Best 19526 quotes in «book quotes» category

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    You can't just be reactive to the things going on in your life. You have to imagine, and you have to plunder other people's work, books, poems, ideas, observations.

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    You can't know what a book is about until the very end. This is true of a book we're reading or writing.

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    You can't have a favourite meal, like you can't have a favourite movie or a favourite book or a favourite child.

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    You can't have a dream come true if you don't have a dream. You can't write a book if you don't write.

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    You can't judge a book by its cover, though. People think I'm bad because I got tattoos or snort a little cocaine here and there. They think I'm a killer. But what if I wasn't a killer? Then what? Don't be tripping on me. I pay my damn taxes, OK? Chill.

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    You can't kill a good comic book series.

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    You can't really give away anything in your book ... should be exciting, it's my life, and I'm a cool and exciting guy.

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    You can try reading books that will help you be a leader, like Marshall Rosenberg and Thich Nhat Hanh. Be very humble and say, "I don't know why. I don't feel qualified, but I accept this role that you gave me, and so help me.

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    You can't tell a doper well under control from a vegetarian book-keeper.

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    You can't write a book if you've never read a book. And if you've read five books and you try to write a book, your book will mainly encompass the themes and the context of the five books you've read. Now, the more books you read, the more you can bring to a book when you decide to write one. So the more rap I learned, the more I was able to bring to rap when I decided to rap. But this was all subconscious.

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    You can't throw a rock without a comic book character falling out of a tree.

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    You can't write a children's book that takes more than five or six minutes to read, because it will drive the parents batty. It has to be compact. Nobody thinks about the parents when they write these stupid books. I could write longer children's books, but it would actually be bad if I did.

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    You can't sell a book in America if you don't dump on Bush. That's the cheapest shot in the world. You cannot get an advance, and you can't sell a book because the publishers are all people who hate Bush and hate Republicans.

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    You can't write a book and just expect it to sell itself, you know. We're not building that better mousetrap and waiting for the world to beat a path to our dear. You've got to build a market for your book.

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    You can't write the same book twice. Though I've been in historical musical situations, I can't go back and do that again. And though I run into artistic crises, they keep my life interesting.

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    You come to work because the office is a resource: The office is a place where you can meet with other people, and the office has libraries of books and information on CD-ROM that might help you with your work.

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    You contain a trillion copies of a large, textual document written in a highly accurate, digital code, each copy as voluminous as a substantial book. I'm talking, of course, of the DNA in your cells.

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    You could have sex relatively comfortably on a platform of books, but not on a platform of PDA.s. Hardcover books. Paperbacks might start sliding around. Though I.d still prefer paperbacks to a pile of PDA.s.

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    You can write a great book and be ignored. Literary history is full of classics that were under-appreciated in their own time.

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    You come home to find your 17-year-old daughter engrossed in a book. Which would delight you more - if it were 'Twilight' or 'Middlemarch?'

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    You could be writing the book that changes your life.

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    You can watch an episode of Friends or an episode of Law & Order and just drop in, but you're not going to in the middle of Season 4, Episode 5 of Lost. It's like picking up a Harry Potter book and flipping to a chapter. You have to read it from beginning to end.

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    You can write a book on how to ruin someone’s perfect day.

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    You could be beaten down by anybody and by everybody and it doesn't matter what everybody else thinks it's how you see yourself and what your own dreams are. And, you know, anybody who started a business and build a business knows there's going to be lots of times when you feel beaten down and you need some motivation and that's when I turn to that book among others.

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    You could tell from the books whether a library was meant for show or not. Books that were used had an open, interested feel to them, even if closed and neatly lined up on a shelf in strict order with their fellows. You felt as though the book took as much interest in you as you did in it and was willing to help when you reached for it.

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    You could write a book about things that you can't find on-line.

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    You couldn't always trust the history books. They told a diluted truth, a truth by committee.

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    You could probably go all the way back to the first books. I bet people said 'why should you read when you could talk to other people?' The point of reading is that you get to deeply immerse yourself in a person's perspective. Right? Same thing with newspapers or phones or TVs. Soon it will be VR, I bet.

