Best 1852 quotes in «crime quotes» category

From my keen observation, it is a very sad fact that the Philippines’ current administration's drug war crisis has fully pressed the pedal of acceleration to more division, hatred, cycles of violence (copycat killings, summary killings, extra judicial killings, collateral victims of drug war), toxic revenge, and perpetual impunity. ~ Angelica Hopes, reflections on Drug War in the Philippines

From time to time I once wondered how one wanders from time to time And think up the paradox line Speak of Epoch's crime Oh I lied, it hasn't happened yet But bet you better believe it's such a habit that I just said that in a past mindset

Frosh (2002) has suggested that therapeutic spaces provide children and adults with the rare opportunity to articulate experiences that are otherwise excluded from the dominant symbolic order. However, since the 1990s, post-modern and post-structural theory has often been deployed in ways that attempt to ‘manage’ from; afar the perturbing disclosures of abuse and trauma that arise in therapeutic spaces (Frosh 2002). Nowhere is this clearer than in relation to organised abuse, where the testimony of girls and women has been deconstructed as symptoms of cultural hysteria (Showalter 1997) and the colonisation of women’s minds by therapeutic discourse (Hacking 1995). However, behind words and discourse, ‘a real world and real lives do exist, howsoever we interpret, construct and recycle accounts of these by a variety of symbolic means’ (Stanley 1993: 214). Summit (1994: 5) once described organised abuse as a ‘subject of smoke and mirrors’, observing the ways in which it has persistently defied conceptualisation or explanation. Explanations for serious or sadistic child sex offending have typically rested on psychiatric concepts of ‘paedophilia’ or particular psychological categories that have limited utility for the study of the cultures of sexual abuse that emerge in the families or institutions in which organised abuse takes pace. For those clinicians and researchers who take organised abuse seriously, their reliance upon individualistic rather than sociological explanations for child sexual abuse has left them unable to explain the emergence of coordinated, and often sadistic, multi—perpetrator sexual abuse in a range of contexts around the world.

Fuck you! Someone has tortured and killed one of your girls and you couldn’t give a damn? I thought you were supposed to protect them, to be their guardian. Isn’t that what pimps do?’ Garcia’s face flared red.

Garlic is divine. Few food items can taste so many distinct ways, handled correctly. Misuse of garlic is a crime. Old garlic, burnt garlic, garlic cut too long ago, garlic that has been tragically smashed through one of those abominations, the garlic press, are all disgusting. Please, treat your garlic with respect.

Genetics, accidents of birth or events in early childhood have left criminals' brains and bodies with measurable flaws predisposing them to committing assault, murder and other antisocial acts. .... Many offenders also have impairments in their autonomic nervous system, the system responsible for the edgy, nervous feeling that can come with emotional arousal. This leads to a fearless, risk-taking personality, perhaps to compensate for chronic under-arousal. Many convicted criminals, like the Unabomber, have slow heartbeats. It also gives them lower heart rates, which explains why heart rate is such a good predictor of criminal tendencies. The Unabomber, Ted Kaczynski, for example, had a resting heart rate of just 54 beats per minute, which put him in the bottom 3 per cent of the population.

Getting even was the basis of many primate semantic confusions, such as"expropriating the expropriators," "an absolute crime demands an absolute penalty," "they did it to me so I can do it to them," and, in general, the emotional mathematics of "one plus one equals zero" (1 + 1 = 0). The primates were so dumb they didn't realize that one plus one equals two (1 + 1 = 2) and one murder plus one murder equals two murders, one crime plus one crime equals two crimes, etc.

God cannot be happy when we ignore such issues as crime, corruption, alcoholism and child neglect

God don't give out certain.

Going to prison is terrible. You’re never comfortable. All the talk about ‘Club Fed’ is garbage… You’re surrounded by very violent people, very unstable people. Prisons work hard to make you uncomfortable. But that’s not what’s bad about going to prison. What’s bad about going to prison is that you’re separated from your family.

Google maps are one thing but there's no substitute for pounding the beat and I spent quite a bit of time figuring out how to break into the back of the houses on Belgrave Place. Once I even for followed by a suspicious householder - I'd been hanging around staring at the exterior of his flat for too long.

Have you ever been in jail, mate? Whatever you did in your life, nothing can be compared to a single day in jail.

