Best 19526 quotes in «book quotes» category

We shouldn't teach great books; we should teach a love of reading.

We shouldn't let the Republicans off the hook. Theodore Roosevelt, we learned from Jeff Cowan's new book, was just as bad as certainly [Louis] Brandeis was, or many Democrats were on the question of segregation.

We should read music in the same way that an educated adult will read a book: in silence, but imagining the sound.

We slept in the same bed. There was never a right time to say it. It was always unnecessary. The books in my father's shed were sighing. The sheets were rising and falling around me with Anna's breathing. I thought about waking her. but it was unnecessary. There would be other nights. And how can you say I love you to someone you love? I rolled onto my side and fell asleep next to her. Here is the point of everything I have been trying to tell you... It's always necessary. I love you.

We sometimes encounter people, even perfect strangers, who begin to interest us at first sight, somehow suddenly, all at once, before a word has been spoken.

Wesley Stace has always been the only genuinely gifted fiction writer who also happens to be a rock star, but Wonderkid is the book he was born to write. And if you prefer your novels brazen, poignant and hilarious, as I do, you were born to read it. Like a great show, this will stay with you long after the last cymbal crash and power strum.

We sometimes observe that spoiled children contract a habit of annoying quite wantonly those who have charge of them, and seem tomeasure their own sense of well-being, not by what they do, but by the degree of reaction they can cause. It is vain to get rid of them by not minding them: if purring and humming is not noticed, they squeal and screech; then if you chide and console them, they find the experiment succeeds, and they begin again. The child will sit in your arms contented if you do nothing. If you take a book and read, he commences hostile operations.

We sometimes drive ourselves crazy with how our books will be "seen," when in fact we already know what they're about, and where our obsessions are. If we can spin those obsessions into fiction, then there's a decent chance they will be "fiction-worthy," as you call it. The idea of the "sweep of ideas" is a complicated one.

We still have books because they are so brilliantly suited to the way human beings absorb information and at their best, they are among the most beautiful things we have.

Westward, beyond the still pleasant, but, even then, no longer solitary, hamlet of Charing, a broad space, broken here and there by scattered houses and venerable pollards, in the early spring of 1467, presented the rural scene for the sports and pastimes of the inhabitants of Westminister and London.

Western literature has been more influenced by the Bible than any other book.

We stopped to browse in the cases, and now that William - with his new glasses on his nose - could linger and read the books, at every title he discovered he let out exclamations of happiness, either because he knew the work, or because he had been seeking it for a long time, or finally because he had never heard it mentioned and was highly excited and titillated. In short, for him every book was like a fabulous animal that he was meeting in a strange land.

We take it for granted we know the whole story - We judge a book by its cover and read what we want between selected lines.

We still leave unblotted in the leaves of our statute book, for the reverence and admiration of successive ages, the just and wholesome law which declares that the sturdy felon shall be fed and clothed, and that the penniless debtor shall be left to die of starvation and nakedness. This is no fiction.

We still have to evolve, that's how we're created, we're created to evolve so you can believe in that the answer is in this book or in this one idea that the masses most believe in, each individual must evolve themselves, spiritually and consciously.

We still lend our old house out to relatives. They keep a guest book for my fans to sign.

We think of a feminist as someone a woman becomes in reaction to personal indignities and social injustices. But the truth is, such inequities only awaken her to the feminist she has always fundamentally been - that is, a person who understands that her first responsibility is to her own humanity. That's why, for my money, the first known use of the word 'feminist' is still the best, appearing in an 1895 book review: a woman who 'has in her the capacity of fighting her way back to independence.

We thought we knew 20 years ago. That led to some alarmist books – mine included – because it looked clear-cut, but it hasn’t happened. The climate is doing its usual tricks. There’s nothing much really happening yet. We were supposed to be halfway toward a frying world now. The world has not warmed up very much since the millennium. Twelve years is a reasonable time. The temperature has stayed almost constant, whereas it should have been rising - carbon dioxide is rising, no question about that.

We try to exert a Ted Williams kind of discipline. In his book The Science of Hitting, Ted explains that he carved the strike zone into 77 cells, each the size of a baseball. Swinging only at balls in his "best" cell, he knew, would allow him to bat .400; reaching for balls in his "worst" spot, the low outside corner of the strike zone, would reduce him to .230. In other words, waiting for the fat pitch would mean a trip to the Hall of Fame; swinging indiscriminately would mean a ticket to the minors.

We throw our parties; we abandon our families to live alone in Canada; we struggle to write books that do not change the world, despite our gifts and our unstinting efforts, our most extravagant hopes. We live our lives, do whatever we do, and then we sleep--it's as simple and ordinary as that. A few jump out of windows or drown themselves or take pills; more die by accident; and most of us, the vast majority, are slowly devoured by some disease or, if we're very fortunate, by time itself.

We treat the Bible, not as if it's a magic book that has to be handled like a piece of abracadabra, make sure it's dusted, never put it on the floor, and things like that.

We underestimate teenagers at our peril. Even the dismissive thing out on the street--look at what they're wearing. Then we'll hear stories about how a toddler fell on the tracks, and it's often a teenager who comes to the rescue and walks away because he or she doesn't want any credit. I recognize it because I've written books for teenagers--it's basically that they feel things more than adults do. They want things more than you think. They want things with greater depth than you think they do. Teenagers have got a lot of soul that adults have forgotten they have within themselves.

