Best 19526 quotes in «book quotes» category

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    What kind of thoughtless creep would burn a book?

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    What made Leonardo da Vinci, Thomas Edison and Albert Einstein such creative geniuses? It wasn't reading books or watching YouTube talks about How To Be More Creative, that's for sure... If startling insights could be systematically arrived at, they wouldn't be startling. The best you can do is to create a conducive environment: put in the hours; take time to daydream; avoid mind-corroding substances.

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    What I would really love to happen to me would be if I came upon an idea that would keep me busy until I die so I wouldn't have to go through the business of thinking up a new book. But I wouldn't mind writing a long book which is going to occupy me for the rest of my life.

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    What makes a book great, a so-called classic, it its quality of always being modern, of its author, though he be long dead, continuing to speak to each new generation.

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    What I would like to write is a book about nothing, a book without exterior attachments, which would be held together by the innerforce of its style, as the earth without support is held in the air--a book that would have almost no subject or at least in which the subject would be almost invisible.

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    What keeps me awake at the wheel is the thrill of trying something completely new with each book. I’m not a risk-taker in life, generally speaking, but as a writer I definitely choose the fast car, the impossible rock face, the free fall.

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    What keeps this industry alive is creators doing their own work. Once you change a costume or origin enough times, it's a dead body - you're just electrocuting it and keeping it sort of shambling on. There is a lot more creator-owned stuff now, and some of it I look at and go, 'Oh, that's his pitch for a TV show. That's his pitch for a movie. That's him saying oh, this kind of thing sells.' I didn't do that.

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    What makes a good book? Scholars and critics have been debating that question for decades. I like books that touch my head and my heart at the same time.

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    What le Carré is so good at is unpicking something very specific about Englishness. That is almost part of why I think he wrote the novel. You can feel le Carré's anger that someone who has had the benefits of an English education and an English upbringing is using that privilege to basically do the worst things imaginable. There is an anger in the book about that.

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    What makes a good book and what makes a good movie are totally different things.

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    What more could one ask of a companion? To be forever new and yet forever steady, to be strange and familiar all at once, with enough change to quicken my mind, enough steadiness to give sanctuary to my heart. The books on my shelf never asked to come together and they would not trust or want to listen to one another. But each is a piece of a stained-glass whole, without which I wouldn’t make sense to myself or to the world outside.

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    What many people don't know about 'Peter Pan' is that it's a very violent book and Hook is one of the most finely observed villains ever.

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    What more do I need to say? Conservative books sell. I can't help it if liberal books don't sell.

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    What more powerful form of study of mankind could there be than to read our own instruction book?

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    What occurs to people when they read Kurt [Vonnegut] is that things are much more up for grabs than they thought they were. The world is a slightly different place just because they read a damn book. Imagine that.

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    What on earth could be more luxurious than a sofa, a book, and a cup of coffee?...Was ever anything so civil?

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    What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance.

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    What on earth have you packed in here? Bricks?" asked Mo as he carried Meggie's book-box out of the house. You're the one who says books have to be heavy because the whole world's inside them," said Meggie.

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    What one knows best is ... what one has learned not from books but as a result of books, through the reflections to which they have given rise.

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    What necessity impels a writer who has produced fifty books to write still one more? Why this proliferation, this fear of being forgotten, this debased coquetry?

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    What people value in their books—and thus what they count as literature—really tells you more about them than it does about the book.

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    What progress we are making. In the Middle Ages they would have burned me. Now they are content with burning my books.

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    What really grabs me is when a reader writes to express her personal story and how a book helped her situation, or her acceptance of a situation she can't change. I read some sad cases in my snail and electronic mail. I respond to all I can, affirming that they are the true heroes of life because they are fighting through adversity and surviving.

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    What refuge is there for the victim who is oppressed with the feeling that there are a thousand new books he ought to read, while life is only long enough for him to attempt to read a hundred?

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    What President Obama has done so masterfully of late is to say, in so many words, "I'm signing this executive order permitting federal funding for stem cell research, but I realize that many good, moral people are opposed to this, and I don't take that lightly." I think we can be more civil and empathetic in our discussions of public policy, and I hope my book can be a contribution to that tone.

