Best 19526 quotes in «book quotes» category

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    Every time I fall in love with a book, I just feel grateful and thrilled to have it in my life.

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    Every time I finish a book, it's my favorite. I have a lot of favorites. I did just finish Jane Eyre and it was fabulous. I didn't want it to end.

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    Everything you need for better future and success has already been written. And guess what? All you have to do is go to the library.

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    Every time I finish a book, I forget everything I learned writing it - the information just disappears out of my head

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    Every time I get through the work on a book of nonfiction, I say I'll never do it again; it takes so much out of you.

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    Every time I got 'Amazing Spider-Man' or 'Fantastic Four' or another book firmly on the rails, we got pulled into some big event book or crossover and it cost momentum and messed badly with the pacing and structure of the book.

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    Every time I put a collection together I'd scrap it because there was no "meaning," until I wrote about the two black men - friends - in the beginning of the book. So much of their experience was ABOUT trying to find friends in the authors/artists I wrote about - subjects that were/are a source of comfort, somehow, since none of them "fit," either

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    Every time you finish a book, you have a terrible feeling that there's just never going to be another one. But fortunately, so far, the next one has always shown up.

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    Every time I read anything, whether it be a book, a script, or anything, I automatically imagine myself as the boy in the plot. I don't know why. Seriously, anything. If I'm reading a magazine article or whatever, I picture myself as the kid people are talking about. It's really weird. I don't know why I do that.

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    Every time I write a nonfiction book I get sued.

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    Every time one of my books sells a million copies in paperback, Pan Macmillan gives me a gold statuette of Pan. I have about 20 of them.

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    Every time when it comes to writing a book, I think, "I'm the last person in the world that should be doing this, I don't know anything, I can't do this." And I went through years of that with Into The Maelstrom.

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    Every time I start on a new book, I am a beginner again. I doubt myself, I grow discouraged, all the work accomplished in the past is as though it never was, my first drafts are so shapeless that it seems impossible to go on with the attempt at all, right up until the moment - always imperceptible, there, too, there is a break - when it is has become impossible not to finish it.

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    Every time I write a book, I've probably taken five years off my life.

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    Every time we read to a child, we're sending a 'pleasure' message to the child's brain. You could even call it a commercial, conditioning the child to associate books and print with pleasure.

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    Every time I start off a book or a story I feel like I'm developing a new style or approach for that individual story alone, and it sometimes feels as if readers are looking for the same style/approach from the same writer over and over again, which hasn't helped me in the publishing biz.

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    Every time there's a revolution, it comes from somebody reading a book about revolution. David Walker wrote a book and Nat Turner did his thing.

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    Every time you buy tickets on Ticketmaster, you help to digitize a book.

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    Every time you finish something ... you figure you've finally learned to write, right? Then you start something else and it turns out you haven't. You have learned how to write that story, or that book, but you haven't learned how to write the next one.

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    Every time you hear someone read your book and liked your book, you're never sure whether that's going to follow with a similar remark from someone else. Perhaps I have low expectations, but whenever I hear someone say, 'I liked your book,' I don't know if it's going to happen again.

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    Every TV show I've ever made, every game I've ever built, and every book I've ever published has had the common thread of building the biggest, brightest spotlight imaginable and then flipping it around to shine on you.

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    Every well-written book is a light for me. When you write, you use other writers and their books as guides in the wilderness.

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    Every writer dreams of writing a book that will touch people.

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    Every word we speak is million-faced or convertible to an indefinite number of applications. If it were not so we could read no book. Your remark would only fit your case, not mine.

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    Every writer has certain subjects that they write about again and again, and . . . most people's books are just variations on certain themes.

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    Every year the literary press praises dozens if not hundreds of novels to the skies, asserting explicitly or implicitly that these books will probably not be suffering water damage in the basements of their authors' houses 20 years from now. But historically, anyway, that's not the way the novelistic ecology works.

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    Every word I say, you can document it and put it in the history books.

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    Evidently, there are many great American writers. But sometimes it can feel as though American fiction is dominated by relatively linear narrative form, with a heavy emphasis on psychological realism. If you limit yourself to a certain kind of American literary fiction, it's easy to forget about the different kinds of books that are being written. You can forget to be ambitious, both as a reader and a writer.

