Best 3782 quotes in «acting quotes» category

Have a good looking is not worthy if you don't act just like your appearances.

Healthy entertainment does not evoke raw emotions in the mind of a viewer only to make them wreak havoc, rather it guides those emotions in a healthy direction.

He completely lacked any ardent interest that might have occupied his mind. His interior life was impoverished, had undergone a deterioration so severe that it was like the almost constant burden of some vague grief. And bound up with it all was an implacable sense of personal duty and the grim determination to present himself at his best, to conceal his frailties by any means possible, and to keep up appearances. It had all contributed to making his existence what it was: artificial, self-conscious, and forced—until every word, every gesture, the slightest deed in the presence of others had become a taxing and grueling part in a play.

He inquired with the confidence of anyone trying free samples at a grocery store and putting on an Oscar-worthy performance of a person that was going to come back and buy it all later.

Here’s hoping this book will give wishful actors everywhere the inspiration and encouragement they need follow their dream. They need to know what the life of a working actor looks like and that it is possible to have a successful acting career and a full life without becoming a celebrity or star.

Healthy entertainment is a beautiful blend of stimuli that can connect with the viewer at a sentimental level, then sow the seeds of a certain idea or feed the mind with inspiration and courage. In short, healthy entertainment does not evoke raw emotions in the mind of a viewer only to make them wreak havoc, rather it guides those emotions in a healthy direction. This leads to not only an entertained viewer, but also an inspired soul. And that should be the purpose of film-making, and indeed the entire entertainment industry, rather than feeding the general population with garbage.

Here's the thing: It's not easy to be a woman in this business. There will always be jokes about your body. There will always be guys who steal your best ideas and pass them off as their own. There will always be actors who push you to the ground. There will always be networks that ask you to lose weight. There will always be jobs you will not get based on your looks. And the men will continue to support one another and show up for one another and hire one another, but if YOU want to stick around, girl, you better be damn sure you smile when they ask and wear a low-cut top to your network test and lose the fucking weight and let them take credit for your words because YOU are expendable. At some point, I started to not care if I was expendable.

He was cut from the scene like a case of the runs from a can-can routine.

I am a bit of a weird case. Here, people perceive me as French and in France, I am half-Asian or sometimes I have heard that I am not Asian enough. There’s always something and I don’t pay attention to anything. I love acting so much. I’m not going to stop at one, ten, twenty people telling me, “You’re too much like this” or “You’re not enough like that.” My team is well trained. I tell them, “Just get me in the room, get me the audition, even if they’re looking for a blonde American woman,” because once I’m there, maybe I can bring something different and change someone’s mind. I try to force doors. I would never fit a character on paper.

Her friend - and her partner on the stage. You will not believe me, but making love to Kitty - a thing done in passion, but always, too, in shadow and silence, and with an ear half-cocked for the sound of footsteps on the stairs - making love to Kitty and posing at her side in a shaft of limelight, before a thousand pairs of eyes, to a script I knew by heart, in an attitude I had laboured for hours to perfect - these things were not so very different. A double act is always twice the act that the audience thinks it; beyond our songs, our steps, our bits of business with coins and canes and flowers, there was a private language, in which we held an endless, delicate exchange of which the crowd knew nothing. This was a language not of the tongue but of the body, its vocabulary the pressure of a finger or a palm, the nudging of a hip, the holding or breaking of a gaze, that said, You are too slow - you got too fast - not there but here - that's good - that's better! It was as if we walked before the crimson curtain, lay down upon the boards and kissed and fondled - and were clapped, and cheered, and paid for it!

I always am in a role, lovely – for you, for them – even for myself. Yeah... Even when I’m alone, I am still in a role – and I myself am the most exacting audience I have ever had.

I am not an actress. I am a mistress of disguise. Acting happens to be one of the perks

I constantly watch people like Marion Cotillard or Cate Blanchett or Kate Winslet... I have a fear of being passive, and what I admire about all those actresses is that every choice they make is really strong. Even if they're playing something very quiet, it's visceral and bold.

I could play many types of characters on camera, but all were, in some way, going to be variations of me, and I was conscious of who I was. I wasn’t a prude or a goody two-shoes, but I was, in many ways, still the boy my mother praised for being good, and though older and more complex, I was content with remaining that good boy. I wanted to be able to talk about my work at the dinner table and hold my head up on Sundays when my wife and I led our children into the Brentwood Presbyterian Church, where I was an elder.

I don't belive in God. I believe in...Al Pacino.

I don't believe in 'good exposure'. It is not how I was programmed.

I don't understand', I say,'why they care what I think, as long as I'm acting how they want me to.' 'You're acting how they want you to now', he says,'but what happens when your Abnegation-wired brain tells you to do something else, something they don't want?

I don't think about a role as positive or negative. If I can play it convincingly, then I feel satisfied as an actor

I don't care if you wear white to your coming-out party and pretend to be a virgin, but you're gay, Kit. G-A-Y. Gay! So gay, fairies everywhere will weep that your machismo avoided their gaydar for so long.

I feel as if I could be any thing or every thing, as if I could rant and storm, or sigh, or cut capers in any tragedy or comedy in the English language.

If its not worthy don't think, not true don't speak, not right don't act.

I am an actor, living generally on air, but I have always elastic hopes for the future; they may be stretched indefinitely, such hopes, without bursting

If it must be enjoyed, then it must be done. And if it must be done, then it must be done well. If it is done well, it is enjoyed well.

