Best 30386 quotes in «writing quotes» category

I really got to fuse some of my hip hop & R&B background into the Jessica 6 album since I was really hands on with Morgan & Andrew while writing and producing the record.

I really had to decide why I was writing. I had no interest in going back to law; I very briefly - for about six hours - considered going to get my MBA, but in the end, I realized that the only work I really wanted to do was write.

I really like Shakespeare a lot. The characters that he writes for females, I think, are really great and a lot more compelling than what modern writers write, which is weird because they didn't have actresses then.

I really like writing from real-life experiences. Audiences seem to prefer the stuff I couldn't have made up.

I really like the Observer. I think I'd love to have a column with a broad reach that would enable me to do some proper reporting, but keep it on sort of a humorous level. I've always had a very happy experience writing for them.

I really like writing heroes who arent necessarily Hollywood handsome. Personally, I think men who are self-confident, intelligent, and funny are outrageously attractive - and my heroines tend to think that, too!

I really love rap music. I grew up in the '80s and '90s with Public Enemy, N.W.A., LL Cool J - I'm a hip-hop encyclopedia. But I got kind of frustrated with the chauvinistic side of rap music, the one that makes it hard to write songs about love and relationships.

I really, really enjoy fitting words together - but I only enjoy it when it's easy, when it sort of rolls along by itself. I never erase anything [and] I hardly ever write anything down... The song will be finished before I write it down... I won't write a song unless it serves me in some way, unless I feel I have to write the song to make myself feel better. If you're not overflowing with something, there's nothing to give.

I really recommend that anyone who wants to write have a very physical hobby that takes you away from books and criticism, because it teaches you, it informs you, and it changes your writing.

I really started writing music to challenge myself, to see what I could write.

I really tend to write in retrospect.

I really think of it - acting and writing and producing, whatever - as shipping. You gotta ship. Put the widget together in the easiest, quickest way possible and ship the product.

I really like to travel when I write. Something about seeing new things and being in new cultures and environments provokes new thoughts in your head.

I really like to write, so I can just relax and think about things and realize things and then try to express it on my computer.

I really, really like writing songs. Capote wrote every day. He said that's the only way, you have to sit down every day and do it...Something that's written out is okay, but it's not always a clear indication of what a person means.

I really support criticism as a craft and as a vocation. People who devote as much time to thinking about sound through writing as I do practicing and forming it, the whole system of journalism seems to not yield rewards sustainable as a craft. So few can spend enough time to be serious about it and approach it with confidence and a kind of depth. And that's good on one level, because you have some leveling, that's kind of maybe leveled the petty fiefdoms of undeserving people but it's also made it hard to make a living as a writer.

I really think that reading is just as important as writing when you're trying to be a writer because it's the only apprenticeship we have, it's the only way of learning how to write a story.

I really, really wanted to write. I loved language. I loved literature. I loved reading. I never read a foreign language, I'm afraid, but I loved Flaubert. I loved the 19th-century classics. I love Thomas Hardy. I wanted to be a goof on a bus, but I wanted to write more.

I really think I write about everyday life. I don't think I'm quite as odd as others say I am.

I really think that if there's any one enemy to human creativity, especially creative writing, it's self-consciousness.

I really try to write every day. It's hard, but it's my favorite thing to do. So, it's usually not too, too hard.

I really like writing in English, and it's the best job I've ever had.

I really think it's just the people you put around you. For instance, you mentioned "Kiss Goodbye," that was a song that was brought to me by Dan Couch and Dale Oliver. They had already started writing it without. They had put together this whole demo of music with no lyrics.

I really think more fledgling novelists - and many current and even established novelists - should get out into the real world and cover local politics, sports, culture, and crime and write it up on deadline.

I really love fantasy. I have to say it is my favourite genre to read and one of the genres I love the most to write.

I really love movie soundtracks and stuff like that. That's really a huge part of any movie. I actually think about... that this would be cool in a movie or something, like when I'm writing a song, or something you know?

I really need to know where I'm going with fiction to write it in a way that at least I'm happy with. And I really think that a lot of fiction books end badly because terrific writers said, "I'll just figure it out" and plunge in, but have created so many problems that they are kind of impossible to solve. I mean, I'm talking really good writers do this and you can tell when they got to the end they either had to do something preposterous or they just don't really resolve things. So for fiction I spend a lot more time outlining and for humor I really don't do much of it.

I really only write about inner landscapes and most people don't see them, because they see practically nothing within, because they think that because it's inside, it's dark, and so they don't see anything. I don't think I've ever yet, in any of my books, described a landscape. There's really nothing of the kind in any of them. I only ever write concepts. And so I'm always referring to "mountains" or "a city" or "streets." But as to how they look: I've never produced a description of a landscape. That's never even interested me.