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    Every woman should have a daughter to tell her stories to. Otherwise, the lessons learned are as useless as spare buttons from a discarded shirt. And all that is left is a fading name and the shape of a nose or the color of hair. The men who write the history books will tell you the stories of battles and conquests. But the women will tell you the stories of people's hearts.

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    Every word, every character in a picture book must count.

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    Examining the world in order to find consolation is very much like looking carefully over the pages of a great book in order to find our own name . ... Whether we find what we want or not, our preoccupation has hindered us from a true knowledge of the contents.

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    Evolution is the fundamental idea in all of life science, in all of biology. The key to our being here now is time, 4.54 billion (Earth) years of time. Nuclear fission wasn't discovered until long after Charles Darwin and Alfred Russell Wallace published their original books and papers, for example. Our ability to measure atomic masses wasn't developed until long after their deaths. These features of nature enabled us to reckon the age of the Earth and compare it with speciation rates here.

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    [Examiners] spend their lives in discovering which pages of a text-book a man ought to read and which will not be likely to 'pay'.

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    Evolution was Vladimir Ilich Lenin's problem. Lenin lead the Bolshevik Revolution in 1917 and took over Russia. He killed the Zar [ sic ] and his family in cold blood. There would not be communism in Russia today if had not been for Charles Darwin's book on evolution.

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    Evolution writ large is the belief that a cloud of hydrogen will spontaneously invent extreme-ultraviolet lithography, perform Swan Lake, and write all the books in the British Museum.

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    Exactness is first obtained, and afterwards elegance. But diction, merely vocal, is always in its childhood. As no man leaves his eloquence behind him, the new generations have all to learn. There may possibly be books without a polished language, but there can be no polished language without books.

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    Excellent Sheep is likely to makea lasting mark for three reasons. One, Mr. Deresiewicz spent twenty-four years in the Ivy League, graduating from Columbia and teaching for a decade at Yale.He brings the gory details. Two, the author is a striker, to put it in soccer terms. He's a vivid writer, a literary critic whose headers tend to land in the back corner of the net. Three, his indictment arrives on wheels: He takes aim at just about the entirety of upper-middle-class life in America.Mr. Deresiewicz's book is packed full of what he wants more of in American life: passionate weirdness.

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    Exclusive will not be published in book format.

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    Except a living man, there is nothing more wonderful than a book.

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    Except a living man there is nothing more wonderful than a book! A message from the dead - from human souls we never saw, who lived, perhaps, thousands of miles away. And yet these, in those little sheets of paper, speak to us, arouse us, terrify us, comfort us, open their hearts to us as brothers.

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    Except that my father got a raise, and my mother didn't because she doesn't get paid for housework, and my sister stopped reading those self-esteem books because she met a new boy

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    Exercise your imagination muscle! How many uses can you come up with for a flowerpot? Write down your answers. But don't write them in this book. Grab a separate sheet of paper. I didn't spend two and a half weeks writing a book just so you could mark up the pages with your silly ideas for things you can do with a flowerpot. When it comes down to it, what's wrong with a flowerpot not being a flowerpot? Why is nothing ever good enough for you?

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    Exegetical commentaries on the books of the Bible come in all shapes and sizes. Harold Hoehner's new volume on Ephesians has both a distinctive shape and a monumental size. Its value lies in its attention to detail and its full discussion of all relevant and disputed points. The volume will be an invaluable resource for scholars and students. Not all Hoehner's conclusions will command consent, but he has produced a stout and readable volume that all will turn to for guidance and help.

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    Exhaustively researched and beautifully written, Cronkite is a classic. Douglas Brinkley has written his best book yet. This is a fascinating story that will be read for years to come.

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    Existence has overpowered Books. Today I slew a Mushroom.

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    Expand the definition of 'reading' to include non-fiction, humor, graphic novels, magazines, action adventure, and, yes, even websites. It's the pleasure of reading that counts; the focus will naturally broaden. A boy won't read shark books forever.

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    Experience is an author's most valuable asset; experience is the thing that puts the muscle and the breath and the warm blood into the book he writes.

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    Experience converts us to ourselves when books fail us.

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    Experiencing life through a book can help you learn without all the pain of going through the experiences first hand.

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    Experts generally agree that taking all opportunities to read books and other material aloud to children is the best preparation for their learning to read. The pleasures of being read to are far more likely to strengthen a child's desire to learn to read than are repetitions of sounds, alphabet drills, and deciphering uninteresting words.