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    You could put your confusion and upset and worries into whatever book you were reading. You could sort of set them down in there, and you could come out with your head on a little straighter. I don't why stories worked that way, but they did.

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    You could say I'd rewritten the same novel three times and I thought I had to move on. The success of the book, and then the movie, had by then also created a commercial expectation and I remember touring America and seeing people in the audiences who I thought might not want to read the books I wanted to write next. My constituency had become broader, but more mysterious to me.

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    You could say that this book is ripped from the headlines, but that wouldn't be fair. Bret Anthony Johnston's riveting novel picks up where the tabloids leave off, and takes us places even the best journalism can't go. Remember Me Like This is a wise, moving, and troubling novel about family and identity, and a clear-eyed inventory of loss and redemption.

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    You could start a small fire... with [photo] books I hate, and use that light to look at mine.

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    You despise books; you whose lives are absorbed in the vanities of ambition, the pursuit of pleasure or indolence; but remember that all the known world, excepting only savage nations, is governed by books.

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    You could say, in a vulgar Freudian way, that I am the unhappy child who escapes into books. Even as a child, I was most happy being alone. This has not changed.

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    You could sing us the phone book and we would still love you.

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    You do not conceive a novel as easily as you conceive a child, nor even half as easily as you create nonfiction work. A journalist amasses facts, anecdotes and interviews with top brass. Enough of these add up to a book. A novelist demands quite different things. He has to find himself in his materials, to know for sure how he would feel and act and the events he writes about. In addition, he requires a catalyst — a person, idea, or emotion which coalesces his ingredients and makes them jell into a solid purpose.

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    You do not chop off a section of your imaginative substance and make a book specifically for children, for, if you are honest, you have no idea where childhood ends and maturity begins. It is all endless and all one.

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    You don't always have to have an e-book. You can have a real book. I'd like to see the old way maintain.

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    You don't have to donate money, it can be clothes, or books, or mediavl supplies. So there's so much that can be done [for refugees], the most difficult thing is that first step that decision to do something.

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    You don't have to fight dragons to write books. You just have to live deeply the life you've been given.

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    You don't go to other books and take little pieces because although say a romantic scene may have been many times before all the details of who it is, where it is, are so intertwined in that text that it's easier to write it from scratch.

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    You don't have to gaze into a crystal ball when you can read an open book.

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    You don't hear TV cops griping because they have to enforce some Draconian law that shouldn't be on the books in the first place, or lamenting vindictive excesses in sentencing. Hollywood, supposedly a frothing cauldron of liberalism, has always been conservative on crime.

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    You don't race cars, you race the rule book

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    You don't look up truthiness in a book, you look it up in your gut.

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    You don't know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain't no matter. That book was made by Mr. Mark Twain, and he told the truth, mainly. There was things which he stretched, but mainly he told the truth. That is nothing. I never seen anybody but lied one time or another, without it was Aunt Polly, or the widow, or maybe Mary. Aunt Polly—Tom's Aunt Polly, she is—and Mary, and the Widow Douglas is all told about in that book, which is mostly a true book, with some stretchers, as I said before.

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    You don't know about me, without you have read a book by the name of 'The Adventures of Tom Sawyer,' but that ain't no matter. That book was made by a Mr. Mark Twain, and he told the truth, mainly.

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    You don't realize what a strain it is on the nerves to write or think-of-writing all day long, and to sleep full of nervous dreams, and to wake up not knowing who one is: this all stems from anxiety about finishing the book, about time 'growing short', etc., and the perpetual strain of invention.

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    You don't see Los Angeles erecting a museum dedicated to the birth place of the Crips and the Bloods and the Mexican Mafia, with a special guided bus tour highlighting the rise of the crack trade, yet you can hop on a bus in Chicago tomorrow to see the famous locales of murders. I have to imagine there's some wonderful academic book on the sociology of this out there.

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    You don't turn out as many books as I did then by sitting around, being cozy with the family.