Best 19526 quotes in «book quotes» category

I dreamed of becoming a writer. And this dream is about to become a reality with the publication of my first, and hopefully not my last, children's book.

I dream of writing a book like LOVERS some day. It is so spare but so rich. It is history made intimate, and a masterpiece of compression.

I'd say that about 82 percent of what I write is bad, but don't go by me; I'm as bad a judge as I am a writer. Look, if it were all good, you'd be paying twice as much for this book.

I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.

I drink to make other people interesting.

I'd say that [Louis] Brandeis practiced a kind of a "living originalism," to use the title of Jack Balkin's great book. He said you start with the paradigm case, which in the case of the Fourth Amendment was these general warrants or writs of assistance, but you define it at a level of abstraction that you can take it into our age and make it our own.

I dreamed of having a book of my own, of writing one that I could put on a shelf.

I drew the same things that most boys drew - airplanes and cars and fire engines. Then later on I discovered comic books, and I began to create my own comic stories. I was a comic writer, even when I was five or six years old. I would just make up stories because I thought it was fun.

I'd sit at my kitchen table and start scanning help-wanted ads on my laptop, but then a browser tab would blink and I'd get distracted and follow a link to a long magazine article about genetically modified wine grapes. Too long, actually, so I'd add it to my reading list. Then I'd follow another link to a book review. I'd add the review to my reading list, too, then download the first chapter of the book—third in a series about vampire police. Then, help-wanted ads forgotten, I'd retreat to the living room, put my laptop on my belly, and read all day. I had a lot of free time.

I earn - I'm not - I don't want to claim I'm a scholar of great stature, but I have made a certain reputation for myself, I've published several books, I've never been able to get a permanent teaching job.

I educated myself, and it made me feel good. I went to museums. I read books. I did all the things, pretty much, that you would do in school. I would never want my kids to leave school, though, I'm really for education.

I either wrote at the end of the night or sometimes in the morning. Sometimes they were full entries, or others I just wrote notes about things that happened that day or funny thoughts I'd had. If I had a truly eventful day, I'd take the time to write it all down in great detail. I edited a lot of content out once it was all finished - there was way too much, and I didn't want to bore anyone. I like to keep the book [Superficial: More Adventures from the Andy Cohen Diaries] moving at a fast pace.

I encourage the translators of my books to take as much license as they feel that they need. This is not quite the heroic gesture it might seem, because I've learned, from working with translators over the years, that the original novel is, in a way, a translation itself.

I eat 'The Walking Dead' like its made of brains. Can't even watch the show, I love the book so much.

I either write the book or sell the jewels. And I'm kinda sentimental about the jewels.

I ended up [doing video] meeting Gillian [Grassie] at the same time that we were getting together a book. We ended up working on it, and she recognized that I had a flair for certain things, and we've worked through it together so that the writing could be really good. It was the perfect partnership, just finding my literary voice and figuring out how comedy translates to the written word.

I'd thought I'd constructed a really wonderful book, and the teacher told me that my story basically began on page fifty, and that I should throw out everything prior, or figure out a way to weave only the most important information back into the story, and keep the action moving forward. Wow. That was a really humbling experience. A real eye-opener. Made me realize there are so many aspects involved with telling a story.

I elbowed my way into the grubby café, bought a pie that tasted of shoe polish and a pot of tea with cork crumbs floating in it, and eavesdropped on a pair of Shetland pony breeders. Despondency makes one hanker after lives one never led. Why have you given your life to books, TC? Dull, dull, dull! The memoirs are bad enough, but all that ruddy fiction! Hero goes on a journey, stranger comes to town, somebody wants something, they get it or they don't, will is pitted against will. "Admire me, for I am a metaphor.

I’d volunteer to go to prison, as long as there are books. Because with books I am free.

I dumped out the bag and found what had been inside was a bunched-up police uniform, complete with the vest. "Where did you get this?" Boo asked. "It's Callum's," he said. "What's he wearing?" "At the moment, not much of anything. Put it on." I noticed Book perk up a bit at this piece of information.

