Best 30386 quotes in «writing quotes» category

We have a lot of women on the staff, obviously. It's a predominantly female writing staff and we hire the best people. It's not like we go we need more women or we need four women directing.

We have been assured, Sir, in the Sacred Writings, that 'except the Lord build the House, they labor in vain that build it' I firmly believe this; by our partial local interests; our projects will be confounded, and we ourselves shall become a reproach and a by word down to future ages.

We have chosen to write the biography of our disease because we love it platonically - as Amy Lowell loved Keats - and have sought its acquaintance wherever we could find it. And in this growing intimacy we have become increasingly impressed with the influence that this and other infectious diseases, which span - in their protoplasmic continuities - the entire history of mankind, have had upon the fates of men.

We have come to think that duty should come first. I disagree. Duty should be a by-product. Writing, the creative effort, the use of the imagination, should come first – at least, for some part of every day of your life. It is a wonderful blessing if you use it. You will become happier, more enlightened, alive, impassioned, light-hearted and generous to everybody else. Even your health will improve. Colds will disappear and all the other ailments of discouragement and boredom.

We have seen over and over that white male historians in general have tended to dismiss any history they didn't themselves write,on the grounds that it is unserious, unscholarly, a fad, too "political," "merely" oral and thus unreliable.

We have something happening that actually makes the Republican Party probably the biggest political story anywhere in the world. Everybody's writing about it. All over Europe, all over the world they're talking about it. Millions of people are coming in to vote.

We have our own system, ... and journalists in our system are not put in prison for embarrassing the government by revealing things the government might not wish to have revealed. The important thing is that our system, under which journalists can write without fear or favor, should continue.

We have such a young culture that there is an opportunity to contribute wonderful new myths to it, which will be accepted.

We have the right, and the obligation, to tell old stories in our own ways, because they are our stories.

We have to accept ourselves in order to write. Now none of us does that fully: few of us do it even halfway. Don’t wait for one hundred percent acceptance of yourself before you write, or even eight percent acceptance. Just write. The process of writing is an activity that teaches us about acceptance.

We have to diversify, we have to find work we can do that helps other people while helping ourselves, work that has to do with writing that isn't necessarily just writing saleable novels or getting huge advances.

We have to look at our own inertia, insecurities, self-hate, fear that, in truth, we have nothing valuable to say. When your writing blooms out of the back of this garbage compost, it is very stable. You are not running from anything. You can have a sense of artistic security. If you are not afraid of the voices inside you, you will not fear the critics outside you.

We have to make sure America writes the rules of the global economy, and we should do it today while our economy is in the position of global strength, because if we don't write the rules for trade around the world, guess what: China will.

We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it still with us.

We have to have genius creative thoughts precisely four times a year and on exact dates. I actually write them on my calendar. I write, 'Friday, Nov. 8. Three o'clock. Have a genius creative idea.'

We have to make myths of our lives, the point being that if we do, then every grief or inexplicable seizure by weather, woe, or work can-if we discipline ourselves and think hard enough-be turned to account, be made to yield further insight into what it is to be alive, to be a human being.

We have to tell the American public that they're missing the boat, that they have to get into writing and reading. Not only that, but books won't crash in the year 2000.

We [he and Halmos] share a philosophy about linear algebra: we think basis-free, we write basis-free , but when the chips are down we close the office door and compute with matrices like fury.

We hear from sex workers who have through their own volition become media figures, or have despite their own wishes become media figures. Like Ashley Dupré, who has a sex advice column in the New York Post. You get outed and then people expect you to write a memoir because they think, what else are you going to do with your life?

We human beings build houses because we're alive but we write books because we're mortal. We live in groups because we're sociable but we read because we know we're alone. Reading offers a kind of companionship that takes no one's place but that no one can replace either. It offers no definitive explanation of our destiny but links us inextricably to life. Its tiny secret links remind us of how paradoxically happy we are to be alive while illuminating how tragically absurd life is.

We just keep making the shows that we love, and the good news is that we can never rest on our laurels, knowing that we're going to be on forever. We're constantly challenged to write the very best story that we can, week in and week out, hoping that that will allow us to keep telling more of them.

Weirdly, by the way,[Bob] Dylan also managed to write several beautiful love songs, like "To Make You Feel My Love" (covered by Adele, Garth Brooks, Billy Joel, and who knows who else) and "Most of the Time." Go figure.

We just write down a bunch of words, and pray to god they make sense. And if we don't, it doesn't matter, we're artists.

We kind of just got more mature and more realistic with what we're doing. We kinda said, "We quit our jobs and we quit college to do this, and we're going to be playing these songs every day just about, y'know, on a stage... so let's write songs that we're never gonna get sick of playing." Songs that aren't just gonna follow a trend of what's going on right now, y'know?

We kind of write pop songs, but we don't fit in the pop world. We're really bad at being pop stars and walking down red carpets. We've got our own little bubble, which we really like. We've learned to really like that.

We know how to work certain toys, and if you've got something in your head you know how to get in on tape, even if it's got an abstract sound to it. We are kind of producers as well as a band, so we're a self-contained unit. We can produce our own record as well as write it.

We know of no spectacle more ridiculous—or more contemptible—than that of the religious reactionaries who dare to re-write the history of our republic. Or who try to do so. Is it possible that, in their vanity and stupidity, they suppose that they can erase the name of Thomas Jefferson and replace it with the name of some faith-based mediocrity whose name is already obscure? If so, we cheerfully resolve to mock them, and to give them the lie in their teeth.

We know what we are doing by now.We seem to make an album every 18 months or so and I think every band should do that. We're not writing "Sgt. Pepper" every time; we are writing straight ahead rock n' roll.

We live in a moment and a culture when reading is really endangered. There's simply no way to write well, though, if you're not reading well.

We live in the age of mass loquacity.We are all writing it or at any rate talking it: the memoir, the apologia, the c.v., the cri de coeur.

We live under continual threat of two equally fearful, but seemingly opposed destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.

'We live' writes Pursewarden somewhere 'lives based upon selected fictions. Our view of reality is conditioned by our position in space and time — not by our personalities as we like to think. Thus every interpretation oа reality is based upon a unique position. Two paces east or west and the whole picture is changed.

Well, as a short-story writer, I don't think there are any weaknesses to the genre itself. I guess I would say that the difficulty of the form is that one must create an entire world in five to 30 pages, as opposed to 300. There is very little room for fat - you must be economical. And you must begin as close to the end as you possibly can.

Well, as anyone who actually writes knows, if you sit down and are prepared, then the ideas come. There's a lot of different ways people explain that, but, you know, I find that if I sit down and I prepare myself, generally things get done.

Well, everything surprises me about the writing process because illustrating comes much more naturally to me than writing does.

Well, first of all I think that we have to be careful with terms like the working class, obviously. When [Karl] Marx wrote about the working class he was writing about something much more bounded than we're talking about.

Well, I always say that the two things I was most disastrous at in my life, being a teenager and being a wife, were the two things I really wound up cashing in on when I was writing fluffy magazine pieces.

Well had the boding tremblers learn'd to trace The day's disasters in his morning face; Full well they laugh'd with counterfeited glee At all his jokes, for many a joke had he; Full well the busy whisper circling round Convey'd the dismal tidings when he frown'd. Yet was he kind, or if severe in aught, The love he bore to learning was in fault; The village all declar'd how much he knew, 'Twas certain he could write and cipher too.

Well, I believe that "thinking" is just as real a phenomenon in the world as anything else, and just as worthy of exploration. Maybe even more? So writing about "thought" to me is like writing about a tree or anything else real.

Well, I definitely have an artistic side to me as well. I write, I act, I draw. With that artistic mind I have, a lot of doors have opened for me. I can try to pursue, like - if it's something using my writing skills, maybe a book. Or maybe if it's my drawing skills, some clothing designs.

Well, I'd had the Fat Mattress earlier as a writing outlet for songs and that.

Well, I have to write. A lot of people forget that. They think I’m sort of crazy baffoon who can’t make up his mind what to do in life

Well, in fact everybody - everybody - in the entire nation has enough stuff in their life to write about that's interesting that they could write their autobiography. And in the end that's why I find people interesting.

Well, I'm writing everything that isn't my final project, so that when I actually sit down to write it, that's all that will be left in my mind.

Well into adulthood, writing has never gotten easier. It still only ever begins badly, and there are no guarantees that this is not the day when the jig is finally up.

Well, I'd like to think I am, and I'd also like to think that we're all having a lot more fun getting older than we pretend. It was interesting to me when I first started working on this book that I'd mentioned that I was writing a memoir about aging and everybody would moan and groan and carry on.

Well, if you can't then write in the press or put on television the importance of parents changing what they're doing, then the safe way out is to say, "Look, learning disabilities is probably genes. ADHD, probably genes." And that is the political alternative to not blaming the victim.

Well, I think every film student goes into film school thinking they want to write and direct their own movies, and they don't realize how much goes into it, and what a process it is.

Well it kind of is project to project because as a writer I think you always write to some degree about things that you know or things that happened - but my favourite filmmakers, my favourite movies of theirs tend to be the personal movies.

Well I think after leaving prison, and having written three diaries about life in prison, it became a sort of a new challenge to write another novel, to write a new novel.