Best 19526 quotes in «book quotes» category

Because we grew up surrounded by big dramatic story arcs in books and movies, we think our lives are supposed to be filled with huge ups and downs. So people pretend there is drama where there is none.

Because what's the use of learning that I am one of a long row only - finding out that there is set down in some old book somebody just like me, and to know that I shall only act her part; making me sad, that's all. The best is not to remember your nature and your past doings have been just like thousands' and thousands', and that your coming life and doings'll be like thousands' and thousands'.

Because you're delegated to a cook book recipe and you slavishly and pedantically rely on it while you're shooting and you're not relying on your creative instincts and you're not relying on something which brings life into movies and excitement into it.

Becoming an author changes your attitude too. Once you see where books come from, and how they're made, they never seem quite as sacred again.

Becoming Richard Pryor is a compulsively readable book that sets a new gold standard for American biography. Scott Scaul's research is extraordinary; his writing is taut, elegant, and insightful; and he captures both the hilarity and pain that made Richard Pryor such a towering figure.

Becoming a YA author was actually a very lucky accident. When I wrote the Queen of Everything, I thought it was a book for adults.

Before bed, I read a book or flip on the radio - I'm not picky, I'll just turn it on and see what comes up. I burn a yummy lavender- scented candle.

Before I start a project, I always ask myself the following question. Why is this book worth a year of my life? There needs to be something about the theme, the technique, or the research that makes the time spent on it worthwhile.

Before I started writing my album, I didn't tell people many things. But because I'm going to the studio every day and telling strangers my deepest and darkest emotions, it's made me more of an open book. I wear my heart on my sleeve a lot more now than I did.

Before computers were everywhere I used record books, the old-fashioned way. I loved to cram, and I still love to cram, anything I write with extra facts, stuff I picked up. At the same time, especially in this day and age, you've got to make it sound like, or read like, you've not just been Googling because that's not fair, that's not right!

Before her marriage she had thought that she had love within her grasp; but since the happiness which she had expected this love to bring her hadn’t come, she supposed she must have been mistaken. And Emma tried to imagine just what was meant, in life, by the words “bliss,” “passion,” and “rapture” - words that had seemed so beautiful to her in books.

Before I begin a novel I have a strong sense of at least one central character and how the story begins, and a more vague sense of where things may wind up, but at some point, if the novel is any good at all, the story and characters take on lives of their own and take over the book, and the writer has to be open to that.

Before I wrote The Power of Now, I had a vision that I had already written the book and that it was affecting the world. I had a sense there was already a book somehow in existence. I drew a circle on a piece of paper and it said "book." Then I wrote something about the effect the book had on the world, how it influenced my life and other people's lives, and how it came to be translated into many languages affecting hundreds of thousands of people.

Before entering the seminary, I had not encountered the life-changing potential of reading as a source of meaning, as a way of ordering one's inner life, and being rooted in the world.

before I could read, almost a baby, I imagined that God, this strange thing or person I heard about, was a book.

Before I start a book, I talk over my characters with a friend who is a counselor. I like to make sure I have the right dynamics in place and understand each character's belief system, fears, coping mechanisms and things like that.

Before I was reading science fiction, I read Hemingway. Farewell to Arms was my first adult novel that said not everything ends well. It was one of those times where reading has meant a great deal to me, in terms of my development - an insight came from that book.

Before I went to bed, I sat up till 2 a-clock in my chamber, reading of Mr. Hooke's Microscopical Observations, the most ingenious book that I ever read in my life.

Before I left the 'Star' last year to write books full-time, I welcomed catastrophe. It was material. Missed planes, broken pipes, dead lawns, digestive disorders, you name it, if it was something that had gone horribly wrong, it was worth banging out 600 words about.

Before I published my first book, I worked for a while as a documentary and wedding/bar mitzvah videographer, and a part of me still mourns the lost filmmaker I'll never be. Working on a documentary is nearly the opposite artistic process to writing: as a writer you are always trying to fill out a world to fit your story, but as a documentarian your work is to carve a story out of the world. Sometimes, when I'm feeling particularly blocked at my computer, I miss the days when I could just point my camera at something interesting and wait to see what happens.

Before I knew there was going to be a film. I was the biggest Harry Potter fan. I read all the books.

Before I started chemotherapy treatments, I wrote down the best advice from doctors, family, friends, books, and survivors and created an 'Owner's Manual' to help me take care of myself. It would remind me that cancer is doable.