Gory frontline memories from war in the Philippines returned to Mitch as he submerged himself in the brush. He sunk deep into the leaves and mud, and stayed there. He remembered scenes from the jungle. The tremors of falling bombs. The smell of smoke.

Gosh, it's easy!' he marveled, open-mouthed. 'I never knew before how easy it is to kill anyone! Twenty years to grow 'em, and all it takes is one little push!' He was suddenly drunk with some new kind of power, undiscovered until this minute. The power of life and death over his fellowmen! Everyone had it, everyone strong enough to raise a violent arm, but they were afraid to use it. Well, he wasn't! And here he'd been going around for weeks living from hand to mouth, without any money, without enough food, when everything he wanted lay within his reach all the while! He had been green all right, and no mistake about it! Death had become familiar. At seven it had been the most mysterious thing in the world to him, by midnight it was already an old story. ("Dusk To Dawn")

Grant glanced down at his khaki jacket. Since he’d slipped on the US Navy uniform in Agent Bounter’s office, he’d felt a confident swagger possess him. His spine lengthened, and his shoulders retracted. He should’ve been wearing this every day, not the stupid dress shirt and slacks of a lounge singer.

Guns make small men feel big.

Halafa hailipi.

Hasan Pasha also gave the green light for Turks and Greeks to take whatever action they pleased against any Albanians they found: killing them was not a crime. Continuing his march, he executed all the Albanians he encountered, setting fire to a monastery where other were hiding and offering five sequins for every Albanian head brought him.

HAVING NEVER taken a decent holiday before, I decided on a trip to Thailand, booked a flight and flew out the following week. Mate, I loved it. The friendly people, the food, the females!

Having saddled yourself with laws that you *assume* will be broken, you've never found anything to do that makes better sense than punishing people for doing exactly what you expected them to do in the first place. For ten thousand years you've been making and multiplying laws that you fully expect to be broken, until now I suppose you must have literally millions of them, many of them broken millions of times a day.[...]The very officials that you elect to uphold the laws break them. And at the same time your pillars of society somehow find it possible to become indignant over the fact that some people have little respect for the law.

Hawaii once had a rat problem. Then, somebody hit upon a brilliant solution. import mongooses from India. Mongooses would kill the rats. It worked. Mongooses did kill the rats. Mongooses also killed chickens, young pigs, birds, cats, dogs, and small children. There have been reports of mongooses attacking motorbikes, power lawn mowers, golf carts, and James Michener. in Hawaii now, there are as many mongooses as there once were rats. Hawaii had traded its rat problem for a mongoose problem. Hawaii was determined nothing like that would ever happen again. How could Leigh-Cheri draw for Gulietta the appropriate analogy between Hawaii's rodents and society at large? Society had a crime problem. It hired cops to attack crime. Now society has a cop problem.

He began as a minor imitator of Fitzgerald, wrote a novel in the late twenties which won a prize, became dissatisfied with his work, stopped writing for a period of years. When he came back it was to BLACK MASK and the other detective magazines with a curious and terrible fiction which had never been seen before in the genre markets; Hart Crane and certainly Hemingway were writing of people on the edge of their emotions and their possibility but the genre mystery markets were filled with characters whose pain was circumstantial, whose resolution was through action; Woolrich's gallery was of those so damaged that their lives could only be seen as vast anticlimax to central and terrible events which had occurred long before the incidents of the story. Hammett and his great disciple, Chandler, had verged toward this more than a little, there is no minimizing the depth of their contribution to the mystery and to literature but Hammett and Chandler were still working within the devices of their category: detectives confronted problems and solved (or more commonly failed to solve) them, evil was generalized but had at least specific manifestations: Woolrich went far out on the edge. His characters killed, were killed, witnessed murder, attempted to solve it but the events were peripheral to the central circumstances. What I am trying to say, perhaps, is that Hammett and Chandler wrote of death but the novels and short stories of Woolrich *were* death. In all of its delicacy and grace, its fragile beauty as well as its finality. Most of his plots made no objective sense. Woolrich was writing at the cutting edge of his time. Twenty years later his vision would attract a Truffaut whose own influences had been the philosophy of Sartre, the French nouvelle vague, the central conception that nothing really mattered. At all. But the suffering. Ah, that mattered; that mattered quite a bit.

