Best 30386 quotes in «writing quotes» category

Through her eyes the day was new and anything was possible.

Through my fiction, I seek to highlight the social and cultural rules that we accept without question. Sometimes, without even noticing. Fiction offers a unique platform to do this, with dystopia at the fore. By exaggerating these ingrained rules, or by reversing them entirely, we can start to examine them. And question them. And challenge those that are harmful.

Throughout his life, Bradbury liked to recount the story of meeting a carnival magician, Mr. Electrico, in 1932. At the end of his performance Electrico reached out to the twelve-year-old Bradbury, touched the boy with his sword, and commanded, Live forever! Bradbury later said, I decided that was the greatest idea I had ever heard. I started writing every day. I never stopped.

Through the act of writing, a writer learns more about himself than he could ever imagine.

Thus the British Empire came into existence; and thus - for there is no stopping damp; it gets into the inkpot as it gets into the woodwork - sentences swelled, adjectives multiplied, lyrics became epics, and little trifles that had been essays a column long were now encyclopaedias in ten or twenty volumes.

Thus all art is propaganda and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda. But I do care when propaganda is confined to one side while the other is stripped and silent.

Through writing, an author opens the window of his heart through which a reader can see the inner self of the author.

Thy heart had gone too far in this world, and think thou to comprehend the way of the most High?

Tighten your prose so the story flows.

Time heals all wounds; some broken hearts -- and most cases of writer's block.

Time is tick, tick, ticking away. How many souls will I capture today? Will they be a challenge or will they be given? Only time will tell as the clock keeps tick, tick, ticking. Your god has arrived with enough hatred for y’all, with enough evil for the big and small, so come one, come all. I will shred your souls and place them in my satchel, call you a settler and make you my peddler. Come one, come all, come stand behind your god. I will lead you into the darkness of Earth's end. Come one, come all, my wilted flowers, come claim your title, speak out and cheer it. Come one, come all, let’s have a ball, my wilted flowers . . . Sweet, Unconquerable Spirits.

Times change and discoveries are made that render earlier techniques and approaches less effective. Change is inevitable. To remain rigid when the whole world is changing and advancing is to invite misfortune. The AA program in particular is challenged with an opportunity of unprecedented magnitude.

Time unfolds beauty, wonder, and mystery to reveal the auspicious tapestry of life.

Timid young artists, adding parental fears to their own, often give up their sunny dreams of artistic careers, settling into the twilight world of could-have-beens and regrets.

Ti si moje secanje na bolje dane.

To achieve works of meaning, a writer (or any artist) must cut into himself and leave his soul on the canvas, exposed for anyone to do with what they please. Reject it. Spit on it. Swallow it whole. Whatever. It is done.

To all the talented young men who wander about feeling that there is nothing in the world for them to do, I should say: 'Give up trying to write, and, instead, try not to write. Go out into the world; become a pirate, a king in Borneo, a labourer in Soviet Russia; give yourself an existence in which the satisfaction of elementary physical needs will occupy almost all your energies.' I do not recommend this course of action to everyone, but only to those who suffer from the disease which Mr Krutch diagnoses. I believe that, after some years of such an existence, the ex-intellectual will fin that in spite of is efforts he can no longer refrain from writing, and when this time comes his writing will not seem to him futile.

To be able to influence Tanzanian literature and African literature, and sell our books in Tanzania as well as in our continent, we need to be committed to what we do. And what we do is writing. Write as much as you can. Read as much as you can. Use the library and the internet carefully for research and talk to people, about things that matter. To make a living from writing, and make people read again in Tanzania and Africa; we must write very well, very good stories.

To be a better cook, cook more. To be a better writer, read more.

To be a successful fiction writer you have to write well, write a lot … and let ‘em know you’ve written it! Then rinse and repeat.

To be a writer - write! To be an author - publish! To be a bestselling author - never stop writing!

To be a decent writer you must have both empathy and imagination. While these attributes aid your art, they can plague your soul. You don’t simply suffer your own sadness, experience your own longing and worry about your own wife and children, you are burdened with experiencing the emotional states of multitudes of others you don’t know.

To be a great warrior is not enough. Flesh and blood, however skilled, can be destroyed... you must be more than just a man in minds of your opponents.

