Best 19526 quotes in «book quotes» category

I can't think of any flower that wouldn't be suitable to merge with an image of a newborn, and as I was planning for the book, Miracle, I was drawn to blossoms that appealed to me artistically.

I can't say that you should extract this or that value from my books explicitly. They are up for interpretation. In terms of the obligation, I think we're all individuals on this planet, trying to scratch our way through the day, and if you're writing a book exposing atrocities in Rwanda or writing a murder mystery set in a mountain village, I think both ways of spending you time are valid and both books are probably fine to read.

i can't understand her" well son, you might as well try to understand the sun". derived form the book:fires of heaven by robert jordan.

I can’t talk about my books. I have written them and tried to forget them. I have written once, and readers have read me many times, no? I try to think of what I wrote, it’s very unhealthy to think about the past, the case of elegies is very sad, as much as the case of complaints.

I can't think of a story that doesn't have something terrible in it. Otherwise, it's dull. So when I embarked into the world of picture books, my first thought was to do something about the dark.

I can't wait for everyone to read 'Don't Look Back.' It's something very different for me, my first romantic suspense novel, so I'm very excited to be sharing the book, finally.

I can't write a scene unless I've visualized it. Unless I can actually see it, and that's why a lot of reviewers have said my books are very cinematic, because I actually do see them before I write them.

I can't wait for both my daughters to be old enough to read all my books. I loved it every time I saw my parents acting like more than just my parents. And I'm looking forward to that with my daughters too. I am looking forward to having them discover me as someone completely other than their mother.

I can't wait to do the normal things. Like just doing your own groceries. Looking for your own tomatoes. I just can't wait to get up in the morning and look awful. I'm looking forward to getting bored.

I can't write a book commensurate with Shakespeare, but I can write a book by me.

I can understand the allure of a venerable Big Six imprint, of a shot at the New York Times list, of a publisher-sponsored book tour, of seeing your hardbacks in bookstores and your paperbacks in supermarkets.

I can write a book in probably three months.

I can walk into a bookshop and point out a number of books that I find very unattractive in what they say. But it doesn't occur to me to burn the bookshop down. If you don't like a book, read another book. If you start reading a book and you decide you don't like it, nobody is telling you to finish it.

I can write any kind of novel I want, any time, and sell it, but there's not that many people watching it. Even a low-rated TV show is a couple million more people than read my books. You want to be read, in essence. If you're a television writer, you're a writer and you want people to read your stuff. You're still reaching a bigger audience, that way. That's a philosophical way to look at it.

I care more about the people in books than the people I see every day.

I certainly wasn't born with creative writing. Maybe there's a certain amount of learning and then it's up to the person. I think in the end it's your favourite books that are the best teachers. That's the way I've learned the most, by far.

I certainly wouldn't be writing books if it hadn't been for the feminist blogosphere, and I think that's a really amazing thing.

I caution writers all the time to slow down and pay more attention to the work in front of them than to the end result. I don't think you write one book and get anywhere. I think you write five books and then maybe you are finally on the right path.

I certainly don't sit down and plan a book out before I write it. There's a phrase I use called "The Valley Full of Clouds." Writing a novel is as if you are going off on a journey across a valley. The valley is full of mist, but you can see the top of a tree here and the top of another tree over there. And with any luck you can see the other side of the valley. But you cannot see down into the mist. Nevertheless, you head for the first tree.

I certainly think that the best book in the world would owe the most to a good index, and the worst book, if it had but a single good thought in it, might be kept alive by it.

I certainly grew up seeing more movies and television than I read books, but when it came time to do the thing itself you don't have to hire a lot of people to sit down and write a book, so that was the story-telling medium that was available to me.

I change my keyboard between every book. I usually shop around. I'm very passionate about the physical feel of pressing the keys. It's got to have the right springiness. I tend to find the built-in keys very unsatisfying, the keys are low-profile and don't really do anything - I want it to feel like I'm typing.

I ceased in the year 1764 to believe that one can convince one’s opponents with arguments printed in books. It is not to do that, therefore, that I have taken up my pen, but merely so as to annoy them, and to bestow strength and courage on those on our own side, and to make it known to the others that they have not convinced us.

I certainly wasn't seeking any degree, the way a college confers a status symbol upon its students. My homemade education gave me, with every additional book that I read, a little bit more sensitivity to the deafness, dumbness and blindness that was afflicting the black race in America. Not long ago, an English writer telephoned me, asking questions. One was, "What's your alma mater?" I told him, "Books.

