Best 30386 quotes in «writing quotes» category

It would be an egregious mistake to ever refer to me in the same breath as most of the people I write about.

It would be easier to write a novel without reader input, but I feel the fiction is richer for it.

It would be morally reprehensible not to tell the truth... Everything I have written has stood the test of time.

It would be worthy of the age to print together the collected Scriptures or Sacred Writings of the several nations, the Chinese, the Hindoos, the Persians, the Hebrews, and others, as the Scripture of mankind. The New Testament is still, perhaps, too much on the lips and in the hearts of men to be called a Scripture in this sense. Such a juxtaposition and comparison might help to liberalize the faith of men.... This would be the Bible, or Book of Books, which let the missionaries carry to the uttermost parts of the earth.

I typically don't adopt the ascetic approach. In part, that's because I do use the Net for research even as I'm writing (to check facts, or so on). But I think it's also because I find the possibility of distraction comforting.

It would be worth the while to select our reading, for books are the society we keep; to read only the serenely true; never statistics, nor fiction, nor news, nor reports, nor periodicals, but only great poems, and when they failed, read them again, or perchance write more. Instead of other sacrifice, we might offer up our perfect (teleia) thoughts to the gods daily, in hymns or psalms. For we should be at the helm at least once a day.

It would get really alienating, to have my face be the face of a cause. So much just comes down to the songs. I just want to give us the opportunity to write great songs. Even our work in Haiti is limited by how good our songs are. We just need to get rid of as much of the bullshit as possible, so we can have a life, so we have something to write about.

It would just be a pamphlet. Three pages. The first page would be Drugs I Have Taken and then a list. The next page would be People I Have Slept With and then another list. Then the last page would be Famous People I Have Partied With and then another list. Because that's all people write in their autobiographies. Cut out all the bullshit and it's just a three-page pamphlet.

I understand English; I read and write English perfectly, but the accent won't go away.

It would positively be a relief to me to dig Shakespeare up and throw stones at him.

I typically will work on a lyric in a three-ring binder. On the right side, I'll write the lyric, and on the left side, I put in alternate things...and things that might be alternates or improvements. I'll turn the page and do it again. I'll turn the page and do it again, or incorporate the improvements. Eventually, I end up with some material, and often it needs to be ordered.

I understand now my father really thought he was doing me good. Education means a lot to Palestinians. We’ve become some of the most educated people in the world through our diaspora. We’ve had to be. When you ain’t got land, your degree may be your only solid ground. May father felt (feels) that being a doctor would give me security. How can I explain that I’m not safe from anything if I don’t write?

I understand that what I am to do is to be a bridge between the people who would never set foot in a church in their entire lives and people who would like to get them there. So I write books that Christians can give to their non-Christian friends that they will actually read.

It would be no loss to the world if most of the writers now writing had been strangled at birth.

It would be so nice to write songs that end up being timeless.

I understand it all. I can write my own ticket for one or two movies. But if they're not the right ones, my ticket gets yanked. I understand that's how it works, and I'm okay with it.

I unplug the phone and close the door and just stick with it. I don't ever go out for lunch and I don't take vacations. I like to be awake when no one else is: either just before dawn in the morning or late, late at night. Silence helps.

I understood at once, I am not living, but actively dying. I am smoking, living unhealthily. I’m shutting down. I need to go the other way, inside. And it was so clear to me what I was doing. It was suddenly perfectly clear. I understood, I need to write. Live here, in my words, and my head. I need to go inside, that’s all. No big, complicated, difficult thing. I just need to go in reverse. And not worry about what to write about, but just write. Or, if I’m going to worry about what to write, then do this worrying on paper, so at least I’m writing and will have a record of the anxiety.

I use a computer, but before I begin each new book I keep a notebook. I write down everything that comes to mind during that period before I actually begin. It might take months or weeks. That notebook is my security blanket so that I never have to face a blank screen (or blank page). But I print out often and my best ideas usually come with a pencil in my hand.

I unfolded the note, and it took me a few seconds to decipher Adrian’s writing. If he did write me a dating proposal, I really hoped he would type it.

I use a lot of humor in my writing. But it's completely black humor.

It would truly be a fine thing if men suffered themselves to be guided by reason, that they should acquiesce in the true remonstrances addressed to them by the writings of the learned and the advice of friends. But the greater part are so disposed that the words which enter by one ear do incontinently go out of the other, and begin again by following the custom. The best teacher one can have is necessity.

It would be very hard to write a serious drama and say some of these things. You can be much more abstract and allusive with horror, and it's very forgiving to the author. You don't necessarily have to take an absolutely positive position. You can just write whatever.

