Best 30386 quotes in «writing quotes» category

Whenever I write about my family, I start by getting my parent`s approval. I like to think I write about them with obvious affection. When it comes to the people I'm related to, I consider myself to be very lucky.

Whenever I write a novel, music just sort of naturally slips in (much like cats do, I suppose).

Whenever I write for hotel reservations, I always enclose a set of rules I have made for the hotels.

Whenever I write lyrics, in the back of my mind I always see a guy driving to work, driving to a really bad job, one of those horrible institutions, or one of those low squat buildings in Los Angeles. I write with that person in my mind.

Whenever I finish a book, I go off and have some kind of adventure. Having had an adventure in my writing chair or on my writing sofa, an internal adventure, then I need to balance that off with an external adventure, so I'll go tramping through Africa or whitewater rafting or float to Hawaii in a martini shaker or something.

Whenever I get asked to write orchestra music or music that is for a lot of players, I try to make it a little sad.

Whenever I'm done with an album cycle, I still wanna write music. If I'm bored when I'm at home, which never happens, my first instinct is to go to the piano and bang something out.

Whenever I realize I'm being a goofball, I write it down. When I release the joke onstage, I love watching the effect it has on the audience. No one wants to see someone talk who takes themselves too seriously.

Whenever I see the word Operation, especially Trifling Operation, I at once write off the patient as dead.

Whenever I've been stuck on a project, it's always brought me solace to the return to books that moved me in the past. It's a nice way to get outside my own head; and it brings me back to one of the most important reasons I write at all: to bring some pleasure to readers, to make them think or feel.

Whenever I write a story, I hope it appeals to both boys and girls.

Whenever I write, I'm always thinking of the reader.

Whenever I get lost in a novel I just throw a poem in. What it does is flare up, and it's so illuminated that I'm able to see where to go. I write between these illuminations.

Whenever I have had to write fiction, I've always had to invent a character who roughly has my background.

Whenever I'm asked what advice I have for young writers, I always say that the first thing is to read, and to read a lot. The second thing is to write. And the third thing, which I think is absolutely vital, is to tell stories and listen closely to the stories you're being told.

Whenever I started writing music, it just naturally led itself there. As I started to tell my story, it's where my home was. It's just a very natural choice.

Whenever I have time, I try to get in the studio and write, whether it's for me or other artists or my catalog of music. It's definitely one of my favorite parts of the music industry.

Whenever I'm on tour and I'm in my hotel room and I'm writing and playing my guitar, I go in the bathroom and I record whatever I'm writing in there. It's just what I love to do.

Whenever I write a letter to a family who has lost a loved one in Iraq, or read an email from a constituent who has dropped out of college because her student aid has been cut, I'm reminded that the actions of those in power have enormous consequences--a price that they themselves almost never have to pay.

Whenever I wrote fiction, people always seemed to think that what I wrote was true, that it was entirely autobiographical. And when I would write non-fiction, they often accused me of exaggeration and fictionalization.

Whenever I sat down to write something it was never anything I took lightly. It was something that I'd want you, somebody in Japan, and somebody [over there to hear it].

Whenever something good happens, write it down. Buy a special notebook . . . and use it to list all the good in your life.

Whenever there's an interview with me, I might read it, but I don't read the comments because they're so hateful sometimes. When someone writes something nasty, I just think, "If that's your contribution to my day, I really don't need your impoliteness." I'm lucky that people are very cool with me and I get a lot of love. I appreciate that.

Whenever you’re down on your luck, and when things aren’t going the way you like, remember that you are the author of your own story. You can write it any way you like, with anyone you choose. And it can be a beautiful story or a sad and tragic one. You get to pick.

Whenever they tell me children want this sort of book and children need this sort of writing, I am going to smile politely and shut my earlids. I am a writer, not a caterer. There are plenty of caterers. But what children most want and need is what we and they don't know they want and don't think they need, and only writers can offer it to them.

Whenever we remember a series of events, we remember them different. We are constantly changing. It's a flaw, but on the other hand, when we say a word, the meaning is not what you put into it. Rather, the meaning of the word is all of the past usages of that word. Like this cloud that makes up the meaning of the word. It's your subject if you write. For instance what you put in that word and what you assume it means, even its flaw. It has a general agreement.

