Best 19526 quotes in «book quotes» category

When we got around to books, I was finally set, as our minister would say, on solid ground. I gorged on books. I sneaked them at night. I rubbed their spines and sniffed in the musty smell of them in the library.

When we have read a book or poem so often that we can no longer find any amusement in reading it by ourselves, we can still take pleasure in reading it to a companion. To him it has all the graces of novelty.

When we learn to read, it's a real product of civilization and a civilized society. It affects your brain. It affects the way you think, and it gives you that capacity for self-reflection that you simply do not have without the agency of books.

When we meet and I discover that we have read and loved the same books, we are instant friends.

When we read a story, we inhabit it. The covers of the book are like a roof and four walls.

When we read a book, our most essential trait - imagination - is given the opportunity to soar.

When we read too fast or too slowly, we understand nothing.

When we talk about the environment, about creation, my thoughts turn to the first pages of the Bible, the Book of Genesis, which states that God placed man and woman on earth to cultivate and care for it. And the question comes to my mind: What does cultivating and caring for the earth mean? Are we truly cultivating and caring for creation? Or are we exploiting and neglecting it?

When we think too much about the opinions of others, we are letting them edit a book God has written.

When we want a book exactly like the one we just finished reading, what we really want is to recreate that pleasurable experience--the headlong rush to the last page, the falling into a character's life, the deeper understanding we've gotten of a place or a time, or the feeling of reading words that are put together in a way that causes us to look at the world differently. We need to start thinking about what it is about a book that draws us in, rather than what the book is about.

When we think of design, we usually imagine things that are chosen because they are designed. Vases or comic books or architecture... It turns out, though, that most of what we make or design is actually aimed at a public that is there for something else. The design is important, but the design is not the point. Call it "public design"... Public design is for individuals who have to fill out our tax form, interact with our website or check into our hotel room despite the way it's designed, not because of it.

When [wines] were good they pleased my sense, cheered my spirits, improved my moral and intellectual powers, besides enabling me to confer the same benefits on other people. (Notes on a Cellar Book)

When we wrote that scene about the Sleepy Kittens where he's reading the storybook to the kids, it's like we've had to read these stupid books to our kids, and we all want to just tell our kids, "This is really bad. Don't you know that? Can't you see that?

When women understand that governments and religions are human inventions; that Bibles, prayer-books, catechisms, and encyclical letters are all emanations from the brains of man, they will no longer be oppressed by the injunctions that come to them with the divine authority of *Thus sayeth the Lord.*

When you adapt a book to a film, you take all the best parts and put them into an hour and 15 minutes and have to compromise on the characters.

When what you read elevates your mind and fills you with noble aspirations, look for no other rule by which to judge a book; it is good, and is the work of a master-hand.

When writers die they become books, which is, after all, not too bad an incarnation.

When you are getting on in years (but not ill, of course), you get very sleepy at times, and the hours seem to pass like lazy cattle moving across a landscape.

When you are out of favor, so to speak, it's not just the reviewers. It's the editors, the publishers, they don't want you anymore, you're just gone and you've been written out of history as effectively as the old Stalinists would write someone else out, take their photograph out of a book.

When you are reading a book and you finish a chapter, you don’t keep re-reading the chapter you just finished. You move on to the next chapter to see what happens.

When You Are Old" WHEN you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face; And bending down beside the glowing bars, Murmur, a little sadly, how Love fled And paced upon the mountains overhead And hid his face amid a crowd of stars.

When you are writing, of course, you have to do all that writing and correcting for yourself. When I was a librarian it was expected that I would know about a wide range of books.

When you become published and become a reviewer, piles of books come along and you are pushed by fashion and what you are commissioned to do.

When you broadcast your book reading voluntarily, it creates moments of fascinating serendipity.

When you care about perfection, you care about an expectation. But there is also caring for where I am right now, for what's happening right now. When I spend time with students, they tell me that they've read something in a book or heard something from a teacher that they don't think they're living up to. And I tell them, “Take care of yourself right now. Befriend what's happening, not just who you're supposed to be or what the world should be like. This is where you are now. So how do you care for yourself this minute?

When you are writing a book, it feels as if you are simply concentrating on the world of the book and that whatever is happening in your personal life is outside the room, as it were. But maybe that's just the way you have to talk to yourself to make it possible.

When you close the book, does the story end? No! That's such a bland way to read. Every story goes on forever in our imaginations, and its characters live on.

