings were not encouraged at Berebury Police Station.

He didn't know the right people. That's all a police record means in this rotten crime-ridden country.

He had been always escaping, always rebelling, always fighting against authority, and always being flogged. There had been a whole lifetime of torment such as this; forty-two years of it; and there he stood, speaking softly, arguing his case well, and pleading while the tears ran down his face for some kindness, for some mercy in his old age. 'I have tried to escape; always to escape,' he said, 'as a bird does out of a cage. Is that unnatural; is that a great crime?

He had a toughness about him, and his five grand Savile Row suit did little to hide the fact that he worked out regularly. He looked like someone who could've gone either way, the mob or something legitimate, and somehow ended up in the middle as a lawyer.

He had called what he felt for Charlotte love and it remained the most profound feeling he had had for any woman. In the pain it had caused him and its lasting after-effects it had more resembled a virus that, even now, he was not He had called what he felt for Charlotte love and it remained the most profound feeling he had had for any woman. In the pain it had caused him and its lasting after-effects it had more resembled a virus that, even now, he was not.

He had hoped to spot the flickering shadow of a murderer as he turned the file's pages, but instead it was the ghost of Lula herself who emerged, gazing up at him, as victims of violent crimes sometimes did, through the detritus of their interrupted lives.

He is a self-destructive loner who really has to find a way to integrate himself into the society and often doesn't find the way to do that.

He [Harry Bosch] defined good company not by the conversation but by the lack of it. When there was no need to talk to feel comfortable, that was the right company

He knew more about the death of Lula Landry than he had ever meant or wanted to know; the same would be true of virtually any sentient being in Britain. Bombarded with the story, you grew interested against your will, and before you knew it, you were so well informed, so opinionated about the facts of the case, you would have been unfit to sit on a jury.

He is somebody who is driven by dark impulses

He is the Napoleon of crime, Watson. He is the organizer of half that is evil and of nearly all that is undetected in this great city, He is a genius, a philosopher, an abstract thinker. He has a brain of the first order. He sits motionless, like a spider in the center of its web, but that web has a thousand radiations, and he knows well every quiver of each of them. He does little himself. He only plans.

Hello my darling, I’m your real father. I’ve been searching for you ever since you were stolen from me. I love you so much. Daddy

He looks up and up and up to get to her face. His mama's a tall lady, and he's only seven. He's overwhelmed by red. Red heels, red nails, red lips, red hair, red eyes. So help him, the boy has always thought his mama's copper-colored eyes damn near shined red. He looks into those eyes and knows she's come home funny.

Henry was now very annoyed; he had dug himself into a hole so deep that they didn’t make a rope long enough.

He paused just long enough for me to know I was starting to bug him. I bug a lot of people, they usually do just what Sully did, make a show of putting down the important thing they were doing to go and do the unimportant thing I just asked, solely in the interest of getting rid of me. Sometimes I think the bulk of my societal interaction is annoying people. I wonder what that's doing to my psyche.

He places the skull in the palm of my hand. There are four canines; the top two are so long and curved I can feel them pricking my skin. There’s a green tinge round the eye socket and in a fine line across the cranium. I’m not sure what animal it’s from. ‘Stoat,’ Harris says, as if I’ve spoken out loud. ‘They hunt grouse and partridge. I found it behind my house. I buried the body in the furze until it was just bone.’ His hand is still beneath mine, supporting it. I think of him seeing the small dead creature and digging a tiny grave for it. Planning ahead for all those months just so he’d see the skeleton. Or maybe he severed the animal’s head and that was the only part he buried. ‘It’s been waiting for you all this time. Like I have.

He pulled her toward him and gathered her in his arms as his hand lovingly cradled the back of her neck. She stopped breathing as he leaned down—ohmigod, the Adonis was about to kiss her—and planted the softest, most sensual kiss on her lips. Time stood still on the busy Chicago street.

He reasoned, even as a young man, that traditions may linger as he walked though the oracles of time. In later years he thought his mind may one day blur, should he survive to an old age, but as he spread ink on paper, transmitted and shared with those who came after him his experiences, his own great adventures, he believed perhaps they, like he, would give way to pause to reflect on how...hard it always was to open his eyes to begin a new day...