I really think that if there's any one enemy to human creativity, especially creative writing, its self-consciousness. And if you have one eye on the mirror to see how you're doing, you're not doing it as well as you can. Don't think about publishing, don't think about editors, don't think about marketplace.

I really think you cannot ever escape your history, what you've done, who you are, and things you've tried to hide. Even if no one ever finds out the secret you're trying to keep, the cost of that keeping has been so great, that it's destroyed you anyway. In all my writing, there are people who desperately wish the past is not what it is.

I really write emotionally so whatever mood I'm in, or if a chord hits me a certain way that's what I'll go off of.

I recently found myself going through a period of uncertainty about my future as a performer, my status as a personality, the believability of my Christian witness and the knowledge of God's will in my life. I felt a force bigger than myself saying, 'Lay back. Take it easy. Study hard. Read your bible. Think, write and keep your mouth shut for awhile.'

I reckon I can count on 30 more writing years, averaging a book a year (I can't keep up the 2-2.5 a year I used to do these days). And these days I've gotten round to wondering, for each new idea, "do I want to be remembered for this?" before I get to the point of spending a year on it.

I recognize that memory is far from infallible though. If I feel like I can't accurately describe something, I just leave it out. I also do things like write "he talked about ..." instead of writing direct quotes. But generally I feel like since my stories are very obviously meant to be my perception of an event rather than the objective truth this gives me a lot of leeway.

I really try to write as an ordinary person would, not as someone who's too sophisticated about food, or too knowledgeable about things.

I really want my agent to make sure they write a part in the next Airbender movie for me. I'll be really upset if I don't get to be a waterbender or something.

I really wouldn't call a lot of what's online "literature" since that word, to me, refers to a sub-genre of writing that belongs to the heavy-hitters, the canonical writers, Shakespeare, Dante, Milton, Dostoevsky, Kafka, and even Toni Morrison, George Saunders, Thomas Bernhard, Sebald, Borges, DFW, e.g.

I received a letter just before I left office from a man. I don't know why he chose to write it, but I'm glad he did. He wrote that you can go to live in France, but you can't become a Frenchman. You can go to live in Germany or Italy, but you can't become a German, an Italian. He went through Turkey, Greece, Japan and other countries. But he said anyone, from any corner of the world, can come to live in the United States and become an American.

I recognize this in my writing process. A consistent writing structure opens the door to amazing insights. I recognize the truth of this in my daily habits. When I set my keys in the place I, with practice, always set my keys... I do not lose them. In many instances an ordered external structure can be an invitation for an extraordinarily unfettered, creative and unbounded inner structure.

I really want to write a novel. A few years ago I went so far as to do the cliché thing and rent this house in upstate [New York]. I still have the story, but I got 15,000, 20,000 words in and it was like, This is falling apart. I can't figure out.

I really would like to stop working forever–never work again, never do anything like the kind of work I’m doing now–and do nothing but write poetry and have leisure to spend the day outdoors and go to museums and see friends. And I’d like to keep living with someone — maybe even a man — and explore relationships that way. And cultivate my perceptions, cultivate the visionary thing in me. Just a literary and quiet city-hermit existence.

I really wanted to write a book [99: Stories of the Game] on the tradition and history of the league, where kids can pick it up and read it and learn things and say, "Geez, I didn't know that. That's pretty cool.

I really wasn't too interested in writing "Father Knows Best" and "Ozzie And Harriet." I thought they were pleasant enough, but it wasn't really what I wanted to do.

I really work for racial reconciliation in many ways. And you can judge me by my writings.

I really wanted to write an adventure story, a murder-mystery that was set during the gold-rush years in New Zealand.

I received a grant from The Ford Foundation to write a book for kids about urban perception, or how people experience cities, but I kept putting off writing it. Instead I started to write what became The Phantom Tollbooth

I recently wrote a piece on comics in architecture - I was talking about the three kinds of comics I pay attention to: the Franco-Belgian, the Japanese manga, and the American comics. I started thinking about the relationship between Japanese manga and Japanese architecture, or Franco-Belgian bande dessinée versus Franco-Belgian architecture, it began to make sense; there are parallels to the modes of operations and the cultures they belong to. If I didn't force myself to write, I would have no forum to clarify these thoughts. Writing is really helpful.

I recommend free writing in the morning and the evening as a type of mental shower.

I recorded a lot of songs that I knew I didn't like just because maybe part of me wanted to be nice, maybe part of me just wanted to be in the studio, but I've been learning that it's really important to do what you want to do. Even though I might not write all of it, I am still picking out the songs that I want to do. A lot of people who are writing for me are people I have worked with for a while so they know who I am and what I want. I have a lot of opinions and I have learned that it is absolutely okay to express them and to say, "No, I don't want this.

I record stuff all the time, like little vocal things. I write random things down... Sometimes I just get things stuck in my head and I record them, and that actually becomes a song quite a lot of the time.