He attained the highest mastery of Korean martial arts—he could hurl himself through the air and crack cement blocks with his bare hands. In knife-fighting drills, he developed a thousand different reflexes to disarm and stab people. He learned to shoot all manner of firearms…Justin Moon had become the ideal South Korean soldier—with stony strength, quickness, and above all, endurance.

He’d have denied it to his dying breath but Derwent wasn’t as tough as he pretended to be. For the very small number of people he cared about, Derwent would give his all. It made him vulnerable, and every now and then that vulnerability showed.

He could sense in her the same spirit that ran in his veins. They were people with independent minds. They were not clerks at desks. They preferred to act. Accomplish something. They were rushing to reach the end. Such people need to be left alone. They are used to the darkness, the silence, the waiting. They belong to the same family. That of leopards.

He did his best to explain this to Inspector Sloan afterwards. 'A funny feeling, sir.' 'Yes?' Funny feelings were not encouraged at Berebury Police Station.

He didn't know the right people. That's all a police record means in this rotten crime-ridden country.

He had a toughness about him, and his five grand Savile Row suit did little to hide the fact that he worked out regularly. He looked like someone who could've gone either way, the mob or something legitimate, and somehow ended up in the middle as a lawyer.

He had called what he felt for Charlotte love and it remained the most profound feeling he had had for any woman. In the pain it had caused him and its lasting after-effects it had more resembled a virus that, even now, he was not He had called what he felt for Charlotte love and it remained the most profound feeling he had had for any woman. In the pain it had caused him and its lasting after-effects it had more resembled a virus that, even now, he was not.

He had hoped to spot the flickering shadow of a murderer as he turned the file's pages, but instead it was the ghost of Lula herself who emerged, gazing up at him, as victims of violent crimes sometimes did, through the detritus of their interrupted lives.

He [Harry Bosch] defined good company not by the conversation but by the lack of it. When there was no need to talk to feel comfortable, that was the right company

He is the Napoleon of crime, Watson. He is the organizer of half that is evil and of nearly all that is undetected in this great city, He is a genius, a philosopher, an abstract thinker. He has a brain of the first order. He sits motionless, like a spider in the center of its web, but that web has a thousand radiations, and he knows well every quiver of each of them. He does little himself. He only plans.

He had been always escaping, always rebelling, always fighting against authority, and always being flogged. There had been a whole lifetime of torment such as this; forty-two years of it; and there he stood, speaking softly, arguing his case well, and pleading while the tears ran down his face for some kindness, for some mercy in his old age. 'I have tried to escape; always to escape,' he said, 'as a bird does out of a cage. Is that unnatural; is that a great crime?

He is a self-destructive loner who really has to find a way to integrate himself into the society and often doesn't find the way to do that.

He knew more about the death of Lula Landry than he had ever meant or wanted to know; the same would be true of virtually any sentient being in Britain. Bombarded with the story, you grew interested against your will, and before you knew it, you were so well informed, so opinionated about the facts of the case, you would have been unfit to sit on a jury.

He is somebody who is driven by dark impulses

Hello my darling, I’m your real father. I’ve been searching for you ever since you were stolen from me. I love you so much. Daddy

He looks up and up and up to get to her face. His mama's a tall lady, and he's only seven. He's overwhelmed by red. Red heels, red nails, red lips, red hair, red eyes. So help him, the boy has always thought his mama's copper-colored eyes damn near shined red. He looks into those eyes and knows she's come home funny.

Henry was now very annoyed; he had dug himself into a hole so deep that they didn’t make a rope long enough.

He paused just long enough for me to know I was starting to bug him. I bug a lot of people, they usually do just what Sully did, make a show of putting down the important thing they were doing to go and do the unimportant thing I just asked, solely in the interest of getting rid of me. Sometimes I think the bulk of my societal interaction is annoying people. I wonder what that's doing to my psyche.