I cite in my book countless examples of the foundational documents of the colonial period in America and the writings of the leaders, that this was intended to be a Christian nation.

I co-edited an anthology called Interfictions with Delia Sherman and wrote a short scholarly book on three women poets called Voices from Fairyland: The Fantastical Poems of Mary Coleridge, Charlotte Mew, and Sylvia Townsend Warner. So I've been busy, but I haven't had time to write a novel.

I choose Hosea. Oh, there's no book of the Bible which more beautifully and more painfully demonstrates how very much God loves us.

I claim that this bookless library is a dream, a hallucination of on-line addicts; network neophytes, and library-automation insiders...Instead, I suspect computers will deviously chew away at libraries from the inside. They'll eat up book budgets and require librarians that are more comfortable with computers than with children and scholars. Libraries will become adept at supplying the public with fast, low-quality information. The result won't be a library without books--it'll be a library without value.

I cling to the fantasy that I could have done something more creative. Like actually writing a script, or writing a book. But the awful truth is that I... probably can't!

I closed my eyes, put my right hand on top of the book, and passed it lightly across the cover. It was cool and smooth like a stone from the bottom of the brook, and it stilled me. A whole other world is inside there, I thought to myself, and that's where I want to be.

I coauthored my first nonfiction book by the time I was 25. I have been involved in nonfiction documentaries, newspapers, TV and internet since that time.

I collect books, primarily first-edition 20th-century fiction.

I cheat on my books a lot, which is not a good thing because it's good to stick with one book and get to the end of it, but I'm a book philanderer.

I chose to publish the first 'Shopaholic' book under a pseudonym because I wanted it to be judged on its own merits.

I come from the Lynchs of Sligo. You know, I went there, but I looked in the phone book and there are nine million Lynches in Sligo.

I conceive a knowledge of books is the basis upon which other knowledge is to be built.

I confess that I have not cleared a path through all seven hundred pages, I confess to having examined only bits and pieces, and yet I know what it is, with that bold and legitimate certainty with which we assert our knowledge of a city, without ever having been rewarded with the intimacy of all the many streets it includes.

I come from that earlier time in America when palm pilot was a nickname you recieved upon entering puberty! I was more than a palm pilot I was the palm Chuck Jager. Tom Wolfe wrote a book about me called The Right Hand Stuff. I was the only guy in my class hip enough to move to the European grip.

I come out of journalism, and then book writing. There, it's just you and your editor and maybe a copy desk, looking over your editor's shoulder, and that's the story. It's right there. I can show it to you because it's on paper.

I confess I didn't read the 'Green Arrow' comics before coming to play Shado. The comic books are not as easily accessible in Hong Kong as they are in the States. I do enjoy superhero fiction, though.

I confess to wincing every so often at a poorly chosen word, a mangled sentence, an expression of emotion that seems indulgent or overly practiced. I have the urge to cut the book by fifty pages or so, possessed as I am with a keener appreciation for brevity.

I contend that no book figured more prominently than the Bible in the political thought of these patriots we call the founders.

I considered writing a book too, but I think people don't like to read, to be honest - they want to watch. People want to see crazy things, so we decided to make a film ["Selling Isobel"] instead.

I consume an enormous number of books, but they're always on a particular subject because I'm obsessive.

I consider Apple to be very closed. Let's say you have a book business, and you are charging 5 to 7 percent gross margins; you can't exist in an Apple world because they want 30 percent, and they don't care that you only have 7 percent to play with.

I consider as lovers of books not those who keep their books hidden in their store-chests and never handle them, but those who, by nightly as well as daily use thumb them, batter them, wear them out, who fill out all the margins with annotations of many kinds, and who prefer the marks of a fault they have erased to a neat copy full of faults.

I consider Les Nourritures Terrestres as a frightening book: "Look for God in no other place than everywhere." Go and tell that to a workman, an engineer!

I consider my greatest strength my complete and utter faith in a loving God. Strong family values are also important and I do not hesitate to write them into my books. My reader mail tells me this is something that readers especially like about my books.

I could appear in this million-word book [Larry Kramer] are working on. Nobody would even notice me.

I could easily go through all my books and mark the ones that were original, mark the ones that were adapted or pre-published that I've found. I'm guessing though that probably 75% of them are personal events. I just love a personal story.