Best 30386 quotes in «writing quotes» category

The truth is, the way you write music, it's a code. It has to be very precise. It's scientific, but ultimately it also depends on interpretation. It's very similar to how you grow a master plan: it's an objective document, but at the same time it is a lyrical document which allows through interpretation to become a harmonious work of art.

The truth is, writing and directing are two very different jobs. They're not even remotely the same job. It took me a while, as a director, to understand that.

The truth of the matter is that about 99 percent of teaching is making the students feel interestedin the material. Then the other 1 percent has to do with your methods. And that's not just true of languages. It's true of every subject.

The "truth" is the poem itself. Just because someone writes a poem about a feeling she has does not mean that the feeling will stay forever. The truth of the emotion of the poem remains, even if the particular truth of the poet changes.

The twentieth century saw a professionalization of fiction writing, particularly in its second half and particularly in the Anglo-Saxon world - not so much mainland Europe, for example. This professionalization is a tragedy. Hand in hand with this - and I have no idea what the causal relations are - there has been a rise in the idea of The Author, so that today one often has the impression that what's selling the book is not the book but the author.

The two important facts I should say, are emotion, and then words arising from emotion. I don't think you can write in an emotionless way. If you attempt it, the result is artificial. I don't like that kind of writing. I think that if a poem is really great, you should think of it as having written itself despite the author. It should flow.

The ultimate 20-year plan is to be living in the Caribbean, writing, living off the land, eating from the ocean and probably smoking herb.

The Twist was a guided missile, launched from the ghetto into the very heart of suburbia. The Twist succeeded, as politics, religion, and law could never do, in writing in the heart and soul what the Supreme Court could only write on the books.

The two things I enjoy the most about writing are the first page of a book and the last. What's in between is very hard work.

The twisted circumstances under which we live is grist for the writing mill, the loving, hating and discovering, finding new handles for old pitchers . . .

The unconscious mind writes poetry if it's left alone.

The United States has written the white history of the United States. It now needs to write the black, Latino, Indian, Asian and Caribbean history of the United States.

The United States has made a massive effort since the end of the Second World War to secure the dominance of its films in foreign markets - an achievement generally pushed home politically, by writing clauses into various treaties and aid packages.

The universe doesn't really care if you bounce back. It doesn't feel that weird to write about paralysis or being in hospital or losing a child or, you know, splitting up with your wife, because that's just life.

The universal object and idol of men of letters is reputation.

The unspoken factor is love. The reason I can work so hard at my writing is that it's not work for me.

The urge to write poetry is like having an itch. When the itch becomes annoying enough, you scratch it.

The unknownness of my needs frightens me. I do now know how huge they are, or how high they are, I only know that they are not being met. If you want to find out the circumference of an oil drop, you can use lycopodium powder. That’s what I’ll find. A tub of lycopodium powder, and I will sprinkle it on to my needs and find out how large they are. Then when I meet someone I can write up the experiment and show them what they have to take on.

The U.S. Army records alone for World War II weigh 17,000 tons, and even the best historians have not done more than just scratch the surface. The story is such that 500 years from now people will be writing and reading about it.

The urge to write one's autobiography, so I have been told, overtakes everyone sooner or later.

The unpublished manuscript is like an uncon-fessed sin that festers in the soul, corrupting and contaminating it.

The use of criticism, in periodical writing, is to sift, not to stamp a work.

The use of language is all we have to pit against death and silence.

The usual picture of Socrates is of an ugly little plebeian who inspired a handsome young nobleman to write long dialogues on large topics.

The use of thesis-writing is to train the mind, or to prove that the mind has been trained; the former purpose is, I trust, promoted, the evidences of the latter are scanty and occasional.

The very best parts of me go into my writing, it is the best version of myself, and I don't think it's hubristic to believe that that's worth something, worth someone else's time. It's the most I have to offer the world.

The very first thing I tell my new students on the first day of a workshop is that good writing is about telling the truth. We are a species that needs and wants to understand who we are. Sheep lice do not seem to share this longing, which is one reason they write so very little. But we do. We have so much we want to say and figure out.

The vehemence with which certain critics have chosen not simply to criticize what I've written, but to challenge my writing this story at all, speaks of what the book is about: fear of disapproval.

The very best thing you can do is to try to write a song that has some sort of impact.

