Best 19526 quotes in «book quotes» category

Experiencing life through a book can help you learn without all the pain of going through the experiences first hand.

Experts generally agree that taking all opportunities to read books and other material aloud to children is the best preparation for their learning to read. The pleasures of being read to are far more likely to strengthen a child's desire to learn to read than are repetitions of sounds, alphabet drills, and deciphering uninteresting words.

Explaining the moment of connection between a reader and book to someone who's never experienced it is like trying to describe sex to a virgin.

Exploring Feelings for Young Children with High-Functioning Autism or Asperger's Disorder: The STAMP Treatment Manual offers practical recommendations and creative practices that will certainly help young children with high functioning autism or Asperger's syndrome overcome their struggles with the really tough issues blocking their positive growth and development. Therapists, educators and parents caring for autistic children who endure a heavy load of anger, distrust, difficult interpersonal relationships, poor self-esteem and self-doubt need this excellent book.

Expose yourself to as much as possible. Attend conferences no one else is attending. Read books no one else is reading. Talk to people no one else is talking to.

Experts on romance say for a happy marriage there has to be more than a passionate love. For a lasting union, they insist, there must be a genuine liking for each other. Which, in my book, is a good definition for friendship.

Exposing students to lots of books and positive reading experiences while building a network of other readers who support each other provides students with tools that last beyond the classroom setting.

Extremists have shown what frightens them most. A girl with a book.

Ezra clapped his hands. "all right," he said. "In addition to the books we're reading as a class, I want to do an extra side project on unreliable narrators." Devon Arliss raised her hand. "what does that mean?" Ezra strode around the room. "well, the narrator tells us the story in the book, right? But what if... the narrator isn't telling us the truth? Maybe he's telling us his skewed version of the story to get you on his side. Or to scare you. Or maybe he's crazy!

Faces are as legible as books, only with these circumstances to recommend them to our perusal, that they are read in much less time, and are much less likely to deceive us.

Failing is not a disgrace unless you make it the last chapter of your book.

Fahrenheit 451 is one of those books that is about how amazing books are and how amazing the people who write books are. Writers love writing books like this, and for some reason, we let them get away with it.

[Fairy tales] are like a journey to the woods and the many ways you can get lost. Some people say it's not a good idea to read fairy tales to anyone under the age of eight because they are brutal and raw. When I was a kid I often felt that kids's books were speaking down to me, but I never felt that way about fairy tales. They are bloody and scary, but so is life.

Fame is always a shock to the system; there's no school to go to, there are no books to read, and when it hits you, it's a surprise. You could be working for 10, 20 years and when it finally hits you, you get knocked down.

Fame, money and the size of the market are not very important to me. What is, is writing a book that is worth doing and then publishing it. I don't write books for entertainment, for people to pass the time then throw away.

Fantasy for me as a kid was real, and I had a fantasy about what life was, whether it was sort of wicked and dire, or wholly normal, or whatever. Anything really close to home is not, it seems to me, what a good book should be about.

Fans always say they laughed and they cried while reading my books. And I tell them that I laughed and cried while writing them.

FAQ regarding my book were not about my use of commas or how the images went berserk, but about the political situation in Bosnia, about guilt and shame, about victims and perpetrators, about reasons, arguments and beliefs that led to the conflict in the first place, etc. All of this needed and still needs answering and ongoing discussions, but I mostly felt overwhelmed and unqualified to articulate anything worth more than personal experiences of the siege, of fear and refuge - all the things which I wrote about anyway.

Far more seemly to have thy study full of books, than thy purse full of money.

Far away on the path we saw Sir Henry looking back, his face white in the moonlight, his hands raised in horror, glaring helplessly at the frightful thing which was hunting him down. But that cry of pain from the hound had blown all our fears to the winds. If he was vulnerable he was mortal, and if we could wound him we could kill him. Never have I seen a man run as Holmes ran that night.

Far be it from me, my dear sister, to depreciate such pleasures. They would doubtless be congenial with the generality of female minds. But I confess they would have no charms for me. I should infinitely prefer a book.

Fashion is a very stressful place to work because of the demands of doing the shows - no one expects a writer to produce two books a year on the dot - but it's also a very toxic place to work.

Fascinating, Doidge's book is a remarkable and hopeful portrait of the endless adaptability of the human brain.

Fascism entirely agrees with Mr. Maynard Keynes, despite the latter's prominent position as a Liberal. In fact, Mr. Keynes' excellent little book, The End of Laissez-Faire (1926) might, so far as it goes, serve as a useful introduction to fascist economics. There is scarcely anything to object to in it and there is much to applaud.

