Best 19526 quotes in «book quotes» category

I had found a new friend. The surprising thing is where I’d found him – not up a tree or sulking in the shade, or splashing around in one of the hill streams, but in a book. No one had told us kids to look there for a friend. Or that you could slip inside the skin of another. Or travel to another place with marshes, and where, to our ears, the bad people spoke like pirates.

I had hundreds of books under my skin already. Not selected reading, all of it. Some of it could be called trashy. I had been through Nick Carter, Horatio Alger, Bertha M. Clay and the whole slew of dime novelists in addition to some really constructive reading. I do not regret the trash. It has harmed me in no way. It was a help, because acquiring the reading habit early is the important thing. Taste and natural development will take care of the rest later on.

I had gradually come, by this time [1839-01], to see that the Old Testament from its manifestly false history of the world, with the Tower of Babel, the rainbow as a sign, etc., etc. and from its attributing to God the feelings of a revengeful tyrant, was no more to be trusted than the sacred books of the Hindoos, or the beliefs of any barbarian.

I had/have a habit of sending books out before they're ready. And then I edit with almost absurd intensity. But I've done about a book a year.

I had loved magic tricks from the time I was six or seven. I bought books on magic. I did magic acts for my parents and their friends. I was aiming for show business from early days, and magic was the poor man's way of getting in: you buy a trick for $2, and you've got an act.

I had lots of time to read [being a lawyer] what I hadn't read in my school and college days. Being a bad student I barely passed my exams and I barely bothered about books. It was sports all the time. I started reading and got involved in literature and writing. The few cases I handled gave me the material for my early short stories.

I had no idea that reading it would lead me to a cabin. It's dangerous to open a book

I hadn't had a book in my hands for four months, and the mere idea of a book where I could see words printed one after another, lines, pages, leaves, a book in which I could pursue new, different, fresh thoughts to divert me, could take them into my brain, had something both intoxicating and stupefying about it.

I hadn't read any of the books before, but I have since we started. It's so funny because I'm reading a book of a person that I'm playing. Then, here's this person that she's in a relationship with and, what we're shooting now, we're not in a relationship. I'm getting a prequel and a history to these people in the book. It's very odd. It's very weird because it's like The Twilight Zone.

I had never written about what it's like to live the life of a writer, and I had never read a book that combined talking about the life of writing and how you can do it, how you can stand it, how you can emotionally manage it, with the choices that we all make on the page.

I had no money to buy books, so between classes and work, I haunted the library. I even tutored in French with a sliding scale of payment: twenty dollars for an A, fifteen for a B, ten for a C, five for a D.

I had no idea that 'Less Than Zero' was going to be read by anyone outside of Los Angeles, and it's - believe me, as the writer of the book I'm somewhat amused and intrigued by the idea that 25 years later it's still out and people are still reading it.

I had no idea 'The Hunger Games' was so big. I didn't even know the book. I had been living under my own rock.

I had never read in public, never given an interview. I was doing it all and trying to produce the next book and raise three young kids and had another child on the way.

I had no idea how complicated and solitary it could be to write a simple book.

I hadn't originally intended to do any reading, what if I did read one book more or one book less, whether I read or not wouldn't make a difference, I would still be waiting to get cremated.

I had self-doubt about whether my story was interesting to people. I didn't want to write something that was anecdotal. It was important to me that people would get something out of my book. I want people to read it and say, "Now I don't feel so alone," or "I'm going to remember that next time I'm being an asshole.

I had some friends commenting me books, but mostly it was people I didn't know. But they're fans. They're fans of the books, so they have a working knowledge of how I write, and they know what they like and what they don't like. I'm really grateful for their feedback.

I had Paterson, and The Art Lover, to guide me for The Tales of Horror (written from 1988-'97 and published in 1999), but I still was so lost, back then, as I tried to understand what I was writing and how it went together. There was a draft of that manuscript that had all these brightly colored paper clips on the pages so I could visualize what I saw as the book's themes and threads - that was a long time ago.

I had published a co-edited book with Oxford a decade ago, my first book actually. Years later I found myself having lunch with Lori Stone, who was an editor at Oxford at that time. We connected at a conference and over the course of lunch she told me about a wonderful new series she had just developed called Understanding Research.

I had rather be shut up in a very modest cottage, with my books, my family, and a few old friends, dining on simple bacon, and letting the world roll on as it liked, than to occupy the most splendid post which any human power can give.

I had seen that look before, on the faces of tourists visiting the Texas Book Depository in Dallas where Lee Harvey Oswald took the shots at JFK. I took that tour and met some conspiracy buffs, all of us standing at the gunman’s window and looking down to the spot where the motorcade passed. It’s right there below the window, an easy shot at a slow-moving car. No mystery, just a kid and a rifle and a tragedy. They came looking for dark and terrible revelations and instead found out something even more dark and terrible: that their lives were trite and boring.

I had simply been inspired by Arthur Godfrey (40's) and Ukulele Ike and Cliff Edwards (20's). In there day, they were huge in this country. I bought Godfrey's book "You Too Can Learn To Play Ukulele" and taught myself. It's a very romantic instrument. You can take it on a canoe.

