Best 30386 quotes in «writing quotes» category

If I'm not writing a poem to decompress from my experiences on a movie set, I usually just cook and it's like meditative. Especially since I'm at the stage now where I don't really use measuring cups. Kind of instinctual, I just kind of prepare my own dishes as I go along.

If I'm reading something and a word pops up, or I just catch it, I try to mark it off and then, later, write it down on a piece of paper and add it to my list.

If I'm writing about my life, I'm already thinking of anyone in my life who might be reading it, and I'm keeping that as a kind of censorship voice in my head. And then, commenters - I'm keeping that in my head, too.

If I'm writing... even a piece of a song... I write it down. If it still resonates six months down the line, a year, even five, those are the ones you put in your bag and you take to the studio. You come to realize, the ones that don't make it, they were only meant to live for that moment in your notebook or on the 4-track-and plenty of songs never get any farther than the 4-track.

If I'm writing something and I'm not feeling mischievous, then I know it's not going to be great.

I finally realized that my relaxation is practicing the piano and writing. I've tried to do other things, but I've learned through the decades, that this is what I enjoy, practicing music and writing.

I find a lot of writing happens when you're not actually at the computer. So I carry a notebook.

I find dictating in the mass media particularly good because you're writing for voice anyway; you're writing for people to say a line and, consequently, saying a line through a machine is quite a valid test for the validity of what you're saying.

I find it both fascinating and disconcerting when I discover yet another person who believes that writing can't be taught. Frankly, I don't understand this point of view

I find it hard to think of myself as selling books. I don't even have a Web site. I want to sit and write, not sell.

I find it incredibly difficult to write anything that's really happy.

I find it interesting that authors of fantasy and science fiction novels are rarely asked if their books are based on their personal experiences, because all writing is based on personal experience. I may not have gone on an epic quest through a haunted forest, but the feelings in my books are often based on feelings I've had. Real-life events, in fantasy and science fiction, can take on metaphorical significance that they can't in a so-called realistic novel.

I find it quite difficult to think that there's, you know, about 20 million people listening to my album that I wrote very selfishly to get over a breakup. I didn't write it being that it's going to be a hit.

I find it's very confusing when one critic tells you one thing and one tells you something completely different. Unless all the critics agree on parts of the play that just didn't work. I have stopped reading reviews, because I find writing is all about courage. You must have courage when you start writing a play and you cannot have the voice - you must write things out. You cannot have the voice of a critic telling you, "That didn't work in that play, you cannot make it work in another play." Every time you do a production, it's an experimentation.

I find historical figures in general very tricky because you feel at times that you're serving two masters. Not only the arc and wonderful writing that comes with the show, but also the history of a person's life.

I find it much easier to write comic-books than lyrics actually because it's a natural dialogue. Writing song lyrics is not natural but over the years I know what I need to know to get it done. I find it quite easy to capture a character and use my own personality and humour.

I find it very difficult not to write in any sort of Sudanese style. With Sudanese music, there are very specific things that happen with the syncopation of the drums, melodies and stuff. And whenever I write, that's always the first thing that comes out, because I grew up listening to it. It's a part of me, so I try to bring that out in the music. I think that you have to be honest with what you do, and that's the most honest thing that I can do, is to write that way.

I find if you're targeting Windows, Linux, and Mac OS X right from the start, your code will probably work anywhere else that you might try it later. Writing code that is cross-platform from the start requires more discipline, but I find it is worth the effort.

I find it hard to express myself when writing from the f - - - heart or the a - , or wherever. It's just like anything, it's (easier) when you get used to it, but I've not done it. I was just a singer in a band.

I find it only natural for a storyteller to be interested in storytelling and, for anyone who spends the better part of his or her life writing fiction, it is hardly surprising that the pleasures, worries, and mechanics of fiction-making should enter the work.

I find it painful when I'm without anything. But I work in multiple fields. If I can't write, I find myself taking photographs. I can go on the road and perform. But the most important thing for me is writing, and when I hit those walls, it's painful.

I find it so funny how people that don't write the music, and have no involvement in it, can make such huge decisions on behalf of artists.

I find it very hard to say yes or no quite openly, because people are never satisfied. One day they write us off as saying we're not together and the next day we're together and getting married.

I find a ton of inspiration from the artists that I'm writing with, that I'm playing shows with, and that I'm sitting down and having coffee with.

