Best 30386 quotes in «writing quotes» category

I make books because I love them as objects; because I want to put the pictures and the words together, because I want to tell a story.

I make them up,' I tell them. 'Out of my head.

I make things up and write them down.

I maintain that cultural sensitivity should be replaced by cultural awareness. Awareness implies research, consideration, thought, and judiciousness.... Sensitivity denies equal access to language. It segregates and censors based on the background of the writer rather than the content of the story. No society can embrace cultural sensitivity and retain full capacity for freedom of speech.

I make you see things that aren't really there and you believe every word

Imagine in vibrant, wonderful detail your heart’s desire—a reality only you can envision, an adventure only you can direct. Then cradle your creation. Caress it. Mold it. Coddle it until it comes to life. And when your precious treasure grows so grand as to steal your breath away, set it free for all the world to experience. For that is how you live your dreams.

I'm a person who is unpractical and idealistic. A rebellious dreamer plagued by night terrors. An affinity for the story of Superman, drinking, sex, jazz, writing, drugs, activism, golf, family, cooking, eating good food, reading books and savoring their hypnotic bouquet, for me, is like stumbling over a rock and recovering my equilibrium. This is the story of me.

I'm a struggling writer, I'm struggling to convince people I'm a writer.

I'm an inclusionist. I've always divided up (very, very broadly, I admit) the artistic instincts into the inclusionist and the exclusionist. The exclusionist is Raccine. The inclusionist is Shakespeare. I've always felt like I'd prefer to throw 45 things into the pot and hope that maybe 36 of them will taste good. You may choke on 9 of them. I'd rather do that than only have half that number of elements and each one perfect. That's because I know that people choke on different things.... I think that when I was a kid, the experience of things, the experience of just finding words for things, of finding somebody else's world and being able to leap into it and, like any world, you pick up the geography instantly. You expected the thing to unfold, you expected there to be valleys that upon entering that world you were barely aware of. For me a novel, particularly a large novel, one you put down at the end and think, 'Hell, that was interesting. I'm not sure I understood Chapters X, Y and Z, but maybe next time I read it or talk to someone about it, I will'... that's a very different experience to the immaculately formed, beautifully honed, finished 'art' thing.

I’m a Texas girl, with a California soul.

I'm a writer. I write checks. Mostly fiction.

I’m a writer. Therefore, I am not sane.

I'm a novelist by trade and my job is to write a story rather than reconstruct actual events.

I'm a writer by profession and it's totally clear to me that since I started blogging, the amount I write has increased exponentially, my daily interactions with the views of others have never been so frequent, the diversity of voices I engage with is far higher than in the pre-Internet age—and all this has helped me become more modest as a thinker, more open to error, less fixated on what I do know, and more respectful of what I don't. If this is a deterioration in my brain, then more, please. "The problem is finding the space and time when this engagement stops, and calm, quiet, thinking and reading of longer-form arguments, novels, essays can begin. Worse, this also needs time for the mind to transition out of an instant gratification mode to me a more long-term, thoughtful calm. I find this takes at least a day of detox. Getting weekends back has helped. But if there were a way to channel the amazing insights of blogging into the longer, calmer modes of thinking ... we'd be getting somewhere. "I'm working on it.

I'm completely out of control, and I can hear the beginnings of the chant, get/out/, but now that I'm not being touched maybe I can master it and I shut the world out: separating an orange into skinless sections. Peel it, but not with your fingers. Level off the top and bottom. Set it on the board. Remove the peel in strips with a paring knife, pushing down from the top to bottom with slow, curved strokes. Nick off all the white parts. Cup the cool, wet skinless fruit in your hand. Take care. Don't rush. Press the blade into the flesh of the orange, sink it down, a segment at a time, along the left side of the skin and then the right. Left and right. Left and right. As close as you can to the membrane. Press to the center with your knife, level and easy. If you cut right, the segment will fall out onto the board, triangular, gleaming. Left and right. Left and right. If you rush you'll cut yourself. Take care with it. Cut right along the seam, right where the sweet fruit meets the tough membrane. Let and right. Left and right. As close as you can.

I'm convinced that fear is at the root of most bad writing. If one is writing for one's own pleasure, that fear may be mild — timidity is the word I've used here. If, however, one is working under deadline — a school paper, a newspaper article, the SAT writing sample — that fear may be intense.

I'm back in these regions of fumbling dark uncertain creation, but it's my one and only world, and I'll do the best I can.

I'm either going to be a writer or a bum.

I’m engaged in the dance of the ages and the search for a song to go with it. Though Templeton’s A Veritable Smorgasbord is a well-deserving classic, it’s a stanza too short for my morphing existence. So I write my own.

I'm finally coming to terms with the unalloyed insanity of being a writer. Now that's coming out.

I met a lot of things on the way that astonished me. Tom Bombadil I knew already; but I had never been to Bree. Strider sitting in the corner at the inn was a shock, and I had no more idea who he was than had Frodo. The Mines of Moria had been a mere name; and of Lothloriene no word had reached my mortal ears till I came there. Far away I knew there were the Horselords on the confines of an ancient Kingdom of Men, but Fanghorn Forest was an unforeseen adventure. I had never heard of the House of Eorl nor of the Stewards of Gondor. Most disquieting of all, Saruman had never been revealed to me, and I was as mystefied as Frodo at Gandalf's failure to appear on September 22. J.R.R. Tolkien, in a letter to W.H. Auden, June 7, 1955

I'm exhausted of getting applauded for writing, I want to be raw and I want to speak out my pain in the most simple of ways.

