Best 30386 quotes in «writing quotes» category

Compassion is the belief that things might improve, and even when there's little, if anything, to sustain and engender that belief. It's the place from which I write, and the more troubled the circumstances, the deeper into the hearts and psyches of these characters I'm likely to go, opening every door in that dark hallway, and walking all the way in.

Compelling a man by law to pay his money to elect candidates or advocate law or doctrines he is against differs only in degree, if at all, from compelling him by law to speak for a candidate, a party, or a cause he is against. The very reason for the First Amendment is to make the people of this country free to think, speak, write and worship as they wish, not as the Government commands.

...compartmentalization of occupations and interests bring about a separation of that mode of activity commonly called 'practice' from insight; of imagination from executive 'doing.' Each of these activities is then assigned its own place in which it must abide. Those who write the anatomy of experience then suppose that these divisions inhere in the very constitution of human nature.

Composers love to write for symphony orchestras because the symphony is the Rolls Royce of musical instruments.

Composing is a slowed-down improvisation; often one cannot write fast enough to keep up with the stream of ideas.

Composition is a process of combination, in which thought puts together complementary truths, and talent fuses into harmony the most contrary qualities of style. So that there is no composition without effort, without pain even, as in all bringing forth. The reward is the giving birth to something living--something, that is to say, which, by a kind of magic, makes a living unity out of such opposed attributes as orderliness and spontaneity, thought and imagination, solidity and charm.

Complexity control is the central problem of writing software in the real world

Composers don't just sit in a room and write things that are in their heads, they actually listen to a lot of music, pop music, jazz, rock and roll, any combination of music that catches their ear.

Computer programming is really a lot like writing a recipe. If you've read a recipe, you know what the structure of a recipe is, it's got some things up at the top that are your ingredients, and below that, the directions for how to deal with those ingredients.

Complicated Grief was written in larger and more coherent (if disparate) shapes. The question was how they fit together. The mind is coherent, trust that was the best writing advice I ever got (I got it from Carole Maso and I pass it on). It's true, and clearer and clearer as one grows and gains an improved sense of who one actually is (as versus who one was supposed to be).

Compose in the sequence of the musical phrase, not in sequence of a metronome.

Composers should write tunes that chauffeurs and errand boys can whistle.

Composing computer programs to solve scientific problems is like writing poetry. You must choose every word with care and link it with the other words in perfect syntax. There is no place for verbosity or carelessness. To become fluent in a computer lnaguage demands almost the antithesis of modern loose thinking. It requires many interactive sessions, the hands-on use of the device. You do not learn a foreign language from a book, rather you have to live in the country for year to let the langauge become an automatic part of you, and the same is true for computer languages.

Computer literacy is a contact with the activity of computing deep enough to make the computational equivalent of reading and writing fluent and enjoyable. As in all the arts, a romance with the material must be well under way. If we value the lifelong learning of arts and letters as a springboard for personal and societal growth, should any less effort be spent to make computing a part of our lives?

Composing is a natural fit. As far as the creative process goes, I'd rather do this than anything else, by far. Something different happened to me when I started to write music to images. It was a feeling of excitement and connection and a sense of being in the right place that I never had before.

Composing was more difficult than writing things down.

Conception of a film starts with the music. Always. I hear the movie before I can ever write it. I would say that 80% of the time, that's the successful stuff. It's the other stuff I have to work for to get right, and sometimes it doesn't work out, but the music is always the beginning. So I'm still a music journalist.

Confidence is something one acquires. It can come early or late but it is impossible to write without it. Mine came late.

Conceptual writing is looking for that "Aha!" moment, when something so simple, right under our noses, is revealed as being awe- inspiring, profound, and transcendent.

Concerning alchemy it is more difficult to discover the actual state of things, in that the historians who specialise in this field seem sometimes to be under the wrath of God themselves; for, like those who write of the Bacon-Shakespeare controversy or on Spanish politics, they seem to become tinctured with the kind of lunacy they set out to describe.

Confronted by an absolutely infuriating review, it is sometimes helpful for the victim to do a little personal research on the critic. Is there any truth to the rumor that he had no formal education beyond the age of eleven? In any event, is he able to construct a simple English sentence? Do his participles dangle? When moved to lyricism, does he write "I had a fun time"? Was he ever arrested for burglary? I don't know that you will prove anything this way, but it is perfectly harmless and quite soothing.

Congratulations on the new library, because it isn't just a library. It is a space ship that will take you to the farthest reaches of the Universe, a time machine that will take you to the far past and the far future, a teacher that knows more than any human being, a friend that will amuse you and console you-and most of all, a gateway, to a better and happier and more useful life.

