Best 30386 quotes in «writing quotes» category

It's a discovery of a story when I write a book, a case of inching ahead on each page and discovering what's beyond in the darkness, beyond where you're writing.

It's a feature of our age that if you write a work of fiction, everyone assumes that the people and events in it are disguised biography — but if you write your biography, it's equally assumed you're lying your head off.

It's a good thing that we're protected by tenure and academic freedom, but we should realize that it creates a risk of getting cut off. Scholars should write, at least sometimes, for the general public.

It's a huge Carthusian monastery, stuck down between rocks and sea, where you may imagine me, without white gloves or hair curling, as pale as ever, in a cell with such doors as Paris never had for gates. The cell is the shape of a tall coffin, with an enormous dusty vaulting, a small window... Bach, my scrawls and waste paper - silence - you could scream - there would still be silence. Indeed, I write to you from a strange place.

It's a job. Get up and do it every day. Show up. Don't say no. Taylor Swift was the third write of my day every week. If I had gone home or said “Ah, man. I'm tired today. I'm not going to write at 4 o'clock in the afternoon with a teenager.' If I had done that, just think. Keep an open mind. Everybody has something to come into the room with and when you're starting out, try everything. You might find your magical writing partner.

It's akin to style, what I'm talking about, but it isn't style alone. It is the writer's particular and unmistakable signature on everything he writes. It is his world and no other. This is one of the things that distinguishes one writer from another. Not talent. There's plenty of that around. But a writer who has some special way of looking at things and who gives artistic expression to that way of looking: that writer may be around for a time.

It's a little silly to finally learn how to write at this age. But I long ago realized I was secretly sincere.

It's a great luxury for me to be able to write on the films that I direct, and kind of a nice thing to be able to write enough to get credit, which is difficult for a director.

It's a hard thing to examine and difficult to speak for other writers, but when I look at my own writing there is often too much reticence. And that's a flaw I have as a person as well. I'm too reticent. I'm non-confrontational to a fault. And I'm risk-averse, which probably shows in my sentences. The aversion to long lines, the tendency to strip things back and be spare. My writing is an act of erasure that's tied up with my personality. I can easily produce a ninety thousand word chunk of writing and then cut back and back until I've only got ten thousand words. Or nothing.

It’s a job. It’s not a hobby. You don’t write the way you build a model airplane. You have to sit down and work, to schedule your time and stick to it. Even if it’s just for an hour or so each day, you have to get a babysitter and make the time. If you’re going to make writing succeed you have to approach it as a job.

It's a little bit like talking about the life of writing. The life of writing may be about many things, but it always begins with the writer. With the kernel of an idea, or a character, or an idea or a theme, or even an outcome. But for documentary photographers, photographs begin at that intersection of the real world and the imaginative inner world.

It's a little mad, but I believe I am many people. When I am writing a poem, I feel I am the person who should have written it.

It's a great lesson about not being too precious about your writing. You have to try your hardest to be at the top of your game and improve every joke you can until the last possible second, and then you have to let it go. You can't be that kid standing at the top of the waterslide, overthinking it...You have to let people see what you wrote.

It's all about the music. For me, that's truly what I live for. Just music constantly. Always listening to, writing, or playing music. That's definitely me.

It's all just so fraught when you're writing and then going through the editorial process. It feels like this shape-shifting thing. When it's done, and you can't change a single word, it's a totally different thing. I was surprised by what that thing was.

It's a lot easier to act when the writing is good. Nothing is more frustrating than trying to figure out 'Well, why did I say this next?'

It's always a bit risky, when you put yourself out there with somebody in a collaboration, but I think we learn things every single time, and we come out of it with a new perspective on writing because everyone's process is different. Unfortunately we don't always get to spend time in the studio with those artists - oftentimes it's just sending files online. But both can be liberating and productive in their own way. Some of the best collaborations happen when you're all in a room together.

It’s all risk. And if it isn’t, it needs to be. The real trick is to find the risk that is right for you, a risk that doesn’t take you so far out of your own identity that it’s not a you that you recognize who’s doing the writing.

It's all still about having a good story. You have to have a good story as your anchor, as your main focus. So for me, personally, I just like to concentrate on writing the best book I can, and if there's other stuff that goes along with it, that's awesome, as long as the story is central.

It's a lot easier to think of an app and write it than it is to convince people to want it.

It's a luxury being a writer, because all you ever think about is life.

It's always a better choice to write a new book than it is to keep pounding your head against the submissions wall with a book that's just not happening. The next book you write could be the book, the one that isn't a fight to get representation for at all.