Here, in Lorrain's poisoned little jewel of a tale (“The Man Who Made Wax Heads”) the consummate achievement of decadent art is caught in miniature. The genius of the artist entangles perpetrators and victims in a sticky web of perverse delights, in which exploitation becomes collusion, the ripples of guilt spread outward, and the real criminal slips away. In the end, responsibility is lodged firmly with the consumer, forced – he must confess – by his own perverse desires, to buy into the values of this particularly black market.

Here was a temporary solution. Parole would get Mofokeng and Mokoena out of jail as quickly as possible. Other details could be sorted out later. I accompanied Nyambi to Kroonstad jail at the end of October and remember that as he told Mofokeng and Mokoena the news—that they would be home for Christmas—smiles slowly but surely transformed the sombre, cautious expressions on their faces. Big problem: it was discovered in December, a full two months after the judgment was made, that the court order does not mention the NCCS at all. Consequently, the NCCS interpreted the court's order as having removed the NCCS's jurisdiction to deal with any "lifers" sentenced pre-1994. The members of the NCCS packed their briefcases and went home. No one knows why the judgment didn't mention the NCCS; maybe the judge who wrote it, Justice Bess Nkabinde, simply didn't know how the parole system operates; but eight of her fellow judges, the best in the land, found with her. The Mofokeng and Mokoena families, who are from 'the poorest of the poor', as the ANC likes to say, are distraught. But the rest—the law men, the politicians and the government ministers—well, quite frankly, they don't seem to give a fig. Zuma has gone on holiday, to host his famous annual Christmas party for children. Mapisa-Nqakula has also gone on holiday. Mofokeng and Mokoena remain where they were put 17 years ago, despite not having committed any crime.

Here we are, squabbling over tuna fucking sandwiches and there she is – almond-shaped green eyes, snub nose, lopsided grin, the hint of a dimple in her cheek. ‘MISSING’ is stamped over her face in large black letters.

Her friends used to tell her it wasn't rape if the man was your husband. She didn't say anything, but inside she seethed; she wanted to take a knife to their faces.

Her mother told her once that her father was sick. That the sickness made him do it. She made it seem logical. As if he was lying in a hospital bed with cancer rather than rotting in a prison cell for rape and murder.

Her recoil confirmed the disgust Grant felt inside. Who was he kidding, trying to put Vladimir and Andrei behind bars? He was no different from his father. Then he remembered Sophie’s words. “You’re not like them. You’re my McSailor.” A soft touch made him smile, thinking of Bonnie, before he realized it was Innochka’s hand stroking his face. The touch of a mobster’s girlfriend. He leaped back, still crouched on his feet.

He saved me in so many ways. I didn't see it at first. He saved me from certain death. He's the scariest person I've ever met, but for some reason I felt safe with him. Now I'm just a fading star amongst all the bright ones...All I want is love and all I get is people trying to kill me and take away what peace I manage to find in between.

He seemed like he was baiting me to ask, like he wanted me to know his troubles but wanted me to ask first.

He's bound to have done something,” Nobby repeated. In this he was echoing the Patrician's view of crime and punishment. If there was crime, there should be punishment. If the specific criminal should be involved in the punishment process then this was a happy accident, but if not then any criminal would do, and since everyone was undoubtedly guilty of something, the net result was that, in general terms, justice was done.

He sidestepped down the alley and into another one connected to a small garage, where a raccoon with matching black eyes just like his own halted in mid-step next to a trash can. They stared at each other, not moving or making a sound. 'There there, friend. I am not here to interrupt your nightly activity just as you are not here to interrupt mine.' They continued their separate ways, who would be caught and who would not remained a mystery.

He’s my new partner JJ and I don’t think he likes you very much. Last guy he took a dislike to still can’t eat anything more solid than yogurt.’ ‘Can’t you keep him on a leash?’ ‘Sure I can. The leash is in the car. I’ll go get it. You guys will be OK by yourselves for ten minutes or so, right?

