Best 66 quotes in «countryside quotes» category

I saw a pair of great tits some days ago. (Massingham Major, you are a dirty-minded boy, and if you snigger again, you will do five hundred lines.) The squeaking-wheel song of Parus major is always gladsome, a precursor to interesting scenes at the bird table. On this occasion, however, what hearing and seeing the two greenery-yallery Paridæ first called up in me was a memory from last year’s early Springtide: an ærial near-collision. A very young squirrel – native red, I am rejoiced to say – was leaping from one tree trunk to another, adjacent, just as a great tit was exploding outwards in flight from the second tree. You never saw a more indignant bird or a more startled squirrel in your life.

It came out sparkling like liquid sky.

It is my belief, Watson, founded upon my experience, that the lowest and vilest alleys in London do not present a more dreadful record of sin than does the smiling and beautiful countryside.

It's not like you can just stop loving someone overnight

It was getting dark by the time I went out, and nobody who knows the country will need to be told how black is the darkness of a November night under high laurel bushes and yew-trees. I walked into the heart of the shrubberies two or three times, not seeing a step before me, till I came out upon the broader carriage-road, where the trees opened a little, and there was a faint grey glimmer of sky visible, under which the great limes and elms stood darkling like ghosts; but it grew black again as I approached the corner where the ruins lay. ("The Open Door")

I was struck again by the deep quiet of the countryside, the absence of any human sounds; my mind still expected the clamor of cars, voices, all the clatter of nonstop human movement. Here was only the hushed patter of the drizzle, the call of birds in faraway trees. The air was impossibly sweet, like wine. A crow called from somewhere, its voice dark and throaty.

It was on the second Tuesday in January - WI night - that winter became a serious and dramatic matter, a cold, tiring, but exhilarating time, at least for the young, and a companionable time for all, when we were stranded, snowbound and sealed off in place and, it seemed, in time too, for the usual pattern of the day’s coming and going was halted. We had been in the town all day, and I had scarcely noticed the weather. But, by the time I put the car up the last, steep bit of hill, past Cuckoo Farm and Foxley Spinney, towards the village, the sky had gathered like a boil, and had an odd, sulphurous yellow gleam over iron grey. It was achingly cold, the wind coming north-east off the Fen made us cry. We ran down the steps and indoors, switched on the lamps and opened up the stove, made tea, shut out the weather, though we could still hear it; the wind made a thin, steely noise under doors and through all the cracks and crevices of the old house. But by six o’clock there had been one of those sudden changes. I opened the door to let in Hastings, the tabby cat, and sensed it at once. The wind dropped and died, everything was still and dark as coal, no moonlight, not a star showed through the cloud cover, and it was just a degree wamer. I could smell the approching snow. Everything waited.

I was well on the way to tacking together a sort of nature religion to make up fro Grandpa's defection, an apotheosis of the back of beyond, in which I was just another thinking thing, neuter, drab, camouflaged. There'd be sermons in stones, and books to read in the haybarn, for ever and ever. Amen.

Or awa’ upon Islay, in January, the wind was honed to a cutting edge across the queer flatness of Loch Gorm and the strand and fields ’round. The roe deer had taken shelter in good time and the brown trout had sought deeper waters. An auld ram alone huddled against the wind, that had swept clear the skies even of eagle, windcuffer, and goose. The scent of saltwater rode the wind over the freshwater loch, and the dry field-grasses rattled, and there was the memory of peat upon the air: a whisky wind in Islay. The River Leòig was forced back upon itself as the wind whipped the loch to whitecaps; only the cairn and the Standing Stones stood unyielding in the blast as of old.

Monfleury est en vente, je perds cinquante mille francs, s'il le faut, mais je suis tout joyeux, je quitte cet enfer d'hypocrisie et de tracasseries. Je vais chercher la solitude et la paix champêtre au seul lieu où elles existent en France, dans un quatrième étage donnant sur les Champs-Élysées.