Before the reader is introduced to the modest country medical practitioner who is to be the chief personage of the following tale, it will be well that he should be made acquainted with some particulars as to the locality in which, and the neighbours among whom, our doctor followed his profession.

Before 'Wings' came out, I told a few people that at the end of book one, readers should think Laurel made the right choice. Then, at the end of 'Spells,' they should understand why Laurel made the choice she did.

Before the birth of the New Woman the country was not an intellectual desert, as she is apt to suppose. There were teachers of thehighest grade, and libraries, and countless circles in our towns and villages of scholarly, leisurely folk, who loved books, and music, and Nature, and lived much apart with them. The mad craze for money, which clutches at our souls to-day as la grippe does at our bodies, was hardly known then.

Before the railroad's thin lines of steel bit their way up through the wilderness, Athabasca Landing was the picturesque threshold over which one must step who would enter into the mystery and adventure of the great white North.

Before this century shall run out, journalism will be the whole press. Mankind will write their book day by day, hour by hour, page by page. Thought will spread abroad with the rapidity of light--instantly conceived, instantly written, instantly understood at the extremities of the earth.

Before we had the kids, my husband and I were traveling a lot and working and really enjoying our lives and each other. We both love the theater and books and travel and so we were really having a lot of fun.

Before you can become a writer, you have to be a reader, and a reader of everything, at that. To the best of my recollection, I became a reader at the age of 10 and have never stopped. Like many authors, I read all sorts of books all the time, and it is amazing how the mind fills up.

Before selling, try to re-evaluate the company again and see where the stock sells in realtion to its book value.

Before the Olympics, there's always been a part of me that's wanted to write a book about Women's cycling because there isn't one out there and I think there's a lot to be said.

[Before the Spirit] I had been producing comic books for 15-year-old cretins from Kansas [I wanted to aim for] a 55-year-old who had his wallet stolen on the subway. You can't talk about heartbreak to a kid.

Before writers are writers they are readers, living in books, through books, in the lives of others that are also the heads of others, in that act that is so intimate and yet so alone.

Before writing, I start with a series of questions, specific things I need to know before I can write the book... That list grows and changes as I do more and more research. But when I've answered the bulk of the questions, I begin to write.

Being able to go to work every day with such a good friend - especially in this business where your jobs are short, the turnover's fast, and you're working all the time with so many different people, and there's so many different projects going on that the odds are that you could actually book something that hopefully, knock on wood, is a long-term job with one of your best friends - is too good to be true.

Behold the works of our philosophers; with all their pompous diction, how mean and contemptible they are by comparison with the Scriptures! Is it possible that a book at once so simple and sublime should be merely the work of man?

Being able to just stick to our instincts and honor the [Hunger Games] books and find a way to stay the course of trying to make the best possible decisions that you would make creatively on any movie, without having your head turned too much by all of the interest, has been a great challenge. It's the best challenge you could ask for, but that was a big challenge.

Being a man of faith, what was so interesting to me was the subject, which started, by the way, with Anne Rice's wonderful books.

Being a journalist is good if you want to write books: it teaches you to get beyond the blank screen. My books have been described as froth but there's scope to be witty and ironic about everything in life.

Being an author of banned books is cool, I've decided.

Being an umpire wasn't such a tough job. You really have to understand only two things and that's maintaing discipline and knowing the rule book.

Being a reader is sort of like being president, except reading involves fewer state dinners, usually. You have this agenda you want to get through, but you get distracted by life events, e.g., books arriving in the mail/World War III, and you are temporarily deflected from your chosen path.

Being a writer in a library is rather like being a eunuch in a harem.

Being gay, the last time I looked, had nothing to do with reading a balance book, fixing a broken bone or changing a spark plug.

Being in front of an audience makes me feel alive. Being with friends makes me feel alive. I’ve done some crazy stuff in my time and yet I can feel infinitely alive curled up on a sofa reading a book. So, what makes me feel alive? I guess it’s realizing I am part of the world around me.

Being on a book tour is a lot easier than reporting.

Being on 'Idol,' you have no choice but to be an open book.

Being on a book tour is like being on the seesaw when you're a little kid. The excitement is in having someone to play with, and in rising up in the air, but then you're at the mercy of those holding you down, and if it's your older brother, or Paul Wolfowitz, they leap up, so that you crash down and get hurt.

Be interested in everything. You don't have to adore it. I don't adore hip-hop, I don't think it's great music, but I'm interested, I listen. I watch a lot of new films, I see everything. I still read, I like books, whether they are old books, new books. I'm interested - you gotta stay interested!

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