He's prowling back and forth like a lion with distemper now. There's a shiny streak down one side of his face. "I shouldn't have let her go ahead - I ought to be hung! Something's gone wrong. I can't stand this any more!" he says with a choked sound. "I'm starting now -" "But how are you -" "Spring for it and fire as I go if they try to stop me." And then as he barges out, the fat lady waddling solicitously after him, "Stay there; take it if she calls - tell her I'm on the way-" He plunges straight at the street-door from all the way back in the hall, like a fullback headed for a touchdown. That's the best way. Gun bedded in his pocket, but hand gripping it ready to let fly through lining and all. He slaps the door out of his way without slowing and skitters out along the building, head and shoulders defensively lowered. It *was* the taxi, you bet. No sound from it, at least not at this distance, just a thin bluish haze slowly spreading out around it that might be gas-fumes if its engine were turning; and at his end a long row of un-colored spurts - of dust and stone-splinters - following him along the wall of the flat he's tearing away from. Each succeeding one a half yard too far behind him, smacking into where he was a second ago. And they never catch up. ("Jane Brown's Body")

He threw himself to his knees at the stone and tore his damning testimony from the pages of its testament. He held the only evidence of his identity in his hand and in one motion of forfeit and justice he cast it into the fire.

He was a scoundrel and a saint and a survivor. A tangled Celtic knot of thorns and roses. Ragged and sincere. It moved her deeply. Like a forgotten melody that suddenly struck a vibrant chord inside her heart. He was almost irresistible.

He was the captain of the rugby team and he was built like a fucking gorilla. He had the personality of a fucking gorilla, too.

He wants to tell her that he is not hopeless, that he is not filled with hatred or violence, that he is not a number, a 300 or 600 or any hundred, but just a kid with no one and nothing, and who would do anything to make it otherwise. Just tell me how, he wants to scream. He wants to tell her what it's like to have the same dream night after night, that he's playing tag with his little sister, laughing, happy - then waking up and not knowing if the image in his head is a dim memory, or just something his mind cooked up to fill the black hole. Do you know what it's like to have no past? he wants to ask. And behind it all, like a ringing in his ears, is the question that really nags at him all the time, the one that has haunted him since he was six years old and his family evaporated. He wants to ask it, then and there and for good: What did I do wrong back then? What did I do to deserve this life?

He was, however, unable to give much prolonged or continuous thought to anything that evening , or to concentrate on any one idea; and anyway, even if he had been able to, he would not have found his way to a solution of these questions in a conscious manner; now he could only feel. In place of dialectics life had arrived, and in his consciousness something of a wholly different nature must now work towards fruition.

He was the one for her. She somehow knew that no one could make her feel the way did. Not if she lived for another hundred years.

Hidden away behind the closed doors of aristocratic and bourgeois privilege, concealed under those ultra-respectable masks of black frock coat and veil, the green glow of corruption flickers into sight, steadies, and spreads everywhere, fostered by Lorrain's horrified and complicitous gaze. This decadent detective is at one with the criminal he pursues, acknowledging openly that the representation of corruption is one of the most pleasurable forms that corruption can take. In this enterprise, art is the mask that both exposes and conceals culpability.

Hey! You know, you talk too much. There's nothing wrong with my drinking. After all, what's the worst that could happen?

Holmes took up the stone and held it against the light. "It's a bonny thing," said he. "Just see how it glints and sparkles. Of course it is a nucleus and focus of crime. Every good stone is. They are the devil's pet baits. In the larger and older jewels every facet may stand for a bloody deed. This stone is not yet twenty years old. It was found in the banks of the Amoy River in soutern China and is remarkable in having every characteristic of the carbuncle, save that it is blue in shade instead of ruby red. In spite of its youth, it has already a sinister history. There have been two murders, a vitriol-throwing, a suicide, and several robberies brought about for the sake of this forty-grain weight of crystallised charcoal. Who would think that so pretty a toy would be a purveyor to the gallows and the prison?

Historians will likely wonder how we could describe the new caste system as a system of crime control, when it is difficult to imagine a system better designed to create—rather than prevent—crime.

His voice as smooth as silk, Grant started into his standard crowd-pleaser: Sinatra’s 'My Kind of Town.