Best 3947 quotes in «grief quotes» category

...People are not one-dimensional. People do not live on one plane...

People do what they can to get through another day.

People come and go from our lives all the time. It's not our fault that people leave. The Universe is just making room for new people with new lessons.

People imagine that missing a loved one works kind of like missing cigarettes. The first day is really hard but the next day is less hard and so forth, easier and easier the longer you go on. But instead it’s like missing water. Every day, you notice the person’s absence more.

People grieve in different ways, some silently, some in anger, some in spite. Rarely does grief bring out the best in people, despite what local historians like to tell you.

People kept giving me space, all of us hoping my grief had a half-life, but I didn't need space. I needed people to say Miles's name out loud. I needed them not to flinch when I said it. Weren't they curious about the color of his eyes? I needed them to acknowledge not just that he had died but that he had lived.

People say that a time machine can’t be invented, but they’ve already invented a device that can stop time, cameras are the world’s first time machines.

People referred to the symbolism of the empty Cross more than once on its journey. It would seem obviously to point to our faith in Jesus’ resurrection. It’s not quite so simple though. The Cross is bare, but in and of itself the empty Cross does not point directly to the Resurrection. It says only that the body of Jesus was removed from the Cross. If a crucifix is a symbol of Good Friday, then it is the image of the empty tomb that speaks more directly of Easter and resurrection. The empty Cross is a symbol of Holy Saturday. It’s an indicator of the reality of Jesus’ death, of His sharing in our mortal coil. At the same time, the empty Cross is an implicit sign of impending resurrection, and it tells us that the Cross is not only a symbol of hatred, violence and inhumanity: it says that the Cross is about something more. The empty Cross also tells us not to jump too quickly to resurrection, as if the Resurrection were a trump card that somehow absolves us from suffering. The Resurrection is not a divine ‘get-out-of-jail free’ card that immunises people from pain, suffering or death. To jump too quickly to the Resurrection runs the risk of trivialising people’s pain and seemingly mapping out a way through suffering that reduces the reality of having to live in pain and endure it at times. For people grieving, introducing the message of the Resurrection too quickly cheapens or nullifies their sense of loss. The empty Cross reminds us that we cannot avoid suffering and death. At the same time, the empty Cross tells us that, because of Jesus’ death, the meaning of pain, suffering and our own death has changed, that these are not all-crushing or definitive. The empty Cross says that the way through to resurrection must always break in from without as something new, that it cannot be taken hold of in advance of suffering or seized as a panacea to pain. In other words, the empty Cross is a sign of hope. It tells us that the new life of God surprises us, comes at a moment we cannot expect, and reminds us that experiences of pain, grief and dying are suffused with the presence of Christ, the One Who was crucified and is now risen.

People talked so foolishly, I thought, about the ennobling effects of suffering. No doubt the philosophy that tells you your soul grows through grief and sorrow is right--ultimately. But I don't think this is the case at first. At first, pain beyond a certain point merely makes you lifeless, and apathetic to everything but itself.

People tell you to keep your "courage" up. But the time for courage is when she was sick, when I took care of her and saw her suffering, her sadness, and when I had to conceal my tears. Constantly one had to make a decision, put on a mask and that was courage. --Now, courage means the will to live and there's all too much of that.

People think that food cheers you up, that a doughnut cures all ills, but this only works for trivial complaints. When real disaster strikes, food chokes you.

People who have recently lost someone have a certain look, recognizable maybe only to those who have seen that look on their own faces. I have noticed it on my face and I notice it now on others. The look is one of extreme vulnerability, nakedness, openness. It is the look of someone who walks from the ophthalmologist's office into the bright daylight with dilated eyes, or of someone who wears glasses and is suddenly made to take them off. These people who have lost someone look naked because they think themselves invisible. I myself felt invisible for a period of time, incorporeal. I seemed to have crossed one of those legendary rivers that divide the living from the dead, entered a place in which I could be seen only by those who were themselves recently bereaved. I understood for the first time the power in the image of the rivers, the Styx, the Lethe, the cloaked ferryman with his pole. I understood for the first time the meaning in the practice of suttee. Widows did not throw themselves on the burning raft out of grief. The burning raft was instead an accurate representation of the place to which their grief (not their families, not the community, not custom, their grief) had taken them.

People with vision sees opportunity where there is problem. They see money not problem.

People would want to get safe and come to Christ because they see the evidence in your life not because you quote the scriptures to them.

Perfect devices: doctors, ghosts and crows. We can do things other characters can't, like eat sorrow, un-birth secrets and have theatrical battles with language and God.

Perhaps I was easier to shake off for you because you’re such a together person. I was just an extra layer on the outside… like a blanket you could shrug off and feel just the same…. except maybe a little colder…. But I was always a broken person that was haphazardly held together by little more than my own strength. And so you just seeped in the cracks and mingled with my insides until you became an inseparable part of me. And as painful as that is, it still kind of warms me to know I will always carry a part of you with me.

Perhaps grief is like battle: After experiencing enough of it, your body’s instincts take over. When you see it closing in like a Martial death squad, you harden your insides. You prepare for the agony of a shredded heart. And when it hits, it hurts, but not as badly, because you have locked away your weakness, and all that’s left is anger and strength.