Congress shall have Power . . . to promote the Progress of Science and useful Arts, by securing for limited Time to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

Consider for a moment what you pay attention to all day long. What seems important to you, what do you take for granted and hardly attend to at all? Write it down. Do not judge your answers. Be honest and simple. As you keep track all week long, you'll be amazed at what claims your attention, what you give your precious life force to.

Consider the way of the scientists rather than the way of an advertising agent for a new soap.

Considering the multitude of mortals that handle the pen in these days, and can mostly spell, and write without glaring violations of grammar, the question naturally arises: How is it, then, that no work proceeds from them, bearing any stamp of authenticity and permanence; of worth for more than one day?

Constant work, constant writing and constant revision. The real writer learns nothing from life. He is more like an oyster or a sponge. What he takes in he takes in normally the way any person takes in experience. But it is what is done with it in his mind, if he is a real writer, that makes his art.

Consultation and compliance can conduce little to the perfection of any literary performance; for whoever is so doubtful of his own abilities as to encourage the remarks of others, will find himself every day embarrassed with new difficulties, and will harass his mind, in vain, with the hopeless labour of uniting heterogeneous ideas, digesting independent hints, and collecting into one point the several rays of borrowed light, emitted often with contrary directions.

Constant Penelope sends to thee, careless Ulysses. Write not again, but come, sweet mate

Constant reading will pull you into a place - a mind-set, if you like the phrase - where you can write eagerly and without self-consciousness.

Conspiracies and all the theories of conspiracy are a part of the canon of fakes. And I'm involved, in all of my writings, the theoretical ones as well as the novels, with the production of fakes.

Contrary to all those times you've heard a writer confess at a reading that he writes fiction because he is a pathological liar, fiction writing is all about telling the truth.

Contrary to what many of you may imagine, a career in letters is not without its drawbacks - chief among them the unpleasant fact that one is frequently called upon to sit down and write.

Convince yourself that you are working in clay, not marble, on paper not eternal bronze: Let that first sentence be as stupid as it wishes.

Cooking is the best way to unwind at the end of a long writing day. There's something mindless and hands-on about cooking, which makes it feel like the very opposite of writing, which is heady but inactive.

Conversation is the legs on which thought walks; and writing, the wings by which it flies.

Coolidge was a federalist. You go back and read him and it's almost intimidating to write about him because he writes better himself than anyone. He's one of the best writers as presidents go.

Cormac McCarthy is my favorite author in the world. I love him so much. There's one book that informs me more than The Road - it's called Suttree. That book is a huge influence on me. I'm not smart enough to emulate him, but he inspires me. He never infiltrates my writing directly. He writes incredibly intelligently about people that are marginalized.

Cornelius Cardew very famous in Britain, because he was the darling of the avant-garde, and he played in a band called AMM, which was an improvising band in the '60s. Paul McCartney used to come watch them. Later on in life, he became disenchanted with avant-garde music, because he felt it couldn't reach the public. It didn't have a wide enough appeal. So he'd take these tunes of old English folk songs and write Stalinist lyrics over the top of them. I do think that when he changed to folk songs, he actually lost the tiny audience he already had, which is quite interesting.

Cooking is like painting or writing a song. Just as there are only so many notes or colors, there are only so many flavors - it's how you combine them that sets you apart.

Copy is not written. If anyone tells you ‘you write copy’, sneer at them. Copy is not written. Copy is assembled. You do not write copy, you assemble it. You are working with a series of building blocks, you are putting the building blocks together, and then you are putting them in certain structures, you are building a little city of desire for your person to come and live in.

Could we say that the short short is to other kinds of fiction somewhat as the lyric is to other kinds of poetry? The lyric does not seek meaning through extension, it accepts the enigmas of confinement. It strives for a rapid unity of impression, an experience rendered in its wink of immediacy. And so too with the short short.

Couldn't you see me and you stretched out in a bikini on the beach in Tahiti? See, me, I'm very selective even though I could be greedy; My main objective is to write our names together in graffiti.

Could I write all, the world would turn to stone.

Corruption is subtle, just like the Bible said. Many young poets have come to me and asked, How am I gonna make it? They feel, and often with considerable justice, that they are being overlooked while others with less talent are out there making careers for themselves. I always give the same advice. I say, Do it the hard way, and you’ll always feel good about yourself. You write because you have to, and you get this unbelievable satisfaction from doing it well. Try to live on that as long as you’re able.

Country music turns the stuff we say every day into a soundtrack...taking an ordinary working man like me into that rough, happy country of longnecks and short tales.

Craft is a trick you make up to let you write the poem.

Crassly put: When I write, I am trying not to bore myself and my readers.

Create dangerously, for people who read dangerously. ... Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them.

Created for MTV in 1990, the sharply observed, pop-conscious Ben Stiller Show - featuring its star's lacerating impersonations of Bono, Tom Cruise, and Eddie Munster, among others - subsequently moved to Fox TV and copped an Emmy for writing.