Best 19526 quotes in «book quotes» category

I think writing a book with film in mind is a way to write a really bad books. You can usually tell those books that are packaged to become films.

I think with one exception I've never changed an opening sentence after a book was completed.

I think writing kind of burns out the flaming question. Sometimes it might feel like when you're living with certain paradoxes and they're unarticulated, you feel pressure to choose. I feel more comfortable living in the paradoxes that I've named and laid out, whereas when I started they might have felt like real agitations. At least I see them more clearly after having sketched them for myself and made a place to stand in relationship to them that felt okay enough to last through the course of a book.

I think you can get a sort of intensity and an edginess offering nine stories in a book. Competing versions of things.

I think you could say every pastor is writing this book [ Max on Life]; for many it just never gets published.

I think you keep two sets of books. In one set, you record the truth -- how well you are really doing. This is the secret set -- just for you and loved ones. In the other set are more modest entries and statements, and these are for public consumption!

I think you need humour and a sense of fun, which is what I try to bring to my books to leaven the danger and action. The ones that really transcend the genre always have a great laugh in them, such as 'Fright Night,' 'Lost Boys,' 'American Werewolf in London' - just to name a few.

I think you could say every pastor is writing this book, Max on Life; for many it just never gets published. All I did was collect a few of the questions I've been asked through the years, write up a brief response and put them in this publication.

I think you have to read a lot. I think if you're going to write about something you better have read at least 100 books on that topic.

I think you’re never the same person when you close a book as when you open one; it changes your life very subtly.

I think you should read everything you can. In my case, by the age of 10, I'd read every book in the Omaha public library about investing, some twice. You need to fill your mind with various competing thoughts and decide which make sense.

I thought [books ban] was crazy. Really my thoughts were "This is America, we don't do this here" but of course I know a lot better now. And I wasn't the only one. Norma Klein was writing at the same time. Her books were going. So many of us. When you say to me, no you can't do this I say, oh yes I can.

I thought I could never write a proper book; I'd never done it before. But I thought I could write a sequence. Then I had a chapter. The next thing I knew I was turning acting down.

I thought I had a great opportunity when I started doing my comic book in 1972. I thought there was so much territory to work in.

I thought, if I write a book that is not a retelling of Pride and Prejudice, it's not going to mean that I will not get any criticism. I might as well write the book that I want to write.

I think you will agree that I am alive in every part of this book; turn back twenty, thirty, one hundred pages - I am back there. That is why I hate the story; characters are not snakes that they must shed their skins on every page - there can only be one action: what a man is. When you have understood this, you will be through with novels.

I thought if I had a Twitter feed and say I had a following of a 100,000, that means 100,000 of them would be interested in my book. It was logical, but it didn't turn out to be true. It turned out if I had a Twitter feed of a 100,000, four of them were interested in my book.

I thought a dignified thing to do would be to live in the country by the time I'm 50 and write books

I thought both she [Gypsy Rose Lee] and her story would be ill-served by a conventional, birth-to-death narrative, and so I structured the book like one of her stripteases: revealing a peek of shoulder, then a glimpse of knee, pulling back a bit before you go a bit further, until all is revealed at the end.

I thought if I was open and honest, it would help the reader to get open and honest, and they also would realize sometimes when you write a book, people think you're an expert and that's not always true.

I thought it might be fun to set my books in Nevada, which is in the West and still pretty Wild. You can still gamble, carry a loaded pistol and go into a silver-mine and they still have saloons with swinging doors, boardwalks, and horses.

I thought my book was done, then we went to Hawaii and the whole last chapter happened.

I thought I would keep the first name Susan and change the last name but I picked up this book and as I opened it the lead character in it was called Morgan Brittany.

I thought that, with so much current attention focused on the topic of North Korea, I might share what I think are three books which cast a rare light on the elusive realm of North Korea.

I thought that words and books and pens were more powerful than guns.

I thought, 'Okay, what's going to be my edge, and how am I going to define what I'm doing differently?' Once I had that key idea of the software developer as an artist, once I had that idea, a whole bunch of other ideas flowed from that, because I realized that I need to go study the music industry, I need to study the book publishing and Hollywood and figure out how they do things, why they do them that way, and then I need to borrow, and rearrange, the things that they're doing to fit my industry so that I can invent and create this new industry.