The very hope of experimental philosophy, its expectation of constructing the sciences into a true philosophy of nature, is basedon induction, or, if you please, the a priori presumption, that physical causation is universal; that the constitution of nature is written in its actual manifestations, and needs only to be deciphered by experimental and inductive research; that it is not a latent invisible writing, to be brought out by the magic of mental anticipation or metaphysical mediation.

The very act of writing assumes, to begin with, that someone cares to hear what you have to say. It assumes that people share, that people can be reached, that people can be touched and even in some cases changed. So many of the things in our world lead us to despair. It seems to me that the final symptom of despair is silence, and that storytelling is one of the sustaining arts; it’s one of the affirming arts. A writer may have a certain pessimism in his outlook, but the very act of being a writer seems to me to be an optimistic act.

The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them in the same ways, often for the same magazines.

The very term "turning pages" suggests nonstop action. But I am all about character and beautiful writing. I eat that up like popcorn. Whether a book is action-packed or not, all I need are well-written prose and quirky, fabulous characters to keep me going.

The violence in the Executioner books is merely stage-dressing for dramatizing the commitment and dedication Bolan has to his ideals and the lengths to which he will go to honor them. We can learn this message of love and commitment and carry it into our own lives without the violence and bloodshed, and of course it is this wish that fuels the writing. I do not want my readers to pick up a gun and follow Bolan's example; I want them to be stirred by his commitment and to find ways to meet the same challenges without resort to violent means.

The victimization of children is nowhere forbidden; what is forbidden is to write about it.

The victory of the show is in the writing. Coming up with sketches and stand-up bits. The rest is just hitting buttons on a machine more or less.

The very reason for the First Amendment is to make the people of this country free to think, speak, write and worship as they wish, not as the Government commands.

The very word woman in the writings of the church fathers stood for the basest of temptations... As women were lowered in the moral scale because of their identification with her at the very bottom of the pit, so they cannot rise themselves save as they succeed in lifting her with whose sins they are weighed.

The voice in my head has a stutter, and that's really annoying. D-D-D-Dave Dave. What? K-K-K-Kill your p-p-p-parents. L-L-L-Loa... Write it down!

...the vital point to remember is that the swine who just sent your pearl of a story back with nothing but a coffee-stain and a printed rejection slip can be wrong. You cannot take it for granted that he is wrong, but you have an all-important margin of hope that might be enough to keep you going.

The voice is a human sound which nothing inanimate can perfectly imitate. It has an authority and an insinuating property which writing lacks. It is not merely so much air, but air modulated and impregnated with life.

The visual world has blown up, the world of writing has blown up; there's so much text online. Anyone and everyone can express themselves. It's a lot to think about as an artist. Also, that the persona of the artist might actually be of some importance. When I came of age, it was important to be quiet and hang back and be mysterious. I knew artists who didn't even want to show up at their own openings. They never wanted to have their picture taken, didn't want to autograph a book, didn't want to answer a question. I came of age in a world where it was "Let the work speak for itself.

The visual side of being a performer or in a band is, to me, as important as the music. I know not everyone shares that same opinion, but when I'm writing songs or working on lyrics or coming up with an idea, I think about videos as I'm in the studio. If I had all the money in the world, I would have the most amazing videos ever, you know? You're saying grandiose, and big; if the song warrants it, I try to push the visuals as far as I can.

The vulgar and common esteem is seldom happy in hitting right; and I am much mistaken if, amongst the writings of my time, the worst are not those which have most gained the popular applause.

The walls are covered -crammed- with writing. No. Not writing. They are covered with a single four-letter word that has been inscribed over and over, on every available surface. Love.

The walls are the publishers of the poor.

The War is the first and only thing in the world today. The arts generally are not, nor is this writing a diversion from that for relief, a turning away. It is the war or part of it, merely a different sector of the field.

The way I feel about every book is this: you don't finish it, you abandon it. All of my books have in some sense failed, otherwise I wouldn't write another one. If I wrote the perfect book, I wouldn't have to write again, and I wouldn't want to. That's not true for everyone, but it's true for me. I could walk away then. But so far I haven't managed to do it.

The way Disney characters move, they're very kind of slow and fluid and flowing; one pose kind of eases into the next. If you look at a show like 'The Simpsons' and subsequently a show like 'Family Guy' - the characters will jerk from pose to pose a lot, a bit more snappy. Which sort of goes along with the writing tone of the show.

The way I challenge myself is by writing something that really engages me, that doesn't have an easy answer, and isn't always an easy book to write.