Best 4324 quotes in «interesting quotes» category

This is what I love to do. I love to perform for people that get it or just want something interesting.

This landing is gonna get pretty interesting. Define "interesting". "Oh God, oh God, we're all going to die"? [on speakerphone]: This is the captain: we have a little problem with our entry sequence so we may experience some slight turbulence, then explode.

This might seem off the track, but an interesting thing to me that others could talk about better than I, but one of the growth areas in photographic education has been the so-called slow photography.

This paper will no doubt be found interesting by those who take an interest in it

This whole business of documentary being a second-class citizen is bullshit. A documentary can be as interesting, as dramatic, as sad, as funny, blah, blah, blah, as a fiction movie. Or it can be as awful as a fiction movie!

This whole celebrity-fame thing is interesting. I'm the same person I always was. The only difference between being famous and not being famous is that people know who you are.

This whole new emerging science of sex differences is so interesting to me. We are such different creatures. Our anatomy is different. Our structure is different. Our purpose is different.

Those moments in between the moments, those are the most interesting. What's unspoken, the way we talk around things, the way our actions are inconsistent with what we're feeling, how anger and affection manifest themselves in strange ways at inappropriate times.

Thoughts come and go. It's impossible to stop your thoughts, but the idea is that the thoughts are kind of like waves on the ocean. That's Jon Kabat-Zinn's big analogy and that this is actually kind of diving under the waves. And you know it's kind of interesting.

Three Days of the Condor is still an interesting film to watch not because it's political. It happens to be political. But that's not why the sales of the DVDs are as high as they are. It's because it's an entertaining thriller. In my opinion, Tootsie is a very political movie but truck drivers can go and laugh at it.

To be a catalyst is one of my life's objectives. I've been inspired by many people who in turn have been catalysts. It's very interesting to see the waves of interest come and go in Celtic territory. If I can be a catalyst for other people, that's wonderful.

To be a good traveler argues one no ordinary philosopher. A sweet landscape must sometimes be allowed to atone for an indifferent supper, and an interesting ruin charm away the remembrance of a hard bed.

To become a lifelong reader, one has to do a lot of varied and interesting reading.

To be fair, on a good project, no matter whether it's improvised or scripted or meticulously prepared, or all up for grabs, it's always, always beyond the safety zone. Every project becomes interesting and exciting once you move beyond that routine. You always aspire to that. It's not that this improvisational mode is the only mode that facilitates that.

To become informed and hold government accountable, the general public needs to obtain news that is comprehensive yet interesting and understandable, that conveys facts and outcomes, not cosmetic images and airy promises. But that is not what the public demands.

To be interesting, one has to provoke.

To be honest, I'm usually totally stuck in my own bubble when it comes to the music I produce and the music I listen to, so I don't often have much of an interest about what's on trend or find myself having those conversations. I do find it interesting though, and you definitely hear batches of releases that all sound exactly the same released around the same time, and you can tell that a certain distinct type of track does especially well.

To be really great and interesting, you have to be a little crazy. I just don't think one comes without the other.

To be sure, if you watch CNBC all day long you'll pick up some interesting news about particular companies and the economy as a whole. Unfortunately, to get to the useful information, you have to wade through reams of useless stuff, with little guidance on how to distinguish between the two.

Toby [Huss] gets shot, or that part when [John] Travolta says this, or the part where Ethan [Hawke] says that cool thing - those details are the things that are interesting to me. So just acknowledging we don't have a lot of money [for Valley of Violence], so we're going to make a Western that's kind of contained, but we're going to make it super charismatic and we're going to make it memorable for what it is as opposed to what we couldn't afford.

Today something interesting happened. I died.

To kill a mockingbird. If you haven't read it, I think you should because it is very interesting.

Tod Goldberg has long been one of the most interesting writers around, and Gangsterland is his biggest and best book so far.

To get strangers to hate you even faster, crank up the volume on that very interesting ringtone of yours.

To make filmmaking interesting to me, I want to keep learning things.

To make something really great and different and interesting means taking risks and following these ideas in your head.

To die should be the most interesting journey of all the journeys a person can take.

To me, Sheitan movie is the answer to all the problems we have in France concerning immigration. That is a fake problem; people can actually work together and do something very interesting out of it.

To me, that's where memories are very interesting because what happens when we start losing memories? What happens when you can't take your memories with you? Who are we without our memories, without our past?

