Best 30386 quotes in «writing quotes» category

Almost all words do have colour and nothing is more pleasant than to utter a pink word and see someone's eyes light up and know it is a pink word for him or her too.

Almost without exception, everything society has considered a social advance has been prefigured first in some utopian writing.

Almost all the producers I know and dig, like Quincy Jones or Brian Eno, are really musicians first. I'm a composer, an orchestrator, an arranger and a musician first. I know how to write and rewrite songs, and the genius is really in the rewriting.

Alongside my "no email" policy, I resolve to make better use of the wonderful Royal Mail, and send letters and postcards to people. There is a huge pleasure in writing a letter, putting it in an envelope and sticking the stamp on it. And huge pleasure in receiving real letters, too.

Almost always when I told someone I was writing a book about "eating animals", they assumed, even without knowing anything about my views, that it was a case for vegetarianism. It's a telling assumption, one that implies not only that a thorough inquiry into animal agriculture would lead one away from eating meat, but that most people already know that to be the case.

Almost everything that's happened in my poetry is what you might call organic. I don't do much preconceiving. The only consistent plan I've ever had is to try to break my patterns, my habits, my kneejerk tendencies in writing. If I start to sound too much like the Ron Padgett that I've read before, I stop myself. I don't want to get locked perpetually in a mode or a level of diction or a stylistic vein - what is called a poetic voice.

A logic proof is: you get a starting point and an ending point, and you have to get there through all these different steps and tautologies. I approach novel writing that way. When I get to the end I have to go back and connect everything.

Alone with our madness and favorite flower We see that there really is nothing left to write about. Or rather, it is necessary to write about the same old things In the same way, repeating the same things over and over For love to continue and be gradually different.

Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that.

A lot of artists are good cooks as I'm too, but coming from a culture that was very concerned with food, I was very interested in that from the start. If you're interested in food, you're interested in lots of different aspects of culture. And it's like being interested in the music from a certain area, or writing, or whatever-food is part of that, too.

A lot of aspiring writers are all ready to write a novel, but they don't know how to write sentences.

A lot of big labels will just sign bands like a write off.

A lot of critics think I'm stupid because my sentences are so simple and my method is so direct: they think these are defects. No. The point is to write as much as you know as quickly as possible.

A lot of college graduates approach me about becoming screenwriters. I tell them, 'Do not become a screenwriter, become a journalist,' because journalists go into worlds that are not their own. Kids who go to Hollywood write coming-of-age stories for their first scripts, about what happened to them when they were sixteen. Then they write the summer camp script. At the age of twenty-three they haven't produced anything, and that's the end of the career.

A lot of [George Saunders] early stories now feel prophetic. Take the recent election [of Donald Trump]. Historians in 100 years might write about it as being the first internet election, in which what happened was actually an expression in the real world of a virtual reality. And you've been writing about that subject for a while.

A lot of artists use memories. A lot of prose writers, a lot of poets, a lot of songwriters, refer back to something. Generally it's all you've got, unless you're brilliant and can write totally in the now.

A lot of food criticism has a similar flavor to it, and I'm probably going to write about it in a different way.

A lot of being a writer doesn't have anything to do with writing. It's ironic - I have to squeeze the books in, even though that's what it's all about.

A lot of crime fiction writing is also lazy. Personality is supposed to be shown by the protagonists taste in music, or were told that the hero looks like the young Cary Grant. Film is the medium these writers are looking for.

A lot of documentaries have been made very quickly, but I think they're like frogs in an ecosystem: They're harbingers. Film is always two or three years behind, because it takes so long to write a script, get financing, and get it made. It just takes a while. But I think it's coming. It has to.

A lot of films that have been adapted from books stop serving you because they become different. I mean, they are different entities in themselves, but artistically, what you're trying to achieve with a film is so very different to what you're trying to achieve with a book, and the way when you write a script is so very different on paper to how it seems on a screen.

A lot of folks just get it in their head that, for instance, like writing memoirs is just easy. You just write down what happened. It doesn't quite work that way.

A lot of kind of like the way that Andy [Bernard] talks, you know, the writers pick up on those things - little moments that I inject and then they start to write it in later. It's hard to say if a whole storyline is spun out of an improv. I feel like it has happened on The Office, I just can't think of it.

A lot of music for me was about - I mean aside from the fun and challenge of writing and being really good friends with my bandmates - getting to perform.

A lot of my words come to me when I'm out and about as well, riding the bus or sat in the pub. I went through a stage of going to a strip bar called the White Horse at lunch times and did a lot of writing in there. They were fine with that but I don't know how they would feel about me setting up the easel.