...if the actor gave his performance without knowing that he was in a play, then his tears would be real tears and his life a real life. And whenever I think of this pain and joy that rise up in me, I am carried away by the knowledge that the game I am playing is the most serious and exciting there is.

If thinking should precede acting, then acting must succeed thinking.

If you are willing to expose your heart...being publicly private, you just may do something...

If you don't lose first you are not entitled to win.

If you want to be an actor, don’t. If you need to be an actor, do.

If my life were still a movie, this is the part that would end up on the cutting room floor. We were all just fill-ins for a long-running soap opera. The actors changed, but the story seldom did. Certainly not the action.

I had the privilege of being able to choose, or at least have the opportunity to work at, being anything but an actor.

Karl Marx: "Religion is the opiate of the masses." Carrie Fisher: "I did masses of opiates religiously.

I knew exactly when the fever had struck. I had been reading Hamlet in an English class at school. Everyone else stumbled, puzzling over the strange words. Then it had been my turn, and the language had suddenly woken in me, so that my heart and lungs and tongue and throat were on fire. Later, I understood that this was why people spoke of Shakespeare as a god. At the time, I felt like weeping. Somebody had released me from dumbness, from utter isolation. I knew that I could live inside these words, that they would give me a a shape, a shell. I had no idea, then, that I would never play Hamlet…. I’m an actor, and in a good year I earn eleven thousand pounds for dressing up as a carrot.

I hated the fake world of celebrities, especially those my age. The media plays them up in sparkles and happiness to make it more appealing so they can exploit you. At least that’s what my naïve self thought of the entertainment world then.

I love it when you go to see something, and you enter as an individual, and you leave as a group. Because you've all been bound together by the same experience.

I had a dream about you. We were actors in a horror movie and I was hunting you down with a knife. When I finally cornered you the director yelled "Cut".... What? I can't be blamed for following instructions.

I know my career is going badly because I'm being quoted correctly.

I’m not an actor, I’m creating the mood for actors to be legends, a soundtracks creator

I'm not that good of an actor to fake something like that.

I made some mistakes in drama. I thought the drama was when actors cried. But drama is when the audience cries.

[In high school] my interests outside my academic work were debating, tennis, and to a lesser extent, acting. I became intensely interested in astronomy and devoured the popular works of astronomers such as Sir Arthur Eddington and Sir James Jeans, from which I learnt that a knowledge of mathematics and physics was essential to the pursuit of astronomy. This increased my fondness for those subjects.

In his madness he became a terrifying actor!

I often wondered if the pursuit of the illicit was not tacitly encouraged among those in charge, devoted, as they all were, to profit. I could have been carrying on with a psychopathic serial murderer, and no one would have blinked an eye as long as I knew my lines and hit my mark with efficiency and a modicum of verve.

I see an actress smoking a cigarette in an old Fred McMurray movie. She’s clever and beautiful and manipulative. I feel envy. I suddenly wish I smoked cigarettes and was as clever and beautiful and manipulative as she. I want to be that way at the restaurants I visit, as I’m walking to my car, with certain friends who might understand. The actress has played her part well; she’s made me want to emulate her base desires if only for a while. Does that make me impressionable, a fool, or someone who will recognize the deepest secrets of her heart? I fight hard to stay young—to keep the lines from further etching my face and hands and breasts, presumably to trick the world into believing I am young. I’m an actress playing a part. I’m afraid to tell the truth. I fear losing those younger or becoming those older. In the presence of youth, a sort of unseen age-osmosis occurs within me. The years drop away and I don’t want to leave. It’s utterly selfish but I don’t care. After all, I’m no older than they—I’ve just been so longer. I was nineteen only yesterday and they don’t retire nineteen-year-old actresses.

I take pride in playing immigrant characters. I've come across people who had a negative opinion about playing Asian characters that have an accent. I've even met Asian actors who won't audition for a role that has an Asian accent. They believe these accented characters reinforce the stereotype of an Asian being the constant foreigner. Frankly, I can't relate. I was an immigrant. And no matter how Americanized I become, no matter how much Jay-Z I listen to, I'll always be an immigrant. Just because I don't speak English with an accent anymore doesn't mean that I'm better than the people who do. My job as an actor is not to judge anyone and to portray a character with humanity. There are real people with real Asian accents in the real world. I used to be one of them. And I'm damn proud of it.

I love movies and all, but I could never imagine standing around saying lines and playing make believe all day. It’s too fucking ridiculous. Also, even children and animals can technically be actors. It’s not a job for a man.

Improvisation is the power of spontaneous observation.

I never was very good at acting. I never was very good at playing the role. Because the true pretending can only come off in our genuine awareness of the real. Only those of us with the most secure grasp on the real can pretend; can really be good at the performance. And of course I didn't know what was real; I only knew the camera was always on.

In musical performances one can sense that the person on stage is having a good time even if they're singing a song about breaking up or being in a bad way. For an actor this would be anathema, it would destroy the illusion, but with singing one can have it both ways. As a singer, you can be transparent and reveal yourself on stage, in that moment, and at the same time be the person whose story is being told in the song. Not too many kinds of performance allow that.

In me all affections take place on the surface, but sincerely. I've always been an actor, and in earnest. Whenever I've loved, I've pretended to love, pretending it even to myself.

In the movies you get even; in life, diplomacy is best.