Best 19526 quotes in «book quotes» category

What having a Down's syndrome child isn't - and I feel very strongly about this - is a tragedy. All those pregnancy books you read when you are expecting refer to Down's syndrome as if it were the worst possible outcome, and it's not.

What I am trying to say is that it is not without any value. The value of copies is that they can direct us towards the original. I was recently at the Louvre Museum and I was filming people who were viewing the Mona Lisa. I noticed the number of ordinary people, astonished, mouths agape, standing still for long stretches looking at the work, and I wondered, "Where does this come from? Are these people all art connoisseurs?" They are like me; through the years, we've seen this work in our schoolbooks or art history books, but when we stand before the original, we hold our breath.

What I didn't say was that each time I picked up a German dictionary or a German book, the very sight of those dense, black, barbed-wire letters made my mind shut like a clam.

What I did in the book [Today Matters] is I tried to help a person make their day - every day - their masterpiece.

What I do usually is read the book first, for pleasure, to see if my brain starts connecting with it, as a movie. And then, if I say yes, I read it again, only this time I take a pen and, inside the book, I say, "Okay, this is a scene. I don't need this. I'm going to try this. I'm not going to take this." And then, I use that book like a bible and each chapter heading, I write a menu of what's in that chapter, in case I ever need to reference it. And then, I start to outline and write it. I get in there and it starts to evolve, based on having re-read it again.

What I eventually realized is that the real business of books is not done by awards committees or people who turn trees into paper or editors or agents or even writers. We're all just facilitators. The real business is done by readers.

What if most of the technologies readers and cinemagoers are presented with in bestselling books and blockbuster movies are not science fiction, but science fact? What if they currently exist on the planet, but are suppressed from the masses?

What I do is, I'm like a disease that infects real people and I take them over. We can start off in a very journalistic mode describing a character and observing a character - and that's what I do with a lot of characters in my books. And then my imagination eats them alive.

"What if I like watching television? What if I don't want to do much else other than read a book?"... "What if I'm tired when I get home? What if I don't fill my days with frenetic activity?" "But one day you might wish you had.

What I do with my books is to create windows to my world that all may peer into. I share the images, the feelings and thoughts, and, I hope, the delight.

What I find is most people have a civics book understanding for how Congress works and how a bill moves.

What I envy about musicians is, they have this more direct relationship with the audience. They don't have to go through words. Sure, the lyrics count, but they go more immediately into your brain. There's so much more work you have to put in as a writer - not just with the actual book, but how it's packaged and everything.

What if the book (of Genesis) is describing a dawning awareness of the world? The anthropologist Edmund Leach has argued that the 'bit' or binary digit is the basic unit of pre-logical communication. Genesis is a sprouting of 'bits', ie elementary binary distinctions.

What I had to do was learn how to tell stories with my pictures. At first I didn't even know what that meant because I thought I was already doing it. After all these years of drawing stories and trying to teach it, I think it boils down to a pretty simple rule: it takes time to get to know the characters in a book and the world they inhabit. My first sketches are always horrible. Stereotypical. Contrived. Generic. I have to put in the time in order to deepen them and have it all mean something.

What I hope is that the book [Bink & Gollie] delights children. What I hope is that they laugh and laugh and laugh, just as we did when we wrote them.

What I intend to do is uphold a standard of intellectual seriousness on the right. [These books] should be written in a way that they are serious, soberly argued, well researched, and make a respectable case-agree or disagree.

What I look forward to is continued immaturity followed by death.

What I hear about the book does not sound like the Scott McClellan I knew for two years. I can say, without fear of contradiction, that I knew Scott better than any other White House correspondent or Washington reporter.

What I like about the third movie is you get to see a side of Carlisle you haven't seen before. You actually get to see what his vampire capabilities are because there's some great battle sequences. It's my favorite book. Carlisle is holding on to that humanity. He doesn't want to be a vampire.

What I love about 'The Walking Dead' is it's a human story, which is to me what makes the comic book so good, but once you jump from the pages of the book to the screen, the gore and the zombies have to look great.

What I'm really interested in, as a reader and as a writer, is the idea of the nonfiction book that is not defined by its content, by its "about"-ness. Where you read it irrespective of whether you're interested in the subject.

What I love about the thriller form is that it makes you write a story. You can't get lost in your own genius, which is a dangerous place for writers. You don't want to ever get complacent. If a book starts going too well, I usually know there's a problem. I need to struggle. I need that self-doubt. I need to think it's not the best thing ever.

What I'm always afraid of is going "off-book,I always get upset when the director leaves the classic comic that was so very popular. I argued, and I won't say with who about what, but when we go way away from the original source material... that material is popular for a reason and I like to stick with it.

What I'm always trying to do with every book is to recreate the effect of the stories we heard as children in front of campfires and fireplaces - the ghost stories that engaged us.

What I mean by that is that the point of life, as I see it, is not to write books or scale mountains or sail oceans, but to achieve happiness, and preferably an unselfish happiness.

