Best 30386 quotes in «writing quotes» category

For me, being a good creative writing teacher is actually kind of being a good therapist. The line is very porous - you can also be a creepy guru/abusive therapist, too, so you have to be very careful. But it feels really important to me.

For me, form is something I locate in the process of writing the poems. What I mean is, I start scribbling, and then try to form the poem - on a typewriter or on my computer - and, by trial and error, try to find the right shape. I just try to keep forming the poem in different ways until it feels right to me.

For me Henry Corbin, the way that he writes about certain esoteric matters, is in a phenomenological way that refuses a New Age lens. But at the same time he's very much responsible for a lot of New Age thought, because he was a very syncretic thinker.

For me, books are music for my mind and my imagination. When I am stuck in something I'm writing, I simply read my way out of being stuck. You can never waste time reading.

For me, drawing is a question of death and life. Every day I draw, I write, I do something.

For me, fiction belongs to my inner being, is something essential which defines me - I am a fiction writer in the same way I am a woman, the same way I am dark-haired - it is something essential and structural. It's like an exogenous skeleton that keeps me going. And I don't know how I would manage to live without writing, working with words.

For me going to war offers me the ability to write about apparently very alien, sometimes hated or despised people, who've been objectified in a way that restores their humanity. Hopefully for my readers, that denies them the ability to objectify them. I think that's the point. If you can do that, that's a good thing.

For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appall, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.

For me, if the writing and - by extension - the subject matter and the characters are all good, it doesn't matter if it's film or TV. Each medium has great things going for it.

For me, being a writer was never a choice. I was born one. All through my childhood I wrote short stories and stuffed them in drawers. I wrote on everything. I didn't do my homework so I could write

For me, I'm constantly writing stuff that is what I'm dealing with on a personal, psychological level. And I think that I bring that to whatever I'm doing, whether it's being an actor or a writer or whatever it is I'm doing. I think you can't help but do that.

For me, directing is like writing with meat. I can write live, in real time, and change things and be confident that I'm helping the movie.

For me, exploration was a personal venture. I did not go to the Arabian desert to collect plants nor to make a map; such things were incidental. At heart I knew that to write or even to talk of my travels was to tarnish the achievement. I went there to find peace in the hardship of desert travel and the company of desert peoples. I set myself a goal on these journeys, and, although the goal itself was unimportant, its attainment had to be worth every effort and sacrifice... No, it is not the goal but the way there that matters, and the harder the way the more worth while the journey.

For me, good description usually consists of a few well-chosen details that will stand for everything else.

For me, life is writing and I can do it anywhere. It doesn't matter where I am. I listen. I write. I live.

For me, my stories are spiritual journeys, and whenever I write, it's a form of worship. It's a form of my worship. Worship is not just Sunday morning as we all know. Worship is everything we do. Writing is most definitely a form of worship for me and, God as I'm writing, He takes me on these journeys.

For me, naming bands was the forerunner to really writing lyrics, because I work off titles.

For me it's also - the music is equally as important. I mean I think as somebody who writes music, there just has to sort of be the marriage between both.

For me, no matter how serious the subject is, when I try to write about it, I have to write about it from a comic point of view. It's just the way it comes out.

For me now, it's about what you would write and what you wouldn't write, and that's how I select what I am going to do. It can be quite nice being brought a concept by a studio for me to work on.

For me, one of my favorite parts of stop motion is not even the animating or the writing, but actually building. I always say that my favorite stage is just fabrication. It's just sitting on a workbench, making a little thing out of clay or whatever. That just totally excites me.

For me, it's important that a movie is the congregate of all art forms, from writing to art composition to music to performing. Trying to keep a balance of all those is what I think a director's job is.

For me, music is sort of my passion, more so than being an actor. I just never tried to make a career as a musician. It was just something that I did on my own time, just for me. I had written a lot of songs, but I don't really record a lot of music because, for me, it's the same way as a poet: I write to get things out. It's sort of cathartic.

For me personally, I'm mostly focused on writing and acting right now.

For me, playwriting is and has always been like making a chair. Your concerns are balance, form, timing, lights, space, music. If you don't have these essentials, you might as well be writing a theoretical essay, not a play.

