Best 147 quotes in «literary quotes» category

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    That Yank glean is long gone anyway; money, sex, power, it’s gone global – no one has a monopoly on it anymore. The towering skyscrapers of New York had fallen long before the second plane; we all knew it. The twang of the Yank accent doesn’t give girls that twinge these days, even the dollar sign is looking dated, its day long past. No, America doesn’t have it anymore. But then nowhere does. We don’t chop the world up by borders anymore, don’t slice peoples and dice continents. It’s all a sweltering mess, a fucking free-for-all. We went global centuries ago, today we’ve gone digital, and digital doesn’t have borders.

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    The Bishop blessed him and helped him to his feet. "May God have mercy on you," he said. And erased him from his heart.

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    The biggest mistake you can make is thinking you know who you are.

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    The decrees of society are temporary ones; what Tolstoy is interested in are the eternal demands of morality.

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    The gay revolution began as a literary revolution.

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    ...the locale did not make him think of her, nor did most things. He felt no negativity about the time they had spent together, but simply did not dwell on it much. She had been a seat filler, memorable as the smiling face of a beautiful girl in the window of a passing train, inspiring a fleeting moment of joy and promise, immediately forgotten with the opening of that day’s newspaper.

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    The monkey liked most humans. They left food cans outside their homes for his family to rummage through in the morning sun. Some yelled and threw sticks, but were slow and didn’t bite. Humans were mostly harmless.

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    The oceans and the skies…and the sun coming up each new day. That’s all there is, I think. That’s all that matters to think on.

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    The sinister fact about literary censorship in England is that it is largely voluntary. Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines-being kept right out of the British press, not because the Government intervened but because of a general tacit agreement that ‘it wouldn’t do’ to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The British press is extremely centralised, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right-thinking people will accept without question. It is not exactly forbidden to say this, that or the other, but it is ‘not done’ to say it, just as in mid-Victorian times it was ‘not done’ to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.

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    The Special Operations Network was instigated to handle policing duties considered either too unusual or too specialized to be tackled by the regular force. There were thirty departments in all, starting at the more mundane Neighborly Disputes (SO-30) and going onto Literary Detectives (SO-27) and Art Crime (SO-24). Anything below SO-20 was restricted information, although it was common knowledge that the ChronoGuard was SO-12 and Antiterrorism SO-9. It is rumored that SO-1 was the department that polices the SpecOps themselves. Quite what the others do is anyone's guess. What is known is that the individual operatives themselves are mostly ex-military or ex-police and slightly unbalanced. 'If you want to be a SpecOp,' the saying goes, 'act kinda weird...

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    The story we write today will support the next generation.

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    The wind whirls and whistles and strip pink blooms from the mimosas, scatters twigs, broken limbs, pine needles and pine cones across our yard, and robs the pecan trees of a thousand leaves. The storm eventually dies, but the bruised trees continue to weep into the night, still shimmering with dewy leaves when the sun comes up the next morning.

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    They never opened the door which leads to the soul.

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    This is not to say a writer has only one voice or is limited to the scope of her backyard. But in some sense her work must begin there, at the rootwad. And wherever she travels she must take that place with her, must feel in the dark of memory for its shape.

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    Though I am sometimes reluctant to admit it, there really is something 'timeless' in the Tyndale/King James synthesis. For generations, it provided a common stock of references and allusions, rivalled only by Shakespeare in this respect. It resounded in the minds and memories of literate people, as well as of those who acquired it only by listening. From the stricken beach of Dunkirk in 1940, faced with a devil’s choice between annihilation and surrender, a British officer sent a cable back home. It contained the three words 'but if not…' All of those who received it were at once aware of what it signified. In the Book of Daniel, the Babylonian tyrant Nebuchadnezzar tells the three Jewish heretics Shadrach, Meshach, and Abednego that, if they refuse to bow to his sacred idol, they will be flung into a 'burning fiery furnace.' They made him an answer: 'If it be so, our god whom we serve is able to deliver us from the burning fiery furnace, and he will deliver us out of thy hand, o King. But if not, be it known unto thee, O king, that we will not serve thy gods, nor worship the golden image which thou hast set up.' A culture that does not possess this common store of image and allegory will be a perilously thin one. To seek restlessly to update it or make it 'relevant' is to miss the point, like yearning for a hip-hop Shakespeare. 'Man is born unto trouble as the sparks fly upward,' says the Book of Job. Want to try to improve that for Twitter?

