Best 30386 quotes in «writing quotes» category

We teach reading, writing and math by [having students do] them. But we teach democracy by lecture.

We trusted the writers and showrunners [in Westworlds] so much because they're so brilliant and the writing's so incredible. It really was like playing Marco Polo, where you just kind of followed their voice and they would lead you to water.

We think we know what we are doing. We have always thought so. We never seem to acknowledge that we have been wrong in the past, and so might be wrong in the future. Instead, each generation writes off earlier errors as the result of bad thinking by less able minds - and then confidently embarks on fresh errors of its own.

We used to rehearse and that's where the roots of Dream Theater formed. Y'know, we used to play cover songs and jam to [Iron] Maiden and stuff but we were writing songs and it was this metal, loud style and we'd constantly get knocks on our door, because the rehearsal rooms were right next door to each other, and these jazz guys would be like, "Can you guys turn it down a little?

We used to write this down by saying, 'move fast and break things.' And the idea was, unless you are breaking some stuff you are not moving fast enough. I think there's probably something in that for other entrepreneurs to learn which is that making mistakes is okay. At the end of the day, the goal of building something is to build something, not to not make mistakes.

We've all got to earn a living. And writing songs is what I do. But when I've done a record, it's not that I think it's better or worse than anyone else's, but if I think that nobody else would have done it if I hadn't, well then that's ok.

We usually recognize a beginning. Endings are more difficult to detect. Most often, they are realized only after reflection. Silence. We are seldom conscious when silence begins—it is only afterward that we realize what we have been a part of. In the night journeys of Canada geese, it is the silence that propels them. Thomas Merton writes, “Silence is the strength of our interior life.… If we fill our lives with silence, then we will live in hope.

We've done things that are faster at times, but it's definitely different when we direct all the episodes because it's like we have to write them all, then shoot them all, then edit them all. So we have to just get ahead on those scripts basically.

We've always been a band who's taken forever to do things. After writing 'Persona' I think we wrote about four songs in three years!

We've defined decency down now that we look at the entertainment value of it, whether the acting is good, the writing is good, the story is good, no matter the depravity, we'll watch it.

We've got a bunch of new writers now who tell me they grew up watching The Simpsons. It's bizarre, and they're writing some very funny stuff.

We've learned over the years that if we wanted we could write anything that just felt good or sounded good and it didn't necessarily have to have any particular meaning to us. As odd as it seemed to us, reviewers would take it upon themselves to interject their own meanings on our lyrics. Sometimes we sit and read other people's interpretations of our lyrics and think, 'Hey, that's pretty good.' If we liked it, we would keep our mouths shut and just accept the credit as if it was what we meant all along.

We've had experience of involvement in a local scene, and it was a good one, and we've learned a lot from it, and I don't have any need to join into that ever again. It's too counterproductive to writing music and performing to the best of your abilities. It's okay when you're 20 years old - you're getting out there and you're learning - but not when you're 30 years old.

We wanted to write the first prequels as a story that anyone could pick up.

We want to be famous as a writer, as a poet, as a painter, as a politician, as a singer, or what you will. Why? Because we really don't love what we are doing. If you loved to sing, or to paint, or to write poems, if you really loved it you would not be concerned with whether you are famous or not.

We want to be famous as a writer, as a poet, as a painter, as a politician, as a singer, or what you will. Why? Becauwse we really don't lov what we are doing. If you loved to sing, or to paint, or to write poems - if you really loved it - you would not be concerned with whether you are famous or not. ... Our present education is rotten because it teaches us to love Nothing is allowed to die in a society of storytelling people.

We were 15 minutes into it and nothing was happening; I thought, well, that's not going to work. Then all of a sudden everything clicked. I don't know how long it took us, but I would just show up at Alison's [McGhee] office. She would type and we'd just kick it back and forth. Writing is so scary for me, such a lonely endeavor, and it became a wonderful thing to show up and have somebody else go through it with me. It was actually a wonderful experience.

We waste a lot of time and a lot of talent trying to write for the common reader, whom we will never meet. Instead we should be writing for our ideal reader.

We were always in the shadows of the stuff that was getting more attention. So people learned to listen to us slowly over time. And, frankly, we learned how to listen to ourselves. It takes us a long time to write a song that we all really like, so it makes sense that it would take a while for the listener to get there, too.

We were encouraged to propose safetyprevention suggestions, and write them all down— locking doors, walking or exercising with a friend, wearing shoes that don’t hinder running. Erin’s suggestion of “Avoid assholes” was popular.

