Best 19526 quotes in «book quotes» category

I actually kind of like Janet Reno. She seems like a nice enough lady. But when you're basically going through the entire phone book trying to find women lawyers who don't have maids to pick the attorney general of the United States, how well can you do?

I actually love history. I've devoured book after book of stories from World War I and World War II. They're really two sections of world history that really interest me.

I actually wrote my first zombie book way before I got the job on 'Saturday Night Live.

I adore all Agatha Christie's books and turn to them whenever I'm ill or need cheering up.

I adore Wilkie Collins,” Tessa cried. “Oh—Armadale! And The Woman in White … Are you laughing at me?” “Not at you,” said Will, grinning, “more because of you. I’ve never seen anyone get so excited over books before. You’d think they were diamonds.” “Well, they are, aren’t they? Isn’t there anything you love like that? And don’t say ‘spats’ or ‘lawn tennis’ or something silly.” “Good Lord,” he said with mock horror, “it’s like she knows me already.

I actually think there are more Republicans than people realize who would be sympathetic to immigration reform in the rank and file. I think the lesson for Jeb Bush is politicians shouldn't write books with long lead times.

I admire the world of the books and the characters that she's created, but I'm not an addict of Harry Potter. I don't feel possessive about it.

I admit," I said, "that a second murder in a book often cheers things up." - Hastings

I adore book-to-film adaptations when they're done well, and I'm more lenient than many readers when it comes to what counts as 'done well.' For me, the most important thing is that the film maintains the spirit of the original book.

I, alone, could never have produced this book. I say this mainly in case there are lawsuits.

I already read everything. I read poems and plays and novels and newspapers and comic books and magazines. I read tins in supermarkets and leaflets that come through the door, unsolicited mail. None of it lasts long and it doesn't give me answers. Reading too fast is not soothing.

I agree with a lot of the points in Taleb's book, but I don't agree with many of his conclusions. It seems to me that he rightly points out that risk managers miss a lot of the risks, but the conclusion is that he draws, is that we should abandon risk management, whereas my conclusion is we should improve it.

I allude to Back to the Future in the 1985 story to let folks know it was an inspiration and because it literally was the most time-travelly bit of pop culture we had in the mid 80's. I can talk about their tools for considering change. First, the book is metafictive in a traditional sense where I'm showing and telling the reader that the act of writing and reading is a reflexive way to push boundaries of real and literal time travel. Writers and readers are time travellers. The question is what we do with that time we traveled when we leave a book, leave a page.

I almost once wanted to publish a self help book saying, 'How To Be Happy, by Stephen Fry: Guaranteed Success'. And people buy this huge book and it's all blank pages, and the first page would just say, 'Stop feeling sorry for yourself--and you will be happy.'

I agree that we should regard all books of the Bible as equally inspired - and important. But some come into sharp focus at certain times, as particularly relevant and sharp in what they have to say to our culture at any given moment of history. And Jeremiah is a book for our times.

I already optioned a book called The Personal History of Rachel DuPree. I also like The Book of Negroes by Lawrence Hill. And I love all of Octavia Butler's books. She's created some very complicated black heroines with a variety of belief systems. There are many great books out there, but those are a few of the ones that stand out.

I agree that all kids of all colors love hip-hop. My point in writing the book was to raise questions about the ways the hip-hop generation and the millennium generation, both who have lived their entire lives in post-segregation America, are processing race in radically different ways than any generation of Americans. I think they have a lot to tell us as a country about ways of addressing race matters.

I agree we have enough books that attempt to explain why God allows suffering, presumably in a way that lets God off the hook. And while much smarter men than I have constructed elaborate systems in this pursuit, they are by definition exercises in speculation.

I also encourage my students to read literary criticism that is deeply personal yet formally inventive and intellectually expansive... books that offer unorthodox ways of doing double duty as literary criticism and as love letters to the power of literature per se.

I also have an idea for a book on biodiversity, and why and how we should be conserving it.

I always ask the booksellers to look at me and recommend a book; 9 out of 10, they get it right; it’s usually a book about someone dysfunctional. To me bookstores are like brothels of imagination, each book is luring me over going, 'Read me, read me'.

I also want to raise the possibility that there are, in the very long term, "virtue effects" in economics- for instance that widespread corrupt accounting will eventually create bad long term consequences as a sort of obverse effect from the virtue-based boost double-entry book-keeping gave to the heyday of Venice. I suggest that when the financial scene starts reminding you of Sodomand Gomorrah, you should fear practical consequences even if you like to participate in what is going on.

I always assume that a good book is more intelligent than its author. It can say things that the writer is not aware of.

I always begin at the left with the opening word of the sentence and read toward the right and I recommend this method.

I also wonder why is it that so many of the movies and books that are detective stories are also the most aesthetically interesting? From Hollywood noirs to horror movies like The Shining [1980].

I also really like to read good books and I don't have enough time to do it. So it's really hard for me to imagine willingly submitting myself to a trilogy of books that I've been told are at the fourth grade reading level which isn't a very nice thing to say but.