To me the interesting main character is never the one without flaws.

To me, making a horror movie is about how you can present similar genre familiarities, but present them a little bit differently. Part of what interests me is the nonchalant realism of it, because you don't get that in the big studio horror movies. I like seeing someone walk around a house and sift through the drawers, and things like that, because that reminds me of what I would do, and of weird personal choices that people would make. That, in contrast to seeing someone get chased with a knife, makes it all the more interesting.

To me, the most interesting approach to film noir is subjective. The genre is really all about not knowing what's going on around you, and that fear of the unknown. The only way to do that effectively is to really get into the maze, rather than look at the maze from above, so that's where I sort of come at it.

To me, when you have people trying to put their best foot forward but facing conflict, that's when stories are the most interesting.

To me, to spend all the time and energy and face all those creative challenges that you would spend for a two hour movie, you're inventing a world, you're inventing characters. If they're interesting enough, they should be compelling enough to go for five more episodes. How incredibly frustrating would it be to just do one movie?

To my mind [ Jonathan Edwards] is an interesting figure because he is both a canonical Reformed thinker, and yet also someone that pushed the envelope in a number of key areas of theology.

Tools get socially interesting after they're no longer technologically interesting.

To my way of thinking, whether it's a superhero movie or a romance or a comedy or whatever, the most important thing is you've got to care about the characters. You've got to understand the characters and you've got to be interested. If the characters are interesting, you're half-way home.

To observe the world carefully, to write a lot and often, on a schedule if necessary, to use the dictionary a lot, to look up word origins, to analyze closely the work of writers you admire, to read not only contemporaries but writers of the past, to learn at least one foreign language, to live an interesting life outside of writing.

Too many things are possible in a dream. It's most interesting when you don't know which space you're in.

To paraphrase president Kennedy's inaugural, the torch has been passed to a new generation of cartoonists and they are doing really interesting stuff, taking the old cliches and breathing new life into them and inventing new ones. This doesn't mean the previous generation of which I'm a charter member isn't doing good stuff but this new material is invigorating everyone.

Too much polishing and you spoil things. There's a limit to the expressibility of ideas. You have a new thought, an interesting one. Then, as you try to perfect it, it ceases to be new and interesting, and loses the freshness with which it first occurred to you. You're spoiling it.

To play someone who is who they are because of the happiness and contentedness that they've known in their life is interesting because of sort of how banal it is.

To me sympathy for a character has little to do with how morally upstanding or wicked they are. All that really matters for me is how human and interesting they are. I happen to be drawn to characters who operate under intense internal pressure, which often comes from some deep psychological conflict.

To me, the most interesting part of 'True Blood' is that the entire crux of the show is based on identity and finding your true identity.

Translated literature can be fascinating. There's something so intriguing about reading the text second hand - a piece of prose that has already been through an extra filter, another consciousness, in the guise of the translator. Some of my favorite writers who have written in English were doing so without English being their first language, so there's a sense of distance or of distortion there, too. Conrad. Nabokov. These writers were employing English in interesting ways.

To start your life as a character of 120 years when you are in your late thirties, and then go back in time about 20 years later to play the same character who is your own age then, its very complicated, but very interesting.

To the wingless a more interesting phenomenon is their (W/E Egg) dissimilarity in every particular except shape and size.

To think out a problem is not unlike drawing a caricature. You have to exaggerate the salient point and leave out that which is not typical. "To illustrate a principle ," says Bagehot , "you must exaggerate much and you must omit much." As to the quantity of absolute truth in a thought : it seems to me the more comprehensive and unobjectionable a thought becomes, the more clumsy and unexciting it gets. I like half-truths of a certain kind they are interesting and they stimulate.

To whom, then, must I dedicate my wonderful, surprising and interesting adventures? to whom dare I reveal my private opinion of my nearest relations? the secret thoughts of my dearest friends? my own hopes, fears, reflections and dislikes? Nobody!

Trans voices are really underrepresented, and trans stories are really underrepresented, and when they are presented, they're often reductive. I was interested in putting a trans person and a trans narrative on stage that didn't fall into cliché, that thought a bit more deeply about the experience of being trans, and how those issues tie into things that we all experience. How we tell the story of our lives, versus what might have actually happened, and how we communicate to our former selves. All of those questions were really interesting to me.