Perhaps grief, which destroys all patterns, destroys even more: the belief that any patterns exist. But we cannot, I think, survive without such belief. So each of us must pretend to find, or re-erect, a pattern.

Perhaps Hurston saw in her mother, Lucy, a version of Persephone, who is so missed when she's gone that the world literally starts to die. This type of grief, as Toni Morrison writes in Sula, has no top and no bottom, "just circles and circles of sorrow.

Perhaps the first thing we can do is to acknowledge that there is, in reality, no such thing as living in the past. If there were, many brokenhearted people would be hopping the first train there. We are always living in the present moment; that’s all we have. But the present is not empty. Our internal sanctuaries cannot be robbed of what has already been or the treasure trove of memories we bring to everything we do and all that we see. Yesterday may be a time to which we can never go back, but it is also the guardian of what can never be taken from us—each moment shared and every tender word exchanged. We will always have these. When we are grieving, however, reaching for things in the past can be like stuffing our pockets with make-believe gold. We think the real gold lies behind us when, in reality, it lies within.

Perhaps ... To R.A.L. Perhaps some day the sun will shine again, And I shall see that still the skies are blue, And feel one more I do not live in vain, Although bereft of you. Perhaps the golden meadows at my feet, Will make the sunny hours of spring seem gay, And I shall find the white May-blossoms sweet, Though You have passed away. Perhaps the summer woods will shimmer bright, And crimson roses once again be fair, And autumn harvest fields a rich delight, Although You are not there. But though kind Time may many joys renew, There is one greatest joy I shall not know Again, because my heart for loss of You Was broken, long ago.

[Philip's death was] beyond comparison the most afflicting of my life.... He was truly a fine youth. But why should I repine? It was the will of heaven and he is now out of the reach of the seductions and calamities of a world full of folly, full of vice, full of danger, of least value in proportion as it is best known. I firmly trust also that he has safely reached the haven of eternal repose and felicity. (Alexander Hamilton letter to Benjamin Rush about the death of his 19-year old son from mortal wounds inflicted from a duel.)

photographs are very interesting, and you can look into them a million times and still find a new meaning in them, something in the past that was caught in the film itself…

Pitiful and pitied by no one, why have I come to the ignominy of this detestable old age, who was ruler of two kingdoms, mother of two kings? My guts are torn from me, my family is carried off and removed from me. The young king [crown prince Henry, †1183] and the count of Britanny [prince Geoffrey, †1186] sleep in dust, and their most unhappy mother is compelled to be irremediably tormented by the memory of the dead. Two sons remain to my solace, who today survive to punish me, miserable and condemned. King Richard [the Lionheart] is held in chains [in captivity with Emperor Henry VI of Germany]. His brother, John, depletes his kingdom with iron [the sword] and lays it waste with fire. In all things the Lord has turned cruel to me and attacked me with the harshness of his hand. Truly his wrath battles against me: my sons fight amongst themselves, if it is a fight where where one is restrained in chains, the other, adding sorrow to sorrow, undertakes to usurp the kingdom of the exile by cruel tyranny. Good Jesus, who will grant that you protect me in hell and hide me until your fury passes, until the arrows which are in me cease, by which my whole spirit is sucked out?" [Third letter to Pope Celestine (1193)]

Please remind them that none of us have all the time we think we have in this troubled but still beautiful world.

Poem (Internal Scene) To make beauty out of pain, it damns the eyes— No, dams the eyes. See how they overflow? No damns them, damns them, and so they cry. What shape can I swallow to make me whole? Baby’s bird-shaped block, blue-painted wood That fits in the bird-hole of the painted wood box? The skeleton leaf? The skeleton key? Loud Knock when the shape won’t unlock any locks. I hear it through the static in the baby’s room When the monitor clicks on and off, sound Of sea-ice cracking against the jagged sea-rocks, Laughing gull in the gale. What is it dives down Past sight, down there dark with the other blocks? It can’t be seen, only heard. A kind of curse, This kind curse. Forgive me. Blessing that hurts.

Poverty, oppression, grief and depression will increase, if a country does not live according to the rules of God.

Pour your heart out to me and fill my emptiness with your grief.

Precisely because a living being may die, it is necessary to care for that being so that it may live. Only under conditions in which the loss would matter does the value of the life appear. Thus, grievability is a presupposition for the life that matters.

Present tears water the gardens of future blessings.

Pressing my head to his heart, I listened hard, straining to hear any gurgle or murmur of life. Hearing nothing, I felt the shock settle into my mind, slowing it down and then turning it off. "Don't leave me, Noah. Please, don't go," I whispered into the darkness as the light spray of rain touched my face. If only I could turn back time. I would tell him yes.

Pulling away, I realized I had no place to go and nothing I wanted to do except satisfy my curiosity about a woman who was coming on like gangbusters and a big load of grief.

Psychoanalysis is often about turning our ghosts into ancestors, even for patients who have not lost loved ones to death. We are often haunted by important relationships from the past that influence us unconsciously in the present. As we work them through, they go from haunting us to becoming simply part of our history.