For me, reading has to be pleasurable. Otherwise, I'm ditching the book and turning on Netflix. There's way too much good TV right now to write dull.

For me the experience of writing is really an experience of losing control.... I think it's very much like dreaming or like surfing. You go out there and wait for a wave, and when it comes it takes you somewhere and you don't know where it'll go.

For me, the goal is always to write a novel that I myself would like to read. People frequently ask me what my favorite book is, and in effect, there's always a capital-F Favorite, capital-B Book that I would like to write myself someday. I try to go for that ideal of writing the best, most entertaining, most beautifully written book that I possibly can.

For me the initial delight is in the surprise of remembering something I didn't know I knew. I have never started a poem yet whose end I knew.

For me, the monologue was the favorite thing I had done in radio. It was based on writing, but in the end it was radio, it was standing up and leaning forward into the dark and talking, letting words come out of you.

For me, poetry is an evasion of the real job of writing prose.

For me, reading books and writing them are tied together. The words of other writers teach me and refresh me and inspire me.

For me, the best places to write are on planes, trains and at airports. Not hotel rooms but hotel lobbies. I'm really happy when I'm waiting for a plane and the message comes that it's three hours late. Great, I'll get to write!

For me, the challenge is just making great albums, because talent - and writing in general - is not tangible. There's no expiration date on it. At the same time, you might wake up tomorrow and be unable to write music.

For me, the existentialists are important critics of 'absolutist' claims, and Heidegger and Merleau-Ponty are, at least in their later writings, also exponents of a doctrine of mystery: Being or the 'well-spring' of everything is, for Heidegger, ineffable, just as what Merleau-Ponty called 'Flesh' is for him.

For me, the first sign of oncoming madness is that I'm unable to write.

For me, the historical and genealogical library is the one I use. I'm working on, I'll say, it's a time travel novel. I haven't written very much of it. That's the dirty secret of the Cullman center: The writers don't write their fiction there, they just do their research.

For me, the main inspiration to write a story or novel is the voice of its central character, or the narrative voice of the story itself.

For me, the moral dimension of life is that you are committed, to doing everything that you do, with a sense of excellence. That is the morality of writing, that you try and write as excellently as you possibly can. Or of teaching, or of childrearing, or of friendship. Of anything you do. And, I do try and live, as best I can, with all of the errors that I make, y'know, a value-driven life. And that is defining values as trying to give everything you do, everything you've got.

For me, the more I live, the more I need to write. The more I push myself to really live and really experience things and step outside of my comfort zone, the more the songs are allowed to flow.

For me songwriting is very...it's almost like an accident. 'Oh I accidentally wrote about that.' I sit down with the urge to write a song and then afterward it turns out being really personal. I get really overwhelmed by how I feel a lot and sometimes - I feel like my body and my brain can't deal with all the different emotions and I feel like I'm just going to explode.

For me, the guitar synthesizer is a great writing instrument.

For me, the hardest part is getting up and writing, that's the hard part. I always felt like I could teach someone to direct if I really had to. I feel like it's a skill that's passable, but writing... writing is the worst. That's what I'm doing right now, it's just the hardest thing that you'll ever do.

For me, songwriting is something that I have to do ritually. I don't just wait for inspiration; I try to write a little bit every day.

For me, the day job comes first. That's why I call myself a diplomat who writes, not a writer who masquerades as a diplomat. If the day job demands it, I won't write at all. I write in what I call 'the crevices of my day job', and that comes only on weekends.

For me, practice isn't doing scales but doing things like writing, jamming with other people, or playing gigs.

Former South Africa President Nelson Mandela announced Tuesday he will begin writing his autobiography. He spent 25 years in prison before being elected to public office. In America, we do it the other way around.

For me, speaking to anyone - on a stage, in an elevator - I am looking for impact and connection. The same goes for writing.

For me, the Bild-Dichtung [image-poem] is the ideal form, because the drawing process is constantly being interrupted or contrasted by the writing. And since I always have something to say when I am writing, the effort has a balancing effect. Drawing and writing are wonderful complements.

For me, the dialogue is the easiest part of writing. It just always seems so obvious what a character will say. Maybe its because I talk too much!