We too are called to withdraw at certain intervals into deeper silence and aloneness with God, together as a community as well as personally; to be alone with Him — not with our books, thoughts, and memories but completely stripped of everything — to dwell lovingly in His presence, silent, empty, expectant, and motionless. We cannot find God in noise or agitation.

...We try to have things both ways. We’ve always refused to live by the book and the rule; but then why start worrying because the world doesn’t treat us by rule?

We understand a person with problems, someone who is wrong about a lot of things in his or her life, who makes messes. We don't understand someone who is constantly right, who is only felled by Kryptonite. Chuck Klosterman had a pretty great book about this whole thing - I Wear The Black Hat - that came out last year and which I greatly enjoyed.

We use books like mirrors, gazing into them only to discover ourselves.

WE'VE BEEN READING THE MÖTLEY CRÜE BOOK. THATS OUR HOLY BIBLE.

We used to root for the Indians against the cavalry, because we didn't think it was fair in the history books that when the cavalry won it was a great victory, and when the Indians won it was a massacre.

We used to say that inside Cecil Beaton there was another Cecil Beaton sending out lots of little Cecils into the world. One did the sets, another did the costumes. A third took the photographs. Another put the sketches in an exhibition, then into magazines, then in a book.

We've all got a black book of missed opportunities.

We usually break the story first. For instance, on The Monuments Men, and this one is more complicated because there's a lot of history, so before we started, we sat down with Robert Edsel, the author of the book, for about a week, and basically, he just gave us a lecture and went through everything. And then, I had a researcher, somebody who we had actually used on Argo.

We've all had the experience of you pick up a book, you can't get into it, you can't concentrate.Then one day you pick up the same book and you don't hear the phone ring. You're totally absorbed. Same thing I have to do every day. When you get into that special place of unconsciousness - you get it listening to great music or seeing a great movie - it just takes you out of yourself, out of this whole world. There's no feeling quite like it.

We've been shooting the last two weeks with a lot of vampires. I don't want to give away too much, but if you've read the books, it's the standoff with lots of vampires in play. There's like 70 people going through the works at once. It's a little maddening, but fun. We shot pretty much the ending of the two movies the other day.

We've clearly entered a period in which the analog of text is no longer important or relevant. All text will be electronic. I accept that fact. My house has thousands of books in it, and I've started to look at them completely differently. They now seem to me to be like antiquarian objects. Their use value has become negligible to me because I'm perfectly happy to read on an e-reader.

We've got to remember the Book says the devil "walketh about the earth to and fro seeking who he may devour", and he nearly got me and he had me for a while. It didn't mean that I was no longer a Christian or that God had disowned me.

We visit bookshops not so often to buy any one special book, but rather to rediscover, in the happier and more expressive words of others, our own encumbered soul.

We wanted the book [Paper Girls] to feel to evoke the '80s, but not necessarily feel that it was drawn then.

We've never pulled from the toy line. We've always pulled from the mythology. What's great is there's so much mythology, so there's always stuff to pull from that. It never lines up perfectly for a movie; it's just like adapting a book or anything else, you know? But you come up with things to create, you come up with different ideas, but fundamentally the ideas always start from the mythology.

We wanted to describe society from our left point of view. Per had written political books, but they'd only sold 300 copies. We realised that people read crime and through the stories we could show the reader that under the official image of welfare-state Sweden there was another layer of poverty, criminality and brutality.

We want to raise a generation of kids who have a mouse in one hand and a book in the other.

We want to make sure children aren't left without any books. We want to make sure our children have the books, that they have a place in the castle. We want to make sure that their mothers have affordable day care. We want to make sure we give the older people the care that they need.

We were fortunate enough to have several good books detailing the camps and the women. Some were by the survivors. I also got to talk to some of the women who had been in the camp, survivors.

We were pregnant at the time, and while I was out there I started to realize that if I had a daughter, there would come a day when I would have to apologize to her for my profession. I would have to apologize for the way it treats and speaks to women readers, and the way it treats its female characters.

We went to the British Museum, and I was looking up my family in the books - pages and pages on it.

We were just trying to make the films that we could get made, and to push the envelope. We didn't realize how far we had pushed the envelope. That all came later. That all came from books and articles about the golden age of the '70s. Believe me, to a lot of us, it was no golden age. The studio heads were very powerful then. They would fire guys right and left. They would look at your dailies and tell you what was wrong with them... a lot of stuff that doesn't go on today. Young filmmakers who are successful today, they don't often have that to put up with.

We were to found a University magazine. A pair of little, active brothers-Livingstone by name, great skippers on the foot, great rubbers of the hands, who kept a book-shop over against the University building-had been debauched to play the part of publishers. We four were to be conjuct editors and, what was the main point of the concern, to print our own works; while, by every rule of arithmetic-that flatterer of credulity-the adventure must succeed and bring great profit. Well, well: it was a bright vision.

We were never organized readers who would see a book through to its end in any sory of logical order. We weave in and out of words like tourists on a hop-on, hop-off bus tour. Put a book down in the kitchen to go to the bathroom and you might return to find it gone, replaced by another of equal interest. We are indiscriminate.

We will always return to the private and inviolable act of reading as our culture's way of developing an individual.

We were little children, four or five years old, but they were all around the house and they made us look epic, like we were part of some story being told. My mom would have this woman come to our house and take photos of us. She did a photo book of us as well when I was one. I still have it.

We worshipped in the temple of cutthroat competition, and so some cooked the books, because the treasure is so great.