Best 19526 quotes in «book quotes» category

Artists paint pictures. The best artists paint pictures for children's books.

Artists raise their kids differently. We communicate to the point where we probably annoy our children. We have art around the house, we have books, we go to plays, we talk. Our focus is art and painting and dress-up and singing. It's what we love. So I think you can see how artists in some way raise other artists.

Art needs to be socialised, and you need a lot of context to understand that, and that doesn't mean having read a few art history books.

Art shouldn't be locked away in galleries and libraries and books. Art should be for everybody and not just art buffs, historians and so-called experts.

As a child, I loved to read books. The library was a window to the world, a pathway to worlds and people far from my neighborhood in Philadelphia.

As a child, I felt that books were holy objects, to be caressed, rapturously sniffed, and devotedly provided for. I gave my life to them. I still do. I continue to do what I did as a child; dream of books, make books and collect books.

As a child, I wanted only two things - to be left alone to read my library books, and to get away from my provincial hometown and go to London to be a writer. And I always knew that when I got there, I wanted to make loads of money.

[As a child] I was very interested in books that detailed injustice and how people who are underdogs were mistreated throughout history.

As a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight.

As a comic book artist, once you become a master, you end up a slave. In fine art you're always free... since I couldn't make it at Marvel, I made my life a carnival.

As a blogger, Chez Pazienza is filled with outrage, passion and insight -- delivered with a distinctive point of view, a wicked sense of humor, and a two-fisted style of prose. In Dead Star Twilight, he turns all these on himself -- and produces a fierce, funny, disturbing, but ultimately uplifting memoir. This is the book A Million Little Pieces dreamed of being.

As a book person and a movie person, I feel Jewish. My Dad was more Buddhist than anything, and on the West Coast I've often had the impression that Jews become Buddhists. I think, if anything, my religion has more to do with California consciousness, vibrations and energy. My wife isn't Jewish. There's nothing ceremonial going on at our house, I mean, occasionally a candle gets lit. But, definitely, my Judaism is an ongoing relationship, one that remains to be consummated.

As a child I loved fantasy books, I loved Harry Potter and the idea that there is something 'out there' is inspiring to kids and inspiring to me. It's exciting and I think people can relate to it. Even if things are difficult or bad for you, the idea that there is something special within you is positive and true.

As a child I read all kinds of stuff, whether it was 'Asterix and Obelix' and 'Tin Tin' comic books, or 'Lord of the Rings,' or Frank Herbert's sci-fi. Or 'The Wind in the Willows.' Or 'Charlotte's Web.'

As a child I was really into fantasy books with elves and goblins and swords, and I went through a phase for a few years when I was reading endless series. But in the end I became totally fed-up with all these sub-Tolkien rip-offs because they all end up doing the same old things and there's no rigour to it.

As a child, my number one best friend was the librarian in my grade school. I actually believed all those books belonged to her.

As a child, we couldn't afford holidays overseas, so instead I travelled through books. I was inspired by Dr Dolittle and Tarzan.

As a boy, I devoured comics but never saw what we now describe as a picture book.

As a child, I loved story books and wanted to be in them so desperately and live the stories.

As a child, my whole life was books. They were my fantasy. That's where I could go. That was a lot of times [what] saved me.

As a creator of character his peculiarity is that he creates wherever his eyes rest ... With such a power at his command Dickens made his books blaze up, not by tightening the plot or sharpening the wit, but by throwing another handful of people upon the fire.

As a former ballerina, I can't put down Maggie Shipstead's new book, Astonish Me.

As a cub reporter, I devoured books about journalism.

As a dreamer of dreams and a travelin' man, I have chalked up many a mile. Read dozens of books about heroes and crooks, and I learned much from both of their styles.

As a filmmaker, you have to understand the essence of the book and tell the story you want to see on the screen, and hopefully please yourself - because you cant possibly please everyone.

As a form of moral insurance, at least, literature is much more dependable than a system of beliefs or a philosophical doctrine. Since there are no laws that can protect us from ourselves, no criminal code is capable of preventing a true crime against literature; though we can condemn the material suppression of literature - the persecution of writers, acts of censorship, the burning of books - we are powerless when it comes to its worst violation: that of not reading the books. For that crime, a person pays with his whole life; if the offender is a nation, it pays with its history.

As a culture, we believe that if we kill something, we've killed the issue. That's why so many books end with death, why so many plays end with death, because it's full resolution. I'm always curious to know what happens after Romeo and Juliet die. In a way, that's the beginning of the story. Maybe beyond the story is even better.