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    What readers ask nowadays in a book is that it should improve, instruct, and elevate. This book wouldn't elevate a cow.

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    What's crazy is living your life according to some book written by someone who couldn't imagine what your life would be like.

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    What readers ask nowadays in a book is that it should improve, instruct and elevate. This book wouldn't elevate a cow. I cannot conscientiously recommend it for any useful purposes whatever. All I can suggest is that when you get tired of reading "the best hundred books," you may take this for half an hour. It will be a change.

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    What really annoys me are the ones who write to say, I am doing your book for my final examinations and could you please tell me what the meaning of it is. I find it just so staggering--that you're supposed to explain the meaning of your book to some total stranger! If I knew what the meanings of my books were, I wouldn't have bothered to write them.

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    What's a book? Everything or nothing. The eye that sees it all.

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    What seems beautiful to me, what I should like to write, is a book about nothing, a book dependent on nothing external, which would be held together by the strength of its style, just as the earth, suspended in the void, depends on nothing external for its support.

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    What's going on in Russia is not that the public is homophobic, but that the Kremlin has unleashed a war. You don't fight a war by distributing well-meaning books about how the other side really isn't so bad.

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    What shall we do with...the Jews?...I advise that all their prayer books and Talmudic writings...are to be taken from them.

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    What she was finding also was how one book led to another, doors kept opening wherever she turned and the days weren't long enough for the reading she wanted to do.

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    What shop did this book come from? she asked. Her father was looking worried at the cooker. He always got rice wrong. I don't know, Brooksie, he said, I don't remember. That was unimaginable, not remembering where a book has come from! and where it was bought from! That was part of the whole history, the whole point, of any book that you owned! And when you picked it up later in the house at home, you knew, you just knew by looking and having it in your hand, where it came from and where you got it and when and why you'd decided to buy it.

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    What sense of superiority it gives one to escape reading some book which every one else is reading.

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    What separates the professionally successful ... from all the rest is their ability to stay steady, to have stamina. It is one thing to write a good sentence, another to write a good book.

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    What sells a book sells a book, same in traditional or self-publishing . You gotta shake your tail feathers.

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    What's happening to movie critics is no different from what has been meted out to book, dance, theater, and fine-arts reviewers and reporters in the cultural deforestation that has driven refugees into the diffuse clatter of the Internet and Twitter, where some adapt and thrive - such as Roger Ebert - while others disappear without a twinkle.

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    What's important? That which is dug out of books, or out of the guts?

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    What seems to sell books is good word-of-mouth, not promotion tours. I'm too old to believe that media promotion of a book really matters. What matters is how it will look 100 years from now, not how many copies are sold.

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    What's funny about Jesus' Son is that I never even wrote that book, I just wrote it down. I would tell these stories and people would say, You should write these things down.

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    What's given, in fact, always depends on the person or thing it's given to. A minor incident in the street brings the cook to the door and entertains him more than I would be entertained by contemplating the most original idea, by reading the greatest book, or by having the most gratifying of useless dreams. If life is basically monotony, he has escaped it more than I. And he escapes it more easily than I. The truth isn't with him or with me, because it isn't with anyone, but happiness does belong to him.

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    What's funny about that is when I was writing Twilight just for myself and not thinking of it as a book, I was not thinking about publishing, and yet at the same time I was casting it in my head. Because when I read books, I see them very visually.

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    What's important about the artists we learn about in art history and see in all the art books is that they have somehow pushed the boundaries of what people think art is or should be, and that's how they've made their work relevant. That's what I'm trying to figure out for myself.

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    What's interesting is that when you get into the post-war period, many of the narratives in books and movies conclude that if you killed Hitler, you're actually going to make history worse.

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    What's important to me is that I put messages out, whether it's a TED talk, whether it's a book.

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    What's interesting about books that take place in the future, even twenty years in the future, is that many of them are black or white: It's either a utopia or it's misery. The real truth is that there's going to be both things in any future, just like there is now.

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    What's most interesting about some books is the question: How did this crap ever get published?

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    [What's my favourite book?] It changes all the time.