Best 358 quotes in «collaboration quotes» category

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    Filmmaking is a miracle of collaboration.

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    Film is a collection of many mediums and collaboration and you're only as strong as the people you're working with - and everybody owns their mediums.

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    Finlay was the godfather of a problem that's rampant everywhere today. He called the people who made his work 'collaborators'... nowadays it's 'fabricators'... talented people who are grateful, desperate and thwarted. There's plenty of them.

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    For me making music is part social, part interaction, part collaboration.

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    For me, the greatest kind of success that I've had on a particular project or in exploring a role does come through collaboration. I wouldn't want to do a movie where everything I do the director just says, "Good job" and I'm under directed.

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    For the world is an ever-elusive and ever-disappointing mirage only from the standpoint of someone standing aside from it—as if it were quite other than himself—and then trying to grasp it. But a third response is possible. Not withdrawal, not stewardship on the hypothesis of a future reward, but the fullest collaboration with the world as a harmonious system of contained conflicts—based on the realization that the only real "I" is the whole endless process.

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    Global collaboration is something that Wiki mastered in a small way and here we can master it in a big way.

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    Future public education will require involvement and collaboration among various local, civic, private and nonprofit entities, a concept I like to refer to as community entrepreneurship.

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    Great discoveries and improvements invariably involve the cooperation of many minds. I may be given credit for having blazed the trail, but when I look at the subsequent developments I feel the credit is due to others rather than to myself.

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    Have different people in your fold. Have cross-disciplinary collaborations.

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    hybrid, n. A pooled issue.

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    Hip-hop and R&B are especially fertile bases of collaboration. It always makes good records and good music.

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    Human beings, joined in collaboration with the gifts of grace, are responsible for the planet and its future.

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    I always need a support team, even at Donna Karan. I like collaborating. There is something in collaboration that is wonderful.

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    I am working on a list for collaborations and it's just another way to share your artistic talent with other artist.

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    I am not the kind of designer who is racing to the finish line, so while collaborations are important for our growth, each and every one has to be strategic and well-timed with what we have going on internally.

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    I came to these mediums through having the garden, and of course, people who have designed gardens have always worked in collaboration, and never made their own inscriptions.

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    I believe in collaboration, which is why I work with others to make positive contributions of consequence, and why I have made a very clear and unwavering commitment to remain absolutely apolitical.

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    I believe that in a good collaboration, the authors bring their strengths to the story; one author's strength cancels the other author's weakness, and back and forth it goes.

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    I came up with the "We are explorers," with sort of a counter-melody to [Opetaia Foa'i] melody. And so, it happened so organically, that it really, to me, is the most emblematic of our collaboration.

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    I definitely have plans to do more collaboration albums in the future. I'm a big fan of Common. I'm a big fan of Scarface; I'm a big fan of so many people, from Jeezy to... well, there are a lot of people's music that I respect. I don't know who I will collaborate with, but there's a great chance of something happening.

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    I don't remember saying nothing about me crossing over. I did R&B collaborations but I never tried to do no pop stuff.

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    I'd like to do more collaborations because collaboration creates different viewpoints.

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    I don't design. I don't paint. I absolutely never touch my works.

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    I feel like collaboration in music has allowed me to grow musically beyond my wildest dreams.

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    I don't want to direct. I have no directing ambition whatsoever. And as long as I meet filmmakers like Tom Hooper, Stephen Frears, and others who allow that collaboration, I can't see why I would ever want to direct.

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    I enjoy being given a certain amount of freedom in order to interpret or to come up with stuff, but I do enjoy collaboration. I seek and thrive on projects where I am going to learn from the people I'm working with.

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    I'd probably end up doing the same thing over and over. We're creatures of habit. We know what we know. With collaboration...and I'm not just talking about music, I'm talking about in life - if you're a good listener and you have your ears open, and to be a good collaborator you have to be able to listen, you can learn something from somebody else.

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    I dream of a collaboration that would finally be total, in which the librettist would often think as a composer and the composer as a librettist.

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    If Occupy Wall Street can see their way to more collaboration with the union movement, then there will be a great deal of political action possible.

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    I love storytelling, you know, beyond anything. I love a great story beyond a great performance. Storytelling is about what we all do together and how we collaborate together. A performance can be a collaboration in ways, but oftentimes it's one individual thing.

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    If our show [Carpool Karaoke] shines, then I shine. I don't ever want to come out and make anything about me. I want to make it about them, make them the best that they can be. And the whole thing is a collaboration, those carpools.

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    I like collaboration, I like to incorporate other people's ideas [and] that's what happens when you do a big movie. Unless you're called Stanley Kubrick and you do an independent movie for like $200 million.

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    I love collaboration of all kinds, and I love the way that collaboration pulls me into directions I wouldn't go in if I was working on my own.

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    I found it a really refreshing change of pace to suddenly be completely directed. It was a type of collaboration that I don't normally have.

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    If there is something magic about the collaborations I have with actors it's because I put the character first.

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    I have always thought that the best way to find out what is right and what is not right, what should be done and what should not be done, is not to give a sermon, but to talk and discuss, and out of discussion sometimes a little bit of truth comes out.

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    I have been getting offers from international artistes for collaboration all across the globe, but I prefer to work with Indian artistes.

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    I like style. For Dior, I did more of a collaboration shoot, not just a single image - so there was more to it. It's a very prestigious brand. I like their style and feel like their style is mine.

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    I'm not a huge fan of covers in general, but collaborations always make them more fun - they're sort of neutral territory.

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    I'm always open to discussing collaborations.

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    I'm an investor in MakerBot, which is a good example of the 'thingiverse'. The idea of applying collaboration and rapid iteration to things that we interact with and hold in our hands everyday is super revolutionary.

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    I'm not a movie person. They're collaborations of the worst kind. You must compromise yourself to many interests that are venal and crass and do not have your best interests at heart.

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    I'm a very big believer in collaboration and teamwork.

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    I'm not a designer, I'm a creator. To me, it's always been about collaboration, I've never studied styling or fashion. As far as I'm concerned, it boils down to common sense: have fun, more importantly have fun with your friends and keep a global view on what you're doing.

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    In a career playing heroes, I learned a little about the real thing. A hero stands up-for himself, for herself, but most importantly for others.

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    In a way, editing is not unlike the movies. The best books, just like the best movies, are a collaboration. They're only as good as the compromise made between the artists involved.

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    In a lifetime there are only a few people you can work with... where you can trust each other and push each other in different directions.

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    I never did anything alone. Whatever was accomplished in this country was accomplished collectively.

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    In the documentary space, the biggest and most obvious difference is that in those films you're not in it for a financial gain. It's a piece of collaboration and artistic expression, that pushes change and self expression, in the sense that everyone has a story.