She was too honest, too natural for this frightened man; too remote from his tidy laws. She was, after all, a country girl; disordered, hysterical, loving. She was muddled and mischievous as a chimney-jackdaw, she made her nest of rags and jewels, was happy in the sunlight, squawked loudly at danger, pried and was insatiably curious, forgot when to eat or ate all day, and sang when sunsets were red.

Recently I've been working very hard and quickly; in this way I try to express the desperately fast passage of things in modern life. Yesterday, in the rain, I painted a large landscape with fields as far as the eye can see, viewed from a height, different kinds of greenery, a dark green field of potatoes, the rich purple earth between the regular rows of plants, to one side a field of peas white with bloom, a field of clover with pink flowers and the little figure of a mower, a field of tall, ripe, fawn-coloured grass, then some wheat, some poplars, on the horizon a last line of blue hills at the foot of which a train is passing, leaving an immense trail of white smoke over the greenery. A white road crosses the canvas, on the road a little carriage and some white houses with bright red roofs alongside a road. Fine drizzle streaks the whole with blue or grey lines.

I thought how true it was that the world was a delightful place if it were not for the people, and how more than true it was that people were not worth troubling about, and that wise men should set their affections upon nothing smaller than cities, heavenly or otherwise, and countrysides which are always heavenly.

She grew up in the ordinary paradise of the English countryside. When she was five she walked to school, two miles, across meadows covered with cowslips, buttercups, daisies, vetch, rimmed by hedges full of blossom and then berries, blackthorn, hawthorn, dog-roses, the odd ash tree with its sooty buds.

Sometimes in life you just have to take a leap of faith.

THE MEETING" "Scant rain had fallen and the summer sun Had scorched with waves of heat the ripening corn, That August nightfall, as I crossed the down Work-weary, half in dream. Beside a fence Skirting a penning’s edge, an old man waited Motionless in the mist, with downcast head And clothing weather-worn. I asked his name And why he lingered at so lonely a place. “I was a shepherd here. Two hundred seasons I roamed these windswept downlands with my flock. No fences barred our progress and we’d travel Wherever the bite grew deep. In summer drought I’d climb from flower-banked combe to barrow’d hill-top To find a missing straggler or set snares By wood or turmon-patch. In gales of March I’d crouch nightlong tending my suckling lambs. “I was a ploughman, too. Year upon year I trudged half-doubled, hands clenched to my shafts, Guiding my turning furrow. Overhead, Cloud-patterns built and faded, many a song Of lark and pewit melodied my toil. I durst not pause to heed them, rising at dawn To groom and dress my team: by daylight’s end My boots hung heavy, clodded with chalk and flint. “And then I was a carter. With my skill I built the reeded dew-pond, sliced out hay From the dense-matted rick. At harvest time, My wain piled high with sheaves, I urged the horses Back to the master’s barn with shouts and curses Before the scurrying storm. Through sunlit days On this same slope where you now stand, my friend, I stood till dusk scything the poppied fields. “My cob-built home has crumbled. Hereabouts Few folk remember me: and though you stare Till time’s conclusion you’ll not glimpse me striding The broad, bare down with flock or toiling team. Yet in this landscape still my spirit lingers: Down the long bottom where the tractors rumble, On the steep hanging where wild grasses murmur, In the sparse covert where the dog-fox patters.” My comrade turned aside. From the damp sward Drifted a scent of melilot and thyme; From far across the down a barn owl shouted, Circling the silence of that summer evening: But in an instant, as I stepped towards him Striving to view his face, his contour altered. Before me, in the vaporous gloaming, stood Nothing of flesh, only a post of wood.

