Best 30386 quotes in «writing quotes» category

You know, we should have cards like the deaf have. "Can't talk, I'm writing today.

You know what Hans told me last week?" she says as I open the door of my fitting room. "He told me to write down a list of everything I wanted to say about that women-and then tear it up. He said I'd feel a sense of freedom." "Oh right," I say interestedly. "So what happened?" "I wrote it all down," says Laurel. "And then I mailed it to her!

You know what talent is? The curse of expectation. As a kid you have to deal with that, beat it somehow. If you can write, you think God put you on earth to blow Shakespeare away. Or if you can paint, maybe you think--I did--that God put you on earth to blow your father away.

You know we receive an education in the schools from books. All those books that people became educated from twenty-five years ago, are wrong now, and those that are good now, will be wrong again twenty-five years from now. So if they are wrong then, they are also wrong now, and the one who is educated from the wrong books is not educated, he is misled. All books that are written are wrong, the one who is not educated cannot write a book and the one who is educated, is really not educated but he is misled and the one who is misled cannot write a book which is correct.

You know what they're writing about Baby you know what they're writing about It's a thing called love down through the ages Makes you wanna cry sometimes Makes you feel like you wanna lay down and die sometimes Makes you high sometimes But when you really get in it lifts you right up.

You know what I did after I wrote my first novel? I shut up and wrote twenty-three more.

You know you’re writing well when you're throwing good stuff into the wastebasket.

You know, you should start to be in plays and things like that. Write some scripts. If you're an artist and you truly don't believe what you're spittin' then you need to really seriously be an actor then.

You learn best by reading a lot and writing a lot, and the most valuable lessons of all are the ones you teach yourself.

You know, writer can write about the Foreign Legion without ever having been in the Foreign Legion, but that doesn't necessarily mean that what he's written doesn't necessarily reflect the nature of him as an individual - or her. Using the male gender because it's me speaking. I don't mean to put down the female.

You know you're ready to write a book when you have a feeling that you should do it, no matter what anybody says. It's like falling in love or starting a company. When you're still wondering if you should get married or you're still wondering whether you should start a company that might be not the right person or the right idea. And writing is the same way. When you've locked on to the topic, you'll just write it.

You learn a lot, writing fiction.

You learned to accept, or you ended up in a small room writing letters home with Crayolas.

You learn to do your best writing on story rather than off story. Very often at the beginning of their careers, writers including me do their best dialogue writing off story - the best lines, the best observations - but they haven't got enough to do with the plot to stay in.

You learn to write the same way you learn to play golf... You do it, and keep doing it until you get it right. A lot of people think something mystical happens to you, that maybe the muse kisses you on the ear. But writing isn’t divinely inspired – it’s hard work.

You list the dead. You tell the stories of the past. You write about the catastrophes and the massacres. What about the living, Finnikin? Who honors them?

You'll have days of complete lack of faith in your abilities. But you have to keep coming back. That's when you know you're a writer - when you take the failures and appear at the desk again, over and over again.

You'll never regret writing any letter out of love. However, it's a good idea to reread anything you've written in anger.

Youll almost encounter a superstition amongst musicians, people sort of go through strange rituals, what they need to do to write a song.

You live and die two or three times making a movie. First, you write it, and the first pivotal moment comes when you can get it made. The second is in the process of making it, when the movie reveals itself to you, its flaws and its virtues. Then the most unnerving moment is when that movie is then launched into the world. It’s like bringing your kid to the first day at school and somebody points out that it has bowlegs, it is cross-eyed, or it’s gorgeous. You feel very exposed.

You’ll learn that the key to a great book is editing-grindin g, buffing, and polishing-not writing.

You look at Michael McDonald and people like that; I think they just tried to write music that was true to themselves. That's our bottom line. Whatever people view us as, I think as long as we try to create good music that will win out in the end.

You may abuse a tragedy, though you cannot write one. You may scold a carpenter who has made you a bad table, though you cannot make a table. It is not your trade to make tables.

You may be somebody who writes best for a small press that doesn't pay very well, but you might have a fascinating and intricate style that might not appeal to as many readers but will be incredibly meaningful to the readers you have. Truly, that's as wonderful if not more wonderful.

