Best 30386 quotes in «writing quotes» category

All this [Paul's writing] is nothing better than the jargon of a conjurer who picks up phrases he does not understand to confound the credulous people who come to have their fortune told. Age of Reason

All the writing elements are the same. You need to tell a good story... You've got good characters... People think there's some dramatic difference between writing 'Little Bear' and the 'Hunger Games,' and as a writer, for me, there isn't.

All the youth now in England of free men, who are rich enough to be able to devote themselves to it, be set to learn as long as they are not fit for any other occupation, until they are able to read English writing well.

All through my writing life I've had this impulse to write autobiographical works.

All we really have when we pretend to write about the future is the moment in which we are writing. That's why every imagined future obsoletes like an ice cream melting on the way back from the corner store.

All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.

All you ever really want is a great character and great writing. As an actor, that's the juiciest sandwich you could ever ask for.

All writers are thieves; theft is a necessary tool of the trade.

All writers have strengths and weaknesses. I am terrified of being boring, so I write short, compressed stories that sometimes don't give a reader time to think about what they have read. I struggle to slow down.

All writers write about themselves, just as the old storytellers chose to tell stories that spoke to and about themselves. They call it the world, but it is themselves they portray. The world of which they write is like a mirror that reflects the inside of their hearts, often more truly than they know.

All writing comes by the grace of God.

All writing is an act of self-exploration. Even a grocery list says something about you; how much more does a novel say?

All writing is garbage. People who come out of nowhere to try and put into words any part of what goes on in their minds are pigs.

All you have to do [to win a Pulitzer Prize] is spend your life running from one awful place to another, write about every horrible thing you see. The civilized world reads about it, then forgets it, but pats you on the head for doing it and gives you a reward as appreciation for changing nothing.

Almost all great writers have as their motif, more or less disguised, the passage from childhood to maturity, the clash between the thrill of expectation and the disillusioning knowledge of truth. 'Lost Illusion' is the undisclosed title of every novel.

All writers are vain, selfish and lazy, and at the very bottom of their motives lies a mystery.

All writers, I think, are to one extent or another, damaged people. Writing is our way of repairing ourselves.

All writers who can claim to be called 'living' must be political in a sense. They must have what the Quakers call a concern to understand what is happening in the world, and must engage themselves, in their writing, to promote no comfortable lies, of the sort which people will pay well to be told rather than the truth.

All writing is ultimately a question of solving a problem.

All writers have this vague hope that the elves will come in the night and finish any stories.

All writing is the same: It's just making up lies until it starts to sound like the truth. That's what I do.

All writing seems to me worse in the state of proof than in any other form. In manuscript one's own wisdom is rather remarkable to one, but in proof it has the effect of one's private furniture repeated in the shop windows. And then there is the sense that the worst errors will go to press unnoticed!

Almost 70 years have gone by, and I've still got that feeling when I write... Writing, for me, is still it. It has always been the basis of everything I do. I'm a writer who performs, not a performer who writes. I love the act of writing. It's still a thrill for me.

All writers are crazy. So never mind what the editors and your family and your critique group tells you. Submit your manuscripts and keep submitting until you get an offer. Then you can be crazy, with a paycheck.

All writers have periods when they stop writing, when they cannot write, and this is always painful and terrible because writing is like breathing.

All writing is a form of manipulation, of course, but you realize that a plain sentence can actually do so much.

All writing is an antisocial act, since the writer is a man who can speak freely only when alone; to be himself he must lock himself up, to communicate he must cut himself off from all communication; and in this there is something always a little mad.

All writing is by the grace of God. People do not deserve to have good writing, they are so pleased with bad. In these sentences that you show me, I can find no beauty, for I see death in every clause and every word. There is a fossil or a mummy character which pervades this book. The best sepulchers, the vastest catacombs, Thebes and Cairo, Pyramids, are sepulchers to me. I like gardens and nurseries. Give me initiative, spermatic, prophesying, man-making words.