As a former English major, I am a sitting duck for Gift Books, and in the past few years I've gotten Dickens, Thackeray, Smollet, Richardson, Emerson, Keats, Boswell and the Brontes, all of them Great, none of them ever read by me, all of them now on a shelf, looking at me and making me feel guilty.

As a four-year-old, my mother told me I was climbing the fence, jumping off and calling myself an 'eppyplane'... I bought books on aeroplanes, I followed everything in the newspapers about aeroplanes. Amy Johnson flew to Australia in 1930 - why couldn't I do something like that?

As a general rule, I abstain from reading reports of attacks upon myself, wishing not to be provoked by that to which I cannot properly offer an answer.

As a digital creator, there's been so much pressure to write a book because so many of my peers have done it. I've been very adamant about saying, "No! I don't want to release a book just for the sake of writing a book. I'm going to write a book when I feel like I have something to say in a book.

As a graduate student at Oxford in 1963, I began writing about books in revolutionary France, helping to found the discipline of book history. I was in my academic corner writing about Enlightenment ideals when the Internet exploded the world of academic communication in the 1990s.

As a kid, I always loved serialized books. It’s the reason why people love Harry Potter. Serialization is amazing. It works in television. It works in film and it works in books. Especially when you’re a young kid, you get attached to these characters.

As a kid, I drew cartoon characters and comic book heroes. Spiderman and the X-Men were my favorites.

As a girl - twelve, thirteen years old - I was absolutely certain that a good book had to have a man as its hero, and that depressed me.

As a grad student and later as a writer, I have found it hard to sustain the pure, almost erotic love of reading I had as a kid - you know, where you climb in bed and read for hours and hours, and the book itself is this charged magical object. Later, when writing becomes your job, it's tied up with ego and all kinds of worry, and it's not always easy to get to that state of pure escape.

As a journalist, I never critiqued anyone. I never review books. I've never felt qualified as a musician to say whether someone is a good musician or a bad musician. What happens with Black writers and Black artists is that if you're critiqued, for example, by a Black historian who wants to get his name on the cover of "The New York Times," and he says something, like, wacky, well, he'll get his name on the cover of "The New York Times" and he might get tenure, and your career suffers.

As a kid books changed how I looked at the world and helped me understand things. Books still deepen me and open my heart.

As a kid growing up in the 1950s I became acutely aware of the changes taking place in American culture and I must say I didn't much like it. I witnessed the debasement of architecture, and I could see a decline in the quality of things like comic books and toys, things made for kids. Old things seemed to have more life, more substance, more humanity in them.

As a kid I wanted to write science fiction, and I was never without a book. Later I really got into being a scientist and never thought I'd be writing novels.

As a kid, my brother and I would read the same novel, we'd memorize entire pages, reenact the book as it's characters, and would immerse in playing like that for hours. I suppose it was a natural follow up, wanting to still play in a similar fashion, but as an adult.

As a kid I was fascinated with sports, and I loved sports more than anything else. The first books I read were about sports, like books about Baseball Joe, as one baseball hero was called.

As a kid, I spent every summer bent over a stack of books, obsessively writing detailed reports on each one.

As a kid, I was a big reader. Books and theater were the way I understood the world, and also the way I organized my sense of morality, of how to live a good life. I would read all night. My mom would come into my room and tell me I had to go to sleep, so I would hide books under my bed. At first I had a tough time getting through novels, so I read plays, because a play is generally shorter and has all those tools for getting people hooked early on.

As a literary device, sugar and pastry carried so many nuances - the sweetness of the past, the danger of overeating and addiction, the political and environmental devastation of plantations - it was just what a book needed.

As an actor, you generally don’t get to choose what projects you are part of, so I’ve been very fortunate that The Book of Mormon was something I got to be part of. I don’t want to be lofty, but it was groundbreaking, in many ways, for musical theater, so that was really thrilling to be part of.

As an actress, you're living something through the duration of the play and its geography. I've always seen writing the same way. It's like somehow I'm moving through the terrain of the book as a performer.

As an adolescent I wrote comic books, because I read lots of them, and fantasy novels set in Malaysia and Central Africa.

As an author, you go into the school, it gets written about in the paper. It sucks that your book was banned, but you almost benefit from it. The bummer is all of the incredible educators. Nobody is writing about them. They are on the frontlines still, to this day, fighting to reinstate those programs.

As an actor, you're constantly searching for that great character. Also, being a history buff and learning about people in our past and amazing things that they've done, I came across a book about Howard Hughes and he was set up as basically, the most multi-dimensional character I could ever come across. Often, people have tried to define him in biographies, but no one seems to be able to categorize him.