I’m grateful to God for the eyes in my head, and for the wildness of the spinning world these eyes see. This world, shaped by His words, can never be tamed by mine. But there is joy to be had in trying and falling short

I'm going to write a novel and get it published. I'm going to do it because writing a novel is worthwhile and because I have the talent to do it. I'm going to do it because I have something important to say to the world. I refuse to let anything get in my way.

I'm just an alcoholic who became a writer so that I would be able to stay in bed until noon.

I'm in love with my own words.

I'm inspired by this tumultuous world we live in. Each day is full of angst and conflict and hope. It's a beautiful thing, this vicious, swirling life, and each of us find our truest selves in its earnest insanity. From roses weeping blood of loss, to mountains towering as thrones above us, this is where I find my inspiration. This is the paint brush of my writing.

I’m just not ready to give myself up, Sammy. I mean, there’s something perfect about virginity, and I haven’t found someone who deserves to take that perfection from me…” “You’re loco, Carlos. Insane. Totally crazy… Most guys think they’re imperfect for still being virgins past the age of seventeen.

I'm just going wherever the brainstorm takes me.

I’m likely to stay here, pen in hand, until dusk comes and my writing melts into the twilight.

I’m mesmerized by lipstick prints on coffee cups. By the lines of lips against white pottery. By the color chosen by the woman who sat and sipped and lived life. By the mark she leaves behind. Some people read tea leaves and others can tell your future through the lines on your palm. I think I’d like to read lipstick marks on coffee mugs. To learn how to differentiate yearning from satiation. To know the curve of a deep-rooted joy or the line of bottomless grief. To be able to say, this deep blue red you chose and how firmly you planted your lips, this speaks of love on the horizon. But, darling, you must be sure to stand in your own truth. That barely-there nude that circles the entire rim? You are exploding into lightness and possibilities beyond what you currently know. The way the gloss only shows when the light hits it and the coffee has sloshed all over the saucer? people need to take the time to see you whole but my god, you’re glorious and messy and wonderful and free. The deep purple bruise almost etched in a single spot and most of the cup left unconsumed? Oh love. Let me hold the depth of your ache. It is true. He’s not coming back. I know you already know this, but do you also know this is not the end? Love. This is not the end. I imagine that I can know entire stories by these marks on discarded mugs. Imagine that I know something intimate and true of the woman who left them. That I could take those mugs home one day and an entire novel worth of characters would pour out, just like that.

I'm merely dying to be remembered for simply writing about my living memories

I'm more interested in becoming a commercial writer, and unfortunately, commentary on my writing from a bunch of other unpublished writers is of little utility in that regard. Being a better writer is something of a moot point, since if you're not a commercial writer to some extent, very few people will know whether your writing is any good or not.

I'm more interested in the mystery - the quiet horror. Personally, I'm far more intrigued by the creak of the floorboard than the ax-weilding madman.

I'm not asking you to come reverently or unquestioningly; I'm not asking you to be politically correct or cast aside your sense of humor (please God you have one). This isn't a popularity contest, it's not the moral Olympics, and it's not church. But it's Writing, damn it, not washing the car or putting on eyeliner. If you can take it seriously, we can do business. If you can't or won't, it's time for you to close the book and do something else. Wash the car, maybe.

I'm not asking you to describe the rain falling the night the archangel arrived; I'm demanding that you get me wet. Make up your mind, Mr. Writer, and for once in your life be the flowers that smells rather than the chronicler of the aroma. There's not much pleasure in writing what you live. The challenge is to live what you write.

I'm not a writer. Ernest Hemingway was a writer. I just have a vivid imagination and type 90 WPM.

I'm not just building a foundation or a house with the bricks people throw at me. I'm building entire worlds. it's called writing.

I'm not much of a believer in the so-called character study; I think that in the end, the story should always be the boss.

I'm not into writing many more books or more pages. My goal is to increase the value of each sentence I write. And for that, I have to just erase my past and bring only forward what matches the new me, things I can easily rewrite and adapt to my new perspective.

I'm obsessed with trying to recount events as accurately and honestly as possible, but in practice the only thing I'm really any good at is telling you how I feel.

I'm often dismayed by the sludge I see appearing on my screen if I approach writing as a task--the day's work--and not with some enjoyment.

Impatience may be a virtue if you have to write for today's generation.

I'm not trying to please anyone. I'm just trying to write a damn book.

I'm not talented or gifted. I'm a committed, meticulous workaholic. The only reason I succeed is because I refuse to fail.

I'm only a kind of book doctor. I can give books new bindings, rejuvenate them a little, stop the bookworms from eating them, and prevent them from losing their pages over the years like a man loses his hair. But inventing the stories in them, filling new, empty pages with right words-- I can't do that. That's a very different trade. A famous writer once wrote, 'An author can be seen as three things: a storyteller, a teacher, or magician-- but a magician, the enchanter, is in the ascendant.

I’m still in bed writing this, lying on my back like an omelette in a pan.

I'm supposed to a man who never blows his composure A boy trapped in a war, forced to be a solider The weight of the world just put on top of my shoulders But if there's one thing I know for sure It's that my mind has had its exposure And my emotional turmoil has finally had its closure

I’m sorry if...I get too personal, if I make you uncomfortable, but writing is like one of the seven deadly sins, like Sharing on Mr. Rogers, and once you get the bug you’re trapped in The Neighborhood of Make-Believe forever.

I'm the G when you spell OG