When you collect marine animals there are certain flat worms so delicate that they are almost impossible to capture whole, for they break and tatter under the touch. You must let them ooze and crawl of their own will onto a knife blade and then lift them gently into your bottle of sea water. And perhaps that might be the way to write this book — to open the page and let the stories crawl in by themselves.

When you find a chillness upon your souls, and that your former heat begins to abate, ply yourselves with warm clothes, get those good books that may acquaint you with such truths as may warm and affect your hearts.

When you educate a woman, you set her free. Had I not had books and education in Mississippi, I would have believed that's all there was.

When you feel your book is the height of irrelevance you can return to the excitement of the daily news.

When you find that a book is poor ... waste no more time upon it.

When you get me a good man made out of arguments, I will get you a good dinner with reading you the cookery book.

When you first quit your regular job and you become a full-time writer, you are paralyzed with free time. You have so much free time. When you are at home, you have a guitar. There's a cat. You got to find ways to create an environment when writing is like going to work. Be efficient with the hours you put into the book. So I go there the same time, every day - like 7:30 am - and I leave around 2 pm, or longer, if I have a deadline.

When you get the ideas, that's a thrill; when you're writing the book and it's corning out well, that's a thrill; when you finish it and other people read it, that's a thrill. There are going to be reviews, of course; not everyone's going to love it. You feel sort of naked and vulnerable in a way. That's just a minor part of the process, really. If you can't take that part, you shouldn't be in the business. But there are so many joys to writing.

When you finish reading the book [Today Matters], take the daily dozen and list them in order of how well you do them. For example, the one that I would put at the highest for me is attitude or relationships because I'm really strong at both of those. At the bottom would be health. What I tell people is, "Take one month and work on one of the daily dozen for a whole year." And so it's really a one-year personal growth plan.

When you get inside a literary novel you feel that the author, more often than not, just doesn't know enough about things. They haven't been around enough - novelists never go anywhere. Once I discovered true books about real things - books like 'How To Run a Company' - I stopped reading novels.

When you handle books all day long, every new one is a friend and a temptation.

When you got source material, whether it's a play or a book - a great writer often appreciates being adapted and developed. It's like when you go see a production of a great play and they are always different. There is always room for interpretation.

When you go out to Hollywood, it's like, "Here's the book. It is what it is. It'll always stay the same.

When you have a president-elect who calls the press every name in the book, I think it's a warning shot across the bow, and you go back to what you learn when you were a child.

When you have mastered numbers, you will in fact no longer be reading numbers, any more than you read words when reading books You will be reading meanings.

When you have five little kids, you're not going to open Mindy Kaling's latest book. You're playing with your kids.

When you jump onto the emptiness of the loneliness, the best parachute to land you safely will be the books!

When you look at the whole explosion of the Internet, the decline of print journalism, there are all of these plus-or-minus ramifications, and you have to work it out. The great thing about books is that you have a tactile thing that's there. You can download this or download that, but how long do you want to be staring at a screen for the rest of your life? You've got to have some kind of proper interface for people that's not about the screen.

When you lose the story that's running like a golden stream underneath all the other stories, you're left with the idea that the Bible is a collection of random-seeming stories about various Bible characters that we're supposed to learn lessons from - almost like an Aesop's Fables. And a book of rules that God wants us to keep so he will love us. And we lose the glorious truth of the Bible that we were loved before even the beginning of time. That God had a plan. That no matter what, he would never stop loving us.

When you open a book,” the sentimental library posters said, “anything can happen.” This was so. A book of fiction was a bomb. It was a land mine you wanted to go off. You wanted it to blow your whole day. Unfortunately, hundreds of thousands of books were duds. They had been rusting out of everyone’s way for so long that they no longer worked. There was no way to distinguish the duds from the live mines except to throw yourself at them headlong, one by one.

When young Mark Robarts was leaving college, his father might well declare that all men began to say all good things to him, and to extol his fortune in that he had a son blessed with so excellent a disposition.

When you open a book it's like going to the theater first you see the curtain then it is pulled aside and the show begins.

... when you make it a moral necessity for the young to dabble in all the subjects that the books on the top shelf are written about, you kill two very large birds with one stone: you satisfy precious curiosities, and you make them believe that they know as much about life as people who really know something. If college boys are solemnly advised to listen to lectures on prostitution, they will listen; and who is to blame if some time, in a less moral moment, they profit by their information?