I thought I was writing for a fairly hip, intelligent crowd; I just thought there were more of them out there. But they're not. They're not out there waiting. They're not gonna use their intelligence on your book.

I thought of the structure as musical. The first piece, for instance, contains the names/subject matter of every person to come in the book. Like a piece of music with themes, etc.

I thought that deserved a book and feel like the door needs to be open so people can say, "Ok, here we go, let's deal with this" because we're not dealing with it. I'm waiting for somebody to write another book but it hasn't happened yet, though I guess mine's only been out for a year and a half.

I thought to myself, 'why not write a bestseller?' In the first place, more people buy them and more people read them. You make more money and it doesn’t take any more time to write a bestseller than it does to write a book nobody buys.

I thought, "Well, I'm writing about early childhood, so maybe it would make sense to write about late childhood as well, early adulthood." Those were my thoughts, and this was how this crazy book [Winter Journal] was composed. I've never seen a book with pictures like at the end, pictures related to things you've read before.

I thought why not write a kind of mystery, murder, thriller book, but use romance language where the language plays completely against the very dark subject matter, that very strange murderous plot, but use that Harlequin Romance language.

I thought of all the different kinds of love in the world. I could think of ten without even trying. The way parents love their kids, the way you love a puppy or chocolate ice cream or home or your favorite book or your sister. Or your uncle. There's those kinds of love and then there's the other kind. The falling kind.

I thought, you know, I would probably not have seen that. On the other hand, he's obviously completely telling the truth. So, then what is that? That's - I wanted to explore that. And then I wanted to talk about how ideas are born. And the big question that the book asks in a number of ways about a number of things is that. How does a new idea come into the world?

It is a blessing to get old. It is a blessing to find the time to do the things, to read the books, to listen to the music. I have nothing now but praise for my life.

It is a book for manufacturing companies that are fighting desperately for survival and that will go to any length to improve their factories and overcome the obstacles to success. One could even call this book a 'bible' for corporate survival.

It is a curious fact that with 'Through the Looking-Glass' the faculty of making book illustrations departed from me... I have done nothing in that direction since.

It is a generally received opinion that there are too many books in the world already. I cannot, however, subscribe to any Institution that proposes to alter this state of affairs, because I find no consensus of opinion as to which are the superfluous books.

It is a good idea to know which publishers publish which stories. For example, there is no sense in sending a picture book text to a publisher who does not publish picture books.

It is a good thing for an uneducated man to read books of quotations. Bartlett's Familiar Quotations is an admirable work, and I studied it intently. The quotations when engraved upon the memory give you good thoughts. They also make you anxious to read the authors and look for more.

It is a good practice to write at least on page of mantra daily. Many people get better concentration by writing than by chanting. Try also to inculcate in children the habit of chanting and neatly writing the mantra. This will help to improve their handwriting, too. The book in which the mantra is written should not be thrown around; it should be carefully kept in our meditation or shrine room.

It is a great feeling to know that from a window I can go to books to cans of beer to past loves. And from these gather enough dream to sneak out a back door.

It is a good plan to have a book with you in all places and at all times. If you are presently without, hurry without delay to the nearest shop and buy one of mine.

It is a hundred-year-old witch book, bound in human skin and probably written in ancient cum...YOU lick it!

It is advantageous to an author that his book should be attacked as well as praised. Fame is a shuttlecock. If it be struck at one end of the room, it will soon fall to the ground. To keep it up, it must be struck at both ends.

It is a good thing to read books, and need not be a bad thing to write them, but in any case, it is a pious thing to collect them.

It is a great thing to start life with a small number of really good books which are your very own.

It is a little remarkable, that - though disinclined to talk overmuch of myself and my affairs at the fireside, and to my personal friends - an autobiographical impulse should twice in my life have taken possession of me, in addressing the public.

It is always singular, but encouraging, to meet with common sense in very old books, as the Heetopades of Veeshnoo Sarma; a playful wisdom which has eyes behind as well as before, and oversees itself. It asserts their health and independence of the experience of later times. This pledge of sanity cannot be spared in a book, that it sometimes pleasantly reflect upon itself.

It is a lovely oddity of human nature that a person is more inclined to interrupt two people in conversation than one person alone with a book.