Faulkner is a writer who has had much to do with my soul, but Hemingway is the one who had the most to do with my craft - not simply for his books, but for his astounding knowledge of the aspect of craftsmanship in the science of writing.

Favorite books and authors while growing up - I'd need a book to list them all. For the sake of brevity: Shakespeare, Dickens, Mark Twain, Victor Hugo, world's mythology, the Arthurian legends. And the unabridged dictionary. And they're still my favorites. They get better each time I read them.

Fatherhood is the best thing I ever did. It changes your perspective. You can write a book, you can make a movie, you can paint a painting, but having kids is really the most extraordinary thing I have taken on.

FBI Girl is touching and funny, inspiring and tragic, enlightening and sad. I closed the book with tears in my eyes and admiration in my heart for the girl Maura Conlon was and the writer she became.

Fear and Loathing in Las Vegas is perfect in the same way that The Great Gatsby is perfect. Take a pencil and read these books, looking for something that doesn't sound right, something you'd want to change. You'll leave the page untouched.

FBI Girl is a gorgeous, sumptuous book. Conlon-McIvor takes a subject (herself and her family) that might have sunk in other hands, beats egg white under her words and the whole thing rises like a dream. It's a love story for her people and for a time and place. Read it.

["Fear & Loathing in Las Vegas"] is a very hard book to translate to film because there's so much interior monologue. The what if factor. I tried to write it cinematically and let the dialogue carry it but I forgot about the interior monologue. It's kind of hard to show what's going on in the head. I think we should do it like a documentary.

Feed the growing human being, feed him with the sort of experience for which from year to year he shows a natural craving, and he will develop in adult life a sounder sort of mental tissue, even though he may seem to be 'wasting' a great deal of his growing time, in the eyes of those for whom the only channels of learning are books and verbally communicated information.

Feminism rotates between backlash and interest. And the cool thing about the Internet is that it's allowing women more access to their own history. Part of the problem before the Internet was that we didn't know which books to read. Someone had to tell you.

Few are sufficiently sensible of the importance of that economy in reading which selects, almost exclusively, the very first order of books. Why, except for some special reason, read an inferior book, at the very time you might be reading one of the highest order?

Female authors were still using male names when I was young, or they were neatly shoehorned into womens books except for those few that men could always point at when the disparity was pointed out.

Few authors are so interesting as their work - they generally reserve their wit or trenchant sarcasm for their books.

Few real people appear in my two novels, actually. "Ari" appears on the edge of this book a couple of times - but on the edge, she's never in it, even if she's a determining force from the outside. Everybody in the first book was basically made up, if never from scratch.

Few books are more thrilling than certain confessions, but they must be honest, and the author must have something to confess.

Fiction allows for moral questioning, but through the back door. Personally, I like books that make you think - books you're still wondering about three days after you finish them; books you hand to a friend and say "Read this, so we can talk about it.

Few books today are forgivable. Black on canvas, silence on the screen, an empty white sheet of paper are perhaps feasible.

Few children learn to read books by themselves. Someone has to lure them into the wonderful world of the written word; Someone has to show them the way.

Fifty percent of all meaningful education takes place in the home. What do you share with your child? You share your interests. I was a book person. I read with my son. My wife is an artist. She dragged his little butt around to museums. He's an illustrator of children's books.

Fiction structures an experience for the reader to live through. ... That is why people read: to have experiences.

Fifty years from now I'll be just three inches of type in a record book.

Fiction is more dangerous than nonfiction because it can seduce better. I think we all know this, know that deeper truths can be approached in fiction than in fact. There are risks for the reader, because after reading certain books you find you have changed irreversibly. There are risks for writers: in China, now, and Ethiopia and other countries right now, writers face real persecution.

Fiction is risky for writers also in that the process of making certain books, of shaping certain narratives, leaves scars and marks on your inner life.

Film music should have the same relationship to the film drama that somebody's piano playing in my living room has on the book I am reading.

Films and television and even comic books are churning out vast quantities of fictional narratives, and the public continues to swallow them up with great passion. That is because human beings need stories.

. . . finally, I couldn't imagine how I could live without books, and I stopped dreaming about marrying that Chinese prince. . . .

Finding yourself in a hole, at the bottom of a hole, in almost total solitude, and discovering that only writing can save you. To be without the slightest subject for a book, the slightest idea for a book, is to find yourself, once again, before a book. A vast emptiness. A possible book. Before nothing. Before something like living, naked writing, like something terrible, terrible to overcome.