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    To live in that Solitary world,is like the more you have lived for poetic Beauty.

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    True love lasts like aging rocks on sea shores, scarce its mighty fierce waves can touch its core to separate,since lightning bolts of thunder comes its way and remembers,those loved are.

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    Walking into a bookshop is a depressing thing. It’s not the pretentious twats, browsing books as part of their desirable lifestyle. It’s not the scrubby members of staff serving at the counter: the pseudo-hippies and fucking misfits. It’s not the stink of coffee wafting out from somewhere in the building, a concession to the cult of the coffee bean. No, it’s the books. I could ignore the other shit, decide that maybe it didn’t matter too much, that when consumerism meets culture, the result is always going to attract wankers and everything that goes with them. But the books, no, they’re what make your stomach sink and that feeling of dark syrup on the brain descend. Look around you, look at the shelves upon shelves of books – for years, the vessels of all knowledge. We’re part of the new world now, but books persist. Cheap biographies, pulp fiction; glossy covers hiding inadequate sentiments. Walk in and you’re surrounded by this shit – to every side a reminder that we don’t want stimulation anymore, we want sedation. Fight your way through the celebrity memoirs, pornographic cook books, and cheap thrills that satisfy most and you get to the second wave of vomit-inducing product: offerings for the inspired and arty. Matte poetry books, classics, the finest culture can provide packaged and wedged into trendy coverings, kidding you that you’re buying a fashion accessory, not a book. But hey, if you can stomach a trip further into the shop, you hit on the meatier stuff – history, science, economics – provided they can stick ‘pop.’ in front of it, they’ll stock it. Pop. psychology, pop. art, pop. life. It’s the new world – we don’t want serious anymore, we want nuggets of almost-useful information. Books are the past, they’re on the out. Information is digital now; bookshops, they’re somewhere between gallery and museum.

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    Was happiness (which was perhaps achieved not by getting what you wanted, but rather, by obtaining what you didn’t know you wished for until it was in hand) a hologram that would continually change appearance with the slightest shift of perspective? Or maybe happiness by definition was a temporary state of being recognizable only in hindsight. It was impossible to catch what always managed to be overrun and end up in the rear view mirror.

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    Was she happy? She thought – yes, reasonably so. Then again, what was happiness but the vast terrain between ecstasy and agony? Was this too small an ambition?

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    We are all born as storytellers. Our inner voice tells the first story we ever hear.

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    We are all of the same substance, the same life. Though there are many differences between us, those are merely the shadows that delineate our boundaries. Our light is the same.

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    We are a team A beautiful dream Like stones in a stream A literary realm Inspiring everybody to dream!

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    We can’t handle absence anymore, anything is better than the blankness; the quiet of nothingness. People fight to put images of love and hate – both equally nauseating – between themselves and the blank space that surrounds us. It’s the only escape, and yet we feel the pressure of the blankness pressing in against us, forcing the violent display ever closer, forcing us to demand images brighter, more graphic until they scorch our senses badly enough that we no longer feel the void and the images become our reality. But it’s ok. Most people don’t need to fear absence anymore – we’re blinded, permanently. There’s no need to seek out the light show that protects us either; inoculation precedes the sickness now. Sedation isn’t an option, it’s a shared reality. Most people don’t see the beauty of the system, how perfect our salvation is.

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    We made powwows because we needed a place to be together. Something intertribal, something old, something to make us money, something we could work toward, for our jewelry, our songs, our dances, our drum.

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    We're hungry but we're together and we're at home and everything is sweeter than dessert.

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    What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born.

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    What did I think? Right then I was thinking about my father, specifically his habit of treating everyone with courtesy and consideration, of how he used to stop on lower Division Street and converse genially with old black men from the Hill whom he knew from his early days as a route man. His kindness and interest weren't feigned, nor did they derive, I'm convinced, from any perceived send of duty. His behavior was merely an extension of who he was. But here's the thing about my father that I've come to understand only reluctantly and very recently. If he wasn't the cause of what ailed his fellow man, neither was he the solution. He believed in "Do unto Others." It was a good, indeed golden, rule to by and it never occurred to him that perhaps it wasn't enough. "You ain't gotta love people," I remember him proclaiming to the Elite Coffee Club guys at Ikey's back in the early days. Confused by mean-spirited behavior, he was forever explaining how little it cost to be polite, to be nice to people. Make them feel good then they're down because maybe tomorrow you'll be down. Such a small thing. Love, he seemed to understand, was a very big thing indeed, its cost enormous and maybe more than you could afford if you were spendthrift. Nobody expects that of you, asny more than they expected you to hand out hundred-dollar bills on the street corner. And I remember my mother's response when he repeated over dinner what he'd told the men at the store. "Really, Lou? Isn't that exactly what we're supposed to do? Love people? Isn't that what the Bible says?