I had started to feel that somewhere in the second half of the 20th century, the idea of page-turning as a good thing had been lost. You were getting books that were the equivalent of absolutely beautifully prepared dishes of food that didn't taste like anything much.

I had the easiest publishing experience in the entire world. I sent out fifteen courier letters to agents, got five no replies, nine rejections and one I want to see it. A month later I had an agent. Another month later I had a three book deal with Little Brown.

I had some very, very fond memories of the people I worked with and the authors I worked with - and I won't mention any names - but as I have been traveling through rural Maine over the past few weeks, one of my favorite things to do is to go into bookstores on the side of rural routes and paw through the old copies of Tom Clancy and Trevanian books they have in there for weird old 1970s thrillers that I haven't read yet.

I had still never read one of the Bond books when the movie Dr. No came out.

I had studied William Shakespeare in Oxford, England and I had this sort of high faluttin' education but I had also worked in comic books. So, I wasn't too proud to work in something like cartoons.

I had the advantage of reading the book, and when the script was first submitted to me, it was just another gangster story - the east side taking over the west side and all that.

I had the fortune or misfortune to learn how to read fluently starting at the age of three. So I had read maybe 150 books by the time I hit 1st grade. And I already knew that the teachers were lying to me.

I had read [Charles] Dickens's novels were often published serially. I thought it would be fun to write a book, just sitting down and writing a chapter every day, not knowing what would happen next. So that's how I wrote the first draft. And then of course I had to go back and make sure everything worked and change things.

I had read some books on the Baha'i Faith. I had read - I was looking into Buddhism and trying to understand sort of the agnostic approach, so there was just a bunch of stuff I was just looking at.

I had people read it early on and, you know, well-meaning people said to me, you should take out the blogs. I didn't get much positive feedback. Only because most of these people were protective of me - it was sort of like a "tone it down, make it easier to swallow" kind of thing. And I just thought if I do that then it's not the book I want to write.

I had read a lot of books on World War II, but I didn't know that downed airmen had hiked over the frozen peaks of the Pyrenees Mountains in shoes that didn't fit, in clothes that weren't warm enough, with German and Spanish patrols searching for them.

I had studied history at Brown and didn't feel like doing anything with it. What does one do with a history degree besides become a historian? And the professors in school, it seemed like they were just writing books for other professors to comment on, and vice versa - it was the most self-referential, boring world you could ever imagine.

I had the advantage, that I know Swedish. So I had the Swedish book and I had a lot of English translations, and German translations, and I did everything to make the best English translation of August Strindberg's Miss Julie I could. And then, there I went. "Oh! I think she's thinking this, but I think she should say it!" And so on. It's wonderful to do that.

I had the analysis of a million or so SNPs [single nucleotide polymorphisms] just to see what was there. That's partly because I was writing a book about DNA and personalized medicine and I thought it would be a little bit disingenuous to talk about what could be done without actually having the experiment done on yourself.

I had to do the book because there was an unauthorised biography which didn't tell it like it was.

I had to keep the text pretty spare compared to what I would typically do in a picture book. My picture books have a lot of little jokes and asides that aren't necessarily part of the main story.

I had this big complex because I didn't go to college. There was a whole era where I got linked to everybody. People that I had never met. I was like, "How? I'm home alone reading chapter 12 of a book.

I had to find my way of translating the excitement you get when you're reading comic books to the big screen.

I had to learn chord shapes... I bought books with chord charts. I used to listen to all kinds of pop music.

I had to read Wuthering Heights for English and I never enjoyed a book in all my life as much as that one.

I had thought for years, probably 30 or 40 years, that it would be a lot of fun to try my hand at a classic English mystery novel... I love that form very much because the reader is so familiar with all of the types of characters that are in there that they already identify with the book.

I had to pinch myself seeing the grassy knoll and the book suppository building.

I had to re-write "Philosophy" a lot. It was more obscure than what's in the book now, even! Some things I had to go back to and excise my former self, who was even more dense. I think you should teach whatever you want, Brian! That's the point of books like White Girls, to help free our thoughts!

I had wondered for a long time why God had preferences and why all souls did not receive an equal amount of grace [...] Jesus saw fit to enlighten me about this mystery. He set the book of nature before me and I saw that all the flowers He has created are lovely. The splendor of the rose and whiteness of the lily do not rob the little violet of its scent nor the daisy of its simple charm. I realized that if every tiny flower wanted to be a rose, spring would lose its loveliness and there would be no wild flowers to make the meadows gay.

I had to share a room with my sister, who is five and a half years older than I am. We didn't get along well, and I felt that I had no privacy. So books were my privacy, because no one could join me in a book, no one could comment on the action or make fun of it. I used to spend hours reading in the bathroom -- and we only had one bathroom in our small apartment!

I had written childrens books for 14 years before I published Wicked. And none of them were poorly reviewed, and none of them sold enough for me to be able to buy a bed.

I hate academic mysteries. As soon as I come across the word 'don' and it's not someone's first name, I close the book.