Best 30386 quotes in «writing quotes» category

Russell's prose has been compared by T.S. Eliot to that of David Hume's. I would rank it higher, for it had more color, juice, and humor. But to be lucid, exciting and profound in the main body of one's work is a combination of virtues given to few philosophers. Bertrand Russell has achieved immortality by his philosophical writings.

Russian is such a tough and complex language that I am happy enough to understand everything and read most things pretty well, but, without constant practice, my speech is not what I wish it was, and I would sooner write in crayon than write a letter in Russian.

Sacred scripture is of course the basic authority for everything; yet I sometimes run across ancient sayings or pagan writings - even the poets - so purely and reverently and admirably expressed that I can't help believing the author's hearts were moved by some divine power. And perhaps the spirit of Christ is more widespread than we understand, and the company of the saints includes many not on our calendar.

Ruth's writing is so joyful, funny and uplifting; it's always a real treat of a read.

Sadly I write in my quiet room, alone as I have always been, alone as I will always be. And I wonder if my apparently negligible voice might not embody the essence of thousands of voices, the longing for self expression of thousands of lives, the patience of millions of souls resigned like my own to their daily lot, their useless dreams, and their hopeless hopes.

Ruy-Sanchez's works of fiction are always amazing: adventure, poetry and intelligence in a new geometry of words... His writing has nerve and agility, his intelligence is sharp without being cruel, his mood is sympathetic without complicity.

Ryan Stout, a straight-arrow-looking kind of guy, shocks the crowd into laughter with his inventive interplay between innocence and a jarringly twisted point of view. He goes from loony to weirdly logical. With him, it’s more than clever writing; his comedy is based on clear and clever thinking.

Safety lies in catering to the in-group. We are not all brave. All I would ask of writers who find it hard to question the universal validity of their personal opinions and affiliations is that they consider this: Every group we belong to - by gender, sex, race, religion, age - is an in-group, surrounded by an immense out-group, living next door and all over the world, who will be alive as far into the future as humanity has a future. That out-group is called other people. It is for them that we write.

Salinger is such a terrific writer; he did so many great things. He is one of those writers that I still reread, simply because he makes me see the possibilities and makes me feel like writing. There are certain writers who put you in the mood to write. In the way a whiff of a cigar will bring back memories of a ballgame on a Saturday afternoon, reading Salinger makes me want to get to the typewriter.

Sally Barris has a voice like sparkling crystal. You could have knocked me over with a feather the first time I heard her. Her writing is from a deep, yet innocent, place and her point of view is just a bit off center. I am excited for her, she is standing at the beginning of her journey in this town, with all of it ahead of her. It reminds me of the first time I heard Beth Nielson-Chapman or Nanci Griffith. It's going to be fun to watch.

Sandeep Jauhar’s Doctored is a passionate and necessary book that asks difficult questions about the future of medicine. The narrative is gripping, and the writing is marvelous. But it was the gravity of the problem—so movingly told—that grabbed and kept my attention throughout this remarkable work.

Sarah Palin and her virtual burqa have me and my friends retching into our handbags. She's such a power-mad, backwater beauty-pageant casualty, it's easy to write her off and make fun of her. But in reality I feel as horrified as a ghetto Jew watching the rise of National Socialism.

Sarah [Silverman] writes her own jokes. She doesn't just go through her life and talk about everything. She sits down and crafts jokes. Sometimes her inspiration comes from areas of her life that are risqué. But she is an A-plus professional joke-writer in addition to being very attractive and a great performer.

Sarah Palin - now don't laugh - is writing a book. Not just reading a book, writing a book. Actually, in the word of the publisher, she's 'collaborating' on a book. What an embarrassment! It's one of these 'I told you,' books that jocks do.

Sasuke is always in the corner of my mind. Naruto and Sasuke progress as a pair. So when I write about Naruto, I always have to think about Sasuke. They are on opposite sides of the spectrum, like yin and yang.

Satire is people as they are; romanticism, people as they would like to be; realism, people as they seem with their insides left out.

Saudi Arabia is so conservative. At first there were photographs of women I took that I couldn't publish - of women without their abayas. So I started writing out little anecdotes about things I couldn't photograph and wove it in with a more obscure picture and called it "moments that got away". I realised these worked as well as the photographs by themselves. There are a lot of photographers who feel the story is all in the photographs but I really believe in weaving in complementary words with the pictures.

Say a thing well and it will be remembered-and so too will you.

Saying directors don't write because they don't type is very wrong, it's like saying Dylan doesn't write music because he doesn't write notation.

Save the gerund and screw the whale.

Saying "yes" [to sexual activity] is a pretty low baseline for sexual experience and I wanted to write about what was happening to girls after "yes.