I used a video camera, and shot on film cameras at school and stuff, but I had a lot more training as a writer. I kind of live like a writer. I get up and I write. I've done that my whole life.

I understand pain very well, so I look for that in a role. If the characters are well-written, don't tell nobody, but I'll do the damn thing for free. I'm serious. It's the writing. I love beautifully flawed characters.

I undertake the same project as Montaigne, but with an aim contrary to his own: for he wrote his Essays only for others, and I write my reveries only for myself.

I used to be able to write five pages a day, every day, no problem. Now a good day is five or four pages, and that's from 9:30 A.M. until 6 P.M.

I used to carry a notebook to the studio. I don't do that no more 'cause I don't have the time to write anywhere but right there in the studio on the spot. So when you hear my stuff, know that I wrote it in the studio.

I used the pen name because I knew I wanted to write better novels under my own name someday.

I used to do everything to keep a wall up around myself and keep my life quiet so that I could write.

I used to feel defensive when people would say, 'Yes, but your books have happy endings', as if that made them worthless, or unrealistic. Some people do get happy endings, even if it's only for a while. I would rather never be published again than write a downbeat ending.

I used to always throw in random questions. I'd have to ask about artist's single and their writing process, which I know is every artist's most-hated question, like, "Well what was ,your process?" And it's. like, "Well, I wrote this album." And then at the end I would throw in, like, "So, Seinfeld or Simpsons?" and they'd be so thrown, because everything else could be autopilot. All my greatest moments were from the most sporadic questions.

I used to be an architect, so I have a series I am working on with USA Network that I created and am co-writing.

I used to be a pre-industrial writer: thousands of words in a spurt and then a few days off. But as I get older, I've switched to a mode best described as 'slow and steady wins the race.' Basically, I write during the same four hours every day, after breakfast and the all-important coffee, generally in the same room and wearing the same pajamas.

I used to be treated like an idiot, now I'm treated like an idiot savant.

I used to be the guy who wanted to do everything myself, wanted to write and play everything myself, but the older I've gotten, the more collaborations I've gotten. I really enjoy working with other people to create different styles of music, because I really do listen to everything, and I enjoy every kind of music. I think some of the best stuff comes from working with people who have different perspectives on the same thing.

I used to draw and illustrate, but I don't do that anymore because I just like to write. I like to leave the illustrations to actual professional illustrators.

I used to be afraid of two things - being alone and not being able to write. Since Albert's death, I don't care about writing or about other people.

I used to believe that if I could do certain things - write a book or be a successful musician - that I'd be transformed into a happy person, but it doesn't work that way.

I used to like reading and you read enough books and you overflow and then you start writing.

I used to like writing for comedians - I enjoyed the challenge of making other people funny.

I used to get letters from guys in prison. Anymore now I don't even open them. They'd ask me to please sign a couple of cards for their children. Then I see them on eBay two weeks later. Or the people that write and say, "You is one of my favorite cartoonists. I would like a drawing, please." I guess they encourage inmates to write letters to celebrities. It's like a way to make money by selling autographs or something. Give me a break.

I used to feel that if I say something's wrong, I have to say how it could be made right. But what I learned from Kurt Vonnegut was that I could write stories that say I may not have a solution, but this is wrong - that's good enough.

I used to forget that I was an Indian woman. I would even forget that I was a woman. I don't think of myself as bringing to the table a lot of 'women's issues.' I don't feel the need to write about maternity. I grew up thinking that the talented people in comedy were hard-joke writers.

I used to hide my real emotions in gobbledegook, like in In His Own Write. When I wrote teenage poems, I wrote in gobbledegook because I was always hiding my real emotions from Mimi.

I used to go into rooms of older executives and try to pitch talk show ideas and when I was writing as a journalist I would pitch ideas for my articles and I definitely understand that excitement of a pitch and what that is to be young and a woman and trying to make your voice heard.

I used to joke about this but I've recently realized that I really believe it: I spent many years training myself to write very slowly for pretty good money. So the idea of writing really quickly for free offends me.

I used to love to write. As a child I used to write all the time. I loved to write up until the second I got my first professional writing job. It turns out it's not that I hate to write. I hate, simply, to work.

I used to go over to my friend's house and we'd watch VCR tapes, three of them a day, and I was like, "I could come up with better stories than this." And I've wanted to write films ever since.

I used to love reading, but since I've started writing, it's harder for me to immerse, because I spend so much time looking at how the story is structured and trying to see what the author is doing behind the curtain.