Best 199 quotes in «grammar quotes» category

Metaphors: knowledge existing in several states and without contradiction

Moods are adjectives of the grammar of life.

My, my, aren't we upper class and therefore faultlessly grammatical.

Most of these editors, as they call themselves, couldn't even effectively edit a haiku.

[M]y favorite teacher was explaining that you don't say but however. These are pleonasms: the use of more words than necessary to express an idea. There are times in life that are very but however.

Most often when I stammer That's my brain Correcting my grammer.

None of the writings, one can exclude from the grammatical errors and mistakes; it means not a verdict, for disqualification since thought and vision of every writing subject prevail, not the grammar.

Never underestimate the audacity of the small minded and slightly crapulous. A rather bleezed young neighbour decided to have a grammar battle with me. It lasted all of two seconds. I said something slightly amicable, and he responded with, “You sure that's how you use that word?” I put down my laundry basket and turned to him slowly and deliberately. “Do you really want to have this discussion with me, son, or do you want to go home and rethink your life?” He grumbled and vanished.

No matter that you have a PhD and have read all of Henry James twice. If you still persist in writing, "Good food at it's best", you deserve to be struck by lightning, hacked up on the spot and buried in an unmarked grave.

Quotation is a noun. Quote is a verb.

No one understands us seventh-sense people. They regard us as freaks. When we point out illiterate mistakes we are often aggressively instructed to "get a life" by people who, interestingly, display no evidence of having lives themselves.

No preposition at the end of a sentence? That is a rule up with which I will not put!

Not long ago, I advertised for perverse rules of grammar, along the lines of "Remember to never split an infinitive" and "The passive voice should never be used." The notion of making a mistake while laying down rules ("Thimk," "We Never Make Misteaks") is highly unoriginal, and it turns out that English teachers have been circulating lists of fumblerules for years. As owner of the world's largest collection, and with thanks to scores of readers, let me pass along a bunch of these never-say-neverisms: * Avoid run-on sentences they are hard to read. * Don't use no double negatives. * Use the semicolon properly, always use it where it is appropriate; and never where it isn't. * Reserve the apostrophe for it's proper use and omit it when its not needed. * Do not put statements in the negative form. * Verbs has to agree with their subjects. * No sentence fragments. * Proofread carefully to see if you any words out. * Avoid commas, that are not necessary. * If you reread your work, you will find on rereading that a great deal of repetition can be avoided by rereading and editing. * A writer must not shift your point of view. * Eschew dialect, irregardless. * And don't start a sentence with a conjunction. * Don't overuse exclamation marks!!! * Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents. * Writers should always hyphenate between syllables and avoid un-necessary hyph-ens. * Write all adverbial forms correct. * Don't use contractions in formal writing. * Writing carefully, dangling participles must be avoided. * It is incumbent on us to avoid archaisms. * If any word is improper at the end of a sentence, a linking verb is. * Steer clear of incorrect forms of verbs that have snuck in the language. * Take the bull by the hand and avoid mixed metaphors. * Avoid trendy locutions that sound flaky. * Never, ever use repetitive redundancies. * Everyone should be careful to use a singular pronoun with singular nouns in their writing. * If I've told you once, I've told you a thousand times, resist hyperbole. * Also, avoid awkward or affected alliteration. * Don't string too many prepositional phrases together unless you are walking through the valley of the shadow of death. * Always pick on the correct idiom. * "Avoid overuse of 'quotation "marks."'" * The adverb always follows the verb. * Last but not least, avoid cliches like the plague; seek viable alternatives." (New York Times, November 4, 1979; later also published in book form)

Once I start thinking about splitting the skin apart, I literally cannot not do it. I apologize for the double negative, but it’s a real double negative of a situation, a bind from which negating the negation is truly the only escape.

