Best 19526 quotes in «book quotes» category

I think good books have to make a few people angry.

I think, for the rest of my life, I shall refrain from looking up things. It is the most ravenous time-snatcher I know. You pull one book from the shelf, which carries a hint or a reference that sends you posthaste to another book, and that to successive others. It is incredible, the number of books you hopefully open and disappointedly close, only to take down another with the same result.

I think grief is a huge subject; it's one of the things that everybody is going to confront in one way or another. There's been a lot of books written about how Americans have an odd way of trying to defer grief or minimize the need to grieve. People used to have a lot more ritual grief in their lives. For the most part, we think of it as a strictly temporal process: you grieve for a time and then you're over [it], but it's also a spatial process. It travels across a map.

I think goodreads is the best place to look for books

I think having a good agent is key. I've been with mine for ten years now, and she's very honest with me. There are a lot of times I've sent her books that were not so good because I was tired of writing, or panicked about money, and she's told me flat out, "You don't want this to be your next book. Trust me.

I think Hemingway's [book] titles should be awarded first prize in any contest. Each of them is a poem, and their mysterious power over readers contributes to Hemingway's success. His titles have a life of their own, and they have enriched the American vocabulary.

I think her Grandmother Hall gave her a great sense of family love, and reassurance. Her grandmother did love her, like her father, unconditionally. And despite the order and the discipline - and home at certain hours and out at certain hours and reading at certain hours - there was a surprising amount of freedom. Eleanor Roosevelt talks about how the happiest moments of her days were when she would take a book out of the library, which wasn't censored.

I think I can. I think I can. I think I can. I know I can.

I think if I were reading to a grandchild, I might read Tolstoy's War and Peace. They would learn about Russia, they would learn about history, they would learn about human nature. They would learn about, "Can the individual make a difference or is it great forces?" Tolstoy is always battling with those large issues. Mostly, a whole world would come alive for them through that book.

I think I created my particular stage persona out of my dad's life. And perhaps I even built it to suit him to some degree. I was looking for - when I was looking for a voice to mix with my voice, I put on my father's work clothes, as I say in the book, and I went to work.

I think if you decide that any book is about Only One Thing you're probably wrong. Even if that thing is in there.

I think if I have established anything in my book, it's that a key element of being my friend is being comfortable with my forced fun.

I think I have a good rapport with the people I work with and that really helps. If you like working with people and you always have a good time and you always do good work, then they're going to book you again. I like doing what I do.

I think if you look at any facet of nature in enough detail, you find it fascinating. How could you not? The universe is so full of marvels. Here's an example -- rain, the shape of rain. I was minding my own business, working on my book, looking out the window, and it was raining and I was noticing that the raindrops were falling in that classic round-looking way, and I thought, 'I wonder if raindrops really are round?' So I started researching it a little, and I discovered that raindrops change shape 300 times a second.

I think if you read all my books you know where I stand, pretty much. You could probably give the reader a questionnaire and they could figure out what I'm about. But I don't think my job is to tell you that.

I think I had a particular moment when I was 15 years old. I read 'Crime and Punishment,' and that book just, I think, more than any other book made me want to be a writer, 'cause it was the first time that I hadn't just entered a book, but a book had entered me.

I think I have done well, if I have acquired a new word from a good author; and my business with him is to find my own, though itwere only to melt him down into an epithet or an image for daily use.

I think I have probably adjusted the way I see the world, I interpret the world and I communicate the world into book format simply because of this familiarity. Possibly in another society and another context I might have been a storyteller or who knows what.

I think I'm gonna attach myself to the sinking ship that is book publishing.

I think I'm like most novelists in that my books have gotten farther and farther away from autobiography the longer I've been writing them.

I think I learned a lot from reading in general - even from reading badly written books.

I think I'm an optimistic person. Ultimately I believe in people. I believe they can be robust. When my collection Delicate Edible Birds came out there were one or two people who read the title as being a commentary on the characters within the pages, the women in the book, meaning that they were these fragile girls meant for male consumption. But I had meant the opposite - these people are tough. Dark things happen to them but they get on with life as best they can.

I think I might write a book. I like writing. People have asked me if I would get into politics, but I think I feel a lot more effective being a representative of truth through the arts.

I think I'm much more comfortable talking about other books than my own!

I think I'm a born storyteller. Inspiration is all around me. I can read a newspaper article and come up with an idea for a book.

