Best 19526 quotes in «book quotes» category

I think it's important to find projects that evoke people into conversation. It's like reading a good book. You want to talk about it.

I think it's more helpful to keep your books sort of a singular focus. Get it said, get it said well, fascinate people with your words and then write another book.

I think it's the sentence-to-sentence pleasures, the little surprises of a surprising style of an acute style, and also the way things happen one after the other, that makes a book interesting to read page to page

I think it’s time to open the books on questions that have remained in the dark on the question of government investigations of UFOs. It’s time to find out what the truth really is that’s out there. We ought to do it because it’s right. We ought to do it because the American people, quite frankly, can handle the truth. And we ought to do it because it’s the law.

I think it's the next thing, getting out of the comfort-zone readership, that at some point you have to try and break out of that and see if you can go in new directions. I wanted to do something that felt a lot bigger than a book that's going to sit on a toilet.

I think it's the source material. 27 Dresses was a famous book, and Devil Wears Prada was also a wonderful book, so it's coming out of the novelists who are really creating these wonderful female characters that we want to see on the big screen.

I think it's very hard for us, for Christians, to understand that it's okay to read a book, for instance, on how to manage your time. There's nothing wrong with that.

I think it's very important for someone going to buy a book, taking a class or listening to a lecturer to ask, "Is this the right thing for me to do now? If it isn't, guide me to what I need.

I think I've actually benefited from Australia being a kind of combination of both British and American culture. We kind of got the best of both British and American television and books, science fiction and fantasy, and so on. So I'm familiar with a lot of, for example, American books and television that a British author of my generation might not be.

I think I've been mildly obsessed with my hair. I don't think I have a hugely adversarial relationship with it. One my essay is about my decision to keep coloring my hair once it started to go gray, but once I wrote the essay - once the book was in production - I decided to go gray.

I think it's very, very, very hard to get a book published. I never want to be one of those teachers that say, 'don't do this, ' because how sad would the world be if people didn't create art and write? But, it's not an easy journey being a writer.

I think it was simply word of mouth that made it a New York Times bestseller for more than 60 weeks, over a year. People being moved and changed and transformed by the book [ One Thousand Gifts: A Dare to Live Fully Right Where You Are] and wanting to share that with hurting people all around them.

I think it's why we're able to look at with comic book stories or origin stories, why is it that we can keep retelling these stories over and over? And hopefully it's because it hits something so universal and so primal inside of us that we actually yearn for that same story over and over. But toned and different form, and updated and modernized, and I can go into the specifics.

I think it takes a lot of desire because I think a lot of people who've never written books don't know quite how hard it is to stick with, to put in the amount of time and just make the commitment to just sit there every day and do it while everybody else is out having fun.

I think it was simply word of mouth that made it a New York Timesbestseller for more than 60 weeks, over a year. People being moved and changed and transformed by the book [One Thousand Gifts] and wanting to share that with hurting people all around them.

I think I've identified as an artist since I was a baby - literally a baby. I made a book of drawings and paintings in pre-school. By the time I got to high school, I was completely enamored with art, doing paintings and portraits at lunchtime. I've been creating in some capacity forever.

I think I've learned over the years, because you'd have to be stupid not to, that when a book publisher gives you a deadline they're just kidding for the most part. I don't know what they do with it, it's like you send them your book and they just hold it in their hands for like six months and I don't know why, and you realize you probably had more time.

I think I've written 40 books, and none of them have been heavy on action. I'm an introspective person.

I think I was always writing books that had very clear scenic structures. I do tend to write in scenes. I do tend to have a fair amount of dialogue. And I do tend to use stories that don't sprawl all over the place, that have a very sharp focus in terms of how they unfold in time.

I think I would like to write screenplays, books, really anything.

I think I write or publish as much as I do because I can bear being without a book to work on.

I think jazz and comic books are probably the two uniquely American art forms.

I think kids will read more good books than we can possibly produce.

I think James Bond is a spy. He's not superhuman. Calling him a superhero is like calling James Bond movies "comic-book movies.

I think I work much harder on the children's books. I suppose I enjoy that. I find it interesting that although there are more than 30 books in the Discworld series, it is the four that were written for children which have won the awards. I've never been quite certain why this is.

