Best 30386 quotes in «writing quotes» category

The least learned, for the most part, have been always most ready to write.

The less attractive the character, the more I enjoyed writing them. Officious bureaucrats and PowerPoint weasels are where it's at for me.

The lessons learned in journalism also apply. Writing for NPR has taught me to cut a piece in half and then in half again - without losing the essence. Apply that to the swollen prose of a bulky novel and you might reveal a beautiful work.

The less a writer discusses his work and himself the better. The master chef slaughters no chickens in the dining room; the doctor writes prescriptions in Latin; the magician hides his hinges, mirrors, and trapdoors with the utmost care.

The less I talk in bars, write emails, express myself in an emotionally lewd way outside of my songwriting, the more I have to do it through my music.

The liberty of the press is a blessing when we are inclined to write against others, and a calamity when we find ourselves overborne by the multitude of our assailants.

The level above Man is called the Kingdom of Heaven or Kingdom of God in the Gospels. It has many other names in different writings. In the Gospels, it is said that the Kingdom of Heaven is within. It is at a higher level of a man. To reach it, a man must reach a higher level in himself. If everyone did this, the level of life on this earth would change.

The level at which my OCD enters my writing process isn't that I slap the keyboard - it's more along the lines of a compulsive need to swap syllables around, rework words and sentences - I revise for the pleasure and satisfaction of it, rather than out of a sense of duty.

The liberty of speaking and writing guards our other liberties.

The literary man? An indiscreet man, who devaluates his miseries, divulges them, tells them like so many beads: immodesty-the sideshow of second thoughts-is his rule; he offers himself.

The literary world is made up of little confederacies, each looking upon its own members as the lights of the universe; and considering all others as mere transient meteors, doomed to soon fall and be forgotten, while its own luminaries are to shine steadily into immortality.

The literature of the Spanish Civil War is also important to me. Above all George Orwell's "Homage to Catalonia" as well as the writing of John Dos Passos and Ernest Hemingway. They worked on a film together in Spain during that war, which ended their friendship.

The line of dialogue belongs to the character; the verb is the writer sticking his nose in.

The literary man has a circle of the chosen few who read him and become his only public. . . . What more natural than that he should write for those who, even if they do not pay him, at least understand him?

The link between Vreeland and Guggenheim is their mutual sense of reinvention and transformation. That made something click inside of me as I too reinvented myself when I began writing the book on Diana Vreeland .

The listeners who buy books after a reading multiply that reading; the author who realizes that he or she may be writing on a blank page but is at least not speaking to a blank wall may be encouraged by the experience, and write more.

The little honesty that exists among authors is discernible in the unconscionable way they misquote from the writings of others.

The longer I've been writing scripts, the more I find that you have to give the artist more leeway or else you'll just be disappointed. You can't force them to draw every image that's in your head. Since I'm a horrific artist, I wouldn't want them to anyway. So I definitely give them a lot more leeway now than I did at the beginning.

The live show allows me to transcend myself, because it's not about me anymore. The writing process is very much about me but then the live show is not. They feel really different.

The living together is very important in a way. It's important for writing. It wouldn't be important if we were like just getting other people's numbers together, we'd just have to meet at rehearsals, but writing is something almost completely different.

The longer I write, the more important I believe it is to write the first draft as fast as possible. In drafting, I push myself so I am at the edge of discomfort...Later, it will be time for consideration and reconsideration, slow, careful revision and editing. But on the first draft I have to achieve velocity, just as you do if you want the bike to balance.

The logic for me, in writing it is that the different areas or different years are almost like different rooms.

The lives great artists live and the books they write are two very different things.

The loneliness of writing is that you baffle your friends and change the lives of strangers.

The longing to produce great inspirations didn't produce anything but more longing.

The Lord showed me by vision and revelation what would happen if we did not stop this practice... all ordinances would be stopped... many men would be made prisoners... I went before the Lord, and I wrote what the Lord told me to write.

The lovely thing about writing comics for so many years is that comics is a medium that is mistaken for a genre. It's not that there are not genres within comics, but because comics tend to be regarded as a genre in itself, content becomes secondary; as long as I was doing a comic, people would pick it up.