The train whistled, and chuffed out of the station. The children pressed their noses to the window and watched the dirty houses and the tall chimneys race by. How they hated the town! How lovely it would be to be in the clean country, with flowers growing everywhere, and birds singing in the hedges! Pg 5

Townsfolk have no conception of the peace that mother nature bestows, and as long as that peace is unfound the spirit must seek to quench its thirst with ephemeral novelties. And what is more natural that that of the townsman's feverish search for pleasure should mould people of unstable, hare-brained character, who think only of their personal appearance and their clothes and find momentary comfort in foolish fashions and other such worthless innovations? The countryman, on the other hand walks out into the verdant meadows, into an atmosphere clear and pure, and as he breaths it into his lungs some unknown power streams through his limbs, invigorating body and soul. The peace in nature fills his mind with calm and cheer, the bright green grass under his feet awakens a sense of beauty, almost of reverence. In the fragrance that is borne so sweetly to his nostrils, in the quietude that broods so blissfully around him, there is comfort and rest. The hillsides, the dingles, the waterfalls, and the mountains are all friends of his childhood, and never to be forgotten.

The first sight of the Rapstone Valley is of something unexpectedly isolated and uninterruptedly rural; a solitary jogger is the only outward sign of urban pollution.

The moon grew plump and pale as a peeled apple, waned into the passing nights, then showed itself again as a thin silver crescent in the twilit western sky. The shed of leaves became a cascade of red and gold and after a time the trees stood skeletal against a sky of weathered tin. The land lay bled of its colors. The nights lengthened, went darker, brightened in their clustered stars. The chilled air smelled of woodsmoke, of distances and passing time. Frost glimmered on the morning fields. Crows called across the pewter afternoons. The first hard freeze cast the countryside in ice and trees split open with sounds like whipcracks. Came a snow flurry one night and then a heavy falling the next day, and that evening the land lay white and still under a high ivory moon.

The moon was coming slowly up over the hill in front of them. The countryside was bathed in light, pale and cold and silvery. Everything could be seen quite plainly, and Lotta and Jimmy thought it was just like daytime with the colours missing.

The real world, in my opinion, exists in the countryside, where Nature goes about her quiet business and brings us greatest pleasure.

The sun had lit up the top row of leadlight windows, and the family home, polished to within an inch of its life, was sparkling like a bejeweled old dame dressed for her annual opera outing. A great swelling wave of affection came suddenly upon Alice. For as long as she could remember, she'd been aware that the house and the gardens of Loeanneth lived and breathed for her in a way they didn't for her sisters. While London was a lure to Deborah, Alice was never happier, never quite as much herself, as she was here; sitting on the edge of the stream, toes dangling in the slow current; lying in bed before the dawn, listening to the busy family of swifts who'd built their nest above her window; winding her way around the lake, notebook always tucked beneath her arm. She had been seven years old when she realized that one day she would grow up and that grown-ups didn't, in the usual order of things, continue to live in their parents' home. She'd felt a great chasm of existential dread open up inside her then, and had taken to engraving her name whenever and wherever she could- in the hard English oak of the morning-room window frames, in the filmy grouting between the gunroom tiles, on the Strawberry Thief wallpaper in the entrance hall- as if by such small acts she might somehow tie herself to the place in a tangible and enduring way.

The Tuscan countryside whizzed by in a kaleidoscopic whirl of shapes and colors. Green grass and trees melded with blue sky, purple and yellow wildflowers, peachy-orange villas, brown-and-gray farmhouses, and the occasional red-and-white Autogrill, Italy's (delicious) answer to fast food.

We get so used to the gregarious nature of our towns and villages that we forget how crowded our existence has become.

Which was what she hated about the countryside, no distraction from the dirty messed-up workings of the heart.

We live, all of us, in sprung rhythm. Even in cities, folk stir without knowing it to the surge in the blood that is the surge and urgency of season. In being born, we have taken seisin of the natural world, and as ever, it is the land which owns us, not we, the land. Even in the countryside, we dwell suspended between the rhythms of earth and season, weather and sky, and those imposed by metropolitan clocks, at home and abroad. When does the year begin? No; ask rather, When does it not? For us – all of us – as much as for Mr Eliot, midwinter spring is its own season; for all of us, if we but see it, our world is as full of time-coulisses as was Thomas Mann’s. Countrymen know this, with the instinct they share with their beasts. Writers want to know it also, and to articulate what the countryman knows and cannot, perhaps, express to those who sense but do not know, immured in sad conurbations, rootless amidst Betjeman’s frightful vision of soot and stone, worker’s flats and communal canteens, where it is the boast of pride that a man doesn’t let the grass grow under his feet. As both countryman and writer, I have a curious relationship to time.