What in me is dark Illumine, what is low raise and support, That to the height of this great argument I may assert eternal Providence, And justify the ways of God to men. 1 Paradise Lost. Book i. Line 22.

What I'm saying in my books boils down to this: Mine religion for what is good and avoid what is deleterious. Don't condemn people who need it. Be very careful when that need becomes fanatical.

What I noticed at Grace-Calvary is the same thing I notice whenever people aim to solve their conflicts with one another by turning to the bible: defending the dried ink marks on the page becomes more vital than defending their neighbor. As a general rule, I would say that human beings never behave more badly toward one another than when they believe they are protecting God. In the words of Arun Gandhi, grandson of Mohandas, 'People of the Book risk putting the book above people.

What inspired me to become an author? I think it was the snow in New York. I looked out the window and I said, 'Well, I have to get dressed every morning to go to teach, but if I write a book, I can stay home in my bathrobe, eat candy corn.'

What I propose for the "life of a poet" goes against the grain of the fossil fuel monoculture. Maybe the most revolutionary act these days is not to watch television and to read a book a day at least.

What I really mean is that a great book should leave you with many experiences, and slightly exhausted at the end. You live several lives while reading it.

What I really try to do is take different pages out of different players books.

What is an epigram? A dwarfish whole, its body brevity, and wit its soul.

What irritates me is the bland way people go around saying, 'Oh, our attitude has changed. We don't dislike these people any more.' But by the strangest coincidence, they haven't taken away the injustice; the laws are still on the books.

What I saw next stopped me dead in my tracks. Books. Not just one or two dozen, but hundreds of them. In crates. In piles on the floor. In bookcases that stretched from floor to ceiling and lined the entire room. I turned around and around in a slow circle, feeling as if I'd just stumbled into Ali Baba's cave. I was breathless, close to tears, and positively dizzy with greed.

What is at the center of your life? Carefully examine where you spend your attention, your time. Look at your appointment book, your daily schedule…. This is what receives your care and attention--an by definition, your love.

What I really want to do is create great roles for women. And I'm not talking Nicholas Sparks romance. I think women's roles have gotten ghettoized in these sort of places... I'm thinking women in action, comic books, or like the Tony Soprano of women. We need some complex roles.

What is a great love of books? It is something like a personal introduction to the great and good men of all past times. Books, it is true, are silent as you see them on their shelves; but, silent as they are, when I enter a library I feel as if almost the dead were present, and I know if I put questions to these books they will answer me with all the faithfulness and fulness which has been left in them by the great men who have left the books with us.

What is fear?  Why are you so afraid?  Even if everything is known about you and you are an open book, why fear?  How can it harm you?  Just false conceptions, just conditionings given by the society - that you have to hide, that you have to protect yourself, that you have to be constantly in a fighting mood, that everybody is and enemy, that everybody is against you.  Nobody is against you!  Even if you feel somebody is against you, he is not against you because everybody is concerned with himself, not with you

What I see in the Bible, especially in the book of Psalms, which is a book of gratitude for the created world, is a recognition that all good things on Earth are God's, every good gift is from above. They are good if we recognize where they came from and if we treat them the way the Designer intended them to be treated.

What is easy to read has been difficult to write. The labour of writing and rewriting, correcting and recorrecting, is the due exacted by every good book from its author, even if he knows from the beginning exactly what he wants to say. A limpid style is invariably the result of hard labour, and the easily flowing connection of sentence with sentence and paragraph with paragraph has always been won by the sweat of the brow.

What is indispensable to inspiration? ...sound sleep and the provocation of a good book or a companion.

What is interesting is that John Lewis actually got interested initially in the civil rights movement because of a comic book. So part of it, he's paying homage to this tradition that you can tell serious stories and talk about serious issues in graphic form.

What is more important than reading books; is reading people's faces.

What is more important in a library than anything else-than everything else-is the fact that it exists.

What is my life for and what am I going to do with it? I don't know and I'm afraid. I can never read all the books I want; I can never be all the people I want and live all the lives I want.

What is most appalling in an F. Scott Fitzgerald book is that it is peopleless fiction: Fitzgerald writes about spectral, muscledsuits; dresses, hats, and sleeves which have some sort of vague, libidinous throb. These are plainly the product of sickness.

What is new about Barthes's posthumous reputation is the view of him as a writer whose books of criticism and personal musings must be admired as serious and beautiful works of the imagination.

What is so striking in the book of Jeremiah is how many times it is impossible to distinguish between the words of Jeremiah and the words of God, when deep feelings are being expressed. That is probably intentional. The prophet not only speaks what God says, he also feels what God feels. The tears of the prophet are the tears of God.

What I sought in books was imagination. It was depth, depth of thought and feeling; some sort of extreme of subject matter; some nearness to death; some call to courage. I myself was getting wild; I wanted wildness, originality, genius, rapture, hope. ... What I sought in books was a world whose surfaces, whose people and events and days lived, actually matched the exaltation of the interior life. There you could live.