Saying you have a political solution is like saying you can write a pop song that's going to stay at the top of the list forever. I don't have many illusions about this, but I'm not cynical about it.

Saying you're a pop group isn't saying very much. Personally, when I think of pop, I think of instant, accessible, catchy songs - I definitely identify our music as that. I think that by writing pop, or instant, accessible or hopefully catchy music, it shoes you into bigger audiences because it seems that more people like that music. I think the possibilities are endless if you stick to a simplistic short song; the music can be as wild and bizarre as you want it to be, as long as at the core of it, there's something really strong.

Say you write a song about a chandelier, and the chandelier gives off light. And the light is the color red and red reminds you of the color your not supposed to wear around a bull. So you name the song 'Cow.'

Scandal often does as much harm to the listeners as to those who devise it, even if it were to do no other harm than disturb the mind, as it does, and give rise to temptations to speak or write about it to others.

Say what you want about it, Hell is story-friendly... The mechanisms of hell are nicely attuned to the mechanisms of narrative. Not so the pleasures of Paradise. Paradise is not a story. It's about what happens when the stories are over.

Schiller writes in a letter [to Goethe, 17 December 1795] of a 'poetic mood'. I think I know what he means, I think I am familiar with it myself. It is the mood of receptivity to nature and one in which one's thoughts seem as vivid as nature itself.

Say who you are, really say it in your life and in your work. Tell someone out there who is lost, someone not yet born, someone who won’t be born for 500 years. Your writing will be a record of your time. It can’t help but be that. But more importantly, if you’re honest about who you are, you’ll help that person be less lonely in their world because that person will recognise him or herself in you and that will give them hope.

Schoolchildren all over America are told to write to authors-often to authors whom they have never before heard of, whose work they are to young to understand in the least, and often in letters which are almost illiterate. If children are to be taught to respect the work of American poets I think some better way might be found to do so- some way which would not make such an inconsiderate demand on the author's time.

Schools don't really allow failure and yet it's part of any endeavour, not just writing.

Science fiction encourages us to explore... all the futures, good and bad, that the human mind can envision.

Science fiction [is] the kind of writing that prepares us for the necessary mutations brought about in society from an ever changing technological world and as a result. The mainstream hasn’t excluded SF; the mainstream has excluded itself. No one told Jules Verne he was a science fiction writer, but he invented the 20th century.

Science fiction is what I point at when I say science fiction.

Science fiction offers an intensely bracing angle of view for writers to adopt, especially in a time of constant innovation and crisis, and it is a scandal that in 1999 so many writers have written it and continue to write it in obscurity.

Science fiction is a field of writing where, month after month, every printed word implies to hundreds of thousands of people: 'There is change. Look, today's fantastic story is tomorrow's fact.

Science fiction, outside of poetry, is the only literary field which has no limits, no parameters whatsoever.

Science fiction is a great way to pretend you are writing about the future when in reality you are attacking the recent past and the present. You can criticize communists, racists, fascists or any other clear and present danger, and they can't imagine you are writing about them.

Science fiction is any idea that occurs in the head and doesn't exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible.

Science fiction writers foresee the inevitable, and although problems and catastrophes may be inevitable, solutions are not.

Science fiction, as I mentioned before, writes about what is neither impossible nor possible; the fact is that, when the question of possibility comes up in science fiction, the author can only reply that nobody knows. We haven't been there yet. We haven't discovered that yet. Science fiction hasn't happened.

Science Fiction will never run out of things to wonder about until the human race ceases to use its brain.

Science is experimental, moving forward step-by-step, making trial and learning through success and failure. Is not this also the way of religion, and especially of the Christian religion? The writings of those who preach the religion have from the very beginning insisted that it is to be proved by experience. If a man is drawn towards honour and courage and endurance, justice, mercy, and charity, let him follow the way of Christ and find out for himself. No findings in science hinder him in that way.

Science is wonderful, science is important, and so are children, so are young people, and so what could be better than to write a science book for young people?

Screenwriting is like ironing. You move forward a little bit and go back and smooth things out.

Scientists have a strong urge to write papers but only a relatively mild one to read them.

Scott and I had just worked with Jimmy Pardo doing a live show over the summer. And it was a lot of fun and we wanted to keep doing a live show. And as Scott said, we knew a lot of funny young people who needed a place to do stand-up. And we were in a place, where we were writing so much that we weren't around live comedy so much, so we kind of missed it.

Screenwriting is a much more collaborative effort. When you write a novel, it's just you, with input from your editor.

Screenwriting is always about what people say or do, whereas good writing is about a thought process or an abstract image or an internal monologue, none of which works on screen.

Screenwriting is not an artform, it is a punishment from God.

Scribbler, n. A professional writer whose views are antagonistic to one's own.