We move, all of us, in sprung rhythm: for our world – whether we conceive it as broad or as cosy – is, not to out-Manley Fr Hopkins, as ringèd and streakèd and specklèd as the cattle of Laban.

When does the year begin? Well: that rather depends: on who you are, and where. The Church kalendar – like the academic, which is hewn of the ecclesiastical – begins after the harvest-tide, with Advent, a time of preparation, light kindling and shining forth even as darkness gathers. The countryman’s calendar is governed by the rhythms of the earth, of sowing and of harvest. The angler’s year, the shooting man’s, the hunter’s, all these are in the disposition of God – or Nature, if you fancy yourself allergic to God – even as is the countryman’s.

You should enjoy the freedom. Sometimes a bit of time helps you see what matters.

You know (to adopt the easy or conversational style) that you and I belong to a happy minority. We are the sons of the hunters and the wandering singers, and from our boyhood nothing ever gave us greater pleasure than to stand under lonely skies in forest clearings, or to find a beach looking westward at evening over unfrequented seas. But the great mass of men love companionship so much that nothing seems of any worth compared with it. Human communion is their meat and drink, and so they use the railways to make bigger and bigger hives for themselves.

At home, I hardly ever leave London. I don't like the countryside in England.

In the countryside, litter doesn't have a friend. It doesn't have anybody who's saying, 'Wait a minute, this is really starting to get out of control.'

I grew up in the countryside in the middle of nowhere in England and got out as soon as I could!

I live in Hamburg; that's in the north. And I live on the outskirts of town. It looks like countryside.

For work, I have to be living in cities, I really cherish the time when I get to be out in the countryside.

I loved the [English] countryside. I went to John Bonham's grave.

I roamed the countryside searching for answers to things I did not understand.

I've always been sort of interested in the rural countryside. Things happen out there that are very strange to city dwellers.

...only the unscrupulous or shortsighted can defend pollution and degradation of the countryside.

I was born in Paris and raised in the suburbs and then lived in the countryside.

I wish people would take more care of the countryside.

I write about my region, the countryside in which I grew up.

What is it about the English countryside — why is the beauty so much more than visual? Why does it touch one so?

We lived on a farm in the English countryside, where we wrote a lot of our music. You really were treated like an artist during those days-not like product, which is now the mode.

Two things revolutionised life: Moving to the countryside, and falling in love

When I go out into the countryside and see the sun and the green and everything flowering, I say to myself "Yes indeed, all that belongs to me!

Although Beatrix considered Hampshire to be the most beautiful place in England, the Cotswolds very nearly eclipsed it. The Cotswolds, often referred to as the heart of England, were formed by a chain of escarpments and hills that crossed Gloucestershire and Oxfordshire. Beatrix was delighted by the storybook villages with their small, neat cottages, and by the green hills covered with plump sheep. Since wool had been the most profitable industry of the Cotswolds, with profits being used to improve the landscape and build churches, more than one plaque proclaimed, THE SHEEP HATH PAID FOR ALL. To Beatrix's delight, the sheepdog had a similarly elevated status. The villagers' attitude toward dogs reminded Beatrix of a Romany saying that she had once heard from Cam... "To make a visitor feel welcome, you must also make his dog feel welcome." Here in this Cotswold village, people took their dogs everywhere, even to churches in which pews were worn with grooves where leashes had been tied.

When the weather's good, there's no better place to be than the British countryside.

Whyte's work remains a living and usable handbook for improving our cities, our countryside, and our lives.