I always carry lots of stuff with me wherever I roam, always weighted down with books, with cassettes, with pens and paper, just in case I get the urge to sit down somewhere, and oh, I don't know, read something or write my masterpiece.

I always feel as if my books came half out of Lyell's brain... & therefore that when seeing a thing never seen by Lyell, one yet saw it partially through his eyes.

I always considered myself a loner. I mean, not like a poor-me, Byron-esque, I-should-have-brought-a-swimming-buddy loner. I mean the sort of person who doesn’t feel too upset about the prospect of a weekend spent seeing no one, and reading good books on the couch. It wasn’t like I was a people hater or anything. I enjoyed activities and the company of friends. But they were a side dish. I always thought I would be happy without them.

I always encourage authors (especially new authors) to be as generous as we are blessed. For one thing, it is a way to help people. For another, it is a seed one is planting for the life of the book. Someone gave it to someone who gave it to someone else.

I always dread the process of writing because I'm not a writer. I'm an audible guy, I'm a verbal guy. I love to talk. I write a book every couple years, but it just takes everything out of me to get a book out.

I always feel I have made unfilmable books. I even felt that way about a book of mine that was later made into a movie. But my wife, who has made two films, thinks this one would make a very original film. I'm all for original films.

I always do book signings with the same blue pen. That way, if I add a personalised message to a book I've already signed, it'll be in the same colour as my signature.

I always enjoyed doing monster books. Monster books gave me the opportunity to draw things out of the ordinary. Monster books were a challenge - what kind of monster would fascinate people?

I always feel like an idiot every time I fly first class because I’m a kid. And I just sit there, and everyone’s got their newspapers and they’re on the computer, and I’m like, 'Can I get a coloring book, please? Can I get some crayons?'

I always feel like my book is a success when I see a child reading it, and they have their pointer finger out, and they kind of keep their place as they look all around the page. I've always been impressed by how children are so observant.

I always had, you know, in the book of Hebrews, I think it's chapter 11, verse 1, where it says, "Now faith is the substance of things hoped for, the evidence of things not seen." I always had this sense that there was something on the other side. That there was something better.

I always have a few different books going at once.

I always keep some form of cartoon or comic book with me, especially Batman - he's my favorite. The reason I keep them around is that it keeps the kid in me alive. Some older folks, they like to drink - can't wait to get old. Me? I like to stay young. I know I'm going to be get older, but I can at least be young at heart so I read these comic books so I keep myself right on that level of kid to keep me having fun on stage.

I always find with my stories that the way they start is that I just get so interested in a person that I'm compelled to go back to them over and over until I learn more and more about them, without even quite thinking it's material for a book.

I always hated those fantasy books where, at the end, all the kids had to go home. At the end of a Narnia book, you always got shown the door. Same with The Wizard Of Oz and The Phantom Tollbooth. You get kicked out of your magic land. It's like, "By the way, here's your next surprise: You get to go home!" And the kids are all like, "Yay, we get to go home!" I never bought that. Did anybody buy that?

I always have a few ideas that are percolating, and then after I've finished a book and it's a year later, and things are sort of festering and things are disgusting in my house and I have to get back to work, whatever project I keep thinking about is the one I end up working on. Sort of a very simple process of elimination.

I always give books. And I always ask for books. I think you should reward people sexually for getting you books. Don't send a thank-you note, repay them with sexual activity. If the book is rare or by your favorite author or one you didn't know about, reward them with the most perverted sex act you can think of. Otherwise, you can just make out.

I always have been and will remain someone who loves real, 3D, substantial books. And I don't believe that it's a wistful, nostalgic interest like vinyl collectors. It's not the same thing.

I always have strong feelings when I'm writing a book. Sometimes when I'm writing a book, I even cry when I'm writing. Once I read a quotation that I thought was very true for me, which is: "No tears in the writer, no tears in the reader.

I always have trouble with titles for my books. I usually have no title until the editor has to present the book and calls me frantically, 'Judy, we need a title.

I always hope that readers, of my books, will take away whatever is most meaningful to them wherever they are at right now. It might be the message of love. Or what it means to really live. Or the role that emotion does - or does not play - in our lives. But I think ultimately, the thing I took away was the idea of surrender to God.

I always knew from the beginning that this was the only way to write Then We Came To The End - that it had to be in first - person plural if it was going to illustrate how the individual becomes part of the collective. I had no interest in writing the book in a more conventional voice. It goes back to that fascination I had with telling a story in multiple ways. It was the only choice I gave myself, really - I said "This is it, pal. If you can't tell a story this way, you're going to have to abandon the book. Write it this way or give up.

I always loved books. I don't remember learning to read, it was just something I always did. I was hungry for knowledge, I guess, and information; I was a curious kid. I still am.

I always loved watching and reading family-friendly mysteries growing up, like the shows Murder, She Wrote and Nancy Drew, and am thrilled to be bringing these New York Times best-selling books right into your living room on the small screen.