All those who actually live the mysteries of life haven't the time to write, and all those who have the time don't live them! D'you see?

Almost every cartoonist, when he's sitting down to draw a funny face, if you watch him closely, his mouth is gonna curl to the expression that he's drawing. But when I would write a story - I know it's going to sound almost ridiculous and infantile - I would, in a way, start living it.

Almost all the producers I know and dig, like Quincy Jones or Brian Eno, are really musicians first. I'm a composer, an orchestrator, an arranger and a musician first. I know how to write and rewrite songs, and the genius is really in the rewriting.

Alongside my "no email" policy, I resolve to make better use of the wonderful Royal Mail, and send letters and postcards to people. There is a huge pleasure in writing a letter, putting it in an envelope and sticking the stamp on it. And huge pleasure in receiving real letters, too.

All those writers who write about their own childhood! Gentle God, if I wrote about mine you wouldn't sit in the same room with me.

All tweets are tasty. Any tweet anybody writes is tasty. So, I try to have each tweet not simply be informative, but have some outlook, some perspective that you might not otherwise had.

All those who write either explicitly or by insinuation against the dignity, freedom, and immortality of the human soul, may so far forth be justly said to unhinge the principles of morality, and destroy the means of making men reasonably virtuous.

Almost all words do have colour and nothing is more pleasant than to utter a pink word and see someone's eyes light up and know it is a pink word for him or her too.

Almost without exception, everything society has considered a social advance has been prefigured first in some utopian writing.

Almost always when I told someone I was writing a book about "eating animals", they assumed, even without knowing anything about my views, that it was a case for vegetarianism. It's a telling assumption, one that implies not only that a thorough inquiry into animal agriculture would lead one away from eating meat, but that most people already know that to be the case.

Almost everything that's happened in my poetry is what you might call organic. I don't do much preconceiving. The only consistent plan I've ever had is to try to break my patterns, my habits, my kneejerk tendencies in writing. If I start to sound too much like the Ron Padgett that I've read before, I stop myself. I don't want to get locked perpetually in a mode or a level of diction or a stylistic vein - what is called a poetic voice.

A logic proof is: you get a starting point and an ending point, and you have to get there through all these different steps and tautologies. I approach novel writing that way. When I get to the end I have to go back and connect everything.

Alone with our madness and favorite flower We see that there really is nothing left to write about. Or rather, it is necessary to write about the same old things In the same way, repeating the same things over and over For love to continue and be gradually different.

All you need to do is write truly and not care about what the fate of it is.

Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something-anything-down on paper. A friend of mine says that the first draft is the down draft-you just get it down. The second draft is the up draft-you fix it up. You try to say what you have to say more accurately. And the third draft is the dental draft, where you check every tooth, to see if it's loose or cramped or decayed, or even, God help us, healthy.

Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something—anything—down on paper. What I’ve learned to do when I sit down to work on a shitty first draft is to quiet the voices in my head.

A lot of artists use memories. A lot of prose writers, a lot of poets, a lot of songwriters, refer back to something. Generally it's all you've got, unless you're brilliant and can write totally in the now.

A lot of food criticism has a similar flavor to it, and I'm probably going to write about it in a different way.

A lot of college graduates approach me about becoming screenwriters. I tell them, 'Do not become a screenwriter, become a journalist,' because journalists go into worlds that are not their own. Kids who go to Hollywood write coming-of-age stories for their first scripts, about what happened to them when they were sixteen. Then they write the summer camp script. At the age of twenty-three they haven't produced anything, and that's the end of the career.

A lot of [George Saunders] early stories now feel prophetic. Take the recent election [of Donald Trump]. Historians in 100 years might write about it as being the first internet election, in which what happened was actually an expression in the real world of a virtual reality. And you've been writing about that subject for a while.

Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that.

A lot of artists are good cooks as I'm too, but coming from a culture that was very concerned with food, I was very interested in that from the start. If you're interested in food, you're interested in lots of different aspects of culture. And it's like being interested in the music from a certain area, or writing, or whatever-food is part of that, too.