A lot of my writing is not terribly civilized. Sometimes I listen to songs by very smart writers who assume that the world is a civil place with certain formalities that people follow, but I don't see things that way. My own experience tells me that life is not like that. That's why I write the way I do.

A lot of guys get slammed pretty hard. I do think there's a tendency with women performers to just sort of write them off. The "Flavor of the Month" kind of thing. Or as a novelty, because I do think women in bands are still considered a novelty, or a little confection.

A lot of my songs are fantasy. I can dream up all kinds of things. That's the kind of world I live in. It's very sort of flamboyant, and that's the kind of way I write. I love it

A lot of my work comes from what in Asia is called the 'mind of wonder.' There is not a lot of 'mind of wonder' writing in contemporary Western literature. I think that's what appeals to the readers who are my fans.

A lot of my writing is basically about observation, and things that I've seen, either through personal experiences or the experiences of people around me, or society at large.

A lot of my buddies enjoy the writing part or the studio part, and I love the live show part. That's the reason I got into all this, to play keg parties and bars. I still love playing live.

A lot of novelists start late-Conrad, Pirandello, even Mark Twain. When you're young, chess is all right, and music and poetry. But novel-writing is something else. It has to be learned, but it can't be taught. This bunkum and stinkum of college creative writing courses! The academics don't know that the only thing you can do for someone who wants to write is to buy him a typewriter.

A lot of movies that come from Israel are about war, but there is such good, funny, rounded writing that comes from the country that I wish more people would discover.

A lot of my close friends had tolerantly washed their hands of the whole idea of me writing a book. They had said to themselves, "I don't know what he's doing.

A lot of my work comes from a place of despair or fear. I often write in order to gain some sort of control over aspects of my life or the world that seem too dark to look at directly.

A lot of people are writing poems and don't realize it. They have this limited idea of how the poem should sound or what subjects it should address.

A lot of joblessness in the black community doesn't seem to be reachable through fiscal and monetary policies. People have not been drawn into the labor market even during periods of economic recovery. Employers would rather not hire a lot of workers from the inner city. They feel people from the inner city are not job-ready, that the kids have been poorly educated, that they can't read, they can't write, they can't speak.

A lot of my books have been that way. My World War II thriller about Sarin gas [Black Cross] was published two months before the Sarin attack in the Japanese subway. There are very weird coincidences out there. And I do have one surefire plot I have not and probably never will write, because of my fear someone will carry it out.

A lot of my students have been quite notable. Notable in both the personal sense - people who have changed my life - and notable in that many have gone on to enormous success in their writing careers. Whether or not I had a lot to do with those success stories, I'm very proud and happy for my former students getting on the map.

A lot of my writing is not terribly civilized.

A lot of people involved with celebrity journalism have interesting ideas about the people they want to write about going into the interview. Then as soon as they actually sit down with that person, they basically ask the questions they think journalists are supposed to ask, and they start viewing themselves almost as a peer of the subject. Like they're going to become friends. That's why most celebrity journalism is so terrible.

A lot of people, myself included, are excited about blogging and stuff like that, citizen journalism, but I do remind people that no matter how excited we are, there's no substitute for professional writing, no substitute for professional editing, and no substitute for professional fact-checking.

A lot of people assume that creating software is purely a solitary activity where you sit in an office with the door closed all day and write lots of code.

A lot of people can figure out the social media aspect of it, or the merchandising aspect, or whatever and get enough momentum to start a career. To sustain it, you have to keep writing and you have to keep creating.

A lot of people consider my books to be straightforward, but I think that I write from atmosphere to atmosphere rather than from event to event.

A lot of people feel like urban fantasy is a shortcut that gets you around world-building, because it's set "in the real world." But it doesn't really work that way, as I found out. You have to come up with just as consistent an internal cosmology and magic system as you would if you were writing high fantasy.

A lot of people go off and have fun adventures, or hard adventures, and their impulse is to write about them right away. What really makes a difference is having some perspective on what happened.

A lot of people have already been impacted by the Life Cube Project and the principles behind it. They write to me and post on social media all the time, about their dreams coming true after writing them down, or how writing down their goals resonated with them.

A lot of people have said to me, 'That's a great idea, running for president. You'll get booked for more speeches. You can write a book.'

A lot of people get to the point in their careers where blurbs are ghostwritten for them, because they're like, "I want to support this person, it's good for my career," and so they get someone at the publishing house to do it, or they copy something from the press release. People write their own blurbs, absolutely, some huge percentage of the time.