Whenever we can make 25 words do the work of 50, we halve the area in which looseness and disorganization can flourish.

Whenever you're making a movie, especially when you're writing, you always have self-doubts.

Whenever you talk about writing I think you have to remember that it all has a big question mark over it - every word has a big question mark over it.

Whenever you think you're writing what other people want to hear from you, and that it'll be commercial, you're doomed to disaster. Writing has to be as truthful and specific as we can make it. The minute we think that we're reaching more people and pleasing them, we get general. And audiences sense that and turn away, shun us.

Whenever you write for someone else, you're always aware - sometimes overtly, other times at an almost cellular, subliminal level - of the rules about what you can and can't do.

When forced to leave my house for an extended period of time, I take my typewriter with me, and together we endure the wretchedness of passing through the X-ray scanner. The laptops roll merrily down the belt, while I’m instructed to stand aside and open my bag. To me it seems like a normal enough thing to be carrying, but the typewriter’s declining popularity arouses suspicion and I wind up eliciting the sort of reaction one might expect when traveling with a cannon. It’s a typewriter,’ I say. ‘You use it to write angry letters to airport security.

Whenever you write a character, you want to make them themselves, you want to make them unique. You don't want fifty characters in your book and they all pretty much act and think the same except they have different colored hair.

Whenever you write on a subject that questions the status quo, there are bound to be many who wrestle with the issues

When finished writing a post, go back and add bullets, sub heads, spacing; eliminate long paragraphs or sentences.

When Howard Marks came out of prison, years later, I met him at a concert in South Wales; I was a young whippersnapper and Howard was kind of an outlaw hero. I said to him - and it's on tape, a cousin of his filmed our meeting - I said, "If you write a book, I want to play you in a movie." He said, "Let's shake on it," and we did. Thirteen years later, there we were, making the movie.

When I am angry I can write, pray, and preach well, for then my whole temperament is quickened, my understanding sharpened, and all mundane vexations and temptations depart.

When, however, one reads of a witch being ducked, of a woman possessed by devils, of a wise woman selling herbs, or even a very remarkable man who had a mother, then I think we are on the track of a lost novelist, a suppressed poet. . . indeed, I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.

When I am asked how I began writing poems, I talk about the indifference of nature.

When historians get to write the truth about this completely unnecessary referendum [Brexit] they won't say it was a vote demanded by the British people to decide their national destiny. They will say it was the final battle in a decades-long Tory Civil War, at the heart of which was a fight to the death between two Old Etonians, David Cameron and Boris Johnson, for the hollow crown. A sort of Eton Wall Game. Where the poorest are put up against the wall and shot.

When I accept someone's testimony, I am thus only a small part of the full seat of epistemic competence, which might include many others in a long chain. My own contribution might then be slight, just through the perceptual and linguistic competence involved in knowing what someone is saying or writing, etc.

When I am trying to write I turn on music so I can hear what is keeping me from hearing.

When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and is it is cool and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit again.

When I am writing a novel, though, then it's usually three or four hours a day. Ideally, right after lunch until three or four, but sometimes picking up again around ten, going until a touch after midnight. I rarely write in the morning, unless I'm on deadline. I do like rewriting in the morning, though. Guess it's the way my brain's put together. Or, the way it's falling apart.

When I am writing I don't set a certain number of pages. I do know that the further into a script I get the faster it goes. As soon as you start making decisions you start cutting off all of the other possibilities of things that could happen. So with every decision that you make you are removing a whole bunch of other possibilities of where that story can go or what that character can do. So when I get maybe 2/3's of the way through I can see very clearly where it is going to go.

When I am writing, I'm very much on the ground, on the same ground my characters are treading.

When I am writing my problems become invisible and I am the same person I always was. All is well. I am as I should be.

When I applied to Stanford, I applied for graduate work in the PhD program, not to the creative writing program, mostly because though I had some vague ambition of becoming a writer and I was trying to write poems and essays and stories, I didn't feel like I was far enough along to submit work to some place and have it judged.

When I became a feminist, when the movement started in the late sixties, I started writing because I had something urgent to say. My first novel, Memoirs of an Ex-Prom Queen, is the product of that urgency.

When I began writing, it was a cosmic thing: Inspiration! Wham! Short spurts of time when I felt out of touch with reality, temporarily insane and the result: a song!