We were developing an innovative Personal Information Manager called Chandler but a couple years ago I took off from that to do a project writing down my memoirs essentially, reminiscing about the development of the Macintosh.

We were the rebels of the music industry so we wanted to write a rebellious song.

We were looking to collaborate with someone on both those fronts [ writing and directing] and it ended up just being me [in Brief Interviews with Hideous Men]. So, at this point, it's the epitome of a passion project and I just hope people like it.

We were talking about television one time, and Damon Lindelof said he felt that, if Ernst Hemingway was writing for media, he would write feature films, and Lev Tolstoy and Fedor Dostoyevsky would write television series because there are some stories you just can't tell in two hours.

We who preach and write, do so in a manner different from which the Scriptures have been written. We write while we make progress.We learn something new every day. We speak as we still knock for understanding...If anyone criticizes me when I have said what is right, he does me an injustice. But I would be more angry with the one who praises me and takes what I have written for Gospel truth than I would be with the one who criticizes me unfairly.

We were writing songs about girls when we still thought girls had cooties.

We were on a tour, and there were some chord formations that were tough for me to play when I was a kid...it had become apparent that there was some stuff I wanted to do that [would require me] to learn how to do that. So I wrote the song and used some of these chord formations so I would have to play them. I thought it would be a great teaching vehicle for a while, and it was, but it ended up as a performance song.

We will, of course, without hesitation use art to parody, ridicule, debunk, or criticize ideologies.

We who write in English are fortunate to have the richest and most versatile language in the world. Respect it.

we write as if our lives depended upon it. They do.

We write for the same reason that we walk, talk, climb mountains or swim the oceans - because we can. We have some impulse within us that makes us want to explain ourselves to other human beings.

We write from aspiration and antagonism, as well as from experience. We paint those qualities which we do not posses.

We write our own destiny ...we become what we do.

We write an awful lot of stories about Donald Trump.

We write by the light of every story we have ever read.

We write for actors and even down to the smallest character in the film, they all have their moment. You take that and you put it in a story that's in your face and there's tons of hardcore R action, nudity and you name it, but at the same time there really is a story there. It's got heart and at the end of the movie people will feel it. So I hope they'll their friends and want to see more.

We write for the same reason that we walk, talk, climb mountains or swim the oceans — because we can. We have some impulse within us that makes us want to explain ourselves to other human beings. That’s why we paint, that’s why we dare to love someone- because we have the impulse to explain who we are. Not just how tall we are, or thin… but who we are internally… perhaps even spiritually. There’s something, which impels us to show our inner-souls. The more courageous we are, the more we succeed in explaining what we know.

We write our names in the sand: and then the waves roll in and wash them away.

We write out of our humanity by writing through our direct experience. That which is most personal is most general, which becomes both our insight and protection as a writers. This is our authority as women, as human beings.

We [writers] must know that we can never escape the common misery and that our only justification, if indeed there is a justification, is to speak up, insofar as we can, for those who cannot do so.

We write to expose the unexposed. Most human beings are dedicated to keeping that one door shut. But the writer's job is to see what's behind it, to see the bleak unspeakable stuff, and to turn the unspeakable into words - not just into any words but if we can, into rhythm and blues. You can't do this without discovering your own true voice, and you can't find your true voice and peer behind the door and report honestly and clearly to us if your parents are reading over your shoulder.

We write frankly and freely, but then we modify before we print.

We write not only for children but also for their parents. They, too, are serious children.

We write poems / as leaves give oxygen - / so we can breathe.

We writers dream of a future where actors are mostly computer generated and their performances can be adjusted, by us, on a laptop, alone.

We write to expose the unexposed. If there is one door in the castle you have been told not to go through, you must. The writer's job is to turn the unspeakable into words - not just into any words, but if we can, into rhythm and blues.

We would not - from here - counsel anyone to be guided by influences from without. ... If these come as in inspirational writings from within, and not as guidance from others - that is different ... the inspirational may develop the soul of the individual, while the automatic may rarely reach beyond the force that is guiding or directing.

We write a subscript to our mortality. We make our lives tiny diamonds in the cosmic sands.

We write our lives indeed, But in a cipher none can read, Except the author

We writers don't really think about whether what we write is good or not. It's too much to worry about. We just put the words down, trying to get them right, operating by some inner sense of pitch and proportion, and from time to time, we stick the stuff in an envelope and ship it to an editor.