I'd worked on a series of Chicken Soup for the Teenage Soul books called The Real Deal for HCI books, which featured essays and poems from teens.Finding the right authors for the series has been no easy feat, mostly because I'm looking for a perfect blend of a teen girl with an interesting story or hook, fantastic writing talent, and the confidence to commit to writing a 30,000+ word book in a matter of months. It's a huge commitment and I recognize that, so the fit has to be there from all these different angles.

I endorse a lot of people - sometimes people say I endorse too many books. And my response has always been the same: If I can get one case study that can give me one good idea that I can implement for $25, or for these days one-third of that on Kindle, I've gotten a very good deal.

I enjoy going back and forth between plays and novels. It`s like having a wife and a mistress. Books are the wife; plays, the mistress.

I enjoy it too much - even if I knew I'd never get a book published, I would still write. I enjoy the experience of getting thoughts and ideas and plots and characters organised into this narrative framework.

I enjoy the fact that we have these mobile comics now, which are sort of a cross between a comic book and an animated cartoon.

I enjoy the art, and I enjoy drawing. I think my printing to this day looks like the printing right out of a comic book.

I enjoy about 1 out of 100 movies, it's about the same proportion to books published that I care to read.

I enjoyed doing the gag covers better than the story ones because they were usually simpler. A cover based on an incident in the plot took a great deal of staging to tell a little story that was still part of the book. And it had to make sense on its own.

I enjoy art, architecture, museums, churches and temples; anything that gives me insight into the history and soul of the place I'm in. I can also be a beach bum - I like to laze in the shade of a palm tree with a good book or float in a warm sea at sundown.

I enjoy books as misers enjoy treasures, because I know I can enjoy them whenever I please.

I enjoyed learning the poems, but I didn't understand of what use they might possibly be. ‘They'll keep you company on the day you have no books to read,' my teacher said.

I enjoy the idea that even though I'm resting, I'm accomplishing something by reading a book.

I entrench myself in my books equally against sorrow and the weather.

I envy the people who say, 'oh, well, I've got my name in the golden book and I'm going to be entered into the pearly gates.'

I even love the smell of books.

I expected higher prices for some books, but [there would be] flexibility for other books.

I enjoy working with writers and their scripts. It's very exciting to me. Eventually I would like to produce, direct and act onstage, but it's not a heavy pressure. When I do it, I want to do it well. I'm just educating myself with writers and scripts, because I didn't read a lot of books when I was growing up.

I envy them, those monks of old; Their books they read, and their beads they told.

I even smoke in bed. Imagine smoking a cigar in bed, reading a book. Next to your bed, there's a cigar table with a special cigar ashtray, and your wife is reading a book on how to save the environment.

I expect to think that I would rather be author of your book than of any other on Nat. Hist. Science.

I enjoy working on a number of projects - books - at once.

I expect that my readers have been to Europe, I expect them to have some feeling for a foreign language, I expect them to have read books - there are a lot of people like that! That's my audience.

If a book comes from the heart, it will contrive to reach other hearts; all art and author-craft are of small amount to that.

If a book has no index or good table of contents, it is very useful to make one as you are reading it.

If a book is worth reading, it is worth buying.

If a character is honest with a reader, then (hopefully) that will engage the reader's empathy centers; she'll meet that openness with acceptance, and they'll forge a nourishing and meaningful bond as the book continues.

If a book is easy and fits nicely into all your language conventions and thought forms, then you probably will not grow much from reading it. It may be entertaining, but not enlarging to your understanding. It’s the hard books that count. Raking is easy, but all you get is leaves; digging is hard, but you might find diamonds.

If a book is worth reading at all, it is worth reading more than once. Suspense is the lowest of excitants, designed to take your breath away when the brain and heart crave to linger in nobler enjoyment. Suspense drags you on; appreciation causes you to linger.

[If a book were] very innocent, and one which might be confided to the reason of any man; not likely to be much read if let alone, but if persecuted, it will be generally read. Every man in the United States will think it a duty to buy a copy, in vindication of his right to buy and to read what he pleases.

If AIG had tried to unwind their derivatives books. I don't know. It would have hit every institution in the world.