Pruned my subconscious. Discovered new shoots.

Rainbows are birthed in storms, not in sunshine.

Que ojalá hubiera una persona responsable del funcionamiento del mundo, como un dios que velara por nosotros cuando algo es inadmisible o alguien ha aguantado más de la cuenta. Pero no existe. Si existiera, pararía todas estas cosas. Pero no lo hace. Tenemos que hacerlo nosotros mismos. No queda más remedio que mentalizarse de que, por muchas cosas horrorosas que hayamos visto, todo puede ocurrir. ¿Cuántas personas tristes habrá esta noche? Gente que ha perdido a seres queridos, gente que va a morirse. Gente traicionada, asesinada. Ojalá pudiéramos poner fin a todo esto. Ojalá disminuyera el dolor aunque solo fuera un poco. Y que hubiera menos personas a las que, como a nosotros, les resulta amargo vivir.

Reading Aloud to My Father I chose the book haphazard from the shelf, but with Nabokov's first sentence I knew it wasn't the thing to read to a dying man: The cradle rocks above an abyss, it began, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness. The words disturbed both of us immediately, and I stopped. With music it was the same -- Chopin's Piano Concerto — he asked me to turn it off. He ceased eating, and drank little, while the tumors briskly appropriated what was left of him. But to return to the cradle rocking. I think Nabokov had it wrong. This is the abyss. That's why babies howl at birth, and why the dying so often reach for something only they can apprehend. At the end they don't want their hands to be under the covers, and if you should put your hand on theirs in a tentative gesture of solidarity, they'll pull the hand free; and you must honor that desire, and let them pull it free.

Rather than help us rise above being human, teachings in any true tradition help us become more human: more connected, not less attached.

Rape victims were the people who evoked the most sadness in Bosch. He knew he wouldn’t be able to last a month on a rape squad. Every victim he had ever seen had that stare. It was a sign that all things in their lives were different now and forever. They would never get back to what they had had before. Connelly, Michael. Trunk Music

Recalling this now, I can tell only the husk of the story--a story known inwardly only by those who have experienced such a loss, which we'd wish for no one else to suffer. Those who have not often say, "I can't imagine how you felt, what that was like." I can hardly imagine it either, even having lived through it. Recently, when someone said that, I found myself answering, "Like being burned alive.

Rebuilding is something that is practically difficult than starting over from nothing.

Remember: God's grief at the unspeakable things we do to one another is beyond measuring, but so is His mercy. It might seem a terrible thing to say to people who've lost and suffered so much at the hands of hatred and violence. But true courage is not to hate our enemy, any more than to fight and kill him. To love him, to love in the teeth of his hate—that is real bravery. That ought to earn people m-m-medals.

Rejection is one of the worse forms of pain. Loss is the worst. Grief haunts until you allow yourself to move on.

Remember me when I am gone away, Gone far away into the silent land; When you can no more hold me by the hand, Nor I half turn to go yet turning stay. Remember me when no more day by day You tell me of our future that you planned: Only remember me; you understand It will be late to counsel then or pray. Yet if you should forget me for a while And afterwards remember, do not grieve: For if the darkness and corruption leave A vestige of the thoughts that once I had, Better by far you should forget and smile Than that you should remember and be sad.

Reinvention is my philosophy, if you want to call it that,” he says, looking out the window. “Imagination is the key to creating a life that is ever new.” Stanley turns his eyes to me. “We are each of us a changeling person,” he says. “We are not going to be the same decade after decade. Wisdom results from confronting not only one’s desires and capacities but also one’s limitations.” “The Layers,” one of Stanley’s best-loved poems, is his crystallization of this wisdom. I have walked through many lives, some of them my own, and I am not who I was, though some principle of being abides from which I struggle not to stray. When I look behind, as I am compelled to look before I can gather strength to proceed on my journey, I see the milestones dwindling toward the horizon and the slow fires trailing from the abandoned camp-sites, over which scavenger angels wheel on heavy wings. Oh, I have made myself a tribe out of my true affections, and my tribe is scattered! How shall the heart be reconciled to its feast of losses? In a rising wind the manic dust of my friends, those who fell along the way, bitterly stings my face. Yet I turn, I turn, exulting somewhat, with my will intact to go wherever I need to go, and every stone on the road is precious to me. In my darkest night, when the moon was covered and I roamed through wreckage, a nimbus-clouded voice directed me: “Live in the layers, not on the litter.” Though I lack the art to decipher it, no doubt the next chapter in my book of transformations is already written. I am not done with my changes.

Regardless of what you've been through we all process energy differently.

Remember to add the most important ingredient to every recipe you make - your love!

Remember to view yourself and your humanness with a kind heart.

Remember that grief is a necessary pain. It’s your only way to heal. To starve it will destroy you.”~The Grimoire

Repression. Her therapist, Dr. Solomon, loved the word. He'd say it slowly, letting it roll off his tongue. Sometimes he'd add a chin stroke for good measure. He always looked pleased when he did this, like he'd discovered the Caramilk secret or something.