I think I write or publish as much as I do because I can bear being without a book to work on. But routinely when I finish a book, I think, "What will I do? Where will I get an idea?" And a kind of low-level panic sets in. And then eventually something happens. I don't know. If I knew how it happened I would repeat the process, but I don't know - something just occurs to me.

I think I wrote once that baseball in many ways is very much like reading. I said there are more bad books than bad ballgames, or maybe it was the other way around. I can't remember.

I think kids want the same thing from a book that adults want - a fast-paced story, characters worth caring about, humor, surprises, and mystery. A good book always keeps you asking questions, and makes you keep turning pages so you can find out the answers.

I think I was a feminist before the word was invented. By the time I came across feminist books by American or European writers, I realised that there was an articulate way or a language to express all these feelings that I had had for years and years and so I became a raging feminist as a young woman.

I think I was born with the impression that what happened in books was much more reasonable, and interesting, and real, in some ways, than what happened in life.

I think I write for reluctant readers. Of course I want everyone to enjoy my books, but if the kids in the back row who normally don't pick up a book are engaged with what I'm writing, along with the kids who are big readers anyway, then I really feel like I've done my job.

I think I write in order to discover on my shelf a new book that I would enjoy reading, or to see a new play that would engross me.

I think I write what's interesting to me, and so if I'm reading I like to have a very thorough idea of a character in a book that's by someone else.

I think many of my books, including "Handle with Care," including "My Sister's Keeper" circle back to how far are we willing to go for the people we love? I think love changes the way we think. It's the thing that takes you out of what your normal set of beliefs would be.

I think Laurie's Keller story 'We are growing', resonates because when you have that amount of independence, you're starting to ask yourself questions that the grownups in your life have been answering for you. Before that, you are a good kid, or you are a funny kid, because you're told that's who you are. But when it's just you and the book, you have to figure out who you are.

I think many poets, including myself, write both for the voice and for the page. I certainly write for the person alone in the library, who pulls down a book and it opens to a poem. I am also very conscious of what it means to read these poems aloud.

I think memory is the most important asset of human beings. It's a kind of fuel; it burns and it warms you. My memory is like a chest: There are so many drawers in that chest, and when I want to be a fifteen-year-old boy, I open up a certain drawer and I find the scenery I saw when I was a boy in Kobe. I can smell the air, and I can touch the ground, and I can see the green of the trees. That's why I want to write a book.

I think my books come out very visual, which is an obvious consequence.

I think my brain is full of collisions and that's how I like to read and process information. I'm always comparing things and I think I do that subconsciously when I'm reading books of poetry.

I think my books are better than my exhibitions. If people don't like my books then I don't mind. I guess you like them enough to write an essay about them so that makes me pretty happy.

I think most albums deserve a documentary because [an album] is a visual book. You don't have to read up on it because you can listen and watch the whole story. I would love to see lots of albums [become films.]

I think most Native American literature is unreadable by the vast majority of Native Americans. Generally speaking Indians don't read books. It's not a book culture. That's why I'm trying to make movies. Indians go to movies; Indians own video recorders.

I think my biggest problem, though, at least in drafts, is not repeating myself. After eight books I get worried that a character or piece of dialog might be too much like something I've already done. So it's a challenge to keep it fresh.

I think my books talk about kids learning to like and respect themselves and each other. You can't write a message book; you just tell the best story you know how to tell

I think my great book is Born to Sing: An Interpretation and World Survey of Bird Song.

I think my mother was like a small company which, because things are not ship-shape, keeps two sets of books, one for the auditors and then there's the other one.

I think my weakness as a writer is a limited imagination, and I think my strength is a talent for reflecting the world, or sort of curating things out of the world and putting them into books.

I think my funny books are my favorites because I like to laugh so much.

I think myself that, rather like books, music is meant to enter into the brain, well via your ears rather than your eyes but, it's - I think a lot more should be left to the imagination.

I think my style changes somewhat. The themes I am interested in exploring are mostly the same, but I tackle them differently. My Younguncle books are at the surface comic adventures of the eccentric title character but they are also serious beneath the fun and frolic. And I use Big Words, like "ambrosial," which bothers some children's book reviewers. The children's short stories you mention are mostly quite serious.