Our parents had drilled us under the importance of using proper diction, of saying “going” instead of “goin” and “isn’t” instead of “ain’t “. We were taught to finish off words. They bought us a dictionary and a full Encyclopedia Britannica set, which lived on a shelf in the stairwell to our apartment, its titles etched in gold. Any time we had a question about a word, or a concept, or some piece of history, they directed us toward those books. Dandy, too, was an influence, meticulously correcting our grammar and admonishing us to enunciate our words when we went over for dinner. The idea was we were to transcend, to get ourselves further. They’d planned for it. They encouraged it. We were expected not just to be smart but to own our smartness – to inhabit it with pride – and this filtered down to how we spoke.

One of the major problems encountered in time travel is not that of becoming your own father or mother. There is no problem in becoming your own father or mother that a broad-minded and well-adjusted family can't cope with. There is no problem with changing the course of history—the course of history does not change because it all fits together like a jigsaw. All the important changes have happened before the things they were supposed to change and it all sorts itself out in the end. The major problem is simply one of grammar, and the main work to consult in this matter is Dr. Dan Streetmentioner's Time Traveler's Handbook of 1001 Tense Formations. It will tell you, for instance, how to describe something that was about to happen to you in the past before you avoided it by time-jumping forward two days in order to avoid it. The event will be descibed differently according to whether you are talking about it from the standpoint of your own natural time, from a time in the further future, or a time in the further past and is futher complicated by the possibility of conducting conversations while you are actually traveling from one time to another with the intention of becoming your own mother or father. Most readers get as far as the Future Semiconditionally Modified Subinverted Plagal Past Subjunctive Intentional before giving up; and in fact in later aditions of the book all pages beyond this point have been left blank to save on printing costs. The Hitchhiker's Guide to the Galaxy skips lightly over this tangle of academic abstraction, pausing only to note that the term "Future Perfect" has been abandoned since it was discovered not to be.

People do not invent languages by writing grammars, they write grammars – at least, the first grammars to be written for any given language – by observing the tacit, largely unconscious, rules that people seem to be applying when they speak. Yet once a book exists, and especially once it is employed in schoolrooms, people feel that the rules are not just descriptions of how people do talk, but prescriptions for how they should talk.

She whispers in my ear: ‘"Tell me that you wan' fuck me hard, make me sweat." In the excitement, she misses out a word. "I want to fuck you so hard that your body drips with sweat," I say, grammatically.

Sex is a matter of biology, while gender is a matter of grammar, and there is no earthly reason why sex should be involved in gender distinctions.

So," Chronicler said. "Subjunctive mood." "At best," Kvothe said, "it is a pointless thing. It needlessly complicates the language. It offends me.

That last bit of babble had gone home. How was they supposed to know, that was ungrammatical but right.

Some may say that the British are obsessed with class difference and that knowing your apostrophes is a way of belittling the uneducated. To which accusation, I say (mainly), 'Pah!' How can it be a matter of class difference when ignorance is universal?

So what? Who gives a shit who’s banging who?” “Whom,” Jaila said. “What?” “Who’s banging whom.” Tino tensed. “I don’t need a fucking grammar lesson.

Take what the British call the "greengrocer's apostrophe," named for aberrant signs advertising cauliflower's or carrot's in local fruit and vegetable shops.

That Grace looked annoyed at me. "I didn't say you would go to jail, Junie B.," she said. "I just wish you would say the word correctly, that's all.

Some writers write to forget. Some forget to write.

That is the correct grammar, you know: her husband and me.

That's so typical. You won't steal a baby, but you're too lazy to conjugate.

The English language is a work in progress. Have fun with it.

The accuracy of the Grammar, Commas, Spelling, Word choice, Upgrade, Style, Metamorphosis, Academic writing, and Conception; conversely, to avoid the Word redundancy, Nominalizations, Passive voice, and Eggcorns, execute the best writer. However, if one fails, above quality writing, even the best-selling author may not qualify, as the best writer.

The correct pronunciation of 'grammar' is গ্র্যামার, not গ্রামার!

The English Language is my bitch. Or I don't speak it very well. Whatever.