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    What is more precious: a thousand answers derived from one question? Or, one answer…from a thousand questions?

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    When a Wanderess has been caged, or perched with her wings clipped, She lives like a Stoic, She lives most heroic, smiling with ruby, moistened lips once her cup of Death is welcome sipped.

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    The splendid beauty of this living world,and its subtle moonlight glint wakes a mild youth’s mind,whose colors are of pensive green,and tranquil white to ink his visions keen.

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    Whenever I’d get howlin’ over something, he’d grab my ass up from wherever I was and head straight for the john. Momma said my head would get banged up along the way, but she said it was probably bein’ dunked under water that made me stupid.

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    When no possessions keep us, when no countries contain us, and no time detains us, man becomes a heroic wanderer, and woman, a wanderess.

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    When I was eight years old, I was abducted from a fast food restaurant by a man who took me, in all likelihood, because of a small splotch of mayonnaise on his hamburger. And so I believe in neither free will nor predetermination. I believe in condiments.

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    Who’s to say what a ‘literary life’ is? As long as you are writing often, and writing well, you don’t need to be hanging-out in libraries all the time. Nightclubs are great literary research centers. So is Ibiza!

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    When things fall apart, the children of the land scurry and scatter like birds escaping a burning sky. They flee their own wretched land so their hunger may be pacified in foreign lands, their tears wiped away in strange lands, the wounds of their despair bandaged in faraway lands, their blistered prayers muttered in the darkness of queer lands.

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    Whether we are men dreaming we are butterflies or butterflies dreaming we are men, the one truth is that all life is an illusion. We are all wandering shades.

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    While he sweated out a story she bled put a poem.

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    A library always housed a trove of undiscovered friendships and forays, and a bookstore, a place where those temporary connections might become a constancy, must always hold a charm over any scholar’s heart.

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    Write or perish in the banality of mediocrity!

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    Writers are much better behaved nowadays, for a couple of reasons. Once upon a time nobody was thinking of a career, unless you lived in New York, so there wasn’t as much pressure to present a respectable exterior. And secondly, there was no social media. So if you were found face down on the floor – people did do that quite a bit; usually men, but not always – or fell through plate glass windows or got into scrapes, it became a rumour, and rumours are hard to pin down.

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    You don't have to VENERATE Hercule Poirot, Ms. Christie, but he didn't deserve to be VILIFIED , either!

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    A drop of darkness above me hung,within me ruined Rome,within me demolished Rome, where those lands my dream would well travel, before that I want to die without blame,so let me see ten thousand moons to Dream.

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    A girl without braids is like a city without bridges.

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    All good writers are thieves. The best get away with a heist.

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    A mystery reader, confronted with a large mass of sudden detail, is going to go—subconsciously, at least—”Aha! somewhere in all of this the writer has planted a Clue!”, and look for that; a reader trained exclusively in mainstream literary fiction is likely to say, “Aha! all this emphasis must point to something of Thematic Importance!”, but an experienced reader of science fiction is going to assume that he or she is meant to take all of those details and out of them construct a world. Which is why the writer of a science-fiction mystery with literary ambitions is trying to do a quadruple somersault off the trapeze without a net.

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    And in a land accustomed to so much anguish, Chase tried to be careful with words. His soccer moms began assigning nicknames during the first day of official practice: Difom, Kakas, Kochma, and Maldyok, which roughly translated to Deformed, Carcass, Nightmare, and Bad Eye. He made a new rule regarding nicknames.

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    And what is gossip anyway?Just fragments of sad accounts, maneuvered and mutilated year after year for our sinful pleasure.

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    A slippery fish, flashing scales in the water and a noble fighter on the line, but dull as lead at the bottom of the boat.

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    A smile is just the contortion of a face