I find coming up with a title the hardest part of writing a novel.

I find interesting characters or lessons that resonate with people and sometimes I write about them in the sports pages, sometimes I write them in a column, sometimes in a novel, sometimes a play or sometimes in nonfiction. But at the core I always say to myself, 'Is there a story here? Is this something people want to read?'

I find it creatively satisfying to write material and say it out loud in a public place, whether or not anyone's listening.

I find it easier to write in these little vignettes; if I try to get any more heavy, I find myself out of my league.

I find it fascinating that Paul [the apostol], writing to the Galatians, responds to the question, "What does it mean to live in Christ?" by saying, "There is no longer Jew or Greek, there is no longer slave or free, there is no longer male and female; for you are all one in Christ Jesus.

I find it utterly bizarre that total strangers write about your life in a completely fictional manner.

I find in most novels no imagination at all. They seem to think the highest form of the novel is to write about marriage, because that's the most important thing there is for middle-class people.

I find it hard to write poems in reaction to world/national events unless there's a way in that's so evident to me that I can't deny the urge to write about such events. It takes me a while to gather the evidence, you know?

I find myself absolutely fulfilled when I have written a poem, when I'm writing one. Having written one, then you fall away very rapidly from having been a poet to becoming a sort of poet in rest, which isn't the same thing at all. But I think the actual experience of writing a poem is a magnificent one.

I find on songwriting, I really have to work at making sure I'm not imitating myself. You know? Which happens to all of us. When an artist becomes really famous, you'll start listening to songs and saying "Wait...I've heard that before" and it'll be one of theirs. We all fall into that rut. If you don't have something to force you out of it, then it's kind of a dangerous business.

I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.

I find that if somebody is writing and drawing a comic book, planning it to be a movie and a game at the same time tends to lead to a pretty lame job.

I find that I have about six bloggable ideas a day. I also find that writing twice as long a post doesn't increase communication, it usually decreases it. And finally, I found that people get antsy if there are unread posts in their queue.

I find that it is useless to worry about things I can't control and I can't control how many people come out tonight. All I can do is focus on writing the best songs I can write and performing the best I can perform.

I find it very invigorating having Ken Lonergan, who's an established, Pulitzer-nominated playwright doing Howards End, or Chris Hampton who's won an Oscar writing a TV series, or having an actor like Mark Rylance, who is probably England's leading theater actor, in the lead in Wolf Hall.

I find that a great part of the information I have was acquired by looking up something and finding something else on the way.

I find that by putting things in writing I can understand them and see them a little more objectively. ... For words are merely tools and if you use the right ones you can actually put even your life in order, if you don't lie to yourself and use the wrong words.

I find that the majority of the year, I don't spend acting. I spend it either writing or editing or producing, or putting things together. So it's as shocking as it is tragic. I really enjoy it. It's a valuable skill set. I certainly feel like more of a grownup.

I find so much writing colourless, small in its means, unwilling to take stylistic risks. Often it goes wrong; I am not the one to judge. Sometimes, I hope, it goes right.

I find that, for me, it is this concept of borrowed or built life, life on loan, that gets me writing. It's similar to speaking about literature. I like it, and then I don't like it. It has such an inherent vein of pretention, because you're not speaking about real things. There's a literary pretentiousness made of speaking and spending so much time on unreal persons. And it seems, now, impossible to create an unpretentious, totally organic character.

I find that time constraints actually make me more productive, and "real world" experiences provide a lot of inspiration to write.

I find that when I am actually writing, I enter a zone of concentration too small to admit my troubles.

I find myself in this bizarre position in which everything I write and talk about is pretty much about this issue, the environment. It feels a little too comfortable, because at the end of the day I can rationalize that I'm doing my share. I don't know if I actually am, I don't know if I should be more of an activist than I am. But at the end of the day, everybody needs to do those things that they're most likely to continue doing, and that aren't going to burn them out.

I find myself writing protagonists who do feel pretty cut off from others but who want to make connections and aren't very good at it.

I find that in the course of the day when I'm writing, after three or four hours of intense work, I have a splitting headache, and I have to stop. Because the involvement, which is both creative and self-critical, is so intense that I've got to stop doing it.

I find that jazz loosens up the deep place of my mind, lets me find my own strange rhythms. Generally, I find the knottier the jazz, the better. Anything with singing is a distraction. Listening to classical music tends to have the unconscious effect of making my writing too smooth.