It's almost a sort of fairy story tale, just what a novelist would write about a discovery.

It's always amazing seeing the song-writing process. A song just starts off as just an idea or a story you want to tell. It keeps building and building when you add the lyrics, the instruments, the vocals until you finally reach the finished song other people can enjoy.

It's always a strange moment when you get up on stage because in a way that's really the fulfilment of what you do, but at the same time when you write from a place that's very personal and quite isolated, at least for me, there's something that almost doesn't feel natural about it.

It's always difficult to write honestly of one's deepest feelings, particularly without the protective veil of fiction. But the more difficult, the more rewarding if one succeeds. Rewarding not only to the work but to one's peace of mind.

It's always painful when you're writing memoirs because you've got to go through the dark places, but it gives you a chance to find out the person you really are, not the person you thought you were.

It's amazing how fast generations lose sight of other generations. One of the first things the young composers who come to work with me say is that they want to write music people will like, instead of gaining their credentials by being rejected by the audience.

It's always been difficult for me to speak and express my innermost thoughts. I prefer to write. When I sit down and write, words grow very docile, they come and feed out of my hand like little birds, and I can do almost what I want with them; whereas when I try to marshal them in open air, they fly away from me.

It's always gratifying to hear from a passionate reader, and as a longtime educator, I'm especially pleased and heartened when that reader is a young student who is inspired to write me and let me know that my book has helped him or her find her way.

It's always performing for me. I write and I record so I can perform. It all ties to that. I've done it since I was a little kid. That's my absolute rush, is playing for different people every night, bringing something else to the table they've never seen.

It's always flattering when somebody you really respect and like wants you to be involved in their project - let alone writes a part with your voice in mind.

It's always fun to do something that you know ultimately is not about the money, and it's certainly not for the fame - because it's a pain in the ass. But it's really the person in the theater seat you think about when you sit in a room and write.

It’s an important time to be writing about the connections we share with our fellow creatures. It’s a great time to be alive.

It’s amazing how quickly something gets written. Now, when it comes, it can be on a bus, or in a store. I’ve stopped in Macy’s and written on a dry-goods counter and then suddenly had a whole piece of writing for myself that was accomplished, where earlier in my life I felt I had to spend a week in a house somewhere in the country in order to get that. Conditions change.

It's amazing, if you know what you want to say, how fast it is to write.

It's amazing what you find out about yourself when you write in the first person about someone very different from you.

It's a mystical quality of music, that music isn't really concrete, and it's communicating abstractions about imaginary worlds. At least, my music's like that. It's not real. It's unreal, it's all fabrication. To write a song about Obama would suddenly break the spell.

It's an awful feeling to write something that you feel is really important... and to feel that you're being published by people who really don't get it and/or don't really care.

It's an enormous relief to go to work and be an actor and not be worried about writing.

It's amazing how much time and money can be saved in the world of dating by close attention to detail. A white sock here, a pair of red braces there, a gray slip-on shoe, a swastika, are as often as not all one needs to tell you there's no point in writing down phone numbers and forking out for expensive lunches because it's never going to be a runner.

It's amazing to me that no matter what city, what state, no matter where I am, a woman will come up to me and say "Thank you, thank you" for writing the 1994 Violence Against Women Act, which funds services for victims and pushes to put more assailants behind bars.

It's a myth that older writers can't write for younger audiences. Shakespeare wasn't 15 when he wrote Romeo and Juliet.

It's an amazingly consistent thing with Irish people. We will talk to strangers at parties for hours. It's what we were bred to do I think. And the Jewish people were bred to write the stuff that we say.

It's a mistake to get too narrow too fast. Kids today, many of them will live past 100, and you cant predict what you might work on. The things you're passionate about and interested in, get experience with them by going deep on projects. I would encourage science projects, plays. Pursue science, math, writing, history - the 21st century demands a lot of cross-disciplinary thinking.

It's a really big struggle for me to write a song. Songs take either 30 seconds for me to write or a year or two to piece together, depending on the song and how I'm feeling on any given day. I don't really like to write music at all unless I am completely unbothered by touring.

It's around midnight. After I left Dad, my choice was to either become very drunk or write this. I chose to write this. It felt kind of now-or-never for me.

It's a really weird feeling when you write something and you really know it and then you watch actors come in and do it.

It's a scary thing for fiction writers, when you're always writing from the point of view both as and for someone who is different.

It's a real gift to be able to have the works of brilliant, great people to learn from and build from. It gives you so much more to draw on, and then you don't have to be all about three-chord pop songs. I don't really like that kind of writing.