The best grammarian still can't write a verse.

The Elements of Style does not deserve the enormous esteem in which it is held by American college graduates. Its advice ranges from limp platitudes to inconsistent nonsense. Its enormous influence has not improved American students' grasp of English grammar; it has significantly degraded it.

The Essentials of English, book of choice of the older boys at St. Faith’s for spanking the younger boys with, leaving a particular broad-natured pain ever afterwards associated with grammar.

The Hitchhiker's Guide to the Galaxy skips lightly over academic abstraction, pausing only to note that the term "future perfect" has been abandoned since it was discovered not to be.

...the [mental] organization of grammar [is] a case where complexity in the mind is not caused by learning; learning is caused by complexity in the mind.

The major problem is quite simply one of grammar, and the main work to consult in this matter is Dr. Dan Streetmentioner’s Time Traveler’s Handbook of 1001 Tense Formations. ... Most readers get as far as the Future Semiconditionally Modified Subinverted Plagal Past Subjunctive Intentional before giving up; and in fact in later editions of the book all the pages beyond this point have been left blank to save on printing costs. ... The Hitchhiker’s Guide to the Galaxy skips lightly over this tangle of academic abstraction, pausing only to note that the term “Future Perfect” has been abandoned since it was discovered not to be. To resume: The Restaurant at the End of the Universe is one of the most extraordinary ventures in the entire history of catering. It is built on the fragmented remains of an eventually ruined planet which is (wioll haven be) enclosed in a vast time bubble and projected forward in time to the precise moment of the End of the Universe. This is, many would say, impossible. In it, guests take (willan on-take) their places at table and eat (willan on-eat) sumptuous meals while watching (willing watchen) the whole of creation explode around them. This, many would say, is equally impossible.

The past, the present, and the future walked into a bar. It was tense.

The police never saw a noun they didn't want to turn into a verb, so it quickly became "to action", as in you action me to undertake a Falcon assessment, I action a Falcon assessment, a Falcon assessment has been actioned and we all action in a yellow submarine, a yellow submarine, a yellow submarine. This, to review a major inqurity is to review the list of "actions" and their consequences, in the hope that you'll spot something that thirty-odd highly trained and experienced detectives didn't.

The problem with defending the purity of the English language is that English is about as pure as a cribhouse whore. We don't just borrow words; on occasion, English has pursued other languages down alleyways to beat them unconscious and rifle their pockets for new vocabulary.

There's a fine line between funny and annoying – and it's exactly the width of a quotation mark.

There’s a rumor it seems involving the finance minister. He’s supposed to resign any time now,” she said. “Some kind of scandal about a misconstrued comment. He made a comment about the economy that may have been misconstrued. The whole country is analyzing the grammar and syntax of this comment. Or it wasn’t even what he said. It was when he paused. They are trying to construe the meaning of the pause. It could be deeper, even, than grammar. It could be breathing.

The process of editing a piece of writing seems sometimes a lot like natural selection. Your efforts never really eliminate the mistakes. You just cause them to evolve into a sneakier, more robust breed.

Though grammatically perfect, a French accent stretches his English out of shape.

The true structure of the Welsh grammar will be revealed only when we look at sentences slightly more complicated than its basic VSO pattern. Welsh is no different from the rest of the world: it does involve an extra step, but even that isn't all that unusual. Welsh is like Shakespearean English on acid: the verb always - not just in questions - moves to the beginning. Alternatively, it can be viewed as taking the French grammar a step further. While the verb stops at tense in French, it moves further in Welsh to a position that traditional grammarians call the complementizer (don't ask).

This is a bawdy tale. Herein you will find gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity, as well as non-traditional grammar, split infinitives, and the odd wank.

Those extra letters dangling at the ends of words are the genitalia of grammar.

Thou shalt not use the 140 characters limit as an excuse for bad grammar and/or incorrect spelling.

thnkz 4 hlpng e wth e spllng d gwammer mestr josef