To become a writer a person must read constantly, the more varied the writers and their material then all the better. One must also have a lot of life experience, travel to exotic locations and live among the local people. Yet most importantly a writer needs the determination to keep at their writing regardless of what others might say or think about it

To be a poet in today’s technological age means to be underrated and at times, ignored. In a world where the noise of industry reigns supreme, the poet’s voice is being drowned out, but it is a voice that is desperately needed. Our words ring out into the atmosphere and calls the masses back to their senses. We must seize this opportunity and remain true to our purpose in society. Ours is a most noble duty, here to represent the misunderstood and underrepresented, and one day, one person will heed the call of our words and the world will be set ablaze!

To become successful, one must put themselves in the paths of giants!

To be inspired is great, but to inspire is an honor.

To be read. To be heard. To be seen. I want to be read, I want to be heard. I don't need to be seen. To write requires an ego, a belief that what you say matters. Writing also requires an aching curiosity leading you to discover, uncover, what is gnawing at your bones. Words have a weight to them. How you choose to present them and to whom is a matter of style and choice.

To be playful is not to be trivial or frivolous, or to act as if nothing of consequence will happen. On the contrary, when we are playful… everything that happens is of consequence, for seriousness is a dread of the unpredictable outcome of open possibility. To be serious is to press for a specified conclusion. To be playful is to allow for unlimited possibility.

To be original is not creating your own idea; it's the essence of the idea in the reader's mind.

To capture the drama of the unconscious, one had to start with the key, and the key was the dream. But the novelist’s task was to pursue this dream, to unravel its meaning; the goal was to reach the relation of dream to life; the suspense was in finding this which led to a deeper significance of our acts.

To come up with one great sentence, one needs to serve a life sentence.

To compose poetry is about listening, ...not to contrive, it is, so to speak, about bringing forth something that already exists-this is why when one reads great poetry, when often gets this ‘I-new-all-of-this-already, I-just-didn’t-express-it’ feeling. Language listens to itself.

To conquer fear, you must become fear - you must bask in the fear of the BOOK... and men fear most what they cannot see- The Power of the Book is spiritual.

Today, death is your opponent.

TODAY IS A GREAT DAY TO MAKE ART.

Today it is cheaper to start a business than tomorrow.

Today I am amused, and I haven't seen anyone yet.

Today, in front of a slew of white authors, during a fellowship, with a drink in my hand, I said that I was untouchable. There was a gasp, and maybe it was a hundred years of work for my name to arrive here, where I can name my pain so well that people are afraid of the consequences and the power.

Today is the day that you create worlds, you change lives, you make a something, a someone, out of nothing. Today is the day you become a writer.

Today I hate myself for loving you, and I hate myself for not being strong enough to love you back... when I know broken boys like you need me, too.

Today’s tangents will become tomorrow’s arcs, and unforeseen connections will tie up your loose ends in a way that will make you want to slap your head and holler at your accidental brilliance.

Todentuntuisen kuvailun vaikeus johtuu siitä, ettei kieli voi ikinä tavoittaa olemassaolon perimmäistä ankeutta. Luulen monen kirjoittavan tarinoita elämästään juuri tästä syystä. Muistiin merkittynä tyhjänpäiväisinkin havainto tai ajatus muuttuu arvokkaaksi. Kirjoittamalla jostakin maailman ilmiöstä kirjoittaja poimii sen erilleen olemassaolon tunkiosta, kiillottaa sen ja asettaa näytteille lasivitriiniin. Kirjoittaminen pyhittää ansaitsemattomasti kuvauksen kohteen. Ilmiön täytyy olla merkityksellinen, koska joku kirjoittaa siitä. Tätä tarkoitin sanoessani, että paperilla kaikki näyttää juhlallisemmalta.

To everyone who thinks writing a sequel should be easy because you've already clreated the universe: Bwa ha ha ha ha ha ha! Heh. No.

[Today's high schoolers are required to read] a couple of Shakespeare plays...the couple of Shakespeare plays function as an inoculation – that is, you get exposed to 'half-dead Shakespeare virus', and it keeps you from ever loving Shakespeare again, your whole life long. It would be much better if they didn't do that at all! Because [the students] have no linguistic preparation for it, and no cultural or historical preparation for it. They've not been reading English poetry, so the language strikes them as completely bizarre […] and they have no historical place to put it, so they don't know what's going on. All they know is that they're 'supposed to like it'.

To find new, keep moving forward ...

To find the courage to keep writing after constant failure is awesomeness. Winning is eminent.

To interrupt the writer from the line of thought is to wake the dreamer from the dream. The dreamer cannot enter that dream, precisely as it was unfolding, ever again.

To have the beginning of a truly great story, you need to have a character you're completely and utterly obsessed with. Without obsession, to the point of a maddening addiction,there's no point to continue.

To get change, you must first pay for it.