Best 30386 quotes in «writing quotes» category

I think there's one thing which distinguishes our art - we don't consider. We don't think. We write a little verse because it comes to us.

I think the reason working-class people don't write books is because they are encouraged to believe that only certain people are permitted to write books.

I think the songs I was writing after Aeroplane were full of a lot of undealt-with pain that was just a little too big... the issues seemed too large for me to confront intuitively through songwriting. I kept pushing it and pushing it. There are so many issues about being human and why people inflict pain on each other. There were seeds of all these things I hadn't dealt with. With just the personal issues, I felt I was in over my head, but then to write about it... To write you have to have at least a little bit of confidence you know what you're talking about.

I think there's something really painful about your identity being entirely composed of ghosts. For me, I didn't want to be this kid whose Dominicanness was something caught utterly in the past, is an abstraction, the thing that I write about. Instead I wanted it to be, first and foremost, a thing that I lived.

I think there's something strange about writing a script I've written many, many scripts - dozens and dozens of scripts - and every time I start one, I think to myself: 'why in the world do I think I know how to do this?'

I think the tendency to over-explain and over describe is one of the most common failings in fantasy. It's an unfortunate piece of Tolkien's legacy. Don't get me wrong, Tolkien was a great worldbuilder, but he got a little caught up describing his world at times, at the expense of the overall story.

I think the slowness of exchange is over, and the idea of waiting for a response - that's gone. People don't want to wait. It's all this instantaneity. That's fine. But it also makes writing different, if you're writing for an instant exchange compared with being able to have time for more reflection.

I think the sport of wrestling, which I became involved with at the age of 14... I competed until I was 34, kind of old for a contact sport. I coached the sport until I was 47. I think the discipline of wrestling has given me the discipline I have to write.

I think the term "artist's novel" for me has referred to writing which supports an art practice or a more specifically a particular artwork or project. The nonfiction novellas and nonfiction novel I have written play a role in my artwork as objects - which I will return to, but I write the books to exist autonomously.

I think the thing that has made it possible for me to write personal songs and sing them year after year is the sensibility for good writing. Just opening your veins all over the paper is not necessarily going to be interesting. I wanted to speak to people.

I think the U.K. is too small to write about from within it and still make it seem foreign and exotic and interesting.

I think the trick of writing a good picture book manuscript is to leave that space for illustration. An illustrated novel can do the same thing.

I think, there were probably problems with show business where producers and directors would try to get the writing credit also. So they created a rule where the bar, to get your name added to the writing credits, if you've done a revision, is very high if you're also the producer or director.

I think the thing that I lost in myself when I stopped writing fiction and the thing that I rediscovered and started mining again is, for lack of a better word, magic. It's the way you can brush up against the inexplicable and the mystical.

I think the underlying purpose is expression. It's not about technique, it's not about hitting the right note, writing the perfect prose, having the perfect brushstroke. It's about expression of oneself, the things around you, and the emotions. I think expression is the one word that I would use, whether it's for sorrow, tragedy, joy, or even the need to express and be heard.

I think the whole emphasis in England, in universities, on practical criticism (but not that so much as on historical criticism, knowing what period a line comes from) this is almost paralysing. In America, in University, we read - what? - T. S. Eliot, Dylan Thomas, Yeats, that is where we began. Shakespeare flaunted in the background. I'm not sure I agree with this, but I think that' for the young poet, the writing poet, it is not quite so frightening to go to university in America as it is in England, for these reasons.

I think things evolve into jokes. I don't generally write them down as jokes. I talk them out.

I think the writing of literature should give pleasure. What else should it be about? It is not nuclear physics. It actually has to give pleasure or it is worth nothing.

I think the way I write is kind of naturally rhythmic. If there's anything of my own in my writing, I think that's my own thing. Like when I start a song, I almost hear the rhythm more than the melody.

I think the writing and the casting and all of that has so much to do with actors becoming their characters. I think if an actor is right for a role, casting sees that and the words that are on the page, depending on how it's written, can really help your character develop.

I think the works of W.D. Gann and Robert Prechter have inspired me more than anyone else. It was from their writings that I discovered cycles, patterns, and psychology dominate the market, and that the news breaks with the cycles, not the other way around.

I think the world is ready for some rock 'n' roll. Some real time guys that play their own instruments, write their own songs, and sing the music and have a good time doing it.

I think those walks to the studio were the most enjoyable times for me, because I could get lost in my head and think about what I wanted the album to sound like as I was writing. For the most part, it was great to have all that time alone writing the songs.

I think to the degree writers are serious, there is a greater tendency for them to write to themselves, because they're trying to compose their own thoughts. They are trying to find out what is in their minds, which is the great mystery. Finding out who you are, what is in your head, and what kind of companion you are to yourself in the course of life. I do think people have very profound lives of which they say virtually nothing.

I think to write fiction, this is just how I see it, you have to have a powerful need/desire to connect. I can't. Wanting to and not being able to has lead to a lot of misery in my life.

I think training in comedy, as it were, a history writing comedy, is a powerful tool for anyone.

I think those of us who use language are always trying for this, trying to keep everything from floating away by trying to write about it despite failure.

I think those women who get themselves to write essays, it's not an easy thing to do because as women, you're not encouraged to think; you're encouraged to feel. This is a broad, broad statement. So I think those women who go out on a limb and publish essays are highly conscious of how they are writing their opinions.

I think ultimately it's just time management. You're just doing a lot more stuff. You're doing the same stuff, you're writing and you're producing, but it just comes with a lot of other things. A lot of long term thinking and plotting things out for the future, bringing elements together. I have a lot of support.

I think training your instinct comes from writing and reading. There's no big secret. And reading slush helps, as well; I'd recommend everyone edit a literary magazine at some point. It's time-consuming, but there's a lot to learn from other writers who are also learning. The patterns (twelve stories about whales in this batch?) are also interesting.

I think the whole glory of writing lies in the fact that it forces us out of ourselves and into the lives of others.

I think virgins are far more interesting to write about. If we've been around the block a few times, we know what to expect. Not so with virgins.

I think, we can only write very personal matters through our experience. When I named my first novel about my son "A Personal Matter," I believe I knew the most important thing: there is not any personal matter; we must find the link between ourselves, our "personal matter," and society.

I think wanting to write is a fundamental sign of disease and discomfort. I don't think people who are comfortable want to write.

I think Walt Whitman went to the help wanted section and found a squib that said "Wanted: National Poet." And he was innocent enough to believe there really was such a job. And if he could just write a poem that incorporated everything he felt and suspected and hoped for from America that he would have the position.

I think we all live dichotomies. I'm a father of three boys and a loyal homebody sort of husband and father. And yet I act in movies and write and direct movies.