Best 358 quotes in «collaboration quotes» category

I'm always open to discussing collaborations.

I'm an investor in MakerBot, which is a good example of the 'thingiverse'. The idea of applying collaboration and rapid iteration to things that we interact with and hold in our hands everyday is super revolutionary.

I'm a very big believer in collaboration and teamwork.

I'm not a designer, I'm a creator. To me, it's always been about collaboration, I've never studied styling or fashion. As far as I'm concerned, it boils down to common sense: have fun, more importantly have fun with your friends and keep a global view on what you're doing.

I'm not a huge fan of covers in general, but collaborations always make them more fun - they're sort of neutral territory.

In a career playing heroes, I learned a little about the real thing. A hero stands up-for himself, for herself, but most importantly for others.

In a way, editing is not unlike the movies. The best books, just like the best movies, are a collaboration. They're only as good as the compromise made between the artists involved.

I never did anything alone. Whatever was accomplished in this country was accomplished collectively.

I never quite understand the way society decides who is beautiful and who is not. But an open face and a capacity for kindness always feel like reliable signifiers to me.

In terms of collaboration, working on a new piece is always thrilling, as I'm sure most people would say, because the playwright is in the room and the piece itself evolves in response to what is happening in the room.

In the documentary space, the biggest and most obvious difference is that in those films you're not in it for a financial gain. It's a piece of collaboration and artistic expression, that pushes change and self expression, in the sense that everyone has a story.

In the United States, associations are established to promote the public safety, commerce, industry, morality, and religion. There is no end which the human will despairs of attaining through the combined power of individuals united into a society.

I really like the collaboration of doing movies and television. But I like the sort of solitary work of doing music.

I still haven't quite gauged the effects of featuring designers on my blog and on Dazed. I can only rely on what people feed back to me ... the effects are positive though - designers picking up more buyers, entering into new collaborations, getting more orders.... it's all really, really encouraging.

I think about the collaboration between writers and readers, but I also think about the collaboration between all the writers in a generation or in a country or across time contributing to this massive project of documenting and reimagining our world.

I think film is collaboration, and I always want to hear everyone's input.

I think we have to fight the idea - that I think a lot of us have internalized - that it is difficult to work with other women. We really need to embrace collaboration with other women. We need to seek out other women to promote.

It is better to be part of a great whole than to be the whole of a small part.

I trust my work. It's a collaboration with the material, and when it's viewed, it's a collaboration with the world.

It's always a good collaboration between the actor and the writer and the director to try stuff out, during the process.

It's as if I were collaborating with myself, revealing my relationship to the material. My hand would make the drawing. Then my mouth would transmit it.

I'm not a movie person. They're collaborations of the worst kind. You must compromise yourself to many interests that are venal and crass and do not have your best interests at heart.

In a lifetime there are only a few people you can work with... where you can trust each other and push each other in different directions.

Intelligence will become more and more collective; innovation and order will become more and more bottom-up.

In the end all collaborations are love stories.

I sincerely hope I can contribute to the progress there has been in relations between Jews and Catholics since the Second Vatican Council in a spirit of renewed collaboration.

I suppose I'm the only person who remembers one of the most exciting of his ballets-it's the fruit of an unlikely collaboration between Nijinsky on the one hand and Sir Arthur Conan Doyle on the other.

I suppose in some ways that's why my collaborations worked out, because I would go in the studio with such enthusiasm and it would never be a chore for me. I was never itching for the process to be done so we could get out live. It's a different matter for me now. Now I've noticed that I actually have one eye or one ear on how I'm going to do it on stage. And maybe that's because I'm the frontman in the group; I do believe that any good frontman should be impatient in the studio to get out.

I think a good relationship is about collaboration.

I think in most cases, if you're with good people, comedy creation happens faster in collaboration. That's how I can tell if it's a good collaboration: If it's faster than me by myself, then it works. If it's slower than me by myself, then I get out of the room.

I think one of the geniuses of Bound and The Matrix and Memento is the complete collaboration of the effort. There were no rotten apples.

I think people underestimate the value of collaboration, especially for writers.

I think there should be collaboration, but under my thumb.

It is not simply that we share with each other a common humanity, but that individually we have no humanity without each other.

It often takes two to do a good painting - one to paint it, and another to rap the painter smartly with a hammer before he or she can ruin it.

It's good to go back and look at what other states are doing. For example, Mayo Clinics and the University of Minnesota had a collaborative grant program that we modeled our program after, so we went back to talk to them about the successes of their program. It's been very successful, the state is going back to fund it again, and it's resulted in a great deal of collaboration and specifically patented technology.

It’s often overlooked. It’s labor. That’s at the heart of #‎ collaboration .

It's real difficult to pin down directions. I just want to do collaboration-tape stuff.

It's such a joy to work with different ensembles and create a collaboration. Rehearsing and building a performance is very interesting for me.

It's the desire to study the human condition, the desire for collaboration, to learn and absorb, and to lead a well-examined life.

It's very nourishing and collaborative - kind of the true essence of what one would want an artistic collaboration to be [the collaboration with Oprah Winfrey].

I've been approached by many different people, but I don't really want to be known as a collaboration dude.

I've been approached about doing some live performance collaborations with DJ's. That is something I'd be interested in getting into down the line, but I've worked very hard to distinguish myself as a laptop artist.

I've done collaborations with Scott [Morgan, aka Loscil] in the past, but it is something that kind of appeals to me these days.

I've done collaborations in all my movies, and I think it's part of what I enjoy about the process. This kind of intimacy that you create. Because it becomes very intimate.

I've done a lot of collaboration over the years, but right now I'm enjoying writing by myself and just being me again for a while.

I've worked with actors before where I was like, this is not working, and then I've seen their work on the screen and I've been like, Wow, that was a really great performance. Because there are a lot of elements with film. It's not like stage. It's not a kind of performance art anymore; it's a highly tuned kind of collaboration - a symphony.

I've worked with Frank [Darabont] on two collaborations, The Majestic with Jim Carrey and Stephen King's The Mist.

I want collaboration, but if they don't have a plan or their vision isn't clear, it's nerve-wracking. So, someone that's very sure of the vision is what you want, most of all.

I want to collaborate with me 'cause I've done so many collaborations that after a certain point unless you're really working with a certain caliber of an artist, there's no point [to collaborate].