Best 358 quotes in «collaboration quotes» category

I don't design. I don't paint. I absolutely never touch my works.

I don't remember saying nothing about me crossing over. I did R&B collaborations but I never tried to do no pop stuff.

I don't want to direct. I have no directing ambition whatsoever. And as long as I meet filmmakers like Tom Hooper, Stephen Frears, and others who allow that collaboration, I can't see why I would ever want to direct.

I'd probably end up doing the same thing over and over. We're creatures of habit. We know what we know. With collaboration...and I'm not just talking about music, I'm talking about in life - if you're a good listener and you have your ears open, and to be a good collaborator you have to be able to listen, you can learn something from somebody else.

I dream of a collaboration that would finally be total, in which the librettist would often think as a composer and the composer as a librettist.

I have always thought that the best way to find out what is right and what is not right, what should be done and what should not be done, is not to give a sermon, but to talk and discuss, and out of discussion sometimes a little bit of truth comes out.

I feel like collaboration in music has allowed me to grow musically beyond my wildest dreams.

I found it a really refreshing change of pace to suddenly be completely directed. It was a type of collaboration that I don't normally have.

If there is something magic about the collaborations I have with actors it's because I put the character first.

I enjoy being given a certain amount of freedom in order to interpret or to come up with stuff, but I do enjoy collaboration. I seek and thrive on projects where I am going to learn from the people I'm working with.

If Occupy Wall Street can see their way to more collaboration with the union movement, then there will be a great deal of political action possible.

If our show [Carpool Karaoke] shines, then I shine. I don't ever want to come out and make anything about me. I want to make it about them, make them the best that they can be. And the whole thing is a collaboration, those carpools.

I have been getting offers from international artistes for collaboration all across the globe, but I prefer to work with Indian artistes.

I love storytelling, you know, beyond anything. I love a great story beyond a great performance. Storytelling is about what we all do together and how we collaborate together. A performance can be a collaboration in ways, but oftentimes it's one individual thing.

I like collaboration, I like to incorporate other people's ideas [and] that's what happens when you do a big movie. Unless you're called Stanley Kubrick and you do an independent movie for like $200 million.

I like style. For Dior, I did more of a collaboration shoot, not just a single image - so there was more to it. It's a very prestigious brand. I like their style and feel like their style is mine.

I love collaboration of all kinds, and I love the way that collaboration pulls me into directions I wouldn't go in if I was working on my own.

I'm not a designer, I'm a creator. To me, it's always been about collaboration, I've never studied styling or fashion. As far as I'm concerned, it boils down to common sense: have fun, more importantly have fun with your friends and keep a global view on what you're doing.

I'm always open to discussing collaborations.

I'm an investor in MakerBot, which is a good example of the 'thingiverse'. The idea of applying collaboration and rapid iteration to things that we interact with and hold in our hands everyday is super revolutionary.

I'm a very big believer in collaboration and teamwork.

I'm not a movie person. They're collaborations of the worst kind. You must compromise yourself to many interests that are venal and crass and do not have your best interests at heart.

I'm not a huge fan of covers in general, but collaborations always make them more fun - they're sort of neutral territory.

In a career playing heroes, I learned a little about the real thing. A hero stands up-for himself, for herself, but most importantly for others.

In a lifetime there are only a few people you can work with... where you can trust each other and push each other in different directions.

In a way, editing is not unlike the movies. The best books, just like the best movies, are a collaboration. They're only as good as the compromise made between the artists involved.

Intelligence will become more and more collective; innovation and order will become more and more bottom-up.

I never did anything alone. Whatever was accomplished in this country was accomplished collectively.

I never quite understand the way society decides who is beautiful and who is not. But an open face and a capacity for kindness always feel like reliable signifiers to me.

In terms of collaboration, working on a new piece is always thrilling, as I'm sure most people would say, because the playwright is in the room and the piece itself evolves in response to what is happening in the room.

In the United States, associations are established to promote the public safety, commerce, industry, morality, and religion. There is no end which the human will despairs of attaining through the combined power of individuals united into a society.

In the end all collaborations are love stories.

In the documentary space, the biggest and most obvious difference is that in those films you're not in it for a financial gain. It's a piece of collaboration and artistic expression, that pushes change and self expression, in the sense that everyone has a story.

I really like the collaboration of doing movies and television. But I like the sort of solitary work of doing music.

I sincerely hope I can contribute to the progress there has been in relations between Jews and Catholics since the Second Vatican Council in a spirit of renewed collaboration.

I think about the collaboration between writers and readers, but I also think about the collaboration between all the writers in a generation or in a country or across time contributing to this massive project of documenting and reimagining our world.

I suppose in some ways that's why my collaborations worked out, because I would go in the studio with such enthusiasm and it would never be a chore for me. I was never itching for the process to be done so we could get out live. It's a different matter for me now. Now I've noticed that I actually have one eye or one ear on how I'm going to do it on stage. And maybe that's because I'm the frontman in the group; I do believe that any good frontman should be impatient in the studio to get out.

I still haven't quite gauged the effects of featuring designers on my blog and on Dazed. I can only rely on what people feed back to me ... the effects are positive though - designers picking up more buyers, entering into new collaborations, getting more orders.... it's all really, really encouraging.

I suppose I'm the only person who remembers one of the most exciting of his ballets-it's the fruit of an unlikely collaboration between Nijinsky on the one hand and Sir Arthur Conan Doyle on the other.

I think a good relationship is about collaboration.

I think film is collaboration, and I always want to hear everyone's input.

I think one of the geniuses of Bound and The Matrix and Memento is the complete collaboration of the effort. There were no rotten apples.

I think in most cases, if you're with good people, comedy creation happens faster in collaboration. That's how I can tell if it's a good collaboration: If it's faster than me by myself, then it works. If it's slower than me by myself, then I get out of the room.

I think we have to fight the idea - that I think a lot of us have internalized - that it is difficult to work with other women. We really need to embrace collaboration with other women. We need to seek out other women to promote.

I think people underestimate the value of collaboration, especially for writers.

I think there should be collaboration, but under my thumb.

It is better to be part of a great whole than to be the whole of a small part.

It is not simply that we share with each other a common humanity, but that individually we have no humanity without each other.

It often takes two to do a good painting - one to paint it, and another to rap the painter smartly with a hammer before he or she can ruin it.

It’s often overlooked. It’s labor. That’s at the heart of #‎ collaboration .