He places the skull in the palm of my hand. There are four canines; the top two are so long and curved I can feel them pricking my skin. There’s a green tinge round the eye socket and in a fine line across the cranium. I’m not sure what animal it’s from. ‘Stoat,’ Harris says, as if I’ve spoken out loud. ‘They hunt grouse and partridge. I found it behind my house. I buried the body in the furze until it was just bone.’ His hand is still beneath mine, supporting it. I think of him seeing the small dead creature and digging a tiny grave for it. Planning ahead for all those months just so he’d see the skeleton. Or maybe he severed the animal’s head and that was the only part he buried. ‘It’s been waiting for you all this time. Like I have.

He reasoned, even as a young man, that traditions may linger as he walked though the oracles of time. In later years he thought his mind may one day blur, should he survive to an old age, but as he spread ink on paper, transmitted and shared with those who came after him his experiences, his own great adventures, he believed perhaps they, like he, would give way to pause to reflect on how...hard it always was to open his eyes to begin a new day...

Here, in Lorrain's poisoned little jewel of a tale (“The Man Who Made Wax Heads”) the consummate achievement of decadent art is caught in miniature. The genius of the artist entangles perpetrators and victims in a sticky web of perverse delights, in which exploitation becomes collusion, the ripples of guilt spread outward, and the real criminal slips away. In the end, responsibility is lodged firmly with the consumer, forced – he must confess – by his own perverse desires, to buy into the values of this particularly black market.

Her friends used to tell her it wasn't rape if the man was your husband. She didn't say anything, but inside she seethed; she wanted to take a knife to their faces.

Her recoil confirmed the disgust Grant felt inside. Who was he kidding, trying to put Vladimir and Andrei behind bars? He was no different from his father. Then he remembered Sophie’s words. “You’re not like them. You’re my McSailor.” A soft touch made him smile, thinking of Bonnie, before he realized it was Innochka’s hand stroking his face. The touch of a mobster’s girlfriend. He leaped back, still crouched on his feet.

He's bound to have done something,” Nobby repeated. In this he was echoing the Patrician's view of crime and punishment. If there was crime, there should be punishment. If the specific criminal should be involved in the punishment process then this was a happy accident, but if not then any criminal would do, and since everyone was undoubtedly guilty of something, the net result was that, in general terms, justice was done.

He’s my new partner JJ and I don’t think he likes you very much. Last guy he took a dislike to still can’t eat anything more solid than yogurt.’ ‘Can’t you keep him on a leash?’ ‘Sure I can. The leash is in the car. I’ll go get it. You guys will be OK by yourselves for ten minutes or so, right?

He's prowling back and forth like a lion with distemper now. There's a shiny streak down one side of his face. "I shouldn't have let her go ahead - I ought to be hung! Something's gone wrong. I can't stand this any more!" he says with a choked sound. "I'm starting now -" "But how are you -" "Spring for it and fire as I go if they try to stop me." And then as he barges out, the fat lady waddling solicitously after him, "Stay there; take it if she calls - tell her I'm on the way-" He plunges straight at the street-door from all the way back in the hall, like a fullback headed for a touchdown. That's the best way. Gun bedded in his pocket, but hand gripping it ready to let fly through lining and all. He slaps the door out of his way without slowing and skitters out along the building, head and shoulders defensively lowered. It *was* the taxi, you bet. No sound from it, at least not at this distance, just a thin bluish haze slowly spreading out around it that might be gas-fumes if its engine were turning; and at his end a long row of un-colored spurts - of dust and stone-splinters - following him along the wall of the flat he's tearing away from. Each succeeding one a half yard too far behind him, smacking into where he was a second ago. And they never catch up. ("Jane Brown's Body")

He threw himself to his knees at the stone and tore his damning testimony from the pages of its testament. He held the only evidence of his identity in his hand and in one motion of forfeit and justice he cast it into the fire.

He wants to tell her that he is not hopeless, that he is not filled with hatred or violence, that he is not a number, a 300 or 600 or any hundred, but just a kid with no one and nothing, and who would do anything to make it otherwise. Just tell me how, he wants to scream. He wants to tell her what it's like to have the same dream night after night, that he's playing tag with his little sister, laughing, happy - then waking up and not knowing if the image in his head is a dim memory, or just something his mind cooked up to fill the black hole. Do you know what it's like to have no past? he wants to ask. And behind it all, like a ringing in his ears, is the question that really nags at him all the time, the one that has haunted him since he was six years old and his family evaporated. He wants to ask it, then and there and for good: What did I do wrong back then? What did I do to deserve this life?