You love writing; I hate it; and if I had a lover who expected a note from me every morning, I should certainly break with him. Let me beg you then not to measure my friendship by my writing.

You lose your anonymity just like a helium balloon with a string. Therefore people are going to have their own opinion and they're going to write in whatever clever manner they desire

You lose somebody you've possibly known for years and on top of that you lose a character that you love seeing on TV so I think that kind of makes it cool that we pay a price too. That it is painful on many levels and its amazing to be writing that moment and crossing that line right on the page and seeing the ugliness of it and having to deal with it. It's a very weird thing.

You may write twenty lines one day--or even three like Euripides in three days--and a hundred lines in one more day--and yet on the hundred, may have been expended as much good work, as on the twenty and the three.

...you meditate and you got the candles, you got the incense and you've been chanting, and all of a sudden you hear this voice: 'Write this down'

You may well ask why I write. And yet my reasons are quite many. For it is not unusual in human beings who have witnessed the sack of a city or the falling to pieces of a people to set down what they have witnessed for the benefit of unknown heirs or of generations infinitely remote; or, if you please, just to get the sight out of their heads.

You may well ask me why...I took the time to write [books]. I can only reply that I do not know. There was no why about it. I had to: that was all.

You may translate books of science exactly. ... The beauties of poetry cannot be preserved in any language except that in which it was originally written.

You may think me crude, and probably I am crude, but I am not so crude as I was, for I am clever enough to see that the girl of nineteen who thought herself a genius was only an unusual girl writing her heart out.

You may very well ask what the goddess of love is doing in St. Andrews, writing trashy romances. Adapting.

You meditate and then you can put on your pajamas, or you can imagine you're wearing your pajamas, and you talk about your piece of writing in the language you would use if you were wearing your pajamas and you were seated at a table with your very good friend. And you wouldn't have to get all dressed up or clean up the table.

You might not write well every day, but you can always edit a bad page. You can't edit a blank page.

You must all know about Bourgain, so I don't have to write his name on the board-for an obvious reason.

You must become an expert on a product, service or anything you write about to really be effective.

You must avoid giving hostages to fortune, like getting an expensive wife, an expensive house, and a style of living that never lets you aford the time to take the chance to write what you wish.

You must be able to write. You must have a sense of form, of pattern, of design. You must have a respect for and a mastery over words.

You might learn as much about how to write by reading Shakespeare, Tolstoy, Wallace Stevens, Raymond Chandler, Saul Bellow, Paul Muldoon or a hundred other good novelists or poets than by seeing another round of John Ford revivals.

You might 'write from the heart,' but you'd better polish with your brain.

You must be life for me to the very end," so he writes. "That is the only way in which to sustain my idea of you. Because you have gotten, as you see, tied up with something so vital to me, I do not think I shall ever shake you off. Nor do I wish to. I want you to live more vitally every day, as I am dead. That is why, when I speak of you to others, I am just a bit ashamed. It's hard to talk of one's self so intimately

You most likely need a thesaurus, a rudimentary grammar book, and a grip on reality. This latter means: there's no free lunch. Writing is work. It's also gambling. You don't get a pension plan. Other people can help you a bit, but ­essentially you're on your own. Nobody is making you do this: you chose it, so don't whine.

You must be unintimidated by your own thoughts because if you write with someone looking over you shoulder, you'll never write.

You must find some way to elevate your act of writing into an entertainment. Usually this means giving the reader an enjoyable surprise. Any number of devices will do the job.... These seeming amusements in fact become your 'style.' When we say we like the style of certain writers, what we mean is that we like their personality as they express it on paper.

You must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.

You must not fear, hold back, count or be a miser with your thoughts and feelings. It is also true that creation comes from an overflow, so you have to learn to intake, to imbibe, to nourish yourself and not be afraid of fullness. The fullness is like a tidal wave which then carries you, sweeps you into experience and into writing.

You must find the right voice (or voices) for the timbre that can convince a reader to give himself up to you.

You must not suppose, because I am a man of letters, that I never tried to earn an honest living.