I think I may have too much of a scientific mindset and am always looking for the caveats and qualifications in any situation. I never thought seriously of doing a PhD until relatively late in the day. I was always diligent at the book-work at university but the brightest amongst my friends all seemed to have a more intuitive grasp of the subject.

I think I'm still fed by my childhood experience of reading, even though obviously I'm reading many books now and a lot of them are books for children but I feel like childhood reading is this magic window and there's something that you sort of carry for the rest of your life when a book has really changed you as a kid, or affected you, or even made you recognize something about yourself.

I think I'm up for not trying to play a literary heroine. I think I'd rather just do someone that has just been created in a script, rather than in a book that everyone knows and loves. The difficulty with it and the reason these characters are so loved is that every woman and man that reads it understands it in a different way. They're so relatable, but different aspects will be drawn from different people.

I think I'm probably quite geeky in a lot of ways. I'm pretty into books, kind of obsessive about that.

I think I must write a book. It has been my cherished dream and I feel an influence that I cannot resist calling me to the task.

I think in terms of educating a group of readers, MFA programs are very good. I just think the model of MFA programs in which a young poet goes through the program, publishes a series of books, gets teaching jobs, that's a bit at risk.

I think it is a problem of our society that we don't enjoy (ourselves.) We have these values, like, you have to be rich, you have to get a diploma, you have to work hard, otherwise you are useless, you are nothing but a pariah. And the book asks, 'Is it true? This is what my mom told me, but is it true?

I think it is good that books still exist, but they do make me sleepy.

I think it'd be great to own a fun concept store with my friends and just sell books and records.

I think it helps the writers to sell their books, if they announce my attachment, but it doesn't mean that I'm going to make the movies in the next year, or two, or three.

I think I settled on the title before I ever wrote the book.

I think I read Susan Brownmiller's classic book called "Femininity" when I was about 16. So yeah, it's been part of my mindset since a very early age. To me, what's crucial is to tell women's stories but also to tell them in a way that is fearless.

I think I sent one [book] to Brian Eno. I don't know how I got to know his address, but I sent one to him. He called me up and he said, "I really like the book, and I'm starting a new label, would you liked to do something?" It was a tricky situation for me, because I've always had this thing in my life of a tension between collaboration, which was extremely important to me, and then being alone. Make of that what you will!

I think it is always a long shot getting a book made into a film. Making that book into a film is going to be quite a challenge.

I think it is nice to be a little magical. Today we need this. All that we can read in fairy tales or in books. I think somewhere it is all around us. But nowadays we can think that this magic has been killed and I am try to make it survive as long as possible.

I think it's a bit like coming to the end of a book. The plot's in its thickest, all the characters are in a mess, but you can see that there aren't fifty pages left, and you know that the finish can't be far off.

I think it's hard to write a book about happiness because fiction requires tension and complication.

I think it's a very old and deep-seated double standard that holds that when a man writes about family and feelings, it's literature with a capital L, but when a woman considers the same topics, it's romance, or a beach book - in short, it's something unworthy of a serious critic's attention.

I think it's crazy, crazy that book tours lose so much money. They shouldn't. Book tours should be part of what keeps independent bookstores vibrant and profitable.

I think it's despicable. I also think it's frightening that we seem to live through history over and over again. And I don't know if I'm the only one. I feel like, when you read through history books, you always judge those people in that time.

I think it's difficult for young people to acknowledge being smart, to knowledge being a reader. I see kids who are embarrassed to read books. They're embarrassed to have people see them doing it.

I think it's a very stark marker of what kind of president we have that, from all available evidence, Donald Trump has not read a book, as an adult. This is not someone who sits down in the evening to consider the latest bestseller, let alone Tolstoy - but who is very very active on this medium that requires no discipline and no attention and no empathy. It is all about retweeting praise of oneself or very quickly or poorly considered, ill-typed, misspelled diatribes against other people.

I think it's crucial to recognize that we are so fortunate to have this human birth where we can practice what we want, pick up and not just read books but actually understand them. This level of education is very rare throughout history, so we shouldn't take it for granted.

I think it's easy to get a book in a bookstore. I think it's just damn near impossible to get a book out of a bookstore.

I think it's important to humanize history; fiction can help us remember. A lot of books I've read in the past have been so much more important than textbooks - there is an emotional connection with one particular person. I'm very much of a research-is-important type of fiction writer, even for contemporary fiction. I wrote about blogs in America and I've never blogged. But I read many, many blogs - usually about feminist things, or about race, or about hair.