The love story between the hero and the heroine has to be at the center of the book. I think that's pretty true in my books. I usually write a secondary love story, with maybe nontraditional characters. Sometimes I write older characters. I'm interested in female friendships, and family relationships. So I don't write the traditional romance, where you just have the hero and the heroine's love story. I like intertwining relationships.

The lyrics seem to follow the music, and that's usually how I write. I write more about what comes out of my mouth while I'm writing the chords, and that seems to work better than filling up notebooks of what I think is really cool poetry, and try to put it on a song. That usually sounds like it's taped on.

The magic of comics is that there are three people involved in any comic. There's whoever's writing it and whoever's drawing it. And then there's whoever's reading it because they are creating the movement. They are creating the illusion of time passing.

The love of writing comes at a very early age. For me, for instance, comic books so affected me. And a lot of people who come up to me and start talking about writing, when I start talking to them about the "Fantastic Four," they look at me aghast. They say, "'The Fantastic Four?' That's not literature." I say, "Yeah, but it was when I was 11 years old." This was literature.

The magic of comics is that there are three people involved in any comic: There is whoever is writing it, and whoever is drawing it, and then there's whoever is reading it, because the really important things in comics are occurring in the panel gutters, they're occurring between panels as the person reading the comics is moving you through, is creating a film in their heads.

The lowest stress environment is the radio show. I am not on camera and I can let the music do the talking. The rest is more highly pressurized or in the case of writing, time intensive task. I say yes to all of it and like all of it but the radio show, by nature of what it is, is the least hassle.

The main thing is to write for the joy of it. Cultivate a work-lust that imagines its haven like your hands at night dreaming the sun in the sunspot of a breast. You are fasted now, light-headed, dangerous. Take off from here.

The main thing that I've learned, artistically, is that if I'm in pain and feeling the budding of anger - if I absolutely feel like I need to write a song about it, I'll either need to transform that anger into something positive, or I'll just need to throw the song away. Because eventually, I'm going to want to transcend that pain and that anger.

The main thing to know about me is that I'm a champion of entrepreneurs and the startups they build. They are my rock stars. If in doubt, I side with them, and that's clear from my writing.

The main objective in any song, the songs that I write, has always been that it reflect the way I feel, that it touch me when I'm finished with it, that it moves me, that it can take me along with it and involve me in what its saying.

The main event is freedom. I often wonder if I had the complete freedom to not have to write, if I would write. That's the one mystery that I hope I get to experience. It might be a good idea to retire, since as this delusion of an economy progresses, it seems that if you make ten grand a year or a hundred grand a year, there's absolutely no difference.

The main reason I write the daily observations is because I want to know where I'm wrong. So lots of times if somebody points something out it helps me, and I want to have a diversified bet of uncorrelated bets.

The main rule of writing is that if you do it with enough assurance and confidence, you’re allowed to do whatever you like. (That may be a rule for life as well as for writing. But it’s definitely true for writing.) So write your story as it needs to be written. Write it honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter.

The main thing is to make history, not to write it.

The major accomplishment of analyzing illiteracy so far has been the listing of symptoms: the decrease in functional literacy; a general degradation of writing skills and reading comprehension; an alarming increase of packaged language (cliches used in speeches, canned messages); and a general tendency to substitute visual media (especially television and video) for written language.

The makers of the short story have rarely been good novelists.

The man is either crazy or he is a poet.

The major newspapers simply stopped writing about me, and my voice could no longer be heard on radio or television.

The manner in which I learned to read and write, not only had great influence on my own mind, as I acquired it with the most perfect ease, so much so, that I have no recollection whatever of learning the alphabet.

The man of understanding can no more sit quiet and resigned while his country lets its literature decay, and lets good writing meet with contempt, than a good doctor could sit quiet and contented while some ignorant child was infecting itself with tuberculosis under the impression that it was merely eating jam tarts.

The man who offers an insult writes it in sand, but for the man who receives it, it's chiseled in bronze.

The manual for WordStar, the most popular word-processing program, is 400 pages thick. To write a novel, you have to read a novel - one that reads like a mystery to most people. They're not going to learn slash q-z any more than they're going to learn Morse code. That is what Macintosh is all about.

The man who comes to writing late, but is in essence a writer, may sometimes gain as much as he has lost: his experience of